Songs like Two Lights by Five For Fighting
Based on a tempo of (+/- 10%) and a similar genre
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Thriving Ivory
Day Of Rain
141 bpm • D# Maj • 04:41 • -4db
23% Popularity • 37% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 8% Positiveness
23% Popularity • 37% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 8% Positiveness
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Five For Fighting
Two Lights
141 bpm • A Maj • 04:44 • -5.08db
23% Popularity • 49% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
23% Popularity • 49% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Blessid Union Of Souls
I Wanna Be There
140 bpm • G Maj • 04:30 • -7.29db
34% Popularity • 51% Danceability • 66% Energy • 4% Liveness
0% Instrumentalness • 50% Positiveness
34% Popularity • 51% Danceability • 66% Energy • 4% Liveness
0% Instrumentalness • 50% Positiveness
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Counting Crows
She Don't Want Nobody Near
140 bpm • A Maj • 03:08 • -4.09db
23% Popularity • 57% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
23% Popularity • 57% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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SafetySuit
Anywhere But Here
142 bpm • E Maj • 04:29 • -2.45db
41% Popularity • 36% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
41% Popularity • 36% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
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Daniel Powter
Bad Day
140 bpm • D# Maj • 03:53 • -4.01db
76% Popularity • 60% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
76% Popularity • 60% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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Michelle Featherstone
We Are Man And Wife
142 bpm • A Maj • 04:53 • -10db
27% Popularity • 53% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
27% Popularity • 53% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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David Gray
A Moment Changes Everything
142 bpm • G# Maj • 03:27 • -5.91db
9% Popularity • 57% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
9% Popularity • 57% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
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Blessid Union Of Souls
When She Comes
142 bpm • F Maj • 03:30 • -12.1db
9% Popularity • 42% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
9% Popularity • 42% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Virginia Coalition
Sing Along
142 bpm • A Maj • 04:41 • -5.81db
11% Popularity • 51% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
11% Popularity • 51% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Alpha Rev
Sing Loud
140 bpm • G Maj • 04:38 • -8.62db
25% Popularity • 51% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
25% Popularity • 51% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Five For Fighting
Story Of Your Life
140 bpm • F Maj • 03:29 • -4.9db
37% Popularity • 50% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
37% Popularity • 50% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Switchfoot
Dare You To Move
140 bpm • E Maj • 04:07 • -4.53db
60% Popularity • 43% Danceability • 88% Energy • 39% Liveness
7% Instrumentalness • 26% Positiveness
60% Popularity • 43% Danceability • 88% Energy • 39% Liveness
7% Instrumentalness • 26% Positiveness
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Jason Reeves
Entwined.
140 bpm • G Maj • 03:56 • -11.47db
10% Popularity • 50% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
10% Popularity • 50% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Blessid Union Of Souls
Hold Her Closer
142 bpm • G# Maj • 03:23 • -9.36db
17% Popularity • 45% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
17% Popularity • 45% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Lifehouse
You And Me
140 bpm • G Maj • 03:15 • -7.73db
75% Popularity • 46% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
75% Popularity • 46% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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Dishwalla
Drawn Out
140 bpm • C Maj • 04:01 • -11db
30% Popularity • 54% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
30% Popularity • 54% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Stephen Kellogg and The Sixers
Keep Me In Your Thoughts
140 bpm • C# Maj • 03:29 • -9.14db
8% Popularity • 48% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
8% Popularity • 48% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Jason Mraz
Who Needs Shelter
143 bpm • F# min • 03:12 • -7.87db
28% Popularity • 51% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
28% Popularity • 51% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
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Jason Reeves
Pretty Eyes.
140 bpm • E Maj • 04:37 • -6.77db
8% Popularity • 38% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 20% Positiveness
8% Popularity • 38% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 20% Positiveness
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Hootie & The Blowfish
Let Her Cry
143 bpm • G Maj • 05:18 • -6.28db
64% Popularity • 35% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
64% Popularity • 35% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Blessid Union Of Souls
My Friend
140 bpm • A Maj • 04:10 • -8.11db
9% Popularity • 51% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
9% Popularity • 51% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Toad The Wet Sprocket
New Constellation
143 bpm • G Maj • 03:19 • -4.94db
33% Popularity • 59% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
33% Popularity • 59% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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Thriving Ivory
Hey Lady
143 bpm • C# Maj • 03:48 • -4db
34% Popularity • 51% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
34% Popularity • 51% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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Pete Yorn
The Man
143 bpm • E Maj • 03:24 • -5.42db
23% Popularity • 51% Danceability • 85% Energy • 22% Liveness
3% Instrumentalness • 76% Positiveness
23% Popularity • 51% Danceability • 85% Energy • 22% Liveness
3% Instrumentalness • 76% Positiveness
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Ben Folds
Still Fighting It
138 bpm • C Maj • 04:25 • -5.79db
35% Popularity • 44% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
35% Popularity • 44% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Jason Mraz
If It Kills Me
144 bpm • E min • 04:33 • -6.78db
34% Popularity • 63% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
34% Popularity • 63% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Vanessa Carlton
Pretty Baby
138 bpm • A Maj • 04:07 • -4.85db
32% Popularity • 51% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
32% Popularity • 51% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Graham Colton
Take You Back
144 bpm • F Maj • 04:20 • -5.78db
17% Popularity • 44% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
17% Popularity • 44% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Scars On 45
Warning Sign
138 bpm • F# min • 04:02 • -5.08db
9% Popularity • 53% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
9% Popularity • 53% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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John Mayer
Love Song for No One
144 bpm • D Maj • 03:21 • -4.67db
44% Popularity • 53% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 43% Positiveness
44% Popularity • 53% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 43% Positiveness
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Ferras
Soul Rock
138 bpm • F Maj • 04:14 • -7.7db
9% Popularity • 67% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
9% Popularity • 67% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Five For Fighting
She's My Girl
144 bpm • G# Maj • 03:26 • -6db
32% Popularity • 54% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
32% Popularity • 54% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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Thriving Ivory
While The Candle Still Burns
138 bpm • B Maj • 03:15 • -3.71db
31% Popularity • 36% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
31% Popularity • 36% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Graham Colton
Forget About You
138 bpm • E Maj • 03:59 • -3.81db
21% Popularity • 43% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
21% Popularity • 43% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Scars On 45
The Way That We Are
138 bpm • A# Maj • 04:36 • -4.23db
8% Popularity • 41% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
8% Popularity • 41% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Dishwalla
Every Little Thing
144 bpm • B Maj • 04:26 • -8db
49% Popularity • 56% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
49% Popularity • 56% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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Tabitha's Secret
Dear Joan
145 bpm • F Maj • 04:53 • -15db
24% Popularity • 40% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
24% Popularity • 40% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Five For Fighting
The Beautiful
145 bpm • D# Maj • 05:49 • -9.69db
17% Popularity • 59% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
17% Popularity • 59% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Seabird
'Til We See The Shore
145 bpm • D# Maj • 05:10 • -7.61db
9% Popularity • 24% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
9% Popularity • 24% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Eric Hutchinson
All over Now
137 bpm • D Maj • 03:44 • -6db
37% Popularity • 78% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
37% Popularity • 78% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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Scars On 45
Crazy for You
145 bpm • D# Maj • 04:11 • -5.94db
22% Popularity • 43% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
22% Popularity • 43% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Gin Blossoms
Face the Dark
145 bpm • E min • 04:09 • -4.36db
28% Popularity • 60% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
28% Popularity • 60% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 88% Positiveness
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The Alternate Routes
Carry Me Home
137 bpm • C Maj • 04:38 • -8.06db
10% Popularity • 46% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 11% Positiveness
10% Popularity • 46% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 11% Positiveness
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Ari Hest
They're On To Me
145 bpm • A Maj • 03:52 • -3.13db
9% Popularity • 40% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
9% Popularity • 40% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Thriving Ivory
Alien
137 bpm • C# Maj • 03:59 • -3.48db
29% Popularity • 43% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 43% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Five For Fighting
The Day I Died
146 bpm • B Maj • 04:16 • -12.42db
17% Popularity • 44% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
17% Popularity • 44% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Sara Bareilles
Hold My Heart
146 bpm • E Maj • 04:32 • -5.5db
39% Popularity • 49% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
39% Popularity • 49% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Athenaeum
No-One
146 bpm • E Maj • 04:34 • -6.21db
16% Popularity • 42% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 28% Positiveness
16% Popularity • 42% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 28% Positiveness
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Kalai
Divide Me
146 bpm • G# Maj • 04:46 • -12.98db
21% Popularity • 72% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
21% Popularity • 72% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Daniel Powter
Styrofoam
136 bpm • A# min • 03:34 • -5db
30% Popularity • 50% Danceability • 77% Energy • 15% Liveness
88% Instrumentalness • 60% Positiveness
30% Popularity • 50% Danceability • 77% Energy • 15% Liveness
88% Instrumentalness • 60% Positiveness
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Graham Colton
Always in Love
136 bpm • B min • 04:03 • -3.87db
23% Popularity • 47% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
23% Popularity • 47% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Five For Fighting
Your Man
136 bpm • G# Maj • 03:28 • -6db
31% Popularity • 56% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
31% Popularity • 56% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Missy Higgins
Sugarcane
136 bpm • B Maj • 03:18 • -10db
31% Popularity • 50% Danceability • 39% Energy • 30% Liveness
0% Instrumentalness • 36% Positiveness
31% Popularity • 50% Danceability • 39% Energy • 30% Liveness
0% Instrumentalness • 36% Positiveness
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Tabitha's Secret
Forever December ( 1995 Version )
136 bpm • C Maj • 04:31 • -8.02db
23% Popularity • 46% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
23% Popularity • 46% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Rob Thomas
Someday
136 bpm • A# Maj • 04:07 • -6db
51% Popularity • 57% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
51% Popularity • 57% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Beth Waters
Blue and White
136 bpm • F# Maj • 03:47 • -9.95db
10% Popularity • 50% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 50% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Graham Colton
You're on Your Way
146 bpm • F# Maj • 03:44 • -7.38db
15% Popularity • 46% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
15% Popularity • 46% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Jackopierce
Promise of Summer
136 bpm • G# Maj • 03:58 • -5.52db
17% Popularity • 42% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
17% Popularity • 42% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
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Ben Jelen
Come On
136 bpm • G# Maj • 03:46 • -7.1db
28% Popularity • 46% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
28% Popularity • 46% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Dishwalla
Today, Tonight
136 bpm • G Maj • 03:02 • -12.67db
28% Popularity • 56% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
28% Popularity • 56% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Five For Fighting
NYC Weather Report
146 bpm • G Maj • 04:53 • -8.09db
20% Popularity • 52% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
20% Popularity • 52% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Hootie & The Blowfish
Only Lonely
147 bpm • E Maj • 04:39 • -7db
32% Popularity • 35% Danceability • 59% Energy • 23% Liveness
0% Instrumentalness • 35% Positiveness
32% Popularity • 35% Danceability • 59% Energy • 23% Liveness
0% Instrumentalness • 35% Positiveness
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Graham Colton
If Love Was Enough
136 bpm • G Maj • 03:51 • -5.89db
27% Popularity • 53% Danceability • 62% Energy • 54% Liveness
0% Instrumentalness • 31% Positiveness
27% Popularity • 53% Danceability • 62% Energy • 54% Liveness
0% Instrumentalness • 31% Positiveness
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Vanessa Carlton
White Houses
135 bpm • C Maj • 03:44 • -7.42db
46% Popularity • 60% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
46% Popularity • 60% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Jason Mraz
Absolutely Zero
135 bpm • F Maj • 05:39 • -8db
27% Popularity • 52% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 12% Positiveness
27% Popularity • 52% Danceability • 50% Energy • 30% Liveness
0% Instrumentalness • 12% Positiveness
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Blessid Union Of Souls
Nora
147 bpm • F Maj • 04:09 • -11.13db
15% Popularity • 40% Danceability • 17% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
15% Popularity • 40% Danceability • 17% Energy • 20% Liveness
0% Instrumentalness • 27% Positiveness
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Guster
Either Way
147 bpm • E Maj • 04:43 • -10.07db
34% Popularity • 54% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
34% Popularity • 54% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Thriving Ivory
Long Hallway With A Broken Light
135 bpm • D Maj • 04:51 • -4.06db
20% Popularity • 51% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
20% Popularity • 51% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Graham Colton
You Find a Way
135 bpm • B min • 04:09 • -3.33db
26% Popularity • 53% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
26% Popularity • 53% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Five For Fighting
Disneyland
148 bpm • F Maj • 03:51 • -7db
17% Popularity • 57% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
17% Popularity • 57% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
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Sara Bareilles
City
148 bpm • G Maj • 04:33 • -5.61db
36% Popularity • 32% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
36% Popularity • 32% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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The Wreckers
Hard to Love You
148 bpm • G min • 03:52 • -5.36db
22% Popularity • 55% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
22% Popularity • 55% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Evan And Jaron
Through The Blue
134 bpm • B Maj • 04:33 • -4.1db
10% Popularity • 52% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
10% Popularity • 52% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Tabitha's Secret
2 Unkind (3:17)
134 bpm • A Maj • 03:21 • -7.75db
21% Popularity • 62% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 74% Positiveness
21% Popularity • 62% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 74% Positiveness
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Duncan Sheik
Half-Life
134 bpm • F Maj • 03:53 • -6db
44% Popularity • 54% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
44% Popularity • 54% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
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Five For Fighting
Rebel
148 bpm • C Maj • 03:09 • -6.57db
16% Popularity • 63% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
16% Popularity • 63% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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The Calling
Nothing's Changed
149 bpm • D# Maj • 04:44 • -5.75db
30% Popularity • 39% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
30% Popularity • 39% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Hootie & The Blowfish
Waltz into Me
149 bpm • D Maj • 03:14 • -3.34db
37% Popularity • 51% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
37% Popularity • 51% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Ross Copperman
Found You
133 bpm • E Maj • 03:55 • -4.96db
19% Popularity • 43% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
19% Popularity • 43% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Butch Walker and The Black Widows
Be Good Until Then
133 bpm • F# Maj • 04:06 • -12.09db
11% Popularity • 53% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
11% Popularity • 53% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Nine Days
Revolve
133 bpm • G Maj • 03:54 • -3.15db
19% Popularity • 45% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
19% Popularity • 45% Danceability • 96% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Eastmountainsouth
Show Me The River
133 bpm • G Maj • 03:38 • -9.15db
16% Popularity • 56% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
16% Popularity • 56% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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Tabitha's Secret
4 Dear Joan (4:56)
150 bpm • F Maj • 04:57 • -12.22db
20% Popularity • 50% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
20% Popularity • 50% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
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Drew Holcomb & The Neighbors
Fire And Dynamite
150 bpm • A Maj • 04:11 • -7.27db
18% Popularity • 33% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
18% Popularity • 33% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Five For Fighting
What If
150 bpm • C Maj • 03:27 • -5.35db
44% Popularity • 56% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
44% Popularity • 56% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Scars On 45
Tasted Every Tear
150 bpm • B Maj • 04:09 • -5.26db
7% Popularity • 47% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
7% Popularity • 47% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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NEEDTOBREATHE
Haley
150 bpm • D Maj • 03:20 • -6.4db
25% Popularity • 45% Danceability • 61% Energy • 21% Liveness
0% Instrumentalness • 25% Positiveness
25% Popularity • 45% Danceability • 61% Energy • 21% Liveness
0% Instrumentalness • 25% Positiveness
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Eastmountainsouth
All The Stars
150 bpm • E Maj • 04:20 • -8.99db
15% Popularity • 48% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
15% Popularity • 48% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
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Tabitha's Secret
Forever December ( Original 1993 Version...
132 bpm • C Maj • 05:58 • -9.9db
22% Popularity • 39% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
22% Popularity • 39% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
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The Wallflowers
How Good It Can Get
151 bpm • A Maj • 04:11 • -4.61db
36% Popularity • 39% Danceability • 85% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
36% Popularity • 39% Danceability • 85% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Schuyler Fisk
From Where I'm Standing
132 bpm • D Maj • 03:32 • -5.59db
28% Popularity • 60% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
28% Popularity • 60% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Scars On 45
Heart on Fire
132 bpm • C# Maj • 03:39 • -7.51db
23% Popularity • 57% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
23% Popularity • 57% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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John Mayer
No Such Thing
132 bpm • E Maj • 03:51 • -4.92db
62% Popularity • 67% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
62% Popularity • 67% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Tonic
Nothing Is Everything
132 bpm • A# Maj • 04:27 • -8.79db
16% Popularity • 62% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
16% Popularity • 62% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Gin Blossoms
Goin' To California
132 bpm • E Maj • 03:43 • -4.92db
29% Popularity • 56% Danceability • 79% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
29% Popularity • 56% Danceability • 79% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
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Stabilo
Don't Look In Their Eyes
151 bpm • E Maj • 04:12 • -4.55db
14% Popularity • 55% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
14% Popularity • 55% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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Tabitha's Secret
1 And Around (3:41)
132 bpm • A Maj • 03:42 • -8.47db
24% Popularity • 59% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
24% Popularity • 59% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
