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TWO SUGARS
Songs like
TWO SUGARS
by
Tai Verdes
Based on a tempo of (+/- 10%) and a similar genre
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Tai Verdes
100sadsongs
155 bpm • D Maj • 02:56 • -7db
37% Popularity • 65% Danceability • 69% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
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BABY GRAVY
Goodness Gracious
155 bpm • B min • 02:24 • -3.8db
60% Popularity • 74% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Peter McPoland
Come Around
155 bpm • G Maj • 02:53 • -3db
38% Popularity • 50% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Landon Conrath
2AM
154 bpm • G Maj • 02:33 • -7.04db
60% Popularity • 70% Danceability • 71% Energy • 8% Liveness
14% Instrumentalness • 98% Positiveness
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Blanks
Breathe In Breathe Out
156 bpm • D# Maj • 02:40 • -12db
39% Popularity • 60% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
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Rec Hall
She Doesn't Get It
156 bpm • E Maj • 03:31 • -5.15db
55% Popularity • 59% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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Tai Verdes
TWO SUGARS
155 bpm • B min • 02:55 • -4.94db
49% Popularity • 67% Danceability • 91% Energy • 31% Liveness
0% Instrumentalness • 59% Positiveness
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Johnny 2 Phones
Piss Me Off
156 bpm • F# Maj • 02:10 • -7db
54% Popularity • 69% Danceability • 52% Energy • 48% Liveness
0% Instrumentalness • 88% Positiveness
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Peach Tree Rascals
C'est La Vie
157 bpm • A Maj • 03:00 • -5.06db
35% Popularity • 58% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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Claire Rosinkranz
Sad in Hawaii
157 bpm • D Maj • 02:31 • -4.69db
42% Popularity • 54% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Richard Fairlie
Think I'm In Love
153 bpm • C# min • 02:13 • -8.03db
50% Popularity • 66% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
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Peter McPoland
Tonight
157 bpm • G Maj • 03:30 • -3.05db
39% Popularity • 48% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 45% Positiveness
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ROLE MODEL
if jesus saves, she's my type
153 bpm • G Maj • 03:37 • -8.34db
44% Popularity • 76% Danceability • 55% Energy • 12% Liveness
2% Instrumentalness • 81% Positiveness
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No Suits
Magic City
157 bpm • F# min • 02:24 • -7.58db
33% Popularity • 69% Danceability • 68% Energy • 72% Liveness
0% Instrumentalness • 94% Positiveness
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John K
Guitars and Drugs
153 bpm • F min • 03:12 • -5.54db
37% Popularity • 70% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
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mehro
pretty kids
158 bpm • G Maj • 02:39 • -7.14db
37% Popularity • 73% Danceability • 69% Energy • 12% Liveness
2% Instrumentalness • 86% Positiveness
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Colony House
Cannonballers
158 bpm • F min • 02:52 • -4db
47% Popularity • 55% Danceability • 96% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
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spill tab
Grade A
152 bpm • A Maj • 01:46 • -8.6db
50% Popularity • 72% Danceability • 67% Energy • 12% Liveness
1% Instrumentalness • 74% Positiveness
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Tai Verdes
superpowers
151 bpm • A Maj • 03:25 • -5.77db
31% Popularity • 67% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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JAWNY
lalala
159 bpm • A Maj • 02:47 • -6db
43% Popularity • 69% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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John Michael Howell
NEVER CRY AGAIN
160 bpm • C Maj • 02:44 • -4.57db
40% Popularity • 49% Danceability • 83% Energy • 33% Liveness
0% Instrumentalness • 93% Positiveness
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Blake Rose
Don't Stop the Car
160 bpm • E Maj • 02:39 • -5.01db
40% Popularity • 58% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Justus Bennetts
Don’t Trip
160 bpm • A# Maj • 02:27 • -5db
34% Popularity • 52% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 52% Positiveness
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easy life
