Songs like Two Wave Hold Down by David Binney
Based on a tempo of (+/- 10%) and a similar genre
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Outside World
Breathing Wish
85 bpm • C Maj • 08:16 • -15.53db
35% Popularity • 36% Danceability • 23% Energy • 10% Liveness
66% Instrumentalness • 4% Positiveness
35% Popularity • 36% Danceability • 23% Energy • 10% Liveness
66% Instrumentalness • 4% Positiveness
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Janek Gwizdala
The End of the Story
85 bpm • D# min • 03:55 • -17.07db
8% Popularity • 42% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
8% Popularity • 42% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
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John Zorn
Three Forms of First Thought
85 bpm • C Maj • 02:07 • -21.19db
15% Popularity • 47% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
15% Popularity • 47% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Ruben Nievas
A Quiet Place
85 bpm • C# Maj • 04:11 • -11.7db
10% Popularity • 46% Danceability • 20% Energy • 20% Liveness
92% Instrumentalness • 14% Positiveness
10% Popularity • 46% Danceability • 20% Energy • 20% Liveness
92% Instrumentalness • 14% Positiveness
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Larry Goldings
Sweet and Lovely
86 bpm • F Maj • 03:00 • -12.93db
8% Popularity • 26% Danceability • 15% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
8% Popularity • 26% Danceability • 15% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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AGE
Valse Bancale
85 bpm • C# min • 04:39 • -14.1db
9% Popularity • 50% Danceability • 19% Energy • 12% Liveness
21% Instrumentalness • 19% Positiveness
9% Popularity • 50% Danceability • 19% Energy • 12% Liveness
21% Instrumentalness • 19% Positiveness
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Giovanni Di Domenico
Minum (reprise)
86 bpm • G Maj • 01:04 • -11.2db
18% Popularity • 32% Danceability • 62% Energy • 49% Liveness
73% Instrumentalness • 27% Positiveness
18% Popularity • 32% Danceability • 62% Energy • 49% Liveness
73% Instrumentalness • 27% Positiveness
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David Binney
For My Friends
86 bpm • A# min • 04:43 • -10.54db
8% Popularity • 63% Danceability • 60% Energy • 18% Liveness
4% Instrumentalness • 53% Positiveness
8% Popularity • 63% Danceability • 60% Energy • 18% Liveness
4% Instrumentalness • 53% Positiveness
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Jakob Bro
Dear Old South
84 bpm • F Maj • 01:31 • -21.89db
19% Popularity • 38% Danceability • 2% Energy • 11% Liveness
62% Instrumentalness • 10% Positiveness
19% Popularity • 38% Danceability • 2% Energy • 11% Liveness
62% Instrumentalness • 10% Positiveness
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SFJAZZ Collective
October In San Francisco
84 bpm • D min • 05:17 • -10.63db
9% Popularity • 28% Danceability • 41% Energy • 8% Liveness
7% Instrumentalness • 8% Positiveness
9% Popularity • 28% Danceability • 41% Energy • 8% Liveness
7% Instrumentalness • 8% Positiveness
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Anthony Fung
Sonny's Blues
86 bpm • F min • 08:29 • -11.04db
0% Popularity • 64% Danceability • 38% Energy • 36% Liveness
41% Instrumentalness • 58% Positiveness
0% Popularity • 64% Danceability • 38% Energy • 36% Liveness
41% Instrumentalness • 58% Positiveness
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As Is
Save Your Love for Me
86 bpm • F# min • 04:57 • -10.25db
4% Popularity • 57% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
4% Popularity • 57% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Kabir Dalawari
For Ma
86 bpm • A Maj • 08:47 • -13.77db
9% Popularity • 36% Danceability • 31% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
