Songs like Two Less Lonely People - Live by Air Supply
Based on a tempo of (+/- 10%) and a similar genre
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Air Supply
Two Less Lonely People - Live
150 bpm • E Maj • 04:02 • -10.22db
45% Popularity • 45% Danceability • 46% Energy • 93% Liveness
0% Instrumentalness • 22% Positiveness
45% Popularity • 45% Danceability • 46% Energy • 93% Liveness
0% Instrumentalness • 22% Positiveness
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Hiyas
I Still Believe In Us Together
150 bpm • C Maj • 04:19 • -13.29db
27% Popularity • 39% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
27% Popularity • 39% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Rex Smith
Sooner or Later
149 bpm • A# Maj • 02:55 • -7.33db
17% Popularity • 47% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
17% Popularity • 47% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
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Lobo
It Sure Took a Long, Long Time
151 bpm • E Maj • 03:08 • -11db
34% Popularity • 48% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
34% Popularity • 48% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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Michael Learns To Rock
Breaking My Heart - 2014 Remaster
152 bpm • A# Maj • 04:05 • -10.34db
56% Popularity • 66% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
56% Popularity • 66% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Fra Lippo Lippi
Light a Shade - 1993
148 bpm • A min • 05:22 • -9.97db
46% Popularity • 59% Danceability • 48% Energy • 14% Liveness
1% Instrumentalness • 28% Positiveness
46% Popularity • 59% Danceability • 48% Energy • 14% Liveness
1% Instrumentalness • 28% Positiveness
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Gerard Joling
We Don't Have To Say The Words
148 bpm • C Maj • 03:37 • -11.8db
41% Popularity • 52% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
41% Popularity • 52% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Bread
Just Like Yesterday
148 bpm • C Maj • 02:15 • -13.41db
43% Popularity • 43% Danceability • 39% Energy • 11% Liveness
3% Instrumentalness • 48% Positiveness
43% Popularity • 43% Danceability • 39% Energy • 11% Liveness
3% Instrumentalness • 48% Positiveness
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Michael W. Smith
Somewhere Somehow
152 bpm • A Maj • 04:15 • -10db
45% Popularity • 30% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
45% Popularity • 30% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Bobby Vinton
This Time I Know It's Real
148 bpm • C Maj • 03:45 • -11db
31% Popularity • 40% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
31% Popularity • 40% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Air Supply
Two Less Lonely People In The World
148 bpm • E Maj • 04:03 • -12.68db
37% Popularity • 41% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
37% Popularity • 41% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Styx
First Time
153 bpm • C Maj • 04:23 • -12.54db
38% Popularity • 26% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
38% Popularity • 26% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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RICO J PUNO
Together Forever
147 bpm • C Maj • 03:50 • -12.07db
46% Popularity • 22% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
46% Popularity • 22% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Bread
Hooked on You
148 bpm • B Maj • 02:21 • -12.08db
46% Popularity • 35% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
46% Popularity • 35% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Firehouse
When I Look Into Your Eyes
147 bpm • F# Maj • 03:59 • -8.04db
62% Popularity • 40% Danceability • 61% Energy • 23% Liveness
0% Instrumentalness • 24% Positiveness
62% Popularity • 40% Danceability • 61% Energy • 23% Liveness
0% Instrumentalness • 24% Positiveness
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David Gates
Someday
153 bpm • G Maj • 02:04 • -15.41db
37% Popularity • 37% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
37% Popularity • 37% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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England Dan & John Ford Coley
Broken Hearted Me
147 bpm • A# Maj • 03:56 • -16db
51% Popularity • 55% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
51% Popularity • 55% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Carpenters
Love Me For What I Am
146 bpm • C# Maj • 03:30 • -15db
63% Popularity • 36% Danceability • 18% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
63% Popularity • 36% Danceability • 18% Energy • 19% Liveness
0% Instrumentalness • 26% Positiveness
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Gino Padilla
I Believe in You
146 bpm • C# Maj • 04:22 • -14db
40% Popularity • 45% Danceability • 43% Energy • 32% Liveness
0% Instrumentalness • 15% Positiveness
40% Popularity • 45% Danceability • 43% Energy • 32% Liveness
0% Instrumentalness • 15% Positiveness
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Bread
Games of Magic
147 bpm • B min • 03:10 • -16.79db
40% Popularity • 34% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
40% Popularity • 34% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
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Introvoys
Will I Survive
146 bpm • C Maj • 02:54 • -8.55db
48% Popularity • 54% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
48% Popularity • 54% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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David Pack
I Just Can't Let Go
154 bpm • E Maj • 04:52 • -8db
48% Popularity • 54% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
48% Popularity • 54% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Russell Hitchcock
Make It Feel Like Home Again
146 bpm • C min • 03:37 • -11.18db
20% Popularity • 53% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
20% Popularity • 53% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Lobo
Love Me for What I Am
146 bpm • G# Maj • 04:10 • -10db
44% Popularity • 54% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
44% Popularity • 54% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Chicago
I Don't Wanna Live Without Your Love
145 bpm • C Maj • 03:54 • -6.72db
49% Popularity • 43% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
49% Popularity • 43% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Bread
Lost Without Your Love
146 bpm • A# Maj • 02:56 • -11.48db
61% Popularity • 27% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
61% Popularity • 27% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Peter Cetera
Glory of Love
145 bpm • F Maj • 04:18 • -7.94db
73% Popularity • 52% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 33% Positiveness
73% Popularity • 52% Danceability • 61% Energy • 28% Liveness
0% Instrumentalness • 33% Positiveness
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REO Speedwagon
In My Dreams
145 bpm • B Maj • 04:30 • -15.22db
60% Popularity • 62% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 46% Positiveness
60% Popularity • 62% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 46% Positiveness
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Gino Padilla
Even If
155 bpm • A Maj • 03:28 • -8.37db
39% Popularity • 31% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
39% Popularity • 31% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Mary MacGregor
Just the Way You Are
145 bpm • G Maj • 03:30 • -6db
43% Popularity • 35% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
43% Popularity • 35% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Jose Mari Chan
Afraid for Love to Fade
156 bpm • A# Maj • 02:35 • -18db
45% Popularity • 29% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
45% Popularity • 29% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Air Supply
The Book of Love
156 bpm • C Maj • 04:50 • -10.82db
38% Popularity • 42% Danceability • 44% Energy • 7% Liveness
80% Instrumentalness • 40% Positiveness
38% Popularity • 42% Danceability • 44% Energy • 7% Liveness
80% Instrumentalness • 40% Positiveness
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Peter Cetera
Only Love Knows Why
145 bpm • B min • 04:31 • -10db
35% Popularity • 61% Danceability • 51% Energy • 24% Liveness
0% Instrumentalness • 29% Positiveness
35% Popularity • 61% Danceability • 51% Energy • 24% Liveness
0% Instrumentalness • 29% Positiveness
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James Ingram
Just Once - New Version
144 bpm • C Maj • 04:29 • -7.49db
66% Popularity • 62% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
66% Popularity • 62% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Debbie Gibson
Lost in Your Eyes
145 bpm • G Maj • 03:35 • -8.59db
66% Popularity • 51% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
66% Popularity • 51% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Menudo
Because Of Love - Remasterizado
144 bpm • D# Maj • 03:46 • -4.54db
18% Popularity • 25% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
18% Popularity • 25% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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City Boy
Speechless
143 bpm • D# Maj • 03:35 • -12.45db
40% Popularity • 38% Danceability • 20% Energy • 5% Liveness
0% Instrumentalness • 19% Positiveness
40% Popularity • 38% Danceability • 20% Energy • 5% Liveness
0% Instrumentalness • 19% Positiveness
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KENO
Leaving Yesterday Behind
143 bpm • G# Maj • 03:14 • -14.39db
38% Popularity • 51% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
38% Popularity • 51% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Peter Cetera
You're the Inspiration
143 bpm • A# Maj • 04:06 • -7.61db
56% Popularity • 64% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
56% Popularity • 64% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
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EastSide PH
She Believes in Me
157 bpm • A# Maj • 03:49 • -9.95db
39% Popularity • 48% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
39% Popularity • 48% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Crystal Gayle
I Don't Wanna To Lose Your Love
143 bpm • C Maj • 03:18 • -8.29db
32% Popularity • 42% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
32% Popularity • 42% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Bette Midler
The Gift of Love
158 bpm • G# Maj • 04:01 • -11db
37% Popularity • 49% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
37% Popularity • 49% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Chicago
We Can Last Forever
143 bpm • F Maj • 03:45 • -5.86db
33% Popularity • 36% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
33% Popularity • 36% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Indecent Obsession
Fixing a Broken Heart - Duet Version
158 bpm • A Maj • 03:34 • -9.04db
45% Popularity • 39% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
45% Popularity • 39% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Ric Segreto
Loving You
142 bpm • D Maj • 04:06 • -17db
56% Popularity • 42% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
56% Popularity • 42% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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Michael Learns To Rock
Paint My Love - Acoustic Version; 2014 R...
142 bpm • A Maj • 03:50 • -10db
42% Popularity • 61% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 29% Positiveness
42% Popularity • 61% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 29% Positiveness
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Dan Fogelberg
Longer
158 bpm • G Maj • 03:15 • -24.71db
62% Popularity • 31% Danceability • 4% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
62% Popularity • 31% Danceability • 4% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Rex Smith
You Take My Breath Away - Mono Version
142 bpm • B Maj • 03:17 • -8db
49% Popularity • 31% Danceability • 60% Energy • 52% Liveness
0% Instrumentalness • 27% Positiveness
49% Popularity • 31% Danceability • 60% Energy • 52% Liveness
0% Instrumentalness • 27% Positiveness
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Chicago
We Can Last Forever - 2009 Remaster
142 bpm • C Maj • 03:45 • -5.98db
33% Popularity • 43% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
33% Popularity • 43% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Firehouse
I Live My Life For You
142 bpm • C# Maj • 04:24 • -9db
47% Popularity • 47% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
47% Popularity • 47% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Indecent Obsession
Fixing a Broken Heart - Solo Version
158 bpm • A Maj • 03:32 • -10.54db
60% Popularity • 40% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
60% Popularity • 40% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Michael Learns To Rock
Paint My Love - 2014 Remaster
142 bpm • A Maj • 03:51 • -8.06db
62% Popularity • 58% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
62% Popularity • 58% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Peter Cetera
Do You Love Me That Much
141 bpm • B Maj • 03:37 • -9.55db
41% Popularity • 62% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
41% Popularity • 62% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Carpenters
You
142 bpm • D Maj • 03:52 • -11.9db
55% Popularity • 29% Danceability • 29% Energy • 18% Liveness
3% Instrumentalness • 16% Positiveness
55% Popularity • 29% Danceability • 29% Energy • 18% Liveness
3% Instrumentalness • 16% Positiveness
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Chicago
If She Would Have Been Faithful... - 200...
142 bpm • G# Maj • 03:51 • -6.91db
34% Popularity • 55% Danceability • 57% Energy • 4% Liveness
0% Instrumentalness • 24% Positiveness
34% Popularity • 55% Danceability • 57% Energy • 4% Liveness
0% Instrumentalness • 24% Positiveness
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Basil Valdez
Say That You Love Me
141 bpm • C# Maj • 03:58 • -10db
42% Popularity • 32% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
42% Popularity • 32% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Billy Preston
I'm Never Gonna Say Goodbye
141 bpm • D Maj • 03:38 • -8.16db
26% Popularity • 29% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
26% Popularity • 29% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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EastSide PH
Lover's Moon
141 bpm • G Maj • 03:16 • -14db
46% Popularity • 54% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
46% Popularity • 54% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Leif Garrett
I Was Looking For Someone To Love
141 bpm • D Maj • 02:59 • -16.29db
40% Popularity • 47% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
40% Popularity • 47% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Raymond Lauchengco
Shadow of Time
141 bpm • C# Maj • 03:33 • -10.48db
22% Popularity • 29% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
22% Popularity • 29% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Chicago
Hard to Say I'm Sorry / Get Away - 2006 ...
141 bpm • E Maj • 05:04 • -7.07db
71% Popularity • 40% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
71% Popularity • 40% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
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Lobo
How Can I Tell Her - Acoustic
160 bpm • G Maj • 04:59 • -7.44db
9% Popularity • 56% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
9% Popularity • 56% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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David Gates
Falling in Love Again
140 bpm • B Maj • 02:19 • -14.84db
30% Popularity • 36% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
30% Popularity • 36% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Richard Carpenter
Something In Your Eyes
140 bpm • C Maj • 04:12 • -15.32db
45% Popularity • 36% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
45% Popularity • 36% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Mary MacGregor
Mama
140 bpm • A# Maj • 03:18 • -8db
41% Popularity • 34% Danceability • 45% Energy • 36% Liveness
0% Instrumentalness • 27% Positiveness
41% Popularity • 34% Danceability • 45% Energy • 36% Liveness
0% Instrumentalness • 27% Positiveness
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Russell Hitchcock
I Can't Believe My Eyes
140 bpm • E min • 04:30 • -10.67db
44% Popularity • 46% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
44% Popularity • 46% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Jack Wagner
All I Need
140 bpm • A Maj • 03:29 • -12db
46% Popularity • 48% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
46% Popularity • 48% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
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Andrew Lloyd Webber
Starlight Express
140 bpm • E Maj • 03:45 • -11.6db
52% Popularity • 54% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
52% Popularity • 54% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Michael Learns To Rock
How Many Hours - 2014 Remaster
140 bpm • B Maj • 04:45 • -9.66db
50% Popularity • 55% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
50% Popularity • 55% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Bryan Adams
Heaven
140 bpm • A min • 04:03 • -7.32db
79% Popularity • 38% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
79% Popularity • 38% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Richard Carpenter
I'm Still Not Over You
161 bpm • G# Maj • 04:50 • -18.31db
34% Popularity • 43% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
34% Popularity • 43% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Billy Dean
I Can't Find The Words To Say Goodbye
161 bpm • A Maj • 03:29 • -12.89db
51% Popularity • 53% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
51% Popularity • 53% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
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Debbie Gibson
Goodbye
140 bpm • D# Maj • 04:47 • -10.71db
25% Popularity • 58% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 21% Positiveness
25% Popularity • 58% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 21% Positiveness
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Jose Mari Chan
Constant Change
140 bpm • C Maj • 02:45 • -20db
42% Popularity • 64% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
42% Popularity • 64% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Sheena Easton
Almost Over You
139 bpm • G# Maj • 03:41 • -10.67db
57% Popularity • 34% Danceability • 27% Energy • 24% Liveness
0% Instrumentalness • 30% Positiveness
57% Popularity • 34% Danceability • 27% Energy • 24% Liveness
0% Instrumentalness • 30% Positiveness
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Michael Johnson
Doors
139 bpm • C# Maj • 03:12 • -17db
52% Popularity • 50% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
52% Popularity • 50% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Laura Branigan
How Am I Supposed to Live without You
139 bpm • A# Maj • 04:23 • -8.26db
39% Popularity • 56% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
39% Popularity • 56% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Charlene
It Ain't Easy Comin' Down
139 bpm • A# Maj • 03:28 • -12db
41% Popularity • 43% Danceability • 47% Energy • 23% Liveness
0% Instrumentalness • 56% Positiveness
41% Popularity • 43% Danceability • 47% Energy • 23% Liveness
0% Instrumentalness • 56% Positiveness
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Joey Albert
It's over Now
138 bpm • F Maj • 03:46 • -8db
46% Popularity • 39% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
46% Popularity • 39% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Jose Mari Chan
Beautiful Girl
162 bpm • D# Maj • 03:15 • -19.14db
57% Popularity • 47% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
57% Popularity • 47% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Air Supply
Empty Pages
139 bpm • E Maj • 04:21 • -11.78db
16% Popularity • 30% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
16% Popularity • 30% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Cher
After All (Love Theme From Chances Are)
138 bpm • E Maj • 04:04 • -13.1db
66% Popularity • 52% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
66% Popularity • 52% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Carla Tous
It's Coming Around Again
138 bpm • F Maj • 03:31 • -7.56db
33% Popularity • 65% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
33% Popularity • 65% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Michael Johnson
Bluer Than Blue
138 bpm • G# Maj • 02:59 • -14.24db
64% Popularity • 36% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
64% Popularity • 36% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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Gino Padilla
Let the Love Begin
138 bpm • C# Maj • 04:46 • -13db
47% Popularity • 44% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
47% Popularity • 44% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Mary MacGregor
For a While
138 bpm • C Maj • 02:54 • -9.23db
45% Popularity • 57% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
45% Popularity • 57% Danceability • 47% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
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Michael Learns To Rock
25 Minutes - 2014 Remaster
163 bpm • F# Maj • 04:24 • -10.21db
60% Popularity • 52% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
60% Popularity • 52% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Glenn Frey
Lover's Moon
138 bpm • G Maj • 04:11 • -19.64db
59% Popularity • 64% Danceability • 18% Energy • 7% Liveness
2% Instrumentalness • 44% Positiveness
59% Popularity • 64% Danceability • 18% Energy • 7% Liveness
2% Instrumentalness • 44% Positiveness
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Bread
Aubrey
138 bpm • G Maj • 03:39 • -20.59db
61% Popularity • 33% Danceability • 9% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
61% Popularity • 33% Danceability • 9% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
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High Note
I Know I Need to Be in Love
137 bpm • A Maj • 03:52 • -8.98db
10% Popularity • 50% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
10% Popularity • 50% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Joey Albert
I Remember the Boy
138 bpm • G# Maj • 03:11 • -11db
47% Popularity • 28% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 9% Positiveness
47% Popularity • 28% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 9% Positiveness
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Gino Padilla
Now That I Have You
137 bpm • F Maj • 04:28 • -10.35db
45% Popularity • 46% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
45% Popularity • 46% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Air Supply
Just As I Am - Live
164 bpm • D Maj • 04:30 • -10.15db
25% Popularity • 44% Danceability • 69% Energy • 50% Liveness
0% Instrumentalness • 32% Positiveness
25% Popularity • 44% Danceability • 69% Energy • 50% Liveness
0% Instrumentalness • 32% Positiveness
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Paul Young
Every Time You Go Away - Radio Edit
164 bpm • F Maj • 04:27 • -9db
70% Popularity • 57% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
70% Popularity • 57% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
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Michael Learns To Rock
I'm Gonna Be Around - 2014 Remaster
164 bpm • D min • 04:22 • -9db
50% Popularity • 57% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
50% Popularity • 57% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Lobo
Don’t Tell Me Goodnight - Rerecorded
137 bpm • G Maj • 03:05 • -10.69db
37% Popularity • 61% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
37% Popularity • 61% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Peabo Bryson
Love Always Finds a Way
137 bpm • E Maj • 04:49 • -14db
47% Popularity • 58% Danceability • 32% Energy • 23% Liveness
0% Instrumentalness • 22% Positiveness
47% Popularity • 58% Danceability • 32% Energy • 23% Liveness
0% Instrumentalness • 22% Positiveness
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EastSide PH
I Just Fall in Love Again
136 bpm • D min • 03:10 • -14db
51% Popularity • 51% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
51% Popularity • 51% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
