Songs like Two Is Better Than One (feat. Taylor Swift) by BOYS LIKE GIRLS
Based on a tempo of (+/- 10%) and a similar genre
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BOYS LIKE GIRLS
Two Is Better Than One
128 bpm • C Maj • 04:02 • -5.19db
65% Popularity • 52% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
65% Popularity • 52% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Every Avenue
Tell Me I'm A Wreck
128 bpm • F Maj • 03:39 • -2.31db
58% Popularity • 58% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
58% Popularity • 58% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Christina Aguilera
I Turn to You
127 bpm • C# Maj • 04:33 • -8.36db
59% Popularity • 60% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
59% Popularity • 60% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Katy Perry
Unconditionally
129 bpm • G Maj • 03:48 • -4.86db
78% Popularity • 43% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
78% Popularity • 43% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
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A Day To Remember
If It Means A Lot To You
127 bpm • A# Maj • 04:03 • -8.16db
69% Popularity • 58% Danceability • 54% Energy • 46% Liveness
0% Instrumentalness • 44% Positiveness
69% Popularity • 58% Danceability • 54% Energy • 46% Liveness
0% Instrumentalness • 44% Positiveness
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One Direction
One Thing
127 bpm • D Maj • 03:17 • -3.81db
73% Popularity • 71% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
73% Popularity • 71% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Hinder
Lips Of An Angel
129 bpm • D Maj • 04:21 • -5.38db
73% Popularity • 48% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
73% Popularity • 48% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
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Jessie J
Domino
127 bpm • G Maj • 03:51 • -4.57db
77% Popularity • 76% Danceability • 56% Energy • 4% Liveness
0% Instrumentalness • 78% Positiveness
77% Popularity • 76% Danceability • 56% Energy • 4% Liveness
0% Instrumentalness • 78% Positiveness
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O-Town
All or Nothing
127 bpm • C Maj • 04:41 • -5db
49% Popularity • 64% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
49% Popularity • 64% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
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Sam Smith
Lay Me Down
127 bpm • E Maj • 03:39 • -10.86db
68% Popularity • 46% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
68% Popularity • 46% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Vanessa Hudgens
Say OK
127 bpm • A min • 03:41 • -7.02db
57% Popularity • 47% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
57% Popularity • 47% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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The Goo Goo Dolls
Sympathy
130 bpm • G# Maj • 02:58 • -5.76db
62% Popularity • 55% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
62% Popularity • 55% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Brian McKnight
Back At One
130 bpm • B Maj • 04:23 • -9.12db
69% Popularity • 66% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
69% Popularity • 66% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Every Avenue
Between You And I
126 bpm • A min • 04:38 • -8db
25% Popularity • 62% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
25% Popularity • 62% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
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One Direction
Live While We're Young
126 bpm • D Maj • 03:20 • -2.16db
73% Popularity • 66% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
73% Popularity • 66% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
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Ne-Yo
Mad
130 bpm • C Maj • 04:14 • -5.36db
70% Popularity • 73% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
70% Popularity • 73% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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FM Static
Take Me As I Am
130 bpm • C Maj • 03:32 • -6.57db
43% Popularity • 65% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
43% Popularity • 65% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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BOYS LIKE GIRLS
She's Got A Boyfriend Now
130 bpm • D Maj • 04:05 • -3db
42% Popularity • 61% Danceability • 90% Energy • 50% Liveness
0% Instrumentalness • 87% Positiveness
42% Popularity • 61% Danceability • 90% Energy • 50% Liveness
0% Instrumentalness • 87% Positiveness
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The Workday Release
Love in a Box
130 bpm • G# Maj • 02:39 • -8.37db
33% Popularity • 75% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
33% Popularity • 75% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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My Chemical Romance
Helena
126 bpm • E Maj • 03:24 • -3.49db
76% Popularity • 36% Danceability • 96% Energy • 21% Liveness
0% Instrumentalness • 9% Positiveness
76% Popularity • 36% Danceability • 96% Energy • 21% Liveness
0% Instrumentalness • 9% Positiveness
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Greyson Chance
Unfriend You
131 bpm • G Maj • 03:20 • -4.32db
42% Popularity • 62% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
42% Popularity • 62% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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B.o.B
Both of Us
125 bpm • G Maj • 03:36 • -7.09db
57% Popularity • 68% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 5% Positiveness
57% Popularity • 68% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 5% Positiveness
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Katy Perry
Waking Up In Vegas
131 bpm • F min • 03:19 • -3db
43% Popularity • 52% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
43% Popularity • 52% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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BOYS LIKE GIRLS
Heart Heart Heartbreak
130 bpm • D Maj • 03:24 • -2.98db
39% Popularity • 47% Danceability • 96% Energy • 28% Liveness
0% Instrumentalness • 62% Positiveness
39% Popularity • 47% Danceability • 96% Energy • 28% Liveness
0% Instrumentalness • 62% Positiveness