9% Popularity • 36% Danceability • 31% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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Kit Downes
EB
84 bpm • E Maj • 01:41 • -13.69db
27% Popularity • 40% Danceability • 61% Energy • 7% Liveness
72% Instrumentalness • 52% Positiveness
27% Popularity • 40% Danceability • 61% Energy • 7% Liveness
72% Instrumentalness • 52% Positiveness
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André Murraças
Ice Cream Boy
86 bpm • F Maj • 06:46 • -13.98db
12% Popularity • 52% Danceability • 32% Energy • 10% Liveness
3% Instrumentalness • 38% Positiveness
12% Popularity • 52% Danceability • 32% Energy • 10% Liveness
3% Instrumentalness • 38% Positiveness
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David Binney
Leaving Shelter
84 bpm • G Maj • 06:16 • -15.51db
7% Popularity • 8% Danceability • 25% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
7% Popularity • 8% Danceability • 25% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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DJ T0B1
Nights Out
87 bpm • E min • 01:28 • -19.25db
12% Popularity • 67% Danceability • 15% Energy • 12% Liveness
86% Instrumentalness • 38% Positiveness
12% Popularity • 67% Danceability • 15% Energy • 12% Liveness
86% Instrumentalness • 38% Positiveness
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aesthetrix
heart throb major
83 bpm • D# Maj • 01:20 • -13.54db
28% Popularity • 44% Danceability • 26% Energy • 10% Liveness
88% Instrumentalness • 25% Positiveness
28% Popularity • 44% Danceability • 26% Energy • 10% Liveness
88% Instrumentalness • 25% Positiveness
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David Binney Quartet
Vibe Changer
87 bpm • F Maj • 04:12 • -11.27db
1% Popularity • 44% Danceability • 51% Energy • 6% Liveness
31% Instrumentalness • 52% Positiveness
1% Popularity • 44% Danceability • 51% Energy • 6% Liveness
31% Instrumentalness • 52% Positiveness
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Daniel Louis White
Interlude No. 1
83 bpm • B Maj • 01:32 • -15.4db
0% Popularity • 43% Danceability • 54% Energy • 10% Liveness
94% Instrumentalness • 8% Positiveness
0% Popularity • 43% Danceability • 54% Energy • 10% Liveness
94% Instrumentalness • 8% Positiveness
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Hvalfugl
Mønstre I Verden
83 bpm • D Maj • 04:43 • -16.19db
15% Popularity • 44% Danceability • 26% Energy • 20% Liveness
89% Instrumentalness • 9% Positiveness
15% Popularity • 44% Danceability • 26% Energy • 20% Liveness
89% Instrumentalness • 9% Positiveness
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David Binney
On A Summer Plain (Outro)
84 bpm • C# Maj • 03:06 • -23.29db
4% Popularity • 18% Danceability • 3% Energy • 9% Liveness
85% Instrumentalness • 3% Positiveness
4% Popularity • 18% Danceability • 3% Energy • 9% Liveness
85% Instrumentalness • 3% Positiveness
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Maurizio Minardi
Au Bord De L'Eau
83 bpm • A# Maj • 05:26 • -17.39db
4% Popularity • 53% Danceability • 28% Energy • 8% Liveness
87% Instrumentalness • 29% Positiveness
4% Popularity • 53% Danceability • 28% Energy • 8% Liveness
87% Instrumentalness • 29% Positiveness
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Ben van Gelder
Deo Volente
83 bpm • E min • 04:10 • -13.61db
9% Popularity • 20% Danceability • 26% Energy • 20% Liveness
73% Instrumentalness • 6% Positiveness
9% Popularity • 20% Danceability • 26% Energy • 20% Liveness
73% Instrumentalness • 6% Positiveness
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Hiruy Tirfe
A CRY FOR HELP
87 bpm • B Maj • 02:21 • -4.68db
13% Popularity • 33% Danceability • 83% Energy • 8% Liveness
58% Instrumentalness • 46% Positiveness
13% Popularity • 33% Danceability • 83% Energy • 8% Liveness
