Songs like Two Hands by Big Thief
Based on a tempo of (+/- 10%) and a similar genre
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Perfume Genius
Pop Song
90 bpm • A Maj • 05:05 • -11db
30% Popularity • 63% Danceability • 44% Energy • 8% Liveness
12% Instrumentalness • 38% Positiveness
30% Popularity • 63% Danceability • 44% Energy • 8% Liveness
12% Instrumentalness • 38% Positiveness
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Big Thief
Two Hands
90 bpm • F Maj • 03:52 • -8.83db
40% Popularity • 52% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
40% Popularity • 52% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Conor Oberst
Lua
90 bpm • D Maj • 05:53 • -9.89db
30% Popularity • 56% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
30% Popularity • 56% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Dirty Projectors
Overlord
90 bpm • B Maj • 02:43 • -7.43db
30% Popularity • 69% Danceability • 44% Energy • 28% Liveness
0% Instrumentalness • 60% Positiveness
30% Popularity • 69% Danceability • 44% Energy • 28% Liveness
0% Instrumentalness • 60% Positiveness
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Adrianne Lenker
Already Lost
91 bpm • C Maj • 03:27 • -9.94db
57% Popularity • 54% Danceability • 32% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
57% Popularity • 54% Danceability • 32% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
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Courtney Marie Andrews
Burlap String
89 bpm • D Maj • 03:57 • -10.28db
24% Popularity • 58% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
24% Popularity • 58% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Whitney
Valleys (My Love)
89 bpm • B Maj • 03:56 • -7.17db
49% Popularity • 57% Danceability • 61% Energy • 10% Liveness
59% Instrumentalness • 50% Positiveness
49% Popularity • 57% Danceability • 61% Energy • 10% Liveness
59% Instrumentalness • 50% Positiveness
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Big Thief
Century
91 bpm • E Maj • 03:07 • -14.52db
38% Popularity • 67% Danceability • 40% Energy • 9% Liveness
2% Instrumentalness • 47% Positiveness
38% Popularity • 67% Danceability • 40% Energy • 9% Liveness
2% Instrumentalness • 47% Positiveness
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Angelo De Augustine
You Needed Love, I Needed You
89 bpm • D Maj • 03:25 • -14db
52% Popularity • 52% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 54% Positiveness
52% Popularity • 52% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 54% Positiveness
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Sufjan Stevens
Olympus
92 bpm • F Maj • 03:07 • -14.33db
41% Popularity • 42% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
41% Popularity • 42% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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The Innocence Mission
I Would Be There
88 bpm • D# Maj • 04:16 • -9.22db
8% Popularity • 33% Danceability • 38% Energy • 9% Liveness
1% Instrumentalness • 14% Positiveness
8% Popularity • 33% Danceability • 38% Energy • 9% Liveness
1% Instrumentalness • 14% Positiveness
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Bright Eyes
To Death's Heart (In Three Parts)
92 bpm • D min • 05:25 • -8.52db
26% Popularity • 28% Danceability • 59% Energy • 25% Liveness
0% Instrumentalness • 10% Positiveness
26% Popularity • 28% Danceability • 59% Energy • 25% Liveness
0% Instrumentalness • 10% Positiveness
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Fleet Foxes
I'm Not My Season
92 bpm • E Maj • 03:11 • -15db
34% Popularity • 50% Danceability • 14% Energy • 65% Liveness
0% Instrumentalness • 11% Positiveness
34% Popularity • 50% Danceability • 14% Energy • 65% Liveness
0% Instrumentalness • 11% Positiveness
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Big Thief
Haley
89 bpm • F# Maj • 03:32 • -6.72db
49% Popularity • 54% Danceability • 72% Energy • 10% Liveness
6% Instrumentalness • 50% Positiveness
49% Popularity • 54% Danceability • 72% Energy • 10% Liveness
6% Instrumentalness • 50% Positiveness
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Nilüfer Yanya
Crash
92 bpm • G Maj • 03:46 • -7.86db
25% Popularity • 55% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
25% Popularity • 55% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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Andrew Bird
Proxy War
92 bpm • G Maj • 04:05 • -6.98db