DEAR MISS HOLLOWAY
150 bpm • C# min • 03:29 • -7db
41% Popularity • 54% Danceability • 68% Energy • 39% Liveness
0% Instrumentalness • 30% Positiveness
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Tai Verdes
momma told me imma be
159 bpm • A# Maj • 02:13 • -13db
38% Popularity • 66% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Hippo Campus
Bad Dream Baby
160 bpm • E Maj • 02:58 • -6.56db
53% Popularity • 65% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Two Door Cinema Club
Wonderful Life - edit
160 bpm • F Maj • 03:05 • -2db
43% Popularity • 57% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 75% Positiveness
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Christian French
avalanche
160 bpm • B Maj • 03:19 • -3.92db
51% Popularity • 64% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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New Hope Club
Call Me a Quitter
160 bpm • A Maj • 02:24 • -5.28db
37% Popularity • 77% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Peach Tree Rascals
Song From Hell
150 bpm • F# Maj • 03:03 • -5.04db
34% Popularity • 62% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 82% Positiveness
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Tai Verdes
Electrical
160 bpm • B min • 02:48 • -6db
34% Popularity • 70% Danceability • 71% Energy • 32% Liveness
1% Instrumentalness • 78% Positiveness
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Matt Maeson
Cut Deep
160 bpm • E min • 02:56 • -3.91db
52% Popularity • 58% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Briston Maroney
Paradise
150 bpm • C# Maj • 02:44 • -2db
50% Popularity • 48% Danceability • 93% Energy • 20% Liveness
0% Instrumentalness • 78% Positiveness
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Kid Quill
Shoulder shrug
150 bpm • A Maj • 02:26 • -6.71db
31% Popularity • 73% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness
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Renao
Struck Gold
150 bpm • B Maj • 02:22 • -5.93db
33% Popularity • 78% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Arizona Zervas
2 AM
160 bpm • C# Maj • 02:13 • -7.01db
53% Popularity • 67% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Tai Verdes
All White
160 bpm • B min • 03:42 • -11.28db
40% Popularity • 71% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 83% Positiveness
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Surfaces
Sheesh!
150 bpm • F Maj • 02:28 • -3.94db
64% Popularity • 74% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Blake Rose
Use Me
150 bpm • C# Maj • 02:49 • -5.12db
33% Popularity • 54% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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young friend
HEADCASE
150 bpm • C# Maj • 02:54 • -5.9db
30% Popularity • 62% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Renao
Nobody
161 bpm • G# Maj • 02:31 • -8db
47% Popularity • 66% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
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The Astronomers
U Fucked Up
162 bpm • G Maj • 02:34 • -8db
44% Popularity • 59% Danceability • 43% Energy • 26% Liveness
0% Instrumentalness • 33% Positiveness
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almost monday
life goes by
161 bpm • C# Maj • 02:33 • -5.1db
51% Popularity • 55% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
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Arizona Zervas
ON TEN
162 bpm • E Maj • 02:17 • -5.59db
50% Popularity • 77% Danceability • 74% Energy • 31% Liveness
0% Instrumentalness • 71% Positiveness
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Nightly
dirty white chucks
148 bpm • C# Maj • 02:38 • -5.95db
38% Popularity • 75% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
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Bazzi
Miss America
148 bpm • G# Maj • 02:52 • -6db
42% Popularity • 66% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 73% Positiveness
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The Backseat Lovers
Kilby Girl
162 bpm • C# Maj • 04:42 • -9.97db
75% Popularity • 33% Danceability • 44% Energy • 11% Liveness
4% Instrumentalness • 22% Positiveness
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AJR
I Won't
163 bpm • C Maj • 02:48 • -6.26db
60% Popularity • 31% Danceability • 76% Energy • 39% Liveness
0% Instrumentalness • 48% Positiveness
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Marko
You Won't
147 bpm • E Maj • 02:55 • -6.4db
43% Popularity • 75% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Wingtip
Mr. 29
163 bpm • G Maj • 03:18 • -6.93db
30% Popularity • 63% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Grady
All In
147 bpm • G Maj • 02:43 • -7.77db
32% Popularity • 60% Danceability • 70% Energy • 42% Liveness
0% Instrumentalness • 80% Positiveness
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Lostboycrow
Chewed Up
164 bpm • F# Maj • 02:38 • -6.56db
26% Popularity • 50% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Peach Tree Rascals
Let U Go
164 bpm • C# min • 02:48 • -4.29db
42% Popularity • 69% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 91% Positiveness
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JAWNY
adios
164 bpm • F# min • 03:23 • -5db
57% Popularity • 52% Danceability • 85% Energy • 57% Liveness
0% Instrumentalness • 44% Positiveness
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callmestevieray
Nonfiction
164 bpm • F min • 02:21 • -8.8db
38% Popularity • 72% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 35% Positiveness
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Briston Maroney
Oregon
146 bpm • A# Maj • 03:18 • -5db
47% Popularity • 57% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 87% Positiveness
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half•alive
High Up
146 bpm • F Maj • 03:29 • -6.37db
38% Popularity • 64% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Nicky Youre
Never Go Wrong
165 bpm • F Maj • 02:35 • -6.45db
55% Popularity • 58% Danceability • 84% Energy • 28% Liveness
0% Instrumentalness • 93% Positiveness
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DYLVN
Feeling For Nothing
165 bpm • G Maj • 02:50 • -6.44db
33% Popularity • 58% Danceability • 79% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
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Oliver Tree
Mind Control
165 bpm • A Maj • 02:00 • -3.75db
42% Popularity • 54% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Justus Bennetts
Girls
165 bpm • G# Maj • 02:20 • -4.51db
38% Popularity • 71% Danceability • 69% Energy • 27% Liveness
0% Instrumentalness • 91% Positiveness
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Harry Styles
Daylight
146 bpm • C Maj • 02:44 • -7.19db
75% Popularity • 69% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
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Arthur Hill
Iced Coffee
145 bpm • A min • 02:35 • -5.75db
45% Popularity • 83% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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AJR
The DJ is Crying for Help
145 bpm • D Maj • 03:39 • -6.12db
56% Popularity • 53% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Landon Conrath
Jericho
145 bpm • F# Maj • 03:27 • -7.82db
51% Popularity • 73% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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Aidan Bissett
Grocery Store Girl
145 bpm • G Maj • 02:43 • -6.38db
40% Popularity • 60% Danceability • 74% Energy • 4% Liveness
0% Instrumentalness • 49% Positiveness
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Claire Rosinkranz
stuck on us
145 bpm • D Maj • 02:55 • -6.67db
45% Popularity • 54% Danceability • 86% Energy • 64% Liveness
0% Instrumentalness • 47% Positiveness
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Moon Taxi
Classics
166 bpm • A Maj • 02:58 • -4.21db
34% Popularity • 56% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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khai dreams
Not Enough
166 bpm • A# min • 02:44 • -5db
35% Popularity • 63% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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The Astronomers
Bad Type
144 bpm • G# Maj • 03:10 • -8.7db
50% Popularity • 75% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
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Free Arlo
feel things
144 bpm • F Maj • 02:55 • -5.42db
26% Popularity • 70% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
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Yoza
Pretty Lies
144 bpm • E min • 02:13 • -5.89db
48% Popularity • 62% Danceability • 65% Energy • 25% Liveness
0% Instrumentalness • 79% Positiveness
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Claire Rosinkranz
i h8 that i still feel bad for u
144 bpm • D# Maj • 02:55 • -7.74db
41% Popularity • 67% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Christian French
OH WELL
168 bpm • G Maj • 02:54 • -4.59db
42% Popularity • 69% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
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Quinn XCII
FOMO (Don't Do Cool Shit)
168 bpm • A Maj • 02:37 • -6.99db
45% Popularity • 69% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
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anees
free me
168 bpm • B Maj • 02:53 • -4.64db
60% Popularity • 70% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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Forrest Nolan
stupid i miss u
168 bpm • G Maj • 02:20 • -5.75db
45% Popularity • 59% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
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ROLE MODEL
forever&more
168 bpm • A Maj • 02:56 • -5.84db
58% Popularity • 64% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Blake Rose
Magazine
143 bpm • G# Maj • 03:51 • -7.81db
33% Popularity • 51% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Knox
Sneakers
168 bpm • C# Maj • 03:04 • -4.98db
62% Popularity • 61% Danceability • 69% Energy • 29% Liveness
0% Instrumentalness • 95% Positiveness
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Steve Lacy
Bad Habit
169 bpm • C# Maj • 03:52 • -7.09db
79% Popularity • 69% Danceability • 49% Energy • 40% Liveness
0% Instrumentalness • 70% Positiveness
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almost monday
only wanna dance
169 bpm • A Maj • 02:24 • -4.95db
55% Popularity • 51% Danceability • 92% Energy • 23% Liveness
1% Instrumentalness • 94% Positiveness
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Yung Gravy
C’est La Vie
142 bpm • A Maj • 02:40 • -3.66db
68% Popularity • 88% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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AJ Smith
Grammy
142 bpm • C Maj • 02:23 • -4.9db
29% Popularity • 76% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
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ChrispyD
ight bet
142 bpm • F Maj • 01:21 • -7.27db
64% Popularity • 74% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Medium Build
99 Corolla
142 bpm • C# min • 02:48 • -5.56db
42% Popularity • 88% Danceability • 55% Energy • 4% Liveness
0% Instrumentalness • 81% Positiveness
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The Astronomers
Orange Afternoon
170 bpm • C# Maj • 03:18 • -7db
51% Popularity • 60% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Peter McPoland
Shit Show
170 bpm • C# Maj • 03:20 • -3.64db
52% Popularity • 55% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
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iann dior
Live Fast Die Numb
170 bpm • C# Maj • 02:14 • -4.29db
50% Popularity • 65% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Hoodie Allen
Call Me Never
170 bpm • C Maj • 03:03 • -4.03db
36% Popularity • 58% Danceability • 95% Energy • 22% Liveness
0% Instrumentalness • 83% Positiveness
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Aidan Bissett
All That I'm Craving
170 bpm • A Maj • 03:12 • -5db
49% Popularity • 48% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Devon
BULLETS
170 bpm • C Maj • 03:38 • -9db
36% Popularity • 56% Danceability • 53% Energy • 70% Liveness
0% Instrumentalness • 36% Positiveness
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Social House
Bentley Coupe
170 bpm • B Maj • 02:54 • -7.95db
34% Popularity • 56% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Benson Boone
Sugar Sweet
170 bpm • D Maj • 02:49 • -2.95db
72% Popularity • 54% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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Lostboycrow
Angelina
141 bpm • A min • 03:50 • -4db
23% Popularity • 58% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Caye
202Ø
140 bpm • D# Maj • 03:18 • -11db
44% Popularity • 87% Danceability • 28% Energy • 10% Liveness
1% Instrumentalness • 82% Positiveness
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bennytheghost
Tightrope
141 bpm • D Maj • 02:20 • -5.38db
37% Popularity • 68% Danceability • 68% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
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Bad Suns
Life Was Easier When I Only Cared About ...
140 bpm • C# Maj • 03:34 • -3.11db
22% Popularity • 38% Danceability • 92% Energy • 36% Liveness
2% Instrumentalness • 40% Positiveness
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Yxngxr1
NICE GUY
140 bpm • G# Maj • 02:18 • -8db
43% Popularity • 78% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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Spacey Jane
Lots of Nothing - BENEE
140 bpm • A Maj • 03:13 • -5db
49% Popularity • 55% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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TWO SUGARS