58% Instrumentalness • 46% Positiveness
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BARYL
Vælter
87 bpm • C min • 04:56 • -13.07db
10% Popularity • 39% Danceability • 36% Energy • 11% Liveness
76% Instrumentalness • 11% Positiveness
10% Popularity • 39% Danceability • 36% Energy • 11% Liveness
76% Instrumentalness • 11% Positiveness
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Hugo Diaz
Le choral de l'omble
83 bpm • D min • 05:40 • -15.36db
21% Popularity • 33% Danceability • 33% Energy • 22% Liveness
93% Instrumentalness • 14% Positiveness
21% Popularity • 33% Danceability • 33% Energy • 22% Liveness
93% Instrumentalness • 14% Positiveness
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Joel Harrison
Blue Eyes Cryin' in the Rain
83 bpm • D Maj • 03:18 • -17.14db
1% Popularity • 40% Danceability • 16% Energy • 12% Liveness
80% Instrumentalness • 14% Positiveness
1% Popularity • 40% Danceability • 16% Energy • 12% Liveness
80% Instrumentalness • 14% Positiveness
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David Binney
Calabria
88 bpm • D Maj • 03:20 • -12.99db
2% Popularity • 54% Danceability • 68% Energy • 13% Liveness
13% Instrumentalness • 27% Positiveness
2% Popularity • 54% Danceability • 68% Energy • 13% Liveness
13% Instrumentalness • 27% Positiveness
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LUPA
FRENCH SONG
82 bpm • C min • 06:54 • -18.11db
7% Popularity • 29% Danceability • 22% Energy • 12% Liveness
88% Instrumentalness • 7% Positiveness
7% Popularity • 29% Danceability • 22% Energy • 12% Liveness
88% Instrumentalness • 7% Positiveness
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Thomas Carbou
Carpates - Intro
83 bpm • C min • 01:19 • -18.39db
0% Popularity • 40% Danceability • 14% Energy • 14% Liveness
7% Instrumentalness • 20% Positiveness
0% Popularity • 40% Danceability • 14% Energy • 14% Liveness
7% Instrumentalness • 20% Positiveness
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Michel Portal
Le songe d'un jour d'eté
82 bpm • B min • 01:33 • -21.94db
35% Popularity • 28% Danceability • 2% Energy • 10% Liveness
12% Instrumentalness • 7% Positiveness
35% Popularity • 28% Danceability • 2% Energy • 10% Liveness
12% Instrumentalness • 7% Positiveness
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Yazz Ahmed
Affirmation
82 bpm • E Maj • 05:45 • -18.03db
8% Popularity • 53% Danceability • 10% Energy • 11% Liveness
95% Instrumentalness • 17% Positiveness
8% Popularity • 53% Danceability • 10% Energy • 11% Liveness
95% Instrumentalness • 17% Positiveness
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Ben Wendel
Drawn Away
88 bpm • D Maj • 07:14 • -11.6db
8% Popularity • 45% Danceability • 64% Energy • 18% Liveness
69% Instrumentalness • 22% Positiveness
8% Popularity • 45% Danceability • 64% Energy • 18% Liveness
69% Instrumentalness • 22% Positiveness
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Terje Rypdal
Waves
82 bpm • E min • 05:46 • -24.8db
22% Popularity • 15% Danceability • 11% Energy • 7% Liveness
65% Instrumentalness • 3% Positiveness
22% Popularity • 15% Danceability • 11% Energy • 7% Liveness
65% Instrumentalness • 3% Positiveness
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HOT SESSION
Furano
88 bpm • C Maj • 05:36 • -17.27db
9% Popularity • 26% Danceability • 16% Energy • 8% Liveness
96% Instrumentalness • 6% Positiveness
9% Popularity • 26% Danceability • 16% Energy • 8% Liveness
96% Instrumentalness • 6% Positiveness
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Reinier Baas
Pivot & Swivel
88 bpm • C# Maj • 04:22 • -13.42db
19% Popularity • 60% Danceability • 47% Energy • 10% Liveness
81% Instrumentalness • 43% Positiveness
19% Popularity • 60% Danceability • 47% Energy • 10% Liveness
81% Instrumentalness • 43% Positiveness