33% Popularity • 54% Danceability • 70% Energy • 9% Liveness
1% Instrumentalness • 60% Positiveness
33% Popularity • 54% Danceability • 70% Energy • 9% Liveness
1% Instrumentalness • 60% Positiveness
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Joan Shelley
Coming Down For You
92 bpm • F min • 03:12 • -11db
25% Popularity • 53% Danceability • 34% Energy • 16% Liveness
8% Instrumentalness • 55% Positiveness
25% Popularity • 53% Danceability • 34% Energy • 16% Liveness
8% Instrumentalness • 55% Positiveness
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CARM
Song of Trouble
92 bpm • D Maj • 02:59 • -13db
22% Popularity • 21% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
22% Popularity • 21% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Widowspeak
Romeo and Juliet
87 bpm • C Maj • 05:32 • -13.72db
35% Popularity • 36% Danceability • 47% Energy • 11% Liveness
1% Instrumentalness • 27% Positiveness
35% Popularity • 36% Danceability • 47% Energy • 11% Liveness
1% Instrumentalness • 27% Positiveness
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Big Thief
Coma
92 bpm • A# Maj • 03:39 • -12.58db
40% Popularity • 38% Danceability • 30% Energy • 16% Liveness
3% Instrumentalness • 18% Positiveness
40% Popularity • 38% Danceability • 30% Energy • 16% Liveness
3% Instrumentalness • 18% Positiveness
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Sylvan Esso
What If
87 bpm • C Maj • 01:25 • -13.37db
38% Popularity • 67% Danceability • 12% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
38% Popularity • 67% Danceability • 12% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
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Perfume Genius
Some Dream
93 bpm • F# Maj • 04:18 • -7.54db
24% Popularity • 29% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
24% Popularity • 29% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
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Hope Sandoval & The Warm Inventions
Drop
93 bpm • F Maj • 02:32 • -12.18db
46% Popularity • 27% Danceability • 29% Energy • 10% Liveness
11% Instrumentalness • 10% Positiveness
46% Popularity • 27% Danceability • 29% Energy • 10% Liveness
11% Instrumentalness • 10% Positiveness
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Tomberlin
Wasted
93 bpm • E Maj • 02:29 • -10db
55% Popularity • 77% Danceability • 57% Energy • 14% Liveness
14% Instrumentalness • 72% Positiveness
55% Popularity • 77% Danceability • 57% Energy • 14% Liveness
14% Instrumentalness • 72% Positiveness
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Julie Byrne
Sleepwalker
87 bpm • F# Maj • 04:19 • -14db
39% Popularity • 48% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
39% Popularity • 48% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Adrianne Lenker
Vampire Empire
87 bpm • G Maj • 03:55 • -6.04db
61% Popularity • 40% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
61% Popularity • 40% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Big Thief
Magic Dealer
86 bpm • D# Maj • 03:01 • -18.98db
29% Popularity • 41% Danceability • 24% Energy • 36% Liveness
0% Instrumentalness • 38% Positiveness
29% Popularity • 41% Danceability • 24% Energy • 36% Liveness
0% Instrumentalness • 38% Positiveness
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boygenius
Me & My Dog
94 bpm • C Maj • 03:26 • -9.05db
62% Popularity • 49% Danceability • 51% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
62% Popularity • 49% Danceability • 51% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
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Laura Veirs
I Was A Fool
95 bpm • D# Maj • 02:44 • -15.57db
21% Popularity • 59% Danceability • 8% Energy • 35% Liveness
68% Instrumentalness • 31% Positiveness
21% Popularity • 59% Danceability • 8% Energy • 35% Liveness
68% Instrumentalness • 31% Positiveness
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The Innocence Mission
John As Well
86 bpm • G Maj • 04:19 • -9.48db
8% Popularity • 22% Danceability • 29% Energy • 60% Liveness
1% Instrumentalness • 9% Positiveness
8% Popularity • 22% Danceability • 29% Energy • 60% Liveness
1% Instrumentalness • 9% Positiveness
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Better Oblivion Community Center
My City
85 bpm • A# Maj • 04:04 • -8.43db
42% Popularity • 56% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
42% Popularity • 56% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Smog
