Songs like Two Worlds by Josh Strickland
Based on a tempo of (+/- 10%) and a similar genre
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Nikki Blonsky
I Can Hear The Bells
112 bpm • C Maj • 04:14 • -6.56db
52% Popularity • 62% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
52% Popularity • 62% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Josh Strickland
Two Worlds
112 bpm • F min • 05:13 • -8.04db
24% Popularity • 42% Danceability • 52% Energy • 8% Liveness
1% Instrumentalness • 19% Positiveness
24% Popularity • 42% Danceability • 52% Energy • 8% Liveness
1% Instrumentalness • 19% Positiveness
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Megan Hilty, Allison Janney, Stephanie J. Block and Ensemble
Change It
112 bpm • A# Maj • 02:45 • -7db
29% Popularity • 68% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
29% Popularity • 68% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Tom Plotkin
Mama Says (You Can't Back Down)
112 bpm • A# min • 05:06 • -10db
32% Popularity • 67% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
32% Popularity • 67% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Danny Kosarin
Lost in the Wilderness
112 bpm • D Maj • 02:28 • -10.29db
33% Popularity • 53% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 53% Positiveness
33% Popularity • 53% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 53% Positiveness
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Norm Lewis as King Triton
If Only (Reprise)
112 bpm • C# Maj • 01:45 • -19.75db
27% Popularity • 37% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
27% Popularity • 37% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Laura Michelle Kelly
Sylvia's Lullaby - Original Broadway Cas...
112 bpm • G Maj • 01:34 • -15.21db
26% Popularity • 33% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
26% Popularity • 33% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Bring It On: The Musical - Original Broadway Cast
One Perfect Moment
112 bpm • C Maj • 03:54 • -5.96db
43% Popularity • 41% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
43% Popularity • 41% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Matt Cavenaugh
Tonight
111 bpm • C min • 05:34 • -13db
27% Popularity • 30% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
27% Popularity • 30% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Charles Strouse
Annie: Easy Street
113 bpm • D Maj • 03:22 • -12.37db
30% Popularity • 47% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 42% Positiveness
30% Popularity • 47% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 42% Positiveness
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Orfeh
Ireland
113 bpm • C# Maj • 03:14 • -13.76db
44% Popularity • 48% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
44% Popularity • 48% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Sierra Boggess as Ariel
Part of Your World (Reprise)
113 bpm • G min • 02:02 • -22.64db
35% Popularity • 32% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
35% Popularity • 32% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Susan Egan
Belle (Reprise)
113 bpm • D Maj • 01:08 • -18.62db
38% Popularity • 47% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
38% Popularity • 47% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Adam Pascal
Not Me
113 bpm • G# Maj • 03:45 • -9.59db
29% Popularity • 52% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 52% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Samuel E. Wright
They Live in You
114 bpm • F# min • 03:01 • -14.53db
48% Popularity • 60% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
48% Popularity • 60% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Charles Strouse
Easy Street (Rooster, Miss Hannigan, Lil...
110 bpm • C# Maj • 04:46 • -6.28db
32% Popularity • 46% Danceability • 49% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
32% Popularity • 46% Danceability • 49% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
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Patti Murin
What Do You Know About Love?
114 bpm • A# Maj • 04:38 • -6.4db
45% Popularity • 63% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
45% Popularity • 63% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Jonathan Freeman
Prince Ali (Jafar Reprise)
114 bpm • G min • 01:04 • -7db
30% Popularity • 46% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
30% Popularity • 46% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
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Matthew Morrison
Stronger - Original Broadway Cast Record...
114 bpm • G Maj • 03:23 • -7.51db
31% Popularity • 44% Danceability • 70% Energy • 36% Liveness
0% Instrumentalness • 26% Positiveness
31% Popularity • 44% Danceability • 70% Energy • 36% Liveness
0% Instrumentalness • 26% Positiveness
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Adam Pascal
You'll See
111 bpm • C Maj • 02:14 • -5.69db
43% Popularity • 51% Danceability • 85% Energy • 40% Liveness
0% Instrumentalness • 53% Positiveness
43% Popularity • 51% Danceability • 85% Energy • 40% Liveness
0% Instrumentalness • 53% Positiveness
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Lynn Ahrens
Notice Me, Horton
114 bpm • F Maj • 03:07 • -14.52db
36% Popularity • 46% Danceability • 21% Energy • 53% Liveness
0% Instrumentalness • 38% Positiveness
36% Popularity • 46% Danceability • 21% Energy • 53% Liveness
0% Instrumentalness • 38% Positiveness
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Idina Menzel
What the F**k?