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One Direction
You & I
131 bpm • C# Maj • 03:57 • -6.83db
76% Popularity • 57% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
76% Popularity • 57% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Orianthi
According To You
131 bpm • F Maj • 03:20 • -2.55db
44% Popularity • 61% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
44% Popularity • 61% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Greyson Chance
Sunshine & City Lights
131 bpm • C Maj • 03:43 • -6.73db
38% Popularity • 69% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
38% Popularity • 69% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Taylor Swift
Red (Taylor's Version)
125 bpm • C# min • 03:43 • -4.91db
77% Popularity • 52% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
77% Popularity • 52% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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The Click Five
All I Need Is You
125 bpm • G Maj • 03:22 • -2.84db
27% Popularity • 68% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
27% Popularity • 68% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
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BOYS LIKE GIRLS
THE OUTSIDE
131 bpm • E Maj • 04:04 • -6.55db
41% Popularity • 55% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 25% Positiveness
41% Popularity • 55% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 25% Positiveness
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John Mayer
Daughters
125 bpm • D Maj • 03:57 • -7.82db
66% Popularity • 67% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
66% Popularity • 67% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Panic! At The Disco
The Ballad of Mona Lisa
124 bpm • A min • 03:46 • -4.18db
68% Popularity • 44% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
68% Popularity • 44% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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One Direction
18
124 bpm • F# min • 04:08 • -7.76db
78% Popularity • 68% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
78% Popularity • 68% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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We Are The In Crowd
Kiss Me Again
124 bpm • F Maj • 03:20 • -4db
40% Popularity • 64% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
40% Popularity • 64% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Sleeping With Sirens
Scene Two - Roger Rabbit
124 bpm • C Maj • 03:17 • -7.32db
54% Popularity • 69% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
54% Popularity • 69% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Nickelback
Far Away - 2020 Remaster
133 bpm • F# Maj • 03:58 • -5.2db
67% Popularity • 51% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
67% Popularity • 51% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Katy Perry
The One That Got Away - Acoustic
124 bpm • E Maj • 04:19 • -11.57db
56% Popularity • 71% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
56% Popularity • 71% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Taylor Swift
Crazier
133 bpm • E Maj • 03:11 • -5.42db
64% Popularity • 45% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
64% Popularity • 45% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Fall Out Boy
A Little Less Sixteen Candles, A Little ...
133 bpm • G Maj • 02:49 • -3.59db
64% Popularity • 54% Danceability • 89% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
64% Popularity • 54% Danceability • 89% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
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HAIM
Gasoline
133 bpm • C# min • 03:13 • -4.26db
61% Popularity • 66% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
61% Popularity • 66% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Michael Bublé
Everything
123 bpm • F# min • 03:32 • -4.98db
70% Popularity • 69% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
70% Popularity • 69% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Demi Lovato
Give Your Heart a Break
123 bpm • F# Maj • 03:25 • -3.22db
70% Popularity • 65% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
70% Popularity • 65% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Sara Bareilles
Love Song
123 bpm • D min • 04:18 • -3.14db
73% Popularity • 58% Danceability • 79% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
73% Popularity • 58% Danceability • 79% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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S Club
Never Had A Dream Come True
123 bpm • F Maj • 04:00 • -5.59db
63% Popularity • 64% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
63% Popularity • 64% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Backstreet Boys
Incomplete
134 bpm • E Maj • 03:59 • -4.83db
64% Popularity • 44% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
64% Popularity • 44% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Lauv
Never Not
134 bpm • F Maj • 03:28 • -9db
67% Popularity • 47% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
67% Popularity • 47% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Michael Bublé
Haven't Met You Yet
123 bpm • G# Maj • 04:04 • -4.81db
70% Popularity • 62% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
70% Popularity • 62% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Duncan Sheik
Half-Life
134 bpm • F Maj • 03:53 • -6db
43% Popularity • 54% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
43% Popularity • 54% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
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Shania Twain
You're Still The One
134 bpm • D# Maj • 03:32 • -6.78db
73% Popularity • 58% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
73% Popularity • 58% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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![When We Say (Acoustic) [feat. Andrew De Torres] cover art](https://i.scdn.co/image/ab67616d00001e02757e088dab358d2d5fc564e1)
AJ Rafael
When We Say (Acoustic)
134 bpm • E Maj • 04:19 • -6.79db
32% Popularity • 60% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
32% Popularity • 60% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
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The Click Five
Catch Your Wave
134 bpm • D Maj • 02:52 • -1db
39% Popularity • 56% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 79% Positiveness
39% Popularity • 56% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 79% Positiveness
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Carly Rae Jepsen
I Really Like You
122 bpm • F Maj • 03:24 • -5.54db
70% Popularity • 62% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
70% Popularity • 62% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
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BOYS LIKE GIRLS
Leaving California
122 bpm • C Maj • 04:09 • -5.95db
32% Popularity • 55% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
32% Popularity • 55% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Ron Pope
A Drop in the Ocean
134 bpm • F Maj • 03:48 • -6.47db
49% Popularity • 46% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
49% Popularity • 46% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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P!nk
Raise Your Glass
122 bpm • G Maj • 03:22 • -5.01db
79% Popularity • 70% Danceability • 71% Energy • 3% Liveness
0% Instrumentalness • 62% Positiveness
79% Popularity • 70% Danceability • 71% Energy • 3% Liveness
0% Instrumentalness • 62% Positiveness
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Paramore
My Heart
135 bpm • E Maj • 03:59 • -4.63db
57% Popularity • 44% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 36% Positiveness
57% Popularity • 44% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 36% Positiveness
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The Click Five
Mary Jane
134 bpm • F# min • 03:50 • -4.12db
32% Popularity • 54% Danceability • 75% Energy • 32% Liveness
0% Instrumentalness • 40% Positiveness
32% Popularity • 54% Danceability • 75% Energy • 32% Liveness
0% Instrumentalness • 40% Positiveness
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Vanessa Carlton
White Houses
135 bpm • C Maj • 03:44 • -7.42db
46% Popularity • 60% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
46% Popularity • 60% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Edwin McCain
I Could Not Ask for More
135 bpm • F Maj • 04:33 • -5.02db
53% Popularity • 51% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 45% Positiveness
53% Popularity • 51% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 45% Positiveness
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Mayday Parade
Miserable At Best
135 bpm • D Maj • 05:16 • -10.67db
55% Popularity • 49% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
55% Popularity • 49% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Taylor Swift
Mine
121 bpm • G Maj • 03:50 • -2.93db
60% Popularity • 62% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
60% Popularity • 62% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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One Direction
Story of My Life
121 bpm • D# Maj • 04:05 • -5.8db
84% Popularity • 60% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
84% Popularity • 60% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Demi Lovato
Really Don't Care
121 bpm • G Maj • 03:21 • -3.6db
71% Popularity • 71% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
71% Popularity • 71% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
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Fall Out Boy
Grand Theft Autumn / Where Is Your Boy
135 bpm • D Maj • 03:11 • -3.81db
64% Popularity • 63% Danceability • 89% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
64% Popularity • 63% Danceability • 89% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
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Devon Werkheiser
If Eyes Could Speak
136 bpm • A Maj • 03:29 • -5db
29% Popularity • 40% Danceability • 61% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
29% Popularity • 40% Danceability • 61% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
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Jonas Brothers
When You Look Me In The Eyes
136 bpm • D Maj • 04:09 • -3.73db
61% Popularity • 40% Danceability • 77% Energy • 31% Liveness
0% Instrumentalness • 51% Positiveness
61% Popularity • 40% Danceability • 77% Energy • 31% Liveness
0% Instrumentalness • 51% Positiveness
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Taylor Swift
Mr. Perfectly Fine (Taylor’s Version)
136 bpm • B min • 04:37 • -6.27db
73% Popularity • 66% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
73% Popularity • 66% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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FM Static
Black Tattoo
136 bpm • C Maj • 03:29 • -5db
30% Popularity • 54% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
30% Popularity • 54% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Rascal Flatts
What Hurts The Most
136 bpm • F min • 03:34 • -5.13db
69% Popularity • 54% Danceability • 67% Energy • 26% Liveness
0% Instrumentalness • 33% Positiveness
69% Popularity • 54% Danceability • 67% Energy • 26% Liveness
0% Instrumentalness • 33% Positiveness
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Five For Fighting
100 Years
121 bpm • G Maj • 04:04 • -7.46db
64% Popularity • 64% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
64% Popularity • 64% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
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Mariah Carey
Bye Bye
136 bpm • A# Maj • 04:26 • -5db
62% Popularity • 79% Danceability • 58% Energy • 35% Liveness
0% Instrumentalness • 84% Positiveness
62% Popularity • 79% Danceability • 58% Energy • 35% Liveness
0% Instrumentalness • 84% Positiveness
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Paramore
Still into You
136 bpm • F Maj • 03:36 • -3.76db
79% Popularity • 60% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
79% Popularity • 60% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Mayday Parade
Somebody That I Used To Know
136 bpm • D# Maj • 03:25 • -4.56db
60% Popularity • 46% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
60% Popularity • 46% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Greyson Chance
Waiting Outside The Lines
136 bpm • C# Maj • 03:51 • -5.27db
41% Popularity • 51% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
41% Popularity • 51% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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High School Musical Cast