Our Anniversary
95 bpm • F# Maj • 06:17 • -15db
38% Popularity • 54% Danceability • 47% Energy • 13% Liveness
80% Instrumentalness • 36% Positiveness
38% Popularity • 54% Danceability • 47% Energy • 13% Liveness
80% Instrumentalness • 36% Positiveness
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Samia
Big Wheel
95 bpm • F Maj • 03:15 • -8db
27% Popularity • 55% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
27% Popularity • 55% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Hurray For The Riff Raff
Settle
95 bpm • E Maj • 02:57 • -7.43db
20% Popularity • 64% Danceability • 54% Energy • 31% Liveness
4% Instrumentalness • 78% Positiveness
20% Popularity • 64% Danceability • 54% Energy • 31% Liveness
4% Instrumentalness • 78% Positiveness
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Big Thief
Mary
95 bpm • F Maj • 05:28 • -14.43db
52% Popularity • 40% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
52% Popularity • 40% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Advance Base
Dolores & Kimberly
96 bpm • F Maj • 05:05 • -10.86db
17% Popularity • 67% Danceability • 38% Energy • 12% Liveness
79% Instrumentalness • 62% Positiveness
17% Popularity • 67% Danceability • 38% Energy • 12% Liveness
79% Instrumentalness • 62% Positiveness
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Julia Jacklin
to Perth, before the border closes
96 bpm • D Maj • 02:56 • -12.44db
58% Popularity • 59% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
58% Popularity • 59% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Sufjan Stevens
It’s Your Own Body And Mind
96 bpm • C min • 02:27 • -12.94db
42% Popularity • 64% Danceability • 31% Energy • 12% Liveness
93% Instrumentalness • 38% Positiveness
42% Popularity • 64% Danceability • 31% Energy • 12% Liveness
93% Instrumentalness • 38% Positiveness
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The National
Where Is Her Head
96 bpm • C# Maj • 04:41 • -5.34db
38% Popularity • 52% Danceability • 86% Energy • 6% Liveness
69% Instrumentalness • 22% Positiveness
38% Popularity • 52% Danceability • 86% Energy • 6% Liveness
69% Instrumentalness • 22% Positiveness
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The Innocence Mission
The Brothers Williams Said
84 bpm • G Maj • 03:30 • -10.82db
14% Popularity • 33% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
14% Popularity • 33% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Big Thief
Little Things
96 bpm • C# Maj • 05:44 • -5db
47% Popularity • 34% Danceability • 92% Energy • 25% Liveness
92% Instrumentalness • 74% Positiveness
47% Popularity • 34% Danceability • 92% Energy • 25% Liveness
92% Instrumentalness • 74% Positiveness
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Better Oblivion Community Center
Service Road
84 bpm • C Maj • 03:44 • -10db
40% Popularity • 56% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
40% Popularity • 56% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Adrianne Lenker
anything
84 bpm • D# Maj • 03:22 • -12.95db
73% Popularity • 39% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
73% Popularity • 39% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Friendship
Skip to the Good Part
84 bpm • C Maj • 05:51 • -12.1db
11% Popularity • 59% Danceability • 48% Energy • 10% Liveness
60% Instrumentalness • 43% Positiveness
11% Popularity • 59% Danceability • 48% Energy • 10% Liveness
60% Instrumentalness • 43% Positiveness
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Andrew Bird
Left Handed Kisses
97 bpm • E min • 03:14 • -9.12db
46% Popularity • 42% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
46% Popularity • 42% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Fiona Apple
Heavy Balloon
84 bpm • B min • 03:26 • -6.53db
44% Popularity • 64% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
44% Popularity • 64% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
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Hand Habits
the book on how to change part II
97 bpm • D# Maj • 04:51 • -11.06db
12% Popularity • 41% Danceability • 42% Energy • 21% Liveness
2% Instrumentalness • 17% Positiveness
12% Popularity • 41% Danceability • 42% Energy • 21% Liveness
2% Instrumentalness • 17% Positiveness
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Vagabon
In A Bind - Strings Version
97 bpm • D# min • 03:43 • -11.76db