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André Ceccarelli
Dreams
88 bpm • C Maj • 01:44 • -12.17db
19% Popularity • 22% Danceability • 25% Energy • 13% Liveness
73% Instrumentalness • 11% Positiveness
19% Popularity • 22% Danceability • 25% Energy • 13% Liveness
73% Instrumentalness • 11% Positiveness
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Danilo Bughetti
Rebis
88 bpm • F Maj • 04:59 • -9.97db
11% Popularity • 45% Danceability • 52% Energy • 51% Liveness
91% Instrumentalness • 10% Positiveness
11% Popularity • 45% Danceability • 52% Energy • 51% Liveness
91% Instrumentalness • 10% Positiveness
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Stratøs
Mars
88 bpm • C# Maj • 05:33 • -5.7db
1% Popularity • 30% Danceability • 79% Energy • 5% Liveness
87% Instrumentalness • 16% Positiveness
1% Popularity • 30% Danceability • 79% Energy • 5% Liveness
87% Instrumentalness • 16% Positiveness
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Jonnathan Green
Steady
88 bpm • G# Maj • 03:39 • -15.02db
22% Popularity • 55% Danceability • 29% Energy • 11% Liveness
97% Instrumentalness • 24% Positiveness
22% Popularity • 55% Danceability • 29% Energy • 11% Liveness
97% Instrumentalness • 24% Positiveness
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Mikkel Ploug
Stockholm Night Lights
82 bpm • C# Maj • 05:21 • -13db
10% Popularity • 36% Danceability • 20% Energy • 12% Liveness
68% Instrumentalness • 7% Positiveness
10% Popularity • 36% Danceability • 20% Energy • 12% Liveness
68% Instrumentalness • 7% Positiveness
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Joona Toivanen Trio
In Place
89 bpm • D min • 05:08 • -22.62db
9% Popularity • 38% Danceability • 13% Energy • 5% Liveness
73% Instrumentalness • 9% Positiveness
9% Popularity • 38% Danceability • 13% Energy • 5% Liveness
73% Instrumentalness • 9% Positiveness
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Yosuke Onuma
ディープ
89 bpm • D# Maj • 01:23 • -15.69db
15% Popularity • 36% Danceability • 16% Energy • 10% Liveness
67% Instrumentalness • 41% Positiveness
15% Popularity • 36% Danceability • 16% Energy • 10% Liveness
67% Instrumentalness • 41% Positiveness
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The Near Jazz Experience
Afloat In Dub
82 bpm • D# Maj • 02:49 • -16.3db
20% Popularity • 33% Danceability • 31% Energy • 12% Liveness
42% Instrumentalness • 18% Positiveness
20% Popularity • 33% Danceability • 31% Energy • 12% Liveness
42% Instrumentalness • 18% Positiveness
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Emma Rawicz
Omen
88 bpm • E min • 07:23 • -11.08db
9% Popularity • 30% Danceability • 48% Energy • 12% Liveness
89% Instrumentalness • 8% Positiveness
9% Popularity • 30% Danceability • 48% Energy • 12% Liveness
89% Instrumentalness • 8% Positiveness
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Erlend Skomsvoll Trio
Måkkebøkke
89 bpm • A# min • 05:22 • -16.64db
12% Popularity • 72% Danceability • 27% Energy • 10% Liveness
88% Instrumentalness • 40% Positiveness
12% Popularity • 72% Danceability • 27% Energy • 10% Liveness
88% Instrumentalness • 40% Positiveness
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Peter Nylander Quartet
Eyes Open
81 bpm • G min • 03:05 • -10.17db
13% Popularity • 27% Danceability • 20% Energy • 11% Liveness
38% Instrumentalness • 5% Positiveness
13% Popularity • 27% Danceability • 20% Energy • 11% Liveness
38% Instrumentalness • 5% Positiveness
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Gerald Clayton
Water's Edge
81 bpm • E min • 06:39 • -17db
17% Popularity • 19% Danceability • 15% Energy • 11% Liveness
75% Instrumentalness • 5% Positiveness
17% Popularity • 19% Danceability • 15% Energy • 11% Liveness
75% Instrumentalness • 5% Positiveness
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Ford Chambers
Stenisms - Sour Sweet Wind
89 bpm • C Maj • 06:50 • -15.18db
7% Popularity • 26% Danceability • 50% Energy • 17% Liveness
90% Instrumentalness • 9% Positiveness
7% Popularity • 26% Danceability • 50% Energy • 17% Liveness
90% Instrumentalness • 9% Positiveness
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Reinier Baas
Squalor II
81 bpm • E min • 06:56 • -11.95db
18% Popularity • 40% Danceability • 41% Energy • 13% Liveness
58% Instrumentalness • 21% Positiveness
18% Popularity • 40% Danceability • 41% Energy • 13% Liveness
58% Instrumentalness • 21% Positiveness
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Paul Kleber
A Little Loving
89 bpm • A# min • 08:00 • -12.99db
15% Popularity • 56% Danceability • 28% Energy • 9% Liveness
91% Instrumentalness • 11% Positiveness
15% Popularity • 56% Danceability • 28% Energy • 9% Liveness
91% Instrumentalness • 11% Positiveness
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Emma Rawicz
Xanadu I
81 bpm • F# Maj • 02:16 • -13.93db
12% Popularity • 22% Danceability • 24% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
12% Popularity • 22% Danceability • 24% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Awen Ensemble
Rhyd
89 bpm • G Maj • 04:26 • -17.13db
12% Popularity • 40% Danceability • 27% Energy • 30% Liveness
96% Instrumentalness • 14% Positiveness
12% Popularity • 40% Danceability • 27% Energy • 30% Liveness
96% Instrumentalness • 14% Positiveness
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Xylo Vortex
Blue note chronicles
90 bpm • D# Maj • 01:05 • -13.03db
26% Popularity • 40% Danceability • 35% Energy • 18% Liveness
48% Instrumentalness • 8% Positiveness
26% Popularity • 40% Danceability • 35% Energy • 18% Liveness
48% Instrumentalness • 8% Positiveness
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David Binney
Intro To Miami
90 bpm • C# Maj • 01:01 • -14.73db
15% Popularity • 44% Danceability • 3% Energy • 21% Liveness
2% Instrumentalness • 78% Positiveness
15% Popularity • 44% Danceability • 3% Energy • 21% Liveness
2% Instrumentalness • 78% Positiveness
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Reinier Baas
Wahid Jive - Reprise
90 bpm • A# min • 02:47 • -13.34db
18% Popularity • 56% Danceability • 57% Energy • 10% Liveness
79% Instrumentalness • 81% Positiveness
18% Popularity • 56% Danceability • 57% Energy • 10% Liveness
79% Instrumentalness • 81% Positiveness
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Stéphane Mercier
Take 5
90 bpm • A# min • 04:35 • -11.45db
10% Popularity • 50% Danceability • 50% Energy • 14% Liveness
87% Instrumentalness • 60% Positiveness
10% Popularity • 50% Danceability • 50% Energy • 14% Liveness
87% Instrumentalness • 60% Positiveness
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Jamie Baum
What Kind of Times Are These
90 bpm • C# min • 06:42 • -12.89db
8% Popularity • 41% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
8% Popularity • 41% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Kyboat
Hologram
90 bpm • E Maj • 01:08 • -8.46db
9% Popularity • 54% Danceability • 68% Energy • 50% Liveness
0% Instrumentalness • 17% Positiveness
9% Popularity • 54% Danceability • 68% Energy • 50% Liveness
0% Instrumentalness • 17% Positiveness
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Leszek Możdżer
Villstad
80 bpm • C# Maj • 08:36 • -15.1db
9% Popularity • 56% Danceability • 47% Energy • 13% Liveness
90% Instrumentalness • 64% Positiveness
9% Popularity • 56% Danceability • 47% Energy • 13% Liveness
90% Instrumentalness • 64% Positiveness
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David Binney
The Heart of the Sea
90 bpm • C min • 07:02 • -9.09db
0% Popularity • 44% Danceability • 61% Energy • 64% Liveness
56% Instrumentalness • 7% Positiveness
0% Popularity • 44% Danceability • 61% Energy • 64% Liveness
56% Instrumentalness • 7% Positiveness
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DOGFISH
Elastic Bass
80 bpm • G# min • 03:38 • -14.81db
27% Popularity • 70% Danceability • 49% Energy • 10% Liveness
89% Instrumentalness • 50% Positiveness
27% Popularity • 70% Danceability • 49% Energy • 10% Liveness
89% Instrumentalness • 50% Positiveness
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Here Comes the Weather
Low Tatras
80 bpm • D# min • 03:25 • -12.26db
11% Popularity • 29% Danceability • 30% Energy • 13% Liveness
88% Instrumentalness • 23% Positiveness
11% Popularity • 29% Danceability • 30% Energy • 13% Liveness
88% Instrumentalness • 23% Positiveness
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Jasper Høiby
Flying
90 bpm • F Maj • 06:00 • -13.64db
12% Popularity • 31% Danceability • 59% Energy • 10% Liveness
93% Instrumentalness • 44% Positiveness
12% Popularity • 31% Danceability • 59% Energy • 10% Liveness
93% Instrumentalness • 44% Positiveness
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Markus Stockhausen
Jasmin
80 bpm • C# Maj • 02:52 • -14.47db
18% Popularity • 24% Danceability • 11% Energy • 11% Liveness
16% Instrumentalness • 12% Positiveness
18% Popularity • 24% Danceability • 11% Energy • 11% Liveness
16% Instrumentalness • 12% Positiveness
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Adam Ratner
Light Waves
80 bpm • C# Maj • 02:57 • -10.33db
3% Popularity • 24% Danceability • 53% Energy • 13% Liveness
8% Instrumentalness • 26% Positiveness
3% Popularity • 24% Danceability • 53% Energy • 13% Liveness
8% Instrumentalness • 26% Positiveness
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David Binney
The Luxury of Guessing
80 bpm • D Maj • 04:29 • -13.09db
0% Popularity • 61% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 22% Positiveness
0% Popularity • 61% Danceability • 49% Energy • 12% Liveness
1% Instrumentalness • 22% Positiveness
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Nils Berg
Domino Gold
80 bpm • D Maj • 04:20 • -13.95db
9% Popularity • 22% Danceability • 22% Energy • 10% Liveness
87% Instrumentalness • 10% Positiveness
9% Popularity • 22% Danceability • 22% Energy • 10% Liveness
87% Instrumentalness • 10% Positiveness
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Terje Rypdal
By His Lonesome
91 bpm • A min • 06:54 • -26.59db
8% Popularity • 21% Danceability • 7% Energy • 6% Liveness
93% Instrumentalness • 7% Positiveness
8% Popularity • 21% Danceability • 7% Energy • 6% Liveness
93% Instrumentalness • 7% Positiveness
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.multibeat
What’s In That Cup
91 bpm • A min • 02:56 • -13.78db
10% Popularity • 36% Danceability • 49% Energy • 39% Liveness
8% Instrumentalness • 45% Positiveness
10% Popularity • 36% Danceability • 49% Energy • 39% Liveness
8% Instrumentalness • 45% Positiveness
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Giuseppe Millaci
Broustin Avenue
91 bpm • F# min • 06:25 • -16.47db
21% Popularity • 52% Danceability • 32% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
21% Popularity • 52% Danceability • 32% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
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Jamie Murray
True North - Radio Edit
91 bpm • D Maj • 04:55 • -9.19db
1% Popularity • 36% Danceability • 76% Energy • 17% Liveness
81% Instrumentalness • 20% Positiveness
1% Popularity • 36% Danceability • 76% Energy • 17% Liveness
81% Instrumentalness • 20% Positiveness
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David Binney
Coastal
91 bpm • C# Maj • 05:30 • -11.31db
1% Popularity • 60% Danceability • 47% Energy • 12% Liveness
13% Instrumentalness • 12% Positiveness
1% Popularity • 60% Danceability • 47% Energy • 12% Liveness
13% Instrumentalness • 12% Positiveness
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Rachel Z
What About The Kids
91 bpm • D min • 06:44 • -12.99db
10% Popularity • 58% Danceability • 42% Energy • 52% Liveness
84% Instrumentalness • 31% Positiveness
10% Popularity • 58% Danceability • 42% Energy • 52% Liveness
84% Instrumentalness • 31% Positiveness
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Janek Gwizdala
Genoa
92 bpm • C Maj • 03:59 • -15.11db
8% Popularity • 45% Danceability • 44% Energy • 10% Liveness
88% Instrumentalness • 27% Positiveness
8% Popularity • 45% Danceability • 44% Energy • 10% Liveness
88% Instrumentalness • 27% Positiveness
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Douglas Brown
Big Bang - Journey to the Outer Galaxies
79 bpm • A Maj • 04:35 • -10.57db
12% Popularity • 40% Danceability • 56% Energy • 11% Liveness
96% Instrumentalness • 35% Positiveness
12% Popularity • 40% Danceability • 56% Energy • 11% Liveness
96% Instrumentalness • 35% Positiveness
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Reinier Baas
Sonatina
92 bpm • C Maj • 04:53 • -13.06db
17% Popularity • 32% Danceability • 32% Energy • 11% Liveness
84% Instrumentalness • 10% Positiveness
17% Popularity • 32% Danceability • 32% Energy • 11% Liveness
84% Instrumentalness • 10% Positiveness
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Jamie Murray
True North
92 bpm • B min • 06:52 • -9.86db
4% Popularity • 40% Danceability • 72% Energy • 12% Liveness
83% Instrumentalness • 16% Positiveness
4% Popularity • 40% Danceability • 72% Energy • 12% Liveness
83% Instrumentalness • 16% Positiveness
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Mad Ship
Big Time
79 bpm • C# Maj • 07:08 • -7.82db
14% Popularity • 29% Danceability • 54% Energy • 12% Liveness
93% Instrumentalness • 7% Positiveness
14% Popularity • 29% Danceability • 54% Energy • 12% Liveness
93% Instrumentalness • 7% Positiveness
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Tom Ollendorff
Three Bridges
92 bpm • D Maj • 06:47 • -14.38db
12% Popularity • 43% Danceability • 40% Energy • 8% Liveness
14% Instrumentalness • 44% Positiveness
12% Popularity • 43% Danceability • 40% Energy • 8% Liveness
14% Instrumentalness • 44% Positiveness
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Enrico Rava Quintet
Tribe
92 bpm • F min • 05:00 • -18.47db
8% Popularity • 57% Danceability • 24% Energy • 10% Liveness
90% Instrumentalness • 37% Positiveness
8% Popularity • 57% Danceability • 24% Energy • 10% Liveness
90% Instrumentalness • 37% Positiveness
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Maurizio Giammarco
Modular Identity
92 bpm • F Maj • 04:24 • -14.3db
14% Popularity • 63% Danceability • 37% Energy • 7% Liveness
83% Instrumentalness • 71% Positiveness
14% Popularity • 63% Danceability • 37% Energy • 7% Liveness
83% Instrumentalness • 71% Positiveness
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Ennio Máno
The Hidden Ones
92 bpm • C# Maj • 03:05 • -12db
22% Popularity • 24% Danceability • 36% Energy • 12% Liveness
96% Instrumentalness • 18% Positiveness
22% Popularity • 24% Danceability • 36% Energy • 12% Liveness
96% Instrumentalness • 18% Positiveness
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Massimo Faraò Trio
Don't Cry for Me Argentina
92 bpm • C Maj • 03:25 • -15.37db
16% Popularity • 33% Danceability • 31% Energy • 11% Liveness
86% Instrumentalness • 13% Positiveness
16% Popularity • 33% Danceability • 31% Energy • 11% Liveness
86% Instrumentalness • 13% Positiveness
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Judith Hines
Lamented Tears
92 bpm • G Maj • 03:07 • -21db
16% Popularity • 57% Danceability • 25% Energy • 14% Liveness
88% Instrumentalness • 22% Positiveness
16% Popularity • 57% Danceability • 25% Energy • 14% Liveness
88% Instrumentalness • 22% Positiveness
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David Binney
As One Listens To Rain
78 bpm • G Maj • 04:52 • -14.6db
7% Popularity • 9% Danceability • 25% Energy • 7% Liveness
66% Instrumentalness • 4% Positiveness
7% Popularity • 9% Danceability • 25% Energy • 7% Liveness
66% Instrumentalness • 4% Positiveness
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Mark de Clive-Lowe
Isan
78 bpm • C min • 01:03 • -16.45db
13% Popularity • 20% Danceability • 37% Energy • 12% Liveness
17% Instrumentalness • 14% Positiveness
13% Popularity • 20% Danceability • 37% Energy • 12% Liveness
17% Instrumentalness • 14% Positiveness
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Kyle Eastwood
Changeling "Main Theme"
93 bpm • C# Maj • 07:07 • -13.55db
9% Popularity • 24% Danceability • 41% Energy • 9% Liveness
88% Instrumentalness • 21% Positiveness
9% Popularity • 24% Danceability • 41% Energy • 9% Liveness
88% Instrumentalness • 21% Positiveness
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Alf Carlsson/Jiří Kotača Quartet
Alf's Groove
93 bpm • C# Maj • 03:46 • -9.67db
9% Popularity • 49% Danceability • 62% Energy • 7% Liveness
89% Instrumentalness • 53% Positiveness
9% Popularity • 49% Danceability • 62% Energy • 7% Liveness
89% Instrumentalness • 53% Positiveness
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Tom Ollendorff
Passing Ships
77 bpm • G Maj • 05:31 • -14.09db
9% Popularity • 32% Danceability • 30% Energy • 8% Liveness
79% Instrumentalness • 33% Positiveness
9% Popularity • 32% Danceability • 30% Energy • 8% Liveness
79% Instrumentalness • 33% Positiveness
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David Binney Quartet
Dave
77 bpm • G# Maj • 02:34 • -14.53db
1% Popularity • 44% Danceability • 6% Energy • 25% Liveness
0% Instrumentalness • 52% Positiveness
1% Popularity • 44% Danceability • 6% Energy • 25% Liveness
0% Instrumentalness • 52% Positiveness
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David Binney
Surrounding As Influence
78 bpm • B Maj • 01:22 • -18.68db
0% Popularity • 34% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 34% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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John Raymond
Where We Grew Up
77 bpm • B min • 08:07 • -8.35db
11% Popularity • 29% Danceability • 39% Energy • 12% Liveness
84% Instrumentalness • 13% Positiveness
11% Popularity • 29% Danceability • 39% Energy • 12% Liveness
84% Instrumentalness • 13% Positiveness
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Oded Tzur
Invocation
77 bpm • C min • 01:52 • -17.2db
27% Popularity • 18% Danceability • 17% Energy • 10% Liveness
76% Instrumentalness • 16% Positiveness
27% Popularity • 18% Danceability • 17% Energy • 10% Liveness
76% Instrumentalness • 16% Positiveness
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Ted Olsen
Heart Open Sky (Reprise)
77 bpm • C# Maj • 01:43 • -12db
30% Popularity • 46% Danceability • 38% Energy • 11% Liveness
94% Instrumentalness • 36% Positiveness
30% Popularity • 46% Danceability • 38% Energy • 11% Liveness
94% Instrumentalness • 36% Positiveness
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Jamie Murray
Vibe Changer
94 bpm • B min • 02:10 • -9.12db
11% Popularity • 48% Danceability • 68% Energy • 12% Liveness
56% Instrumentalness • 72% Positiveness
11% Popularity • 48% Danceability • 68% Energy • 12% Liveness
56% Instrumentalness • 72% Positiveness
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Adam Ratner
Into the Wave
94 bpm • D Maj • 06:07 • -10db
6% Popularity • 47% Danceability • 66% Energy • 10% Liveness
82% Instrumentalness • 57% Positiveness
6% Popularity • 47% Danceability • 66% Energy • 10% Liveness
82% Instrumentalness • 57% Positiveness
