Songs like Two Such Souls by Carter Burwell
Based on a tempo of (+/- 10%) and a similar genre
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Carter Burwell
Two Such Souls
77 bpm • D min • 05:52 • -18.48db
19% Popularity • 10% Danceability • 14% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
19% Popularity • 10% Danceability • 14% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Czech Philharmonic
Wonderful Days Theme II - 오케스트�...
77 bpm • D min • 03:18 • -16.03db
30% Popularity • 18% Danceability • 12% Energy • 24% Liveness
29% Instrumentalness • 13% Positiveness
30% Popularity • 18% Danceability • 12% Energy • 24% Liveness
29% Instrumentalness • 13% Positiveness
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Thomas Newman
Refugees
77 bpm • D Maj • 04:34 • -24.3db
17% Popularity • 8% Danceability • 5% Energy • 11% Liveness
81% Instrumentalness • 4% Positiveness
17% Popularity • 8% Danceability • 5% Energy • 11% Liveness
81% Instrumentalness • 4% Positiveness
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Bear McCreary
A Fraser Officer Survived
77 bpm • D min • 04:15 • -16.73db
29% Popularity • 13% Danceability • 15% Energy • 5% Liveness
88% Instrumentalness • 4% Positiveness
29% Popularity • 13% Danceability • 15% Energy • 5% Liveness
88% Instrumentalness • 4% Positiveness
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Filharmonie Brno
The Lamb (For String Orchestra)
77 bpm • E min • 03:20 • -27.36db
36% Popularity • 8% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
36% Popularity • 8% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Oli Langford
Adagio in E Major for Violin and Orchest...
77 bpm • E Maj • 01:23 • -19.56db
12% Popularity • 34% Danceability • 15% Energy • 26% Liveness
67% Instrumentalness • 27% Positiveness
12% Popularity • 34% Danceability • 15% Energy • 26% Liveness
67% Instrumentalness • 27% Positiveness
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Carter Burwell
Fruit Loops
77 bpm • E min • 01:32 • -23.72db
20% Popularity • 22% Danceability • 3% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
20% Popularity • 22% Danceability • 3% Energy • 8% Liveness
94% Instrumentalness • 7% Positiveness
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Alberto Iglesias
The Beach
78 bpm • A min • 02:06 • -31.62db
27% Popularity • 20% Danceability • 1% Energy • 19% Liveness
91% Instrumentalness • 12% Positiveness
27% Popularity • 20% Danceability • 1% Energy • 19% Liveness
91% Instrumentalness • 12% Positiveness
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Thomas Newman
Danger of Hell
78 bpm • C min • 02:27 • -36.61db
46% Popularity • 20% Danceability • 1% Energy • 7% Liveness
81% Instrumentalness • 4% Positiveness
46% Popularity • 20% Danceability • 1% Energy • 7% Liveness
81% Instrumentalness • 4% Positiveness
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Clint Mansell
Together We Will Live Forever
76 bpm • G min • 05:01 • -25.5db
50% Popularity • 48% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
50% Popularity • 48% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
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Guy Farley
The Hat First
78 bpm • D min • 02:30 • -25.57db
29% Popularity • 35% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
29% Popularity • 35% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Rupert Gregson-Williams
Togetherness
78 bpm • F# min • 01:44 • -18.38db
26% Popularity • 16% Danceability • 18% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
26% Popularity • 16% Danceability • 18% Energy • 8% Liveness
96% Instrumentalness • 3% Positiveness
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Carter Burwell
Mildred Goes To War
76 bpm • A min • 01:24 • -15.39db
31% Popularity • 60% Danceability • 26% Energy • 11% Liveness
95% Instrumentalness • 38% Positiveness
31% Popularity • 60% Danceability • 26% Energy • 11% Liveness
95% Instrumentalness • 38% Positiveness
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Benjamin Wallfisch
Rusalka
78 bpm • A min • 04:52 • -14.1db
8% Popularity • 20% Danceability • 24% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
8% Popularity • 20% Danceability • 24% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Rael Jones
Sunlit Kiss
76 bpm • C Maj • 03:41 • -28db
23% Popularity • 10% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
23% Popularity • 10% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Armand Amar
Le départ
78 bpm • D Maj • 02:33 • -27.19db
10% Popularity • 15% Danceability • 1% Energy • 19% Liveness
83% Instrumentalness • 4% Positiveness
10% Popularity • 15% Danceability • 1% Energy • 19% Liveness
83% Instrumentalness • 4% Positiveness
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Christopher Spelman
The First Goodbye
76 bpm • C# min • 02:33 • -21.04db
19% Popularity • 34% Danceability • 8% Energy • 11% Liveness
96% Instrumentalness • 5% Positiveness
19% Popularity • 34% Danceability • 8% Energy • 11% Liveness
96% Instrumentalness • 5% Positiveness
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Roque Baños
The White Whale Chant
78 bpm • G# Maj • 04:38 • -16.13db
36% Popularity • 7% Danceability • 17% Energy • 11% Liveness
34% Instrumentalness • 4% Positiveness
36% Popularity • 7% Danceability • 17% Energy • 11% Liveness
34% Instrumentalness • 4% Positiveness
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Bear McCreary
Leave the Past Behind
76 bpm • D min • 05:12 • -22.22db
28% Popularity • 14% Danceability • 6% Energy • 12% Liveness
89% Instrumentalness • 3% Positiveness
28% Popularity • 14% Danceability • 6% Energy • 12% Liveness
89% Instrumentalness • 3% Positiveness
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Adrian Johnston
Brideshead Revisited: No. 24, Always Sum...
78 bpm • A# Maj • 02:29 • -25db
37% Popularity • 34% Danceability • 9% Energy • 14% Liveness
92% Instrumentalness • 10% Positiveness
37% Popularity • 34% Danceability • 9% Energy • 14% Liveness
92% Instrumentalness • 10% Positiveness
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Johan Söderqvist
Eli's Theme
76 bpm • F min • 02:40 • -13db
29% Popularity • 18% Danceability • 23% Energy • 19% Liveness
94% Instrumentalness • 8% Positiveness
29% Popularity • 18% Danceability • 23% Energy • 19% Liveness
94% Instrumentalness • 8% Positiveness
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Volker Bertelmann
Salvation
78 bpm • F Maj • 05:25 • -17db
28% Popularity • 8% Danceability • 22% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
28% Popularity • 8% Danceability • 22% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Dominik Scherrer
The Weight of One Man's Heart
79 bpm • G min • 04:42 • -20.44db
14% Popularity • 13% Danceability • 14% Energy • 11% Liveness
65% Instrumentalness • 4% Positiveness
14% Popularity • 13% Danceability • 14% Energy • 11% Liveness
65% Instrumentalness • 4% Positiveness
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Alberto Iglesias
Casa con ventanas y libros
79 bpm • B min • 01:55 • -13.19db
24% Popularity • 49% Danceability • 25% Energy • 10% Liveness
54% Instrumentalness • 24% Positiveness
24% Popularity • 49% Danceability • 25% Energy • 10% Liveness
54% Instrumentalness • 24% Positiveness
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Mychael Danna
Wish I Could Spend The Day With You
75 bpm • E Maj • 01:46 • -28.43db
50% Popularity • 15% Danceability • 2% Energy • 14% Liveness
98% Instrumentalness • 4% Positiveness
50% Popularity • 15% Danceability • 2% Energy • 14% Liveness
98% Instrumentalness • 4% Positiveness
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Yuja Wang
Wallfisch: Art And Life
75 bpm • D# min • 02:17 • -17.58db
8% Popularity • 14% Danceability • 11% Energy • 11% Liveness
83% Instrumentalness • 3% Positiveness
8% Popularity • 14% Danceability • 11% Energy • 11% Liveness
83% Instrumentalness • 3% Positiveness
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Hampus Naeselius
Meaning
75 bpm • A min • 06:40 • -22.95db
18% Popularity • 9% Danceability • 11% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
18% Popularity • 9% Danceability • 11% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
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Clint Mansell
The Last Man
79 bpm • D min • 06:09 • -25.37db
41% Popularity • 8% Danceability • 3% Energy • 7% Liveness
94% Instrumentalness • 3% Positiveness
41% Popularity • 8% Danceability • 3% Energy • 7% Liveness
94% Instrumentalness • 3% Positiveness
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Thomas Newman
Come Back to Us
79 bpm • G min • 05:39 • -30.22db
53% Popularity • 7% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
53% Popularity • 7% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Sarah Class
Journey of the King Fish
79 bpm • D# Maj • 03:05 • -11db
29% Popularity • 17% Danceability • 28% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
29% Popularity • 17% Danceability • 28% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Adrian Johnston
Brideshead Revisited: No. 3, Guilt
79 bpm • G min • 01:50 • -20.32db
12% Popularity • 12% Danceability • 5% Energy • 22% Liveness
91% Instrumentalness • 10% Positiveness
12% Popularity • 12% Danceability • 5% Energy • 22% Liveness
91% Instrumentalness • 10% Positiveness
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Jonas Kvarnström
Cloud Atlas - Sextet - Piano & Orchestr...
75 bpm • C Maj • 04:15 • -18.35db
45% Popularity • 20% Danceability • 7% Energy • 6% Liveness
90% Instrumentalness • 9% Positiveness
45% Popularity • 20% Danceability • 7% Energy • 6% Liveness
90% Instrumentalness • 9% Positiveness
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Anne Dudley
Rachel's Theme
79 bpm • E min • 01:28 • -16db
53% Popularity • 13% Danceability • 17% Energy • 8% Liveness
59% Instrumentalness • 8% Positiveness
53% Popularity • 13% Danceability • 17% Energy • 8% Liveness
59% Instrumentalness • 8% Positiveness
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John Ottman
Rebuilding / Cuffed / Goodbye Old Friend
79 bpm • G min • 03:35 • -35db
28% Popularity • 14% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
28% Popularity • 14% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Gabriel Yared
Ada Plays
79 bpm • D Maj • 03:18 • -21.92db
31% Popularity • 25% Danceability • 4% Energy • 13% Liveness
94% Instrumentalness • 6% Positiveness
31% Popularity • 25% Danceability • 4% Energy • 13% Liveness
94% Instrumentalness • 6% Positiveness
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Rob Simonsen
Adaline Bowman
79 bpm • E min • 01:51 • -19.56db
32% Popularity • 8% Danceability • 6% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
32% Popularity • 8% Danceability • 6% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
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Guy Farley
Miss Jackson
75 bpm • A# min • 02:15 • -37db
50% Popularity • 7% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 11% Positiveness
50% Popularity • 7% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 11% Positiveness
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The Chamber Orchestra Of London
Damaged
79 bpm • E min • 05:23 • -20.19db
26% Popularity • 11% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 6% Positiveness
26% Popularity • 11% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 6% Positiveness
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Anne Dudley
The Endless River
79 bpm • C# min • 02:04 • -16db
46% Popularity • 20% Danceability • 17% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
46% Popularity • 20% Danceability • 17% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Peter Gregson
End Roller
75 bpm • D# Maj • 03:21 • -37.36db
38% Popularity • 11% Danceability • 1% Energy • 9% Liveness
11% Instrumentalness • 6% Positiveness
38% Popularity • 11% Danceability • 1% Energy • 9% Liveness
11% Instrumentalness • 6% Positiveness
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Johannes Bornlöf
Crystal Clear
75 bpm • F Maj • 02:07 • -38.77db
37% Popularity • 24% Danceability • 0% Energy • 8% Liveness
98% Instrumentalness • 4% Positiveness
37% Popularity • 24% Danceability • 0% Energy • 8% Liveness
98% Instrumentalness • 4% Positiveness
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Nicholas Britell
Chef's Special
80 bpm • G# min • 01:10 • -24.38db
28% Popularity • 10% Danceability • 11% Energy • 17% Liveness
91% Instrumentalness • 17% Positiveness
28% Popularity • 10% Danceability • 11% Energy • 17% Liveness
91% Instrumentalness • 17% Positiveness
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David Hirschfelder
Elizabeth - Original Motion Picture Soun...
80 bpm • A# Maj • 01:49 • -25.21db
31% Popularity • 13% Danceability • 8% Energy • 34% Liveness
85% Instrumentalness • 4% Positiveness
31% Popularity • 13% Danceability • 8% Energy • 34% Liveness
85% Instrumentalness • 4% Positiveness
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Carter Burwell
Countermove
74 bpm • A min • 01:59 • -20.1db
20% Popularity • 22% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 6% Positiveness
20% Popularity • 22% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 6% Positiveness
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George Fenton
A Sepulchre
74 bpm • A Maj • 02:56 • -28.09db
22% Popularity • 24% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
22% Popularity • 24% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Ludovico Einaudi
Seven Days Walking / Day 1: Cold Wind Va...
80 bpm • F Maj • 03:59 • -26.65db
32% Popularity • 41% Danceability • 10% Energy • 14% Liveness
70% Instrumentalness • 6% Positiveness
32% Popularity • 41% Danceability • 10% Energy • 14% Liveness
70% Instrumentalness • 6% Positiveness
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David Buckley
Plaintiff's Partita
80 bpm • G min • 01:53 • -18.17db
12% Popularity • 68% Danceability • 26% Energy • 13% Liveness
91% Instrumentalness • 73% Positiveness
12% Popularity • 68% Danceability • 26% Energy • 13% Liveness
91% Instrumentalness • 73% Positiveness
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Nicholas Britell
Bonus Track: The Culmination
80 bpm • A min • 01:55 • -17.49db
29% Popularity • 20% Danceability • 20% Energy • 11% Liveness
97% Instrumentalness • 15% Positiveness
29% Popularity • 20% Danceability • 20% Energy • 11% Liveness
97% Instrumentalness • 15% Positiveness
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Evgueni Galperine
Rouen
80 bpm • D Maj • 01:47 • -25.84db
17% Popularity • 45% Danceability • 8% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
17% Popularity • 45% Danceability • 8% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
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Carter Burwell
View from the Tower
80 bpm • C min • 01:03 • -27.13db
20% Popularity • 14% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
20% Popularity • 14% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
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Alex Baranowski
A New Beginning
80 bpm • D min • 03:10 • -19.39db
34% Popularity • 8% Danceability • 13% Energy • 13% Liveness
95% Instrumentalness • 5% Positiveness
34% Popularity • 8% Danceability • 13% Energy • 13% Liveness
95% Instrumentalness • 5% Positiveness
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Clint Mansell
The Painter On His Way To Work On The Ro...
80 bpm • C# Maj • 03:48 • -22.53db
21% Popularity • 33% Danceability • 3% Energy • 6% Liveness
85% Instrumentalness • 4% Positiveness
21% Popularity • 33% Danceability • 3% Energy • 6% Liveness
85% Instrumentalness • 4% Positiveness
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The Chamber Orchestra Of London
Preparation
80 bpm • A min • 03:27 • -14db
35% Popularity • 41% Danceability • 28% Energy • 13% Liveness
83% Instrumentalness • 17% Positiveness
35% Popularity • 41% Danceability • 28% Energy • 13% Liveness
83% Instrumentalness • 17% Positiveness
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Thomas Newman
American Beauty (Arr. For Violin And Orc...
74 bpm • A# Maj • 03:03 • -28.82db
20% Popularity • 12% Danceability • 4% Energy • 10% Liveness
10% Instrumentalness • 4% Positiveness
20% Popularity • 12% Danceability • 4% Energy • 10% Liveness
10% Instrumentalness • 4% Positiveness
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Johannes Bornlöf
Let's Run Away Together
80 bpm • G Maj • 02:57 • -19db
45% Popularity • 28% Danceability • 15% Energy • 8% Liveness
82% Instrumentalness • 6% Positiveness
45% Popularity • 28% Danceability • 15% Energy • 8% Liveness
82% Instrumentalness • 6% Positiveness
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Carter Burwell
The Deer
74 bpm • A min • 02:09 • -21db
26% Popularity • 14% Danceability • 8% Energy • 12% Liveness
92% Instrumentalness • 7% Positiveness
26% Popularity • 14% Danceability • 8% Energy • 12% Liveness
92% Instrumentalness • 7% Positiveness
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Rael Jones
Precious to Me
80 bpm • E min • 01:49 • -27.77db
39% Popularity • 19% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
39% Popularity • 19% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Rupert Gregson-Williams
Amazons Of Themyscira
80 bpm • E min • 06:47 • -21db
39% Popularity • 8% Danceability • 22% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
39% Popularity • 8% Danceability • 22% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Merlijn Snitker
Epiloog Bankier van het Verzet
80 bpm • D min • 02:47 • -15.21db
11% Popularity • 23% Danceability • 22% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
11% Popularity • 23% Danceability • 22% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Joshua Bell
Heavenly Voice II (Alternative Version)
81 bpm • D# Maj • 01:52 • -28.66db
23% Popularity • 17% Danceability • 3% Energy • 9% Liveness
97% Instrumentalness • 8% Positiveness
23% Popularity • 17% Danceability • 3% Energy • 9% Liveness
97% Instrumentalness • 8% Positiveness
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Michael Giacchino
Jupiter Ascending - 2nd Movement
74 bpm • G min • 03:25 • -25.23db
13% Popularity • 8% Danceability • 3% Energy • 16% Liveness
90% Instrumentalness • 4% Positiveness
13% Popularity • 8% Danceability • 3% Energy • 16% Liveness
90% Instrumentalness • 4% Positiveness
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Carter Burwell
Ray at the Mirror
74 bpm • G min • 01:19 • -26.29db
19% Popularity • 15% Danceability • 1% Energy • 12% Liveness
79% Instrumentalness • 7% Positiveness
19% Popularity • 15% Danceability • 1% Energy • 12% Liveness
79% Instrumentalness • 7% Positiveness
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Fernando Velázquez
Edith's Theme
81 bpm • G min • 01:56 • -14.8db
42% Popularity • 22% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
42% Popularity • 22% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
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John Tavener
The Lamb
81 bpm • E min • 03:22 • -19.62db
11% Popularity • 8% Danceability • 18% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
11% Popularity • 8% Danceability • 18% Energy • 12% Liveness
93% Instrumentalness • 3% Positiveness
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John Lunn
Such Good Luck
73 bpm • G Maj • 02:52 • -16.81db
41% Popularity • 21% Danceability • 15% Energy • 18% Liveness
95% Instrumentalness • 10% Positiveness
41% Popularity • 21% Danceability • 15% Energy • 18% Liveness
95% Instrumentalness • 10% Positiveness
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Sharon Farber
Mathilda
81 bpm • D min • 02:48 • -18.15db
32% Popularity • 15% Danceability • 18% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
32% Popularity • 15% Danceability • 18% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Selma Mutal
The Vanished Elephant - Main Theme
81 bpm • C min • 02:39 • -12.78db
24% Popularity • 8% Danceability • 19% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
24% Popularity • 8% Danceability • 19% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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![The Trial of Ed Crane [The Man who wasn't there - Original Motion Picture Soundtrack] cover art](https://i.scdn.co/image/ab67616d00001e0229f64c4d06587770fa9220af)
Carter Burwell
The Trial of Ed Crane [The Man who wasn'...
74 bpm • C Maj • 03:52 • -18.94db
28% Popularity • 18% Danceability • 5% Energy • 9% Liveness
71% Instrumentalness • 7% Positiveness
28% Popularity • 18% Danceability • 5% Energy • 9% Liveness
71% Instrumentalness • 7% Positiveness
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Johannes Bornlöf
The Lost Cities
73 bpm • E Maj • 02:20 • -16.63db
36% Popularity • 17% Danceability • 20% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
36% Popularity • 17% Danceability • 20% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Rupert Gregson-Williams
Government
81 bpm • D min • 04:06 • -27.76db
33% Popularity • 32% Danceability • 14% Energy • 8% Liveness
89% Instrumentalness • 8% Positiveness
33% Popularity • 32% Danceability • 14% Energy • 8% Liveness
89% Instrumentalness • 8% Positiveness
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John Lunn
One Hundred Years Of Downton
81 bpm • A min • 05:13 • -17db
33% Popularity • 16% Danceability • 21% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
33% Popularity • 16% Danceability • 21% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
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Adrian Johnston
Brideshead Revisited: No. 12, The Lido
73 bpm • G min • 02:38 • -26db
13% Popularity • 11% Danceability • 4% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
13% Popularity • 11% Danceability • 4% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
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Anne Dudley
A Seam of Ironstone
81 bpm • D min • 01:30 • -10.82db
26% Popularity • 21% Danceability • 23% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
26% Popularity • 21% Danceability • 23% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Carter Burwell
I Will Carry You
74 bpm • G Maj • 01:57 • -23.13db
26% Popularity • 13% Danceability • 3% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
26% Popularity • 13% Danceability • 3% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Marcelo Zarvos
Gabriel's Trumpet
73 bpm • C min • 03:16 • -23db
23% Popularity • 15% Danceability • 4% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
23% Popularity • 15% Danceability • 4% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
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Bear McCreary
Faith
81 bpm • E min • 03:29 • -26.69db
35% Popularity • 8% Danceability • 5% Energy • 18% Liveness
99% Instrumentalness • 4% Positiveness
35% Popularity • 8% Danceability • 5% Energy • 18% Liveness
99% Instrumentalness • 4% Positiveness
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Nathan Barr
Marlo and Ray
73 bpm • D min • 02:24 • -26.43db
16% Popularity • 12% Danceability • 2% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
16% Popularity • 12% Danceability • 2% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
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Debbie Wiseman
Beginnings
73 bpm • D Maj • 02:46 • -22.61db
16% Popularity • 19% Danceability • 11% Energy • 17% Liveness
92% Instrumentalness • 5% Positiveness
16% Popularity • 19% Danceability • 11% Energy • 17% Liveness
92% Instrumentalness • 5% Positiveness
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Gabriel Yared
Theresa
82 bpm • D min • 03:02 • -15.99db
30% Popularity • 19% Danceability • 19% Energy • 14% Liveness
94% Instrumentalness • 19% Positiveness
30% Popularity • 19% Danceability • 19% Energy • 14% Liveness
94% Instrumentalness • 19% Positiveness
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Carter Burwell
Visitation
74 bpm • G min • 01:29 • -17.88db
25% Popularity • 24% Danceability • 16% Energy • 14% Liveness
98% Instrumentalness • 4% Positiveness
25% Popularity • 24% Danceability • 16% Energy • 14% Liveness
98% Instrumentalness • 4% Positiveness
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Nicholas Britell
End Credits Suite
82 bpm • E min • 05:13 • -22.78db
30% Popularity • 20% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 10% Positiveness
30% Popularity • 20% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 10% Positiveness
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Rupert Gregson-Williams
Mary is Dead
82 bpm • C Maj • 01:45 • -25.76db
29% Popularity • 8% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
29% Popularity • 8% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Guy Farley
Wait For Me
82 bpm • C Maj • 01:20 • -32db
33% Popularity • 23% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
33% Popularity • 23% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
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Jeff Beal
Melancholia
72 bpm • A min • 03:24 • -17.99db
35% Popularity • 9% Danceability • 16% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
35% Popularity • 9% Danceability • 16% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Gabriel Yared
To All The Ships At Sea
82 bpm • D min • 04:05 • -14.37db
22% Popularity • 19% Danceability • 22% Energy • 36% Liveness
95% Instrumentalness • 4% Positiveness
22% Popularity • 19% Danceability • 22% Energy • 36% Liveness
95% Instrumentalness • 4% Positiveness
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Anne Dudley
Resurgam
82 bpm • F min • 03:24 • -13.24db
31% Popularity • 12% Danceability • 23% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
31% Popularity • 12% Danceability • 23% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Carter Burwell
Silent Whispers
81 bpm • A min • 01:33 • -19.96db
16% Popularity • 14% Danceability • 11% Energy • 11% Liveness
32% Instrumentalness • 4% Positiveness
16% Popularity • 14% Danceability • 11% Energy • 11% Liveness
32% Instrumentalness • 4% Positiveness
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Rupert Gregson-Williams
Climbing For A Kiss
82 bpm • A min • 03:47 • -22.6db
32% Popularity • 14% Danceability • 5% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
32% Popularity • 14% Danceability • 5% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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Rob Simonsen
Call Me
82 bpm • C min • 01:32 • -35.41db
27% Popularity • 12% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
27% Popularity • 12% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
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Mychael Danna
Which Story do you Prefer?
72 bpm • D Maj • 02:05 • -22db
36% Popularity • 22% Danceability • 4% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
36% Popularity • 22% Danceability • 4% Energy • 6% Liveness
88% Instrumentalness • 4% Positiveness
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Jeff Beal
Next In Line
82 bpm • D min • 01:46 • -18db
45% Popularity • 26% Danceability • 27% Energy • 12% Liveness
98% Instrumentalness • 6% Positiveness
45% Popularity • 26% Danceability • 27% Energy • 12% Liveness
98% Instrumentalness • 6% Positiveness
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Mark Isham
Time Passing II
82 bpm • A Maj • 01:17 • -24db
43% Popularity • 29% Danceability • 10% Energy • 8% Liveness
96% Instrumentalness • 6% Positiveness
43% Popularity • 29% Danceability • 10% Energy • 8% Liveness
96% Instrumentalness • 6% Positiveness
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Carter Burwell
Father's Gun
73 bpm • G Maj • 01:20 • -21.85db
22% Popularity • 20% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 25% Positiveness
22% Popularity • 20% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 25% Positiveness
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Rael Jones
Memory of a Happy Day
82 bpm • G min • 01:28 • -15.84db
22% Popularity • 34% Danceability • 24% Energy • 22% Liveness
78% Instrumentalness • 17% Positiveness
22% Popularity • 34% Danceability • 24% Energy • 22% Liveness
78% Instrumentalness • 17% Positiveness
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The Chamber Orchestra Of London
Downton Abbey - The Suite
82 bpm • A min • 07:08 • -14db
44% Popularity • 14% Danceability • 28% Energy • 10% Liveness
89% Instrumentalness • 11% Positiveness
44% Popularity • 14% Danceability • 28% Energy • 10% Liveness
89% Instrumentalness • 11% Positiveness
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Gavin Luke
Chariots
83 bpm • G# Maj • 02:43 • -17.5db
25% Popularity • 49% Danceability • 34% Energy • 9% Liveness
84% Instrumentalness • 24% Positiveness
25% Popularity • 49% Danceability • 34% Energy • 9% Liveness
84% Instrumentalness • 24% Positiveness
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Tan Dun
The Eternal Vow
83 bpm • D min • 02:57 • -24db
29% Popularity • 10% Danceability • 5% Energy • 30% Liveness
95% Instrumentalness • 11% Positiveness
29% Popularity • 10% Danceability • 5% Energy • 30% Liveness
95% Instrumentalness • 11% Positiveness
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Philippe Rombi
La tranchée
72 bpm • A# min • 02:24 • -19.5db
16% Popularity • 18% Danceability • 3% Energy • 6% Liveness
97% Instrumentalness • 4% Positiveness
16% Popularity • 18% Danceability • 3% Energy • 6% Liveness
97% Instrumentalness • 4% Positiveness