19% Popularity • 52% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
19% Popularity • 52% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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The Antlers
Solstice
97 bpm • A Maj • 03:55 • -7.2db
17% Popularity • 54% Danceability • 45% Energy • 9% Liveness
68% Instrumentalness • 13% Positiveness
17% Popularity • 54% Danceability • 45% Energy • 9% Liveness
68% Instrumentalness • 13% Positiveness
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Big Thief
Replaced
83 bpm • G Maj • 04:54 • -10.34db
31% Popularity • 63% Danceability • 48% Energy • 11% Liveness
10% Instrumentalness • 72% Positiveness
31% Popularity • 63% Danceability • 48% Energy • 11% Liveness
10% Instrumentalness • 72% Positiveness
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Belle and Sebastian
I Know Where The Summer Goes
83 bpm • F Maj • 04:23 • -8.86db
19% Popularity • 47% Danceability • 50% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
19% Popularity • 47% Danceability • 50% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
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TORRES
Too Big for the Glory Hole
83 bpm • G Maj • 02:40 • -14.6db
11% Popularity • 28% Danceability • 16% Energy • 11% Liveness
22% Instrumentalness • 5% Positiveness
11% Popularity • 28% Danceability • 16% Energy • 11% Liveness
22% Instrumentalness • 5% Positiveness
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Lucy Dacus
Thumbs
98 bpm • G min • 04:25 • -16db
45% Popularity • 47% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
45% Popularity • 47% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Vagabon
Wits About You
97 bpm • F# Maj • 02:39 • -14.38db
15% Popularity • 67% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
15% Popularity • 67% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Jenny O.
God Knows Why
83 bpm • E Maj • 03:01 • -7.34db
21% Popularity • 46% Danceability • 66% Energy • 23% Liveness
19% Instrumentalness • 72% Positiveness
21% Popularity • 46% Danceability • 66% Energy • 23% Liveness
19% Instrumentalness • 72% Positiveness
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Broken Social Scene
1972
98 bpm • A Maj • 04:53 • -8.98db
30% Popularity • 50% Danceability • 48% Energy • 7% Liveness
12% Instrumentalness • 32% Positiveness
30% Popularity • 50% Danceability • 48% Energy • 7% Liveness
12% Instrumentalness • 32% Positiveness
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Sufjan Stevens
Reach Out
83 bpm • C Maj • 03:43 • -14db
43% Popularity • 57% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
43% Popularity • 57% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Better Oblivion Community Center
Forest Lawn
83 bpm • D Maj • 03:46 • -14db
38% Popularity • 57% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
38% Popularity • 57% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Father John Misty
Fallin' Rain
98 bpm • G# Maj • 03:47 • -10.16db
30% Popularity • 62% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
30% Popularity • 62% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Vagabon
In A Bind
97 bpm • D# min • 03:40 • -14.25db
17% Popularity • 55% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
17% Popularity • 55% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Skullcrusher
Song for Nick Drake
98 bpm • E Maj • 02:57 • -12.26db
40% Popularity • 45% Danceability • 28% Energy • 11% Liveness
4% Instrumentalness • 19% Positiveness
40% Popularity • 45% Danceability • 28% Energy • 11% Liveness
4% Instrumentalness • 19% Positiveness
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Kurt Vile
Baby's Arms
82 bpm • B min • 04:44 • -6db
42% Popularity • 49% Danceability • 53% Energy • 28% Liveness
0% Instrumentalness • 35% Positiveness
42% Popularity • 49% Danceability • 53% Energy • 28% Liveness
0% Instrumentalness • 35% Positiveness
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The Magnetic Fields
The Book of Love
99 bpm • G Maj • 02:42 • -13.29db
60% Popularity • 48% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
60% Popularity • 48% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Big Thief
Off You
99 bpm • F Maj • 04:04 • -9.95db
26% Popularity • 75% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
26% Popularity • 75% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Better Oblivion Community Center
Chesapeake
99 bpm • C# Maj • 04:04 • -13.33db
43% Popularity • 51% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
43% Popularity • 51% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Samantha Crain
Joey
99 bpm • C# Maj • 04:40 • -11db
32% Popularity • 34% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
32% Popularity • 34% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Black Belt Eagle Scout
Half Colored Hair
82 bpm • F Maj • 04:44 • -11.84db
20% Popularity • 56% Danceability • 30% Energy • 12% Liveness
75% Instrumentalness • 7% Positiveness
20% Popularity • 56% Danceability • 30% Energy • 12% Liveness
75% Instrumentalness • 7% Positiveness
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Florist
Red Bird Pt. 2 (Morning)
82 bpm • C# Maj • 05:26 • -20db
41% Popularity • 43% Danceability • 14% Energy • 13% Liveness
2% Instrumentalness • 10% Positiveness
41% Popularity • 43% Danceability • 14% Energy • 13% Liveness
2% Instrumentalness • 10% Positiveness
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River Whyless
All of My Friends
99 bpm • D Maj • 02:48 • -12db
46% Popularity • 65% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
46% Popularity • 65% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Valley Queen
Pulled by the Weather
81 bpm • C Maj • 06:02 • -7.63db
16% Popularity • 29% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
16% Popularity • 29% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Soccer Mommy
I'm On Fire
100 bpm • D Maj • 03:07 • -12.38db
39% Popularity • 42% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 9% Positiveness
39% Popularity • 42% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 9% Positiveness
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Widowspeak
While You Wait
100 bpm • E Maj • 04:50 • -10.32db
29% Popularity • 58% Danceability • 46% Energy • 12% Liveness
28% Instrumentalness • 31% Positiveness
29% Popularity • 58% Danceability • 46% Energy • 12% Liveness
28% Instrumentalness • 31% Positiveness
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Joan Shelley
The Sway
100 bpm • D Maj • 03:22 • -10.74db
22% Popularity • 56% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
22% Popularity • 56% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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The Breeders
Off You
81 bpm • A# Maj • 04:55 • -19db
46% Popularity • 46% Danceability • 10% Energy • 11% Liveness
3% Instrumentalness • 6% Positiveness
46% Popularity • 46% Danceability • 10% Energy • 11% Liveness
3% Instrumentalness • 6% Positiveness
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![Holocene [feat. Weyes Blood] cover art](https://i.scdn.co/image/ab67616d00001e02e7fa902ce3278f262425c315)
Zella Day
Holocene
81 bpm • C# Maj • 04:26 • -10.06db
36% Popularity • 44% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
36% Popularity • 44% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Jess Williamson
Infinite Scroll
100 bpm • C# Maj • 04:10 • -9.02db
9% Popularity • 56% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
9% Popularity • 56% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Horsegirl
Ballroom Dance Scene
100 bpm • A min • 03:28 • -11.01db
33% Popularity • 26% Danceability • 49% Energy • 8% Liveness
10% Instrumentalness • 20% Positiveness
33% Popularity • 26% Danceability • 49% Energy • 8% Liveness
10% Instrumentalness • 20% Positiveness
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Okay Kaya
La Meg
81 bpm • C Maj • 02:55 • -12.27db
33% Popularity • 58% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
33% Popularity • 58% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
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Angelo De Augustine
Santa Barbara
81 bpm • G min • 03:14 • -17.2db
45% Popularity • 53% Danceability • 16% Energy • 11% Liveness
3% Instrumentalness • 50% Positiveness
45% Popularity • 53% Danceability • 16% Energy • 11% Liveness
3% Instrumentalness • 50% Positiveness
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boygenius
Bite The Hand
100 bpm • A# Maj • 03:12 • -8.12db
63% Popularity • 54% Danceability • 51% Energy • 11% Liveness
3% Instrumentalness • 19% Positiveness
63% Popularity • 54% Danceability • 51% Energy • 11% Liveness
3% Instrumentalness • 19% Positiveness
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Andrew Bird
Manifest
100 bpm • C min • 05:17 • -6.4db
52% Popularity • 63% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