Can I Have This Dance
136 bpm • C Maj • 04:03 • -5.25db
64% Popularity • 56% Danceability • 62% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
64% Popularity • 56% Danceability • 62% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
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Jimmy Eat World
Hear You Me
136 bpm • E Maj • 04:44 • -6.19db
62% Popularity • 46% Danceability • 52% Energy • 21% Liveness
4% Instrumentalness • 14% Positiveness
62% Popularity • 46% Danceability • 52% Energy • 21% Liveness
4% Instrumentalness • 14% Positiveness
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BOYS LIKE GIRLS
Take Me Home
120 bpm • C Maj • 03:46 • -4.61db
24% Popularity • 57% Danceability • 87% Energy • 42% Liveness
0% Instrumentalness • 22% Positiveness
24% Popularity • 57% Danceability • 87% Energy • 42% Liveness
0% Instrumentalness • 22% Positiveness
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One Direction
Right Now
120 bpm • G# Maj • 03:20 • -5.17db
78% Popularity • 64% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
78% Popularity • 64% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Edwin McCain
I'll Be
137 bpm • B Maj • 04:26 • -5.52db
67% Popularity • 37% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
67% Popularity • 37% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Karmin
Brokenhearted
120 bpm • C# min • 03:47 • -2.73db
61% Popularity • 76% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
61% Popularity • 76% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
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Saosin
You're Not Alone
120 bpm • D min • 03:58 • -4.38db
58% Popularity • 46% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 18% Positiveness
58% Popularity • 46% Danceability • 84% Energy • 36% Liveness
0% Instrumentalness • 18% Positiveness
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Kenny Chesney
Big Star - Live
120 bpm • C Maj • 05:06 • -4.82db
46% Popularity • 56% Danceability • 98% Energy • 95% Liveness
0% Instrumentalness • 52% Positiveness
46% Popularity • 56% Danceability • 98% Energy • 95% Liveness
0% Instrumentalness • 52% Positiveness
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FM Static
Her Father's Song
120 bpm • C Maj • 03:23 • -7.26db
29% Popularity • 68% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
29% Popularity • 68% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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One Direction
Night Changes
120 bpm • G# Maj • 03:46 • -7.75db
88% Popularity • 67% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
88% Popularity • 67% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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John Legend
All of Me
120 bpm • G# Maj • 04:29 • -7.06db
86% Popularity • 42% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
86% Popularity • 42% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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LANY
Thru These Tears
120 bpm • B Maj • 03:24 • -7.7db
66% Popularity • 71% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
66% Popularity • 71% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
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Nick Carter
Do I Have To Cry For You
137 bpm • C# Maj • 03:37 • -4.5db
47% Popularity • 56% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
47% Popularity • 56% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Sara Bareilles
King of Anything
119 bpm • C# Maj • 03:27 • -4.17db
57% Popularity • 68% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
57% Popularity • 68% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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Jonas Brothers
S.O.S.
137 bpm • G Maj • 02:33 • -3.84db
64% Popularity • 58% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
64% Popularity • 58% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
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Paramore
The Only Exception
138 bpm • E Maj • 04:27 • -6.61db
63% Popularity • 45% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
63% Popularity • 45% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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The Red Jumpsuit Apparatus
Damn Regret
119 bpm • D Maj • 02:45 • -3.42db
53% Popularity • 55% Danceability • 91% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
53% Popularity • 55% Danceability • 91% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
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Coldplay
Fix You
138 bpm • D# Maj • 04:55 • -8.74db
83% Popularity • 21% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
83% Popularity • 21% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Sky Sailing
Brielle
138 bpm • A# Maj • 04:06 • -7db
38% Popularity • 52% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
38% Popularity • 52% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Hilary Duff
Come Clean
118 bpm • G# min • 03:34 • -5.12db
59% Popularity • 58% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 45% Positiveness
59% Popularity • 58% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 45% Positiveness
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Greyson Chance
Hold On 'Til The Night
118 bpm • F# Maj • 03:41 • -4db
27% Popularity • 65% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 65% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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Paramore
Playing God
138 bpm • C# min • 03:02 • -3.6db
52% Popularity • 58% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
52% Popularity • 58% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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ZAYN
I Don’t Wanna Live Forever (Fifty Shad...
118 bpm • C Maj • 04:07 • -8.42db
83% Popularity • 73% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
83% Popularity • 73% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
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Christina Perri
A Thousand Years - Pt. 2; The Twilight ...
139 bpm • A# Maj • 05:05 • -8.13db
62% Popularity • 27% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
62% Popularity • 27% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness