Songs like Two Sevens Clash by Culture
Based on a tempo of (+/- 10%) and a similar genre
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Linton Kwesi Johnson
It Noh Funny
136 bpm • B min • 03:41 • -15.21db
29% Popularity • 74% Danceability • 43% Energy • 3% Liveness
0% Instrumentalness • 46% Positiveness
29% Popularity • 74% Danceability • 43% Energy • 3% Liveness
0% Instrumentalness • 46% Positiveness
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Brent Dowe
Down Here In Babylon
136 bpm • G Maj • 03:37 • -6.16db
13% Popularity • 74% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
13% Popularity • 74% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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The Congos
The Wrong Thing
136 bpm • A min • 03:00 • -14.37db
22% Popularity • 75% Danceability • 40% Energy • 4% Liveness
5% Instrumentalness • 57% Positiveness
22% Popularity • 75% Danceability • 40% Energy • 4% Liveness
5% Instrumentalness • 57% Positiveness
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Bunny Wailer
Rastaman
136 bpm • G Maj • 03:51 • -12.92db
34% Popularity • 81% Danceability • 47% Energy • 37% Liveness
1% Instrumentalness • 85% Positiveness
34% Popularity • 81% Danceability • 47% Energy • 37% Liveness
1% Instrumentalness • 85% Positiveness
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Prince Alla
Lot's Wife
136 bpm • G# Maj • 03:26 • -7.62db
23% Popularity • 90% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
23% Popularity • 90% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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The Slickers
Give us a Break
136 bpm • F# min • 03:50 • -3.42db
23% Popularity • 76% Danceability • 82% Energy • 40% Liveness
0% Instrumentalness • 49% Positiveness
23% Popularity • 76% Danceability • 82% Energy • 40% Liveness
0% Instrumentalness • 49% Positiveness
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Roy Cousins and the Royals
Ghetto Man
136 bpm • B Maj • 03:10 • -12db
8% Popularity • 74% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
8% Popularity • 74% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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Culture
Pirate Days
136 bpm • B min • 02:49 • -8.52db
16% Popularity • 74% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
16% Popularity • 74% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
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The Congos
Solid Foundation
136 bpm • C Maj • 04:29 • -17db
23% Popularity • 79% Danceability • 26% Energy • 9% Liveness
10% Instrumentalness • 71% Positiveness
23% Popularity • 79% Danceability • 26% Energy • 9% Liveness
10% Instrumentalness • 71% Positiveness
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Cornell Campbell
Rope In
136 bpm • F min • 03:14 • -12.11db
22% Popularity • 85% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
22% Popularity • 85% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Prince Alla
Bucket Bottom
136 bpm • F# Maj • 02:26 • -9db
39% Popularity • 88% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
39% Popularity • 88% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Bunny Wailer
Dancing Shoes
136 bpm • F# Maj • 03:47 • -14.43db
32% Popularity • 80% Danceability • 49% Energy • 8% Liveness
50% Instrumentalness • 92% Positiveness
32% Popularity • 80% Danceability • 49% Energy • 8% Liveness
50% Instrumentalness • 92% Positiveness
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Max Romeo
Three Blind Mice
135 bpm • C Maj • 02:56 • -6.85db
28% Popularity • 90% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
28% Popularity • 90% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
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Culture
Two Sevens Clash
136 bpm • A min • 03:29 • -6.61db
41% Popularity • 77% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
41% Popularity • 77% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Junior Byles
Beat Down Babylon
135 bpm • D Maj • 02:35 • -10.44db
48% Popularity • 85% Danceability • 45% Energy • 9% Liveness
57% Instrumentalness • 96% Positiveness
48% Popularity • 85% Danceability • 45% Energy • 9% Liveness
57% Instrumentalness • 96% Positiveness
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Dillinger
CB 200
135 bpm • B min • 02:36 • -13.87db
10% Popularity • 79% Danceability • 41% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
10% Popularity • 79% Danceability • 41% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
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Bob Andy
Ghetto Stays in the Mind
137 bpm • G# Maj • 05:15 • -8.33db
11% Popularity • 86% Danceability • 60% Energy • 5% Liveness
1% Instrumentalness • 62% Positiveness
11% Popularity • 86% Danceability • 60% Energy • 5% Liveness
1% Instrumentalness • 62% Positiveness
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The Congos
Children Crying
135 bpm • G# Maj • 04:13 • -6.58db
16% Popularity • 61% Danceability • 72% Energy • 37% Liveness
0% Instrumentalness • 84% Positiveness
16% Popularity • 61% Danceability • 72% Energy • 37% Liveness
0% Instrumentalness • 84% Positiveness
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The Ethiopians
The Ring
137 bpm • D Maj • 01:54 • -11.64db
32% Popularity • 85% Danceability • 42% Energy • 20% Liveness
4% Instrumentalness • 70% Positiveness
32% Popularity • 85% Danceability • 42% Energy • 20% Liveness
4% Instrumentalness • 70% Positiveness
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Culture
Two Sevens Clash / Prophecy Revealed
136 bpm • A min • 06:11 • -7.34db
13% Popularity • 57% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
13% Popularity • 57% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Capital Letters
Uk Skanking - 12" Mix
135 bpm • G# min • 08:14 • -6.53db
11% Popularity • 82% Danceability • 91% Energy • 17% Liveness
1% Instrumentalness • 94% Positiveness
11% Popularity • 82% Danceability • 91% Energy • 17% Liveness
1% Instrumentalness • 94% Positiveness
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Dillinger
CB 200
135 bpm • B min • 02:35 • -7db
20% Popularity • 78% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
20% Popularity • 78% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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Junior Byles
The Long Way
137 bpm • E min • 04:02 • -11.59db
23% Popularity • 88% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
23% Popularity • 88% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Pablo Moses
We Should Be in Angola
135 bpm • A min • 03:39 • -5.66db
23% Popularity • 88% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 88% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Dr. Alimantado
Just the Other Day
137 bpm • B min • 03:06 • -8.95db
18% Popularity • 78% Danceability • 58% Energy • 22% Liveness
4% Instrumentalness • 77% Positiveness
18% Popularity • 78% Danceability • 58% Energy • 22% Liveness
4% Instrumentalness • 77% Positiveness
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Sylford Walker
Deuteronomy
135 bpm • B Maj • 07:19 • -10.23db
20% Popularity • 76% Danceability • 71% Energy • 18% Liveness
40% Instrumentalness • 85% Positiveness
20% Popularity • 76% Danceability • 71% Energy • 18% Liveness
40% Instrumentalness • 85% Positiveness
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Leroy Smart
Channel One Feel It
135 bpm • G Maj • 02:56 • -7db
22% Popularity • 82% Danceability • 62% Energy • 4% Liveness
46% Instrumentalness • 79% Positiveness
22% Popularity • 82% Danceability • 62% Energy • 4% Liveness
46% Instrumentalness • 79% Positiveness
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Culture
I'm Alone In The Wilderness
135 bpm • C Maj • 03:24 • -8.44db
16% Popularity • 71% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
16% Popularity • 71% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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Junior Byles
Whip Them, Whip Them
135 bpm • D Maj • 02:34 • -7.13db
35% Popularity • 85% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
35% Popularity • 85% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Augustus Pablo
Pablo In Moonlight City
137 bpm • E min • 07:02 • -8.47db
15% Popularity • 64% Danceability • 72% Energy • 26% Liveness
90% Instrumentalness • 58% Positiveness
15% Popularity • 64% Danceability • 72% Energy • 26% Liveness
90% Instrumentalness • 58% Positiveness
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The Abyssinians
Forward On to Zion
135 bpm • D Maj • 03:54 • -12.71db
20% Popularity • 70% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
20% Popularity • 70% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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The Congos
Open Up The Gate
135 bpm • A min • 04:21 • -12.89db
31% Popularity • 68% Danceability • 53% Energy • 11% Liveness
4% Instrumentalness • 51% Positiveness
31% Popularity • 68% Danceability • 53% Energy • 11% Liveness
4% Instrumentalness • 51% Positiveness
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Rockers All Stars
Knocking Version
137 bpm • A Maj • 03:07 • -11.01db
18% Popularity • 71% Danceability • 53% Energy • 6% Liveness
3% Instrumentalness • 36% Positiveness
18% Popularity • 71% Danceability • 53% Energy • 6% Liveness
3% Instrumentalness • 36% Positiveness
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Culture
I'm Alone In The Wilderness
135 bpm • F Maj • 03:23 • -16.38db
10% Popularity • 73% Danceability • 43% Energy • 26% Liveness
0% Instrumentalness • 91% Positiveness
10% Popularity • 73% Danceability • 43% Energy • 26% Liveness
0% Instrumentalness • 91% Positiveness
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Israel Vibration
Rude Boy Shufflin'
137 bpm • F min • 04:45 • -10.83db
41% Popularity • 89% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
41% Popularity • 89% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Leroy Smart
Trying To Wreck My Life
135 bpm • C Maj • 02:58 • -8db
19% Popularity • 87% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
19% Popularity • 87% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
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Wailing Souls
Act Of Affection
137 bpm • D Maj • 02:44 • -7.01db
55% Popularity • 82% Danceability • 61% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
55% Popularity • 82% Danceability • 61% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
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Linton Kwesi Johnson
Inglan Is A Bitch
138 bpm • G Maj • 05:26 • -15.75db
41% Popularity • 88% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
41% Popularity • 88% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Dillinger
Shelly with the Electric Belly
138 bpm • G Maj • 03:37 • -8.88db
30% Popularity • 74% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
30% Popularity • 74% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Prince Alla
Black Rose (With Phillip Fraser)
138 bpm • F# min • 03:23 • -9db
18% Popularity • 87% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
18% Popularity • 87% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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Aswad
Not Guilty - Live
138 bpm • D min • 04:50 • -13.79db
24% Popularity • 75% Danceability • 62% Energy • 98% Liveness
0% Instrumentalness • 71% Positiveness
24% Popularity • 75% Danceability • 62% Energy • 98% Liveness
0% Instrumentalness • 71% Positiveness
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Mikey Dread
Everybody Needs a Proper Education - Ext...
138 bpm • A# Maj • 07:22 • -5.48db
11% Popularity • 78% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 94% Positiveness
11% Popularity • 78% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 94% Positiveness
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Lloyd Parks
Mafia
134 bpm • G min • 02:56 • -9.62db
24% Popularity • 85% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
24% Popularity • 85% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
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Tapper Zukie
Judgement Dub
138 bpm • C# min • 03:17 • -7db
27% Popularity • 84% Danceability • 85% Energy • 11% Liveness
73% Instrumentalness • 90% Positiveness
27% Popularity • 84% Danceability • 85% Energy • 11% Liveness
73% Instrumentalness • 90% Positiveness
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Dillinger
Three Piece Suit & Thing
138 bpm • A Maj • 04:17 • -8.91db
10% Popularity • 88% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
10% Popularity • 88% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
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The Abyssinians
Mightiest Of All - Remastered 2002
134 bpm • C Maj • 03:51 • -8.68db
16% Popularity • 73% Danceability • 67% Energy • 15% Liveness
4% Instrumentalness • 64% Positiveness
16% Popularity • 73% Danceability • 67% Energy • 15% Liveness
4% Instrumentalness • 64% Positiveness
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Prince Alla
Stone
138 bpm • A Maj • 03:05 • -8db
25% Popularity • 86% Danceability • 70% Energy • 22% Liveness
3% Instrumentalness • 80% Positiveness
25% Popularity • 86% Danceability • 70% Energy • 22% Liveness
3% Instrumentalness • 80% Positiveness
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Culture
Tell Me Where You Get It - 2000 Digital ...
138 bpm • G Maj • 04:09 • -10.39db
34% Popularity • 78% Danceability • 48% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
34% Popularity • 78% Danceability • 48% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
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I-Roy
Sister Maggie Breast
134 bpm • F# min • 02:56 • -6.13db
18% Popularity • 86% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 78% Positiveness
18% Popularity • 86% Danceability • 56% Energy • 27% Liveness
0% Instrumentalness • 78% Positiveness
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Ranking Joe
River Jordan
138 bpm • A min • 04:20 • -10db
16% Popularity • 86% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
16% Popularity • 86% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Junior Byles
Curly Locks
138 bpm • G Maj • 03:01 • -11.3db
45% Popularity • 82% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
45% Popularity • 82% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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Wayne Jarrett
Every Tongue Shall Tell
134 bpm • F# min • 05:18 • -8.51db
15% Popularity • 77% Danceability • 56% Energy • 8% Liveness
4% Instrumentalness • 49% Positiveness
15% Popularity • 77% Danceability • 56% Energy • 8% Liveness
4% Instrumentalness • 49% Positiveness
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Marcia Griffiths
Dreamland
133 bpm • F Maj • 03:16 • -5.03db
27% Popularity • 84% Danceability • 68% Energy • 9% Liveness
67% Instrumentalness • 84% Positiveness
27% Popularity • 84% Danceability • 68% Energy • 9% Liveness
67% Instrumentalness • 84% Positiveness
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Culture
Vacancy - 2000 Digital Remaster
133 bpm • C Maj • 03:47 • -8.03db
18% Popularity • 83% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
18% Popularity • 83% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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The Congos
Solid Foundation
133 bpm • C Maj • 05:57 • -8.64db
12% Popularity • 80% Danceability • 51% Energy • 60% Liveness
1% Instrumentalness • 85% Positiveness
12% Popularity • 80% Danceability • 51% Energy • 60% Liveness
1% Instrumentalness • 85% Positiveness
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Sylford Walker
Eternal Day
133 bpm • C# Maj • 07:13 • -9.13db
18% Popularity • 76% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
18% Popularity • 76% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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Wailing Souls
Mass Charley Ground
133 bpm • F# Maj • 03:12 • -14.27db
33% Popularity • 69% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 41% Positiveness
33% Popularity • 69% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 41% Positiveness
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Third World
Rhythm Of Life
133 bpm • G Maj • 04:15 • -15.91db
37% Popularity • 87% Danceability • 60% Energy • 6% Liveness
56% Instrumentalness • 94% Positiveness
37% Popularity • 87% Danceability • 60% Energy • 6% Liveness
56% Instrumentalness • 94% Positiveness
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Marcia Griffiths
Feel Like Jumping
139 bpm • F Maj • 03:57 • -11.67db
34% Popularity • 85% Danceability • 46% Energy • 32% Liveness
75% Instrumentalness • 94% Positiveness
34% Popularity • 85% Danceability • 46% Energy • 32% Liveness
75% Instrumentalness • 94% Positiveness
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Culture
Down In Jamaica - 2000 Digital Remaster
133 bpm • C Maj • 04:07 • -8.74db
27% Popularity • 88% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
27% Popularity • 88% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Augustus Pablo
Cassava Piece ('79 Style)
133 bpm • G# min • 02:34 • -8.27db
45% Popularity • 79% Danceability • 67% Energy • 13% Liveness
95% Instrumentalness • 93% Positiveness
45% Popularity • 79% Danceability • 67% Energy • 13% Liveness
95% Instrumentalness • 93% Positiveness
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Prince Far I
Message From The King - 2000 Digital Rem...
133 bpm • A# Maj • 03:32 • -10.53db
33% Popularity • 71% Danceability • 57% Energy • 25% Liveness
0% Instrumentalness • 32% Positiveness
33% Popularity • 71% Danceability • 57% Energy • 25% Liveness
0% Instrumentalness • 32% Positiveness
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Mighty Diamonds
Right Time - 2001 Digital Remaster
139 bpm • D Maj • 03:17 • -10.73db
44% Popularity • 84% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
44% Popularity • 84% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Dr. Alimantado
Gimmie Mi Gun
133 bpm • A Maj • 02:58 • -10db
21% Popularity • 70% Danceability • 53% Energy • 74% Liveness
0% Instrumentalness • 49% Positiveness
21% Popularity • 70% Danceability • 53% Energy • 74% Liveness
0% Instrumentalness • 49% Positiveness
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Cornell Campbell
100lbs Of Collie
139 bpm • G# min • 02:50 • -8.78db
26% Popularity • 80% Danceability • 53% Energy • 31% Liveness
34% Instrumentalness • 84% Positiveness
26% Popularity • 80% Danceability • 53% Energy • 31% Liveness
34% Instrumentalness • 84% Positiveness
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Culture
Calling Rasta For I
133 bpm • C Maj • 02:28 • -7.06db
22% Popularity • 79% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
22% Popularity • 79% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Augustus Pablo
Dub Organizer
133 bpm • A min • 02:58 • -4.87db
32% Popularity • 82% Danceability • 65% Energy • 15% Liveness
93% Instrumentalness • 97% Positiveness
32% Popularity • 82% Danceability • 65% Energy • 15% Liveness
93% Instrumentalness • 97% Positiveness
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Aswad
I A Rebel Soul
133 bpm • C min • 05:01 • -13.47db
37% Popularity • 74% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
37% Popularity • 74% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
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I-Roy
Screw Face
133 bpm • C# min • 02:47 • -7.08db
13% Popularity • 79% Danceability • 58% Energy • 6% Liveness
69% Instrumentalness • 58% Positiveness
13% Popularity • 79% Danceability • 58% Energy • 6% Liveness
69% Instrumentalness • 58% Positiveness
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Dr. Alimantado
Sitting in the Park
139 bpm • G Maj • 03:42 • -9.61db
10% Popularity • 80% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
10% Popularity • 80% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
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Hortense Ellis
Hell and Sorrow
132 bpm • A# min • 02:09 • -11db
26% Popularity • 84% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
26% Popularity • 84% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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Culture
Calling Rasta Far I
133 bpm • G Maj • 02:27 • -15.37db
12% Popularity • 80% Danceability • 46% Energy • 14% Liveness
1% Instrumentalness • 97% Positiveness
12% Popularity • 80% Danceability • 46% Energy • 14% Liveness
1% Instrumentalness • 97% Positiveness
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Althea And Donna
Sorry - Remastered 2001
140 bpm • C Maj • 03:57 • -7db
40% Popularity • 91% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
40% Popularity • 91% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Pablo Moses
Dubbing Is a Must, Pt. 1 - 2010 Remaster...
132 bpm • C# Maj • 04:50 • -7.98db
46% Popularity • 90% Danceability • 66% Energy • 11% Liveness
1% Instrumentalness • 87% Positiveness
46% Popularity • 90% Danceability • 66% Energy • 11% Liveness
1% Instrumentalness • 87% Positiveness
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I-Roy
Welding
139 bpm • B min • 04:21 • -6.79db
15% Popularity • 78% Danceability • 61% Energy • 42% Liveness
0% Instrumentalness • 58% Positiveness
15% Popularity • 78% Danceability • 61% Energy • 42% Liveness
0% Instrumentalness • 58% Positiveness
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Pat Kelly
Dark End Of The Street
132 bpm • C Maj • 03:19 • -12.38db
18% Popularity • 66% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 92% Positiveness
18% Popularity • 66% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 92% Positiveness
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The Itals
Action
132 bpm • A min • 03:30 • -18.4db
32% Popularity • 76% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
32% Popularity • 76% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Culture
Jah Pretty Face
139 bpm • A Maj • 03:36 • -9db
15% Popularity • 66% Danceability • 65% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
15% Popularity • 66% Danceability • 65% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
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Third World
Cool Meditation
140 bpm • B min • 03:34 • -15.15db
30% Popularity • 74% Danceability • 62% Energy • 31% Liveness
0% Instrumentalness • 97% Positiveness
30% Popularity • 74% Danceability • 62% Energy • 31% Liveness
0% Instrumentalness • 97% Positiveness
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Bunny Wailer
Fig Tree
140 bpm • B Maj • 03:08 • -14.96db
31% Popularity • 79% Danceability • 28% Energy • 15% Liveness
5% Instrumentalness • 54% Positiveness
31% Popularity • 79% Danceability • 28% Energy • 15% Liveness
5% Instrumentalness • 54% Positiveness
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The Congos
Children Crying
140 bpm • G# Maj • 03:54 • -15.42db
27% Popularity • 58% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
27% Popularity • 58% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Althea And Donna
Jah Music - Remastered 2001
132 bpm • A min • 03:56 • -10db
37% Popularity • 86% Danceability • 57% Energy • 8% Liveness
6% Instrumentalness • 83% Positiveness
37% Popularity • 86% Danceability • 57% Energy • 8% Liveness
6% Instrumentalness • 83% Positiveness
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Pablo Moses
I Man a Grasshoper
140 bpm • G# Maj • 04:33 • -5db
25% Popularity • 80% Danceability • 73% Energy • 7% Liveness
91% Instrumentalness • 49% Positiveness
25% Popularity • 80% Danceability • 73% Energy • 7% Liveness
91% Instrumentalness • 49% Positiveness
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Culture
Black Starliner Must Come
132 bpm • C min • 02:39 • -8.64db
17% Popularity • 73% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
17% Popularity • 73% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Third World
1865 (96º In The Shade)
132 bpm • G Maj • 04:27 • -16db
55% Popularity • 92% Danceability • 39% Energy • 3% Liveness
0% Instrumentalness • 80% Positiveness
55% Popularity • 92% Danceability • 39% Energy • 3% Liveness
0% Instrumentalness • 80% Positiveness
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The Abyssinians
Declaration of Rights
140 bpm • E Maj • 03:33 • -12.77db
31% Popularity • 76% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
31% Popularity • 76% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Sylford Walker
Burn Babylon
140 bpm • F# min • 03:20 • -12db
39% Popularity • 76% Danceability • 38% Energy • 39% Liveness
22% Instrumentalness • 62% Positiveness
39% Popularity • 76% Danceability • 38% Energy • 39% Liveness
22% Instrumentalness • 62% Positiveness
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Junior Murvin
Rebellion
141 bpm • A min • 03:01 • -15.11db
21% Popularity • 86% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
21% Popularity • 86% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Junior Byles
Fever
141 bpm • D# min • 02:54 • -12.97db
39% Popularity • 84% Danceability • 52% Energy • 13% Liveness
2% Instrumentalness • 97% Positiveness
39% Popularity • 84% Danceability • 52% Energy • 13% Liveness
2% Instrumentalness • 97% Positiveness
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Culture
Get Ready To Ride The Lion To Zion
140 bpm • G Maj • 03:24 • -15.24db
10% Popularity • 75% Danceability • 39% Energy • 37% Liveness
0% Instrumentalness • 90% Positiveness
10% Popularity • 75% Danceability • 39% Energy • 37% Liveness
0% Instrumentalness • 90% Positiveness
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Aswad
Concrete Slaveship
131 bpm • A min • 08:29 • -13.88db
17% Popularity • 83% Danceability • 38% Energy • 43% Liveness
0% Instrumentalness • 87% Positiveness
17% Popularity • 83% Danceability • 38% Energy • 43% Liveness
0% Instrumentalness • 87% Positiveness
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Wailing Souls
Kingdom Rise Kingdom Fall
131 bpm • E min • 04:05 • -7.01db
28% Popularity • 79% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 45% Positiveness
28% Popularity • 79% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 45% Positiveness
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Dr. Alimantado
Best Dressed Chicken in Town
131 bpm • C# min • 02:43 • -9db
28% Popularity • 86% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
28% Popularity • 86% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
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Misty In Roots
How Long Jah
131 bpm • A min • 04:44 • -6.75db
25% Popularity • 87% Danceability • 58% Energy • 17% Liveness
4% Instrumentalness • 62% Positiveness
25% Popularity • 87% Danceability • 58% Energy • 17% Liveness
4% Instrumentalness • 62% Positiveness
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Black Uhuru
Sinsemilla
131 bpm • E min • 05:09 • -10.92db
49% Popularity • 85% Danceability • 56% Energy • 7% Liveness
3% Instrumentalness • 71% Positiveness
49% Popularity • 85% Danceability • 56% Energy • 7% Liveness
3% Instrumentalness • 71% Positiveness
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Culture
Get Ready To Ride The Lion To Zion
140 bpm • G Maj • 03:25 • -9.64db
25% Popularity • 74% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 78% Positiveness
25% Popularity • 74% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 78% Positiveness
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Dillinger
Marijuana In My Brain
131 bpm • G Maj • 03:12 • -7db
26% Popularity • 78% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
26% Popularity • 78% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
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Aswad
Natural Progression
131 bpm • G Maj • 06:06 • -15.69db
20% Popularity • 78% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
20% Popularity • 78% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
