Songs like Two Tone Cadillac by T Bird and the Breaks
Based on a tempo of (+/- 10%) and a similar genre
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John The Conqueror
Get Em'
97 bpm • A# Maj • 03:27 • -8.01db
23% Popularity • 82% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
23% Popularity • 82% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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Eddie 9V
Left My Soul in Memphis
97 bpm • G# Maj • 02:20 • -10.65db
32% Popularity • 77% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
32% Popularity • 77% Danceability • 49% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Leo "Bud" Welch
Don't Let The Devil Ride
97 bpm • E min • 02:45 • -5db
30% Popularity • 53% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
30% Popularity • 53% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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T Bird and the Breaks
Space Dust
97 bpm • G Maj • 03:17 • -4.36db
22% Popularity • 75% Danceability • 83% Energy • 62% Liveness
0% Instrumentalness • 92% Positiveness
22% Popularity • 75% Danceability • 83% Energy • 62% Liveness
0% Instrumentalness • 92% Positiveness
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Howlin' Sun
The Day Took My Sunshine Away
97 bpm • G# Maj • 03:01 • -6.85db
24% Popularity • 42% Danceability • 61% Energy • 30% Liveness
4% Instrumentalness • 48% Positiveness
24% Popularity • 42% Danceability • 61% Energy • 30% Liveness
4% Instrumentalness • 48% Positiveness
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Dan Auerbach
Mean Monsoon
97 bpm • A min • 03:45 • -8db
43% Popularity • 58% Danceability • 78% Energy • 23% Liveness
0% Instrumentalness • 61% Positiveness
43% Popularity • 58% Danceability • 78% Energy • 23% Liveness
0% Instrumentalness • 61% Positiveness
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Jim Ford
I'm Gonna Make Her Love Me
97 bpm • A# min • 03:06 • -5.63db
33% Popularity • 70% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
33% Popularity • 70% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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The Sheepdogs
Sharp Sounds
97 bpm • B Maj • 02:53 • -4.19db
20% Popularity • 56% Danceability • 80% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
20% Popularity • 56% Danceability • 80% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
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Greyhounds
Favorite
97 bpm • C Maj • 03:02 • -6.8db
23% Popularity • 70% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
23% Popularity • 70% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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T Bird and the Breaks
I Get's My Boogie On
97 bpm • A min • 04:10 • -5.67db
36% Popularity • 68% Danceability • 73% Energy • 82% Liveness
0% Instrumentalness • 72% Positiveness
36% Popularity • 68% Danceability • 73% Energy • 82% Liveness
0% Instrumentalness • 72% Positiveness
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Charlie Patton's War
Git Gone
96 bpm • E Maj • 02:51 • -9.4db
31% Popularity • 60% Danceability • 67% Energy • 12% Liveness
2% Instrumentalness • 90% Positiveness
31% Popularity • 60% Danceability • 67% Energy • 12% Liveness
2% Instrumentalness • 90% Positiveness
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Trey Anastasio
In Rounds
96 bpm • G Maj • 05:46 • -8.17db
27% Popularity • 57% Danceability • 82% Energy • 18% Liveness
1% Instrumentalness • 97% Positiveness
27% Popularity • 57% Danceability • 82% Energy • 18% Liveness
1% Instrumentalness • 97% Positiveness
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The Wanton Bishops
Shake
98 bpm • E min • 02:15 • -5db
39% Popularity • 58% Danceability • 82% Energy • 17% Liveness
6% Instrumentalness • 86% Positiveness
39% Popularity • 58% Danceability • 82% Energy • 17% Liveness
6% Instrumentalness • 86% Positiveness
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Dragondeer
Mirage à Trois
96 bpm • D Maj • 05:06 • -6.69db
32% Popularity • 74% Danceability • 64% Energy • 10% Liveness
1% Instrumentalness • 46% Positiveness
32% Popularity • 74% Danceability • 64% Energy • 10% Liveness
1% Instrumentalness • 46% Positiveness
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Monophonics
There's a Riot Going On
96 bpm • B min • 03:54 • -5.19db
25% Popularity • 58% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
25% Popularity • 58% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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T Bird and the Breaks
Two Tone Cadillac
97 bpm • G Maj • 04:35 • -4.9db
27% Popularity • 46% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
27% Popularity • 46% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
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Black Joe Lewis & The Honeybears
Bitch, I Love You
98 bpm • E Maj • 02:44 • -3.73db
46% Popularity • 51% Danceability • 78% Energy • 27% Liveness
0% Instrumentalness • 77% Positiveness
46% Popularity • 51% Danceability • 78% Energy • 27% Liveness
0% Instrumentalness • 77% Positiveness
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Pimps of Joytime
Janxta Funk!