52% Popularity • 63% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Phoebe Bridgers
Garden Song
100 bpm • C Maj • 03:39 • -16.65db
66% Popularity • 43% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 17% Positiveness
66% Popularity • 43% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 17% Positiveness
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Hand Habits
wildfire
100 bpm • G min • 04:09 • -11.01db
10% Popularity • 29% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
10% Popularity • 29% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
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Big Thief
Cattails
81 bpm • C# Maj • 04:05 • -6.93db
48% Popularity • 56% Danceability • 58% Energy • 11% Liveness
1% Instrumentalness • 70% Positiveness
48% Popularity • 56% Danceability • 58% Energy • 11% Liveness
1% Instrumentalness • 70% Positiveness
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Jess Williamson
Pictures of Flowers
101 bpm • E Maj • 04:20 • -10.1db
25% Popularity • 69% Danceability • 50% Energy • 37% Liveness
0% Instrumentalness • 43% Positiveness
25% Popularity • 69% Danceability • 50% Energy • 37% Liveness
0% Instrumentalness • 43% Positiveness
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Courtney Marie Andrews
If I Told
80 bpm • A# Maj • 04:58 • -15.34db
42% Popularity • 28% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
42% Popularity • 28% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Christian Lee Hutson
Get The Old Band Back Together
101 bpm • E Maj • 03:08 • -6.56db
25% Popularity • 61% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
25% Popularity • 61% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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The McTague Twins
Peach Plum Pear
80 bpm • C# Maj • 03:31 • -14.69db
32% Popularity • 71% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
32% Popularity • 71% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Hand Habits
4th of july
101 bpm • A# Maj • 02:56 • -10.89db
38% Popularity • 59% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
38% Popularity • 59% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Girlpool
Cherry Picking
101 bpm • G Maj • 03:35 • -11.38db
25% Popularity • 71% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
25% Popularity • 71% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Julia Holter
Sea Calls Me Home
80 bpm • B min • 03:07 • -7db
37% Popularity • 32% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 27% Positiveness
37% Popularity • 32% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 27% Positiveness
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Big Thief
Contact
79 bpm • D min • 03:54 • -8.16db
35% Popularity • 45% Danceability • 38% Energy • 15% Liveness
70% Instrumentalness • 31% Positiveness
35% Popularity • 45% Danceability • 38% Energy • 15% Liveness
70% Instrumentalness • 31% Positiveness
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Better Oblivion Community Center
Big Black Heart
102 bpm • C# Maj • 03:26 • -9.98db
39% Popularity • 66% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
39% Popularity • 66% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Lael Neale
Blue Vein
102 bpm • D# Maj • 04:22 • -4db
32% Popularity • 41% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 9% Positiveness
32% Popularity • 41% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 9% Positiveness
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Bonny Light Horseman
Bonny Light Horseman
79 bpm • B min • 04:30 • -6db
40% Popularity • 36% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
40% Popularity • 36% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Sufjan Stevens
Fictional California
79 bpm • G Maj • 02:50 • -13.72db
34% Popularity • 58% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
34% Popularity • 58% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Jim James
Walking In The Snow
79 bpm • G Maj • 03:47 • -10.9db
17% Popularity • 45% Danceability • 29% Energy • 46% Liveness
0% Instrumentalness • 42% Positiveness
17% Popularity • 45% Danceability • 29% Energy • 46% Liveness
0% Instrumentalness • 42% Positiveness
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Big Thief
Sparrow
102 bpm • C# Maj • 05:11 • -9.46db
46% Popularity • 56% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
46% Popularity • 56% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness