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Two Little Lines
Songs like
Two Little Lines
by
Kasie Gasparini
Based on a tempo of (+/- 10%) and a similar genre
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Andrew Ripp
Revenant
140 bpm • C# min • 02:56 • -6.5db
36% Popularity • 65% Danceability • 72% Energy • 24% Liveness
0% Instrumentalness • 23% Positiveness
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Mighty Oaks
Crazy
140 bpm • B min • 03:02 • -6.37db
19% Popularity • 67% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 53% Positiveness
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Martin Harich
KNOW - HOW
140 bpm • C min • 02:39 • -6.86db
10% Popularity • 69% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Alivan Blu
Solace
140 bpm • C Maj • 02:08 • -11.24db
42% Popularity • 58% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Han Herman
Howl
140 bpm • C Maj • 04:17 • -7.2db
18% Popularity • 52% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Obai
The River
140 bpm • D Maj • 03:41 • -8.81db
14% Popularity • 54% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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9DMG
Over Me
140 bpm • A Maj • 03:38 • -8.09db
20% Popularity • 50% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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BYRNE
We Don't Sleep
140 bpm • E Maj • 03:09 • -5.07db
29% Popularity • 66% Danceability • 63% Energy • 55% Liveness
0% Instrumentalness • 34% Positiveness
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Yady
Healing
140 bpm • G Maj • 03:36 • -12.9db
18% Popularity • 35% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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James Arthur
Sleepwalking
140 bpm • A# Maj • 03:48 • -5.51db
54% Popularity • 47% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
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Amistat
Far From Home
140 bpm • D Maj • 03:23 • -12db
42% Popularity • 53% Danceability • 30% Energy • 5% Liveness
0% Instrumentalness • 22% Positiveness
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Moncrieff
Young Men
141 bpm • D Maj • 03:12 • -5.16db
35% Popularity • 75% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Matt Simons
Weak In The Knees
139 bpm • A Maj • 03:06 • -8.34db
42% Popularity • 67% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Jake Scott
One On The Way - Strings
142 bpm • F Maj • 03:48 • -8.38db
43% Popularity • 47% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Vincent Lima
Rain Inside the City
142 bpm • D# Maj • 03:09 • -8.79db
34% Popularity • 60% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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Tom Boy
Young & Sad
142 bpm • A# Maj • 03:02 • -7.81db
41% Popularity • 69% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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ISHAN
Apologies
142 bpm • A# min • 02:32 • -4.85db
45% Popularity • 68% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
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DACY
She Wants To Be Loved
142 bpm • G# Maj • 03:20 • -7.72db
12% Popularity • 68% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Fly By Midnight
Live For You, Die With You - Acoustic De...
138 bpm • C# Maj • 02:51 • -7.4db
26% Popularity • 59% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
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Andy Grammer
I Found You
138 bpm • C# Maj • 02:31 • -6.58db
38% Popularity • 73% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
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Jack Curley
I’m Here for You
138 bpm • G# min • 03:18 • -6.94db
36% Popularity • 66% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Brendan Abernathy
Ana de Armas
138 bpm • G Maj • 03:05 • -7.72db
11% Popularity • 62% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Kat Cunning
Supernova (tigers blud)
138 bpm • B min • 03:16 • -6.85db
38% Popularity • 57% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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HEARTPLUSEARTH
Next to You
143 bpm • C# Maj • 02:58 • -8.99db
11% Popularity • 57% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Harrison Boe
We Called It Love
137 bpm • F Maj • 03:21 • -11.61db
18% Popularity • 30% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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New Rules
Night Like This
137 bpm • D# Maj • 03:03 • -5db
32% Popularity • 65% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 91% Positiveness
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AEMS
If You Let Me
137 bpm • B Maj • 04:00 • -7.96db
11% Popularity • 61% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Ali Gilbert
Run by the River
137 bpm • C# min • 02:52 • -7.8db
37% Popularity • 75% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Jack Hawitt
Our Song
143 bpm • F Maj • 03:52 • -9.31db
33% Popularity • 43% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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BANNERS
Got It In You
144 bpm • G Maj • 03:41 • -9.16db
51% Popularity • 58% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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TommyMuzzic
Arcade - Loving You Is A Losing Game - T...
144 bpm • A min • 03:02 • -7.66db
35% Popularity • 43% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
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Tim Dawn
Fine Line
136 bpm • C# Maj • 02:41 • -11db
17% Popularity • 64% Danceability • 48% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
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Lukas Graham
Happy For You
136 bpm • A# Maj • 03:46 • -4.17db
41% Popularity • 65% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
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Ben Fuller
Who I Am - Acoustic
136 bpm • D Maj • 03:20 • -6db
30% Popularity • 60% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Brendan Abernathy
Move to Portland
136 bpm • F Maj • 04:45 • -11.47db
16% Popularity • 57% Danceability • 44% Energy • 9% Liveness
2% Instrumentalness • 52% Positiveness
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BANNERS
Perfectly Broken
144 bpm • F Maj • 03:08 • -8.57db
55% Popularity • 64% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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James Bay
Peer Pressure
136 bpm • C# min • 02:56 • -6.08db
66% Popularity • 63% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Christopher
Fall So Hard
136 bpm • C Maj • 03:34 • -4.18db
48% Popularity • 57% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
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Song House
WHAT IF?
145 bpm • B Maj • 03:11 • -9.33db
37% Popularity • 61% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
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Alex Warren
Headlights
145 bpm • C# Maj • 02:53 • -7db
54% Popularity • 64% Danceability • 56% Energy • 34% Liveness
0% Instrumentalness • 45% Positiveness
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Carter Ryan
Heart's On Fire
145 bpm • A# Maj • 03:11 • -7.89db
43% Popularity • 66% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Jet Trouble
Heaven Come Down
135 bpm • C# Maj • 03:51 • -8.23db
34% Popularity • 61% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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James Blunt
Champions
135 bpm • C# min • 03:14 • -7.48db
45% Popularity • 63% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
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Leanna Crawford
Prince Charming
135 bpm • G# Maj • 03:02 • -9db
41% Popularity • 63% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Eline Esmee
Jekyll & Hyde
135 bpm • D Maj • 03:38 • -9.02db
9% Popularity • 60% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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push baby
thenineteenseventyfive
135 bpm • E Maj • 04:14 • -7db
41% Popularity • 58% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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GOM3Z
Funny Ways
135 bpm • C# Maj • 02:43 • -9.91db
23% Popularity • 59% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Izzy Warner
I'm Unbreakable
146 bpm • D Maj • 03:08 • -6.55db
16% Popularity • 68% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Jordy Searcy
Daylight - Stripped
146 bpm • B Maj • 03:28 • -9.72db
28% Popularity • 73% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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James Gibson
Million Degrees - EP Version
134 bpm • D Maj • 03:36 • -8.21db
27% Popularity • 57% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Cole Norton
The Me I Used to Know
134 bpm • E min • 04:24 • -11.67db
12% Popularity • 43% Danceability • 34% Energy • 20% Liveness
0% Instrumentalness • 12% Positiveness
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Todd Kem
Break Free
134 bpm • C# Maj • 03:57 • -8.79db
21% Popularity • 62% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Wrabel
wish you well
134 bpm • C Maj • 03:02 • -7db
55% Popularity • 57% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Celine Cairo
Method in the Madness
134 bpm • E min • 02:39 • -7.76db
21% Popularity • 58% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Hugo Helmig
Young Like This
134 bpm • B Maj • 03:06 • -6.27db
32% Popularity • 65% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Brother Leo
Talking In Your Sleep
147 bpm • A# Maj • 04:23 • -9.32db
10% Popularity • 39% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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NOEL
Hurt Somebody
147 bpm • B Maj • 03:30 • -7.14db
44% Popularity • 55% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Matt Haughey
How Ya Doin' Now Kid
134 bpm • B Maj • 03:02 • -7.03db
17% Popularity • 59% Danceability • 55% Energy • 24% Liveness
0% Instrumentalness • 30% Positiveness
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Amistat
i will
133 bpm • C min • 03:14 • -9.25db
39% Popularity • 61% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Emily Burns
Balcony Floor
147 bpm • G Maj • 03:13 • -9.16db
23% Popularity • 57% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 49% Positiveness
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Andrew Ripp
Never in a Million Years
133 bpm • G min • 03:45 • -8.56db
34% Popularity • 65% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Jonah Blacksmith
Honey
133 bpm • A# Maj • 03:54 • -5.16db
44% Popularity • 51% Danceability • 70% Energy • 25% Liveness
0% Instrumentalness • 49% Positiveness
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OneRepublic
Lose Somebody - from One Night In Malibu
148 bpm • C# Maj • 03:19 • -10.38db
43% Popularity • 59% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Josiah Queen
The Prodigal
132 bpm • B Maj • 03:13 • -5.66db
71% Popularity • 65% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
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Daniel Seavey
I Tried
132 bpm • E Maj • 02:16 • -11db
50% Popularity • 59% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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TommyMuzzic
Memories x Another Love - TikTok Remix
132 bpm • E Maj • 02:50 • -9.19db
37% Popularity • 57% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
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Hannah Woof
Rather Be Lonely
132 bpm • G# Maj • 02:01 • -7.19db
10% Popularity • 82% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Grace Davies
Supervillain
132 bpm • F Maj • 03:25 • -10.16db
27% Popularity • 58% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
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Maisie Peters
Funeral
149 bpm • D Maj • 02:34 • -5.85db
35% Popularity • 50% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Bo Baskoro
The Color Blue
149 bpm • A Maj • 03:47 • -8.4db
21% Popularity • 49% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Shawn Mendes
Queen
131 bpm • C# Maj • 03:24 • -7.25db
47% Popularity • 88% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Rod Coote
Unwind
131 bpm • B min • 03:05 • -8.82db
16% Popularity • 61% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Brittany Pfantz
Adore You
131 bpm • E Maj • 04:07 • -9.33db
14% Popularity • 63% Danceability • 43% Energy • 24% Liveness
0% Instrumentalness • 25% Positiveness
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Stephen Stanley
Note To Self
150 bpm • G Maj • 03:06 • -7.21db
30% Popularity • 54% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Scotty Sire
Words
130 bpm • A Maj • 03:35 • -7.49db
23% Popularity • 74% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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MIKOLAS
DELILAH - SUMMER VERSION
130 bpm • C# min • 02:12 • -6.79db
56% Popularity • 50% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Lucy Spraggan
Run to the Hills
130 bpm • E Maj • 03:11 • -8.15db
26% Popularity • 70% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 56% Positiveness
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The Wanted
Rule The World - Alternative Edit
130 bpm • G min • 03:03 • -7.38db
12% Popularity • 61% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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Austin Giorgio
Looking For
130 bpm • A Maj • 02:56 • -5.88db
21% Popularity • 76% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
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Sam Heselwood
Without You In It
130 bpm • A Maj • 03:14 • -9.62db
33% Popularity • 57% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Atticus Blue
You're the Rain
130 bpm • D min • 03:47 • -7.46db
8% Popularity • 62% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Steph Strings
Wholesome Days
130 bpm • D Maj • 03:56 • -7.93db
25% Popularity • 45% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Anson Seabra
18
130 bpm • F Maj • 02:58 • -10.37db
39% Popularity • 65% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Cinzia & The Eclipse
What About Now
151 bpm • C min • 02:41 • -6.79db
15% Popularity • 55% Danceability • 65% Energy • 29% Liveness
4% Instrumentalness • 32% Positiveness
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Michael Schulte
Remember Me
130 bpm • A Maj • 03:36 • -8.57db
40% Popularity • 67% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
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James Arthur
Avalanche
152 bpm • D Maj • 03:47 • -6db
40% Popularity • 53% Danceability • 48% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
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fiedlerski
growing up
152 bpm • E Maj • 02:18 • -8.46db
35% Popularity • 57% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Tors
How It Hurts
152 bpm • A Maj • 03:41 • -5.82db
33% Popularity • 61% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Crowe Boys
Take Me Back V2
129 bpm • G Maj • 03:28 • -10.63db
34% Popularity • 60% Danceability • 37% Energy • 67% Liveness
0% Instrumentalness • 37% Positiveness
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Ingrid Michaelson
If This Is Love
128 bpm • D Maj • 02:46 • -13.38db
36% Popularity • 56% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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We Three
Fire Away
128 bpm • A# Maj • 02:39 • -6.7db
33% Popularity • 38% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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sunkissed
4runner - acoustic
128 bpm • C# Maj • 03:54 • -9.34db
19% Popularity • 62% Danceability • 34% Energy • 22% Liveness
0% Instrumentalness • 63% Positiveness
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Sam Woolf
Cloud 9
128 bpm • G Maj • 02:52 • -3.69db
8% Popularity • 57% Danceability • 79% Energy • 42% Liveness
0% Instrumentalness • 61% Positiveness
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Brainheart
How To Live - Acoustic
128 bpm • D Maj • 03:22 • -8.16db
41% Popularity • 55% Danceability • 37% Energy • 32% Liveness
0% Instrumentalness • 31% Positiveness
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Duncan Laurence
Last Night
128 bpm • C Maj • 02:54 • -10.62db
30% Popularity • 61% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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John Adams
2 Become 1 - Acoustic
128 bpm • F# Maj • 03:06 • -11.87db
44% Popularity • 66% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Amistat
still believe
128 bpm • C# Maj • 03:05 • -11.77db
47% Popularity • 69% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Chris Kage
Love And War
128 bpm • C# min • 04:24 • -10.07db
14% Popularity • 52% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Josh Alexander
Through Mine
128 bpm • G min • 03:19 • -7.88db
20% Popularity • 42% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Tom Grennan
This Side of the Room
127 bpm • E Maj • 03:05 • -3.83db
40% Popularity • 57% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Two Little Lines