98 bpm • G Maj • 04:16 • -6.26db
33% Popularity • 77% Danceability • 81% Energy • 57% Liveness
1% Instrumentalness • 71% Positiveness
33% Popularity • 77% Danceability • 81% Energy • 57% Liveness
1% Instrumentalness • 71% Positiveness
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Cedric Burnside
Ain't Gonna Take No Mess
96 bpm • B min • 03:34 • -6.48db
23% Popularity • 58% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
23% Popularity • 58% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Shinyribs
East Tx Rust
98 bpm • G Maj • 03:24 • -5.94db
33% Popularity • 79% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
33% Popularity • 79% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 90% Positiveness
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Jeff Austin
Shake Me Up
98 bpm • C Maj • 03:24 • -8.23db
22% Popularity • 77% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
22% Popularity • 77% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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T Bird and the Breaks
Dancehall Freakin
98 bpm • F Maj • 03:11 • -6.43db
11% Popularity • 70% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 56% Positiveness
11% Popularity • 70% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 56% Positiveness
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Cris Jacobs
Jack The Whistle And The Hammer
98 bpm • F min • 03:22 • -4.94db
36% Popularity • 72% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
36% Popularity • 72% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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The Relatives
Things Are Changing
96 bpm • B Maj • 03:51 • -8.84db
30% Popularity • 73% Danceability • 49% Energy • 29% Liveness
0% Instrumentalness • 52% Positiveness
30% Popularity • 73% Danceability • 49% Energy • 29% Liveness
0% Instrumentalness • 52% Positiveness
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Paul Pena
I'm Gonna Make It Alright
98 bpm • D Maj • 04:11 • -11.15db
33% Popularity • 54% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
33% Popularity • 54% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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The Wanton Bishops
Smith and Wesson
96 bpm • F# min • 02:35 • -6db
43% Popularity • 49% Danceability • 95% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
43% Popularity • 49% Danceability • 95% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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Son Of Dave
Get a Strut On
96 bpm • D Maj • 03:31 • -7.42db
24% Popularity • 77% Danceability • 69% Energy • 22% Liveness
18% Instrumentalness • 72% Positiveness
24% Popularity • 77% Danceability • 69% Energy • 22% Liveness
18% Instrumentalness • 72% Positiveness
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T Bird and the Breaks
Waxin
96 bpm • F# Maj • 03:48 • -5.47db
24% Popularity • 77% Danceability • 74% Energy • 23% Liveness
0% Instrumentalness • 49% Positiveness
24% Popularity • 77% Danceability • 74% Energy • 23% Liveness
0% Instrumentalness • 49% Positiveness
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St. Paul & The Broken Bones
Like a Mighty River
98 bpm • C min • 03:22 • -4.92db
48% Popularity • 57% Danceability • 90% Energy • 31% Liveness
11% Instrumentalness • 79% Positiveness
48% Popularity • 57% Danceability • 90% Energy • 31% Liveness
11% Instrumentalness • 79% Positiveness
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Breakestra
Recognize
95 bpm • D Maj • 05:02 • -4.43db
30% Popularity • 72% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
30% Popularity • 72% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Black Carl
Hussy
95 bpm • A Maj • 03:40 • -3.8db
23% Popularity • 48% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
23% Popularity • 48% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Clutch
We Need Some Money - Bonus Track
95 bpm • C# Maj • 05:10 • -4.81db
20% Popularity • 63% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
20% Popularity • 63% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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The Marcus King Band
What's Right
95 bpm • C Maj • 03:39 • -4.92db
32% Popularity • 47% Danceability • 93% Energy • 27% Liveness
2% Instrumentalness • 79% Positiveness
32% Popularity • 47% Danceability • 93% Energy • 27% Liveness
2% Instrumentalness • 79% Positiveness
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T Bird and the Breaks
Complications
98 bpm • A min • 02:24 • -7.38db
16% Popularity • 72% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
16% Popularity • 72% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Garrett Mason
Howlin' for My Baby
99 bpm • C min • 06:46 • -10.31db
16% Popularity • 82% Danceability • 47% Energy • 11% Liveness
2% Instrumentalness • 71% Positiveness
16% Popularity • 82% Danceability • 47% Energy • 11% Liveness
2% Instrumentalness • 71% Positiveness
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Tab Benoit
I Got Loaded
99 bpm • B min • 04:26 • -7.59db
34% Popularity • 64% Danceability • 89% Energy • 20% Liveness
83% Instrumentalness • 96% Positiveness
34% Popularity • 64% Danceability • 89% Energy • 20% Liveness
83% Instrumentalness • 96% Positiveness
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Cedric Burnside
Please Tell Me Baby
99 bpm • A min • 03:37 • -9.14db
30% Popularity • 69% Danceability • 68% Energy • 19% Liveness
32% Instrumentalness • 62% Positiveness
30% Popularity • 69% Danceability • 68% Energy • 19% Liveness
32% Instrumentalness • 62% Positiveness
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Kung Fu
Hollywood Kisses
95 bpm • F min • 07:19 • -4.48db
26% Popularity • 59% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
26% Popularity • 59% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Smooth Hound Smith
Get Low
95 bpm • C# min • 05:14 • -7.21db
31% Popularity • 66% Danceability • 60% Energy • 11% Liveness
2% Instrumentalness • 37% Positiveness
31% Popularity • 66% Danceability • 60% Energy • 11% Liveness
2% Instrumentalness • 37% Positiveness
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T Bird and the Breaks
Never Never Never...
96 bpm • A# Maj • 03:07 • -3.3db
12% Popularity • 66% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 94% Positiveness
12% Popularity • 66% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 94% Positiveness
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Greyhounds
Truth Inside
99 bpm • F Maj • 03:48 • -6.36db
23% Popularity • 70% Danceability • 85% Energy • 30% Liveness
15% Instrumentalness • 81% Positiveness
23% Popularity • 70% Danceability • 85% Energy • 30% Liveness
15% Instrumentalness • 81% Positiveness
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Mail the Horse
Magnolia
95 bpm • C Maj • 04:40 • -9.19db
20% Popularity • 65% Danceability • 51% Energy • 10% Liveness
1% Instrumentalness • 71% Positiveness
20% Popularity • 65% Danceability • 51% Energy • 10% Liveness
1% Instrumentalness • 71% Positiveness
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Pops Staples
No News Is Good News
94 bpm • C Maj • 04:36 • -11db
24% Popularity • 84% Danceability • 51% Energy • 9% Liveness
2% Instrumentalness • 82% Positiveness
24% Popularity • 84% Danceability • 51% Energy • 9% Liveness
2% Instrumentalness • 82% Positiveness
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Whiskerman
Saturday
94 bpm • A Maj • 05:18 • -5.67db
24% Popularity • 49% Danceability • 73% Energy • 13% Liveness
3% Instrumentalness • 46% Positiveness
24% Popularity • 49% Danceability • 73% Energy • 13% Liveness
3% Instrumentalness • 46% Positiveness
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Garrett Mason
Something About You
94 bpm • G# Maj • 04:36 • -9.3db
12% Popularity • 56% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
12% Popularity • 56% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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T Bird and the Breaks
The Piano Joint
95 bpm • A# min • 04:04 • -4.92db
13% Popularity • 62% Danceability • 96% Energy • 35% Liveness
0% Instrumentalness • 25% Positiveness
13% Popularity • 62% Danceability • 96% Energy • 35% Liveness
0% Instrumentalness • 25% Positiveness
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Brownout
The Wizard
100 bpm • D Maj • 04:34 • -6db
25% Popularity • 53% Danceability • 92% Energy • 21% Liveness
2% Instrumentalness • 65% Positiveness
25% Popularity • 53% Danceability • 92% Energy • 21% Liveness
2% Instrumentalness • 65% Positiveness
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Ben Miller Band
Akira Kurosawa
94 bpm • D Maj • 03:04 • -7.86db
27% Popularity • 56% Danceability • 70% Energy • 29% Liveness
2% Instrumentalness • 47% Positiveness
27% Popularity • 56% Danceability • 70% Energy • 29% Liveness
2% Instrumentalness • 47% Positiveness
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The Parlor Mob
Can't Keep No Good Boy Down
94 bpm • C Maj • 03:40 • -5.52db
34% Popularity • 47% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
34% Popularity • 47% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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The Harpoonist & the Axe Murderer
In and Out of Love
100 bpm • F min • 02:49 • -5.16db
19% Popularity • 75% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
19% Popularity • 75% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Cris Jacobs
Shine Your Weary Light
100 bpm • C# Maj • 03:25 • -5.75db
26% Popularity • 72% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
26% Popularity • 72% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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T Bird and the Breaks
Heavy Love
100 bpm • C Maj • 00:59 • -7.9db
10% Popularity • 26% Danceability • 81% Energy • 33% Liveness
2% Instrumentalness • 41% Positiveness
10% Popularity • 26% Danceability • 81% Energy • 33% Liveness
2% Instrumentalness • 41% Positiveness
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Black Joe Lewis & The Honeybears
I'm Broke
94 bpm • E min • 04:07 • -6.74db
39% Popularity • 78% Danceability • 56% Energy • 5% Liveness
50% Instrumentalness • 78% Positiveness
39% Popularity • 78% Danceability • 56% Energy • 5% Liveness
50% Instrumentalness • 78% Positiveness
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Andy Frasco & the U.N.
Blame It on the Pussy
100 bpm • C# Maj • 03:06 • -3db
20% Popularity • 65% Danceability • 98% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
20% Popularity • 65% Danceability • 98% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Greyhounds
It's so Good to Be Alive
100 bpm • F# Maj • 03:31 • -6.56db
35% Popularity • 55% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
35% Popularity • 55% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Pimps of Joytime
This Funk (Give Me a Hand)
101 bpm • C# Maj • 03:40 • -6.57db
28% Popularity • 82% Danceability • 89% Energy • 9% Liveness
10% Instrumentalness • 86% Positiveness
28% Popularity • 82% Danceability • 89% Energy • 9% Liveness
10% Instrumentalness • 86% Positiveness
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The Wood Brothers
Snake Eyes
93 bpm • A Maj • 03:31 • -5.34db
24% Popularity • 57% Danceability • 88% Energy • 33% Liveness
0% Instrumentalness • 65% Positiveness
24% Popularity • 57% Danceability • 88% Energy • 33% Liveness
0% Instrumentalness • 65% Positiveness
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T Bird and the Breaks
Harmonizm
100 bpm • D Maj • 03:35 • -5.18db
10% Popularity • 74% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
10% Popularity • 74% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
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GA-20
One Night Man
101 bpm • E min • 02:42 • -7.26db
17% Popularity • 48% Danceability • 85% Energy • 14% Liveness
56% Instrumentalness • 56% Positiveness
17% Popularity • 48% Danceability • 85% Energy • 14% Liveness
56% Instrumentalness • 56% Positiveness
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Them Vibes
Can You Dig It
93 bpm • A Maj • 03:18 • -6.51db
21% Popularity • 68% Danceability • 84% Energy • 28% Liveness
0% Instrumentalness • 88% Positiveness
21% Popularity • 68% Danceability • 84% Energy • 28% Liveness
0% Instrumentalness • 88% Positiveness
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Keller Williams
Samson's Wine
101 bpm • E Maj • 08:35 • -7.5db
25% Popularity • 58% Danceability • 77% Energy • 97% Liveness
0% Instrumentalness • 54% Positiveness
25% Popularity • 58% Danceability • 77% Energy • 97% Liveness
0% Instrumentalness • 54% Positiveness
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Eric Lindell
Low On Cash
101 bpm • G Maj • 02:53 • -3db
30% Popularity • 66% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
30% Popularity • 66% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
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Patrick Sweany
Your Man
101 bpm • A Maj • 03:50 • -6.63db
16% Popularity • 52% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
16% Popularity • 52% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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T Bird and the Breaks
Rock That Skull
101 bpm • C# min • 02:51 • -6.97db
5% Popularity • 75% Danceability • 91% Energy • 24% Liveness
0% Instrumentalness • 59% Positiveness
5% Popularity • 75% Danceability • 91% Energy • 24% Liveness
0% Instrumentalness • 59% Positiveness
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Big Something
Tumbleweed
93 bpm • F# min • 06:40 • -5.25db
27% Popularity • 39% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
27% Popularity • 39% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Karl Denson
Shake It Out
93 bpm • E min • 04:04 • -7db
29% Popularity • 73% Danceability • 93% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
29% Popularity • 73% Danceability • 93% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
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Honey Island Swamp Band
Head High Water Blues
92 bpm • D Maj • 03:53 • -8.5db
16% Popularity • 63% Danceability • 75% Energy • 11% Liveness
26% Instrumentalness • 68% Positiveness
16% Popularity • 63% Danceability • 75% Energy • 11% Liveness
26% Instrumentalness • 68% Positiveness
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Handsome Jack
Roll It
102 bpm • C Maj • 03:18 • -6.24db
27% Popularity • 42% Danceability • 74% Energy • 31% Liveness
0% Instrumentalness • 48% Positiveness
27% Popularity • 42% Danceability • 74% Energy • 31% Liveness
0% Instrumentalness • 48% Positiveness
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Dean Ween Group
Mercedes Benz
92 bpm • C Maj • 07:03 • -5.4db
20% Popularity • 69% Danceability • 80% Energy • 16% Liveness
5% Instrumentalness • 74% Positiveness
20% Popularity • 69% Danceability • 80% Energy • 16% Liveness
5% Instrumentalness • 74% Positiveness
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T Bird and the Breaks
Stand Up
102 bpm • A min • 03:13 • -6.02db
11% Popularity • 60% Danceability • 89% Energy • 9% Liveness
6% Instrumentalness • 87% Positiveness
11% Popularity • 60% Danceability • 89% Energy • 9% Liveness
6% Instrumentalness • 87% Positiveness
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Greyhounds
Change of Pace
92 bpm • B Maj • 03:08 • -9.42db
33% Popularity • 64% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
33% Popularity • 64% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
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Ben Miller Band
Life Of Crime
102 bpm • G Maj • 03:20 • -8.53db
23% Popularity • 74% Danceability • 82% Energy • 15% Liveness
3% Instrumentalness • 72% Positiveness
23% Popularity • 74% Danceability • 82% Energy • 15% Liveness
3% Instrumentalness • 72% Positiveness
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John The Conqueror
Golden Rule
92 bpm • A# min • 03:07 • -9.78db
34% Popularity • 58% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
34% Popularity • 58% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Black Pistol Fire
Beelzebub
102 bpm • D Maj • 02:06 • -5.06db
48% Popularity • 58% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
48% Popularity • 58% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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The New Mastersounds
Coming up Roses
102 bpm • G# Maj • 04:36 • -8db
26% Popularity • 61% Danceability • 95% Energy • 9% Liveness
86% Instrumentalness • 97% Positiveness
26% Popularity • 61% Danceability • 95% Energy • 9% Liveness
86% Instrumentalness • 97% Positiveness
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The Electric Peanut Butter Company
Mary's Chair
102 bpm • B min • 04:53 • -5db
20% Popularity • 67% Danceability • 82% Energy • 67% Liveness
1% Instrumentalness • 51% Positiveness
20% Popularity • 67% Danceability • 82% Energy • 67% Liveness
1% Instrumentalness • 51% Positiveness
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Greyhounds
Greezy Rider
92 bpm • D min • 05:24 • -6.95db
15% Popularity • 68% Danceability • 79% Energy • 85% Liveness
0% Instrumentalness • 69% Positiveness
15% Popularity • 68% Danceability • 79% Energy • 85% Liveness
0% Instrumentalness • 69% Positiveness
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Fantastic Negrito
Night Has Turned to Day
102 bpm • B Maj • 02:40 • -5db
37% Popularity • 77% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
37% Popularity • 77% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Mick Jagger
Too Many Cooks (Spoil The Soup)
103 bpm • A Maj • 04:04 • -3db
23% Popularity • 62% Danceability • 96% Energy • 8% Liveness
1% Instrumentalness • 75% Positiveness
23% Popularity • 62% Danceability • 96% Energy • 8% Liveness
1% Instrumentalness • 75% Positiveness
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Eli "Paperboy" Reed
Cut Ya Down
103 bpm • G Maj • 02:50 • -1.44db
32% Popularity • 68% Danceability • 89% Energy • 30% Liveness
1% Instrumentalness • 95% Positiveness
32% Popularity • 68% Danceability • 89% Energy • 30% Liveness
1% Instrumentalness • 95% Positiveness
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Blackfoot Gypsies
So Be It
103 bpm • G Maj • 02:23 • -4.83db
12% Popularity • 53% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 81% Positiveness
12% Popularity • 53% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 81% Positiveness
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Eric Lindell
Two Bit Town
91 bpm • G Maj • 03:42 • -4.53db
21% Popularity • 66% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
21% Popularity • 66% Danceability • 90% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
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7Horse
One Week
91 bpm • F min • 04:01 • -7.01db
16% Popularity • 53% Danceability • 70% Energy • 13% Liveness
1% Instrumentalness • 35% Positiveness
16% Popularity • 53% Danceability • 70% Energy • 13% Liveness
1% Instrumentalness • 35% Positiveness
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The Reverend Peyton's Big Damn Band
Devils Look Like Angels
91 bpm • G min • 02:45 • -4.27db
39% Popularity • 67% Danceability • 79% Energy • 10% Liveness
82% Instrumentalness • 74% Positiveness
39% Popularity • 67% Danceability • 79% Energy • 10% Liveness
82% Instrumentalness • 74% Positiveness
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Scoundrels
The Arch
104 bpm • D Maj • 04:53 • -8.11db
37% Popularity • 70% Danceability • 62% Energy • 42% Liveness
2% Instrumentalness • 79% Positiveness
37% Popularity • 70% Danceability • 62% Energy • 42% Liveness
2% Instrumentalness • 79% Positiveness
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Handsome Jack
In the Midnight Hour
91 bpm • A# min • 04:05 • -7db
28% Popularity • 57% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
28% Popularity • 57% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Lonesome Shack
Head Holes
91 bpm • A Maj • 03:10 • -6.85db
34% Popularity • 63% Danceability • 51% Energy • 18% Liveness
7% Instrumentalness • 74% Positiveness
34% Popularity • 63% Danceability • 51% Energy • 18% Liveness
7% Instrumentalness • 74% Positiveness
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Greyhounds
Just Right
90 bpm • A Maj • 02:50 • -7.16db
30% Popularity • 60% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 89% Positiveness
30% Popularity • 60% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 89% Positiveness
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Eric Lindell
Casanova
90 bpm • C Maj • 02:51 • -5.39db
38% Popularity • 65% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 88% Positiveness
38% Popularity • 65% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 88% Positiveness
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Randall Bramblett
Get in Get Out
104 bpm • G Maj • 03:28 • -6.14db
25% Popularity • 69% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
25% Popularity • 69% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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Southern Avenue
Switchup
104 bpm • E min • 02:27 • -3.24db
31% Popularity • 80% Danceability • 92% Energy • 33% Liveness
0% Instrumentalness • 73% Positiveness
31% Popularity • 80% Danceability • 92% Energy • 33% Liveness
0% Instrumentalness • 73% Positiveness
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Robert Bradley
Bellybone
90 bpm • B Maj • 04:26 • -8db
15% Popularity • 57% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
15% Popularity • 57% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Jesse Roper
Little Gold Nugget
90 bpm • C# Maj • 01:37 • -9.37db
40% Popularity • 71% Danceability • 23% Energy • 34% Liveness
0% Instrumentalness • 68% Positiveness
40% Popularity • 71% Danceability • 23% Energy • 34% Liveness
0% Instrumentalness • 68% Positiveness
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JD McPherson
I Wish You Would
90 bpm • G Maj • 02:44 • -8db
31% Popularity • 68% Danceability • 73% Energy • 22% Liveness
0% Instrumentalness • 60% Positiveness
31% Popularity • 68% Danceability • 73% Energy • 22% Liveness
0% Instrumentalness • 60% Positiveness
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T Bird and the Breaks
Fuck It Up
90 bpm • F Maj • 03:45 • -6.14db
14% Popularity • 65% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
14% Popularity • 65% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
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Eric Lindell
It's My Pleasure
90 bpm • G Maj • 04:29 • -4.94db
34% Popularity • 62% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
34% Popularity • 62% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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7Horse
Please Come on Home
90 bpm • D Maj • 04:23 • -5.61db
26% Popularity • 45% Danceability • 90% Energy • 12% Liveness
53% Instrumentalness • 39% Positiveness
26% Popularity • 45% Danceability • 90% Energy • 12% Liveness
53% Instrumentalness • 39% Positiveness
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The Suitcase Junket
On Our Own
104 bpm • C# Maj • 02:41 • -7db
43% Popularity • 52% Danceability • 50% Energy • 31% Liveness
17% Instrumentalness • 33% Positiveness
43% Popularity • 52% Danceability • 50% Energy • 31% Liveness
17% Instrumentalness • 33% Positiveness