110 bpm • A Maj • 02:50 • -10db
28% Popularity • 44% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
28% Popularity • 44% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Patti Murin
What Do You Know About Love?
114 bpm • A# Maj • 04:26 • -6.79db
18% Popularity • 71% Danceability • 49% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
18% Popularity • 71% Danceability • 49% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
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Laura Bell Bundy
Serious
114 bpm • C# Maj • 03:13 • -11.98db
48% Popularity • 59% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
48% Popularity • 59% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Jenn Gambatese
One Night with You
110 bpm • A# Maj • 01:22 • -8.9db
26% Popularity • 54% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
26% Popularity • 54% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Claire Greenaway
How I Got the Calling
115 bpm • C Maj • 05:24 • -9db
28% Popularity • 63% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
28% Popularity • 63% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Laura Michelle Kelly as Mary Poppins
A Spoonful of Sugar - London Cast Record...
109 bpm • C# Maj • 03:31 • -12.67db
28% Popularity • 59% Danceability • 19% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
28% Popularity • 59% Danceability • 19% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
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Kenny Raskin
Gaston
115 bpm • G Maj • 05:01 • -17db
36% Popularity • 53% Danceability • 27% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
36% Popularity • 53% Danceability • 27% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
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Lynn Ahrens
Amayzing Mayzie - Original Broadway Cast...
109 bpm • C Maj • 02:10 • -10.05db
36% Popularity • 63% Danceability • 50% Energy • 34% Liveness
0% Instrumentalness • 77% Positiveness
36% Popularity • 63% Danceability • 50% Energy • 34% Liveness
0% Instrumentalness • 77% Positiveness
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Scaramouche
Somebody To Love
109 bpm • A Maj • 03:27 • -8.72db
35% Popularity • 44% Danceability • 68% Energy • 94% Liveness
0% Instrumentalness • 33% Positiveness
35% Popularity • 44% Danceability • 68% Energy • 94% Liveness
0% Instrumentalness • 33% Positiveness
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Brian D'Arcy James
When Words Fail
115 bpm • G Maj • 03:09 • -10.66db
40% Popularity • 48% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
40% Popularity • 48% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Stephen Schwartz
March Of The Witch Hunters
115 bpm • G# Maj • 01:31 • -8db
36% Popularity • 56% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
36% Popularity • 56% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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Gavin Lee as Bert
Anything Can Happen - London Cast Record...
109 bpm • C# Maj • 04:54 • -13db
28% Popularity • 56% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
28% Popularity • 56% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Aileen Quinn
Let's Go To The Movies
109 bpm • G Maj • 04:41 • -16db
35% Popularity • 37% Danceability • 20% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
35% Popularity • 37% Danceability • 20% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
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Hunter Foster
Run, Freedom, Run!
108 bpm • G Maj • 02:50 • -9.18db
35% Popularity • 57% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
35% Popularity • 57% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Original Cast of Billy Elliot
Solidarity
108 bpm • G min • 08:54 • -11.16db
32% Popularity • 74% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
32% Popularity • 74% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 31% Positiveness
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Original London Cast
I Want To Make Magic
116 bpm • C Maj • 02:29 • -16db
20% Popularity • 44% Danceability • 15% Energy • 27% Liveness
0% Instrumentalness • 18% Positiveness
20% Popularity • 44% Danceability • 15% Energy • 27% Liveness
0% Instrumentalness • 18% Positiveness
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Adam Pascal
Elaborate Lives (Reprise)
116 bpm • C Maj • 04:23 • -10.3db
25% Popularity • 39% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
25% Popularity • 39% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
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David Haig as George Banks
Cherry Tree Lane (Pt. 1) - London Cast R...
109 bpm • D# Maj • 03:28 • -16.42db
24% Popularity • 68% Danceability • 30% Energy • 62% Liveness
0% Instrumentalness • 66% Positiveness
24% Popularity • 68% Danceability • 30% Energy • 62% Liveness
0% Instrumentalness • 66% Positiveness
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Stephen Schwartz
Dear Old Shiz
116 bpm • D# min • 01:26 • -15db
35% Popularity • 39% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
35% Popularity • 39% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
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Lucie Arnaz
Make Him Mine
108 bpm • A Maj • 04:00 • -11db
19% Popularity • 42% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
19% Popularity • 42% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
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Jeremy Kushnier
I Can't Stand Still
108 bpm • A# Maj • 02:10 • -9.16db
35% Popularity • 59% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
35% Popularity • 59% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Josh Strickland
Different - Broadway Cast Recording
116 bpm • G# Maj • 02:54 • -8.28db
18% Popularity • 73% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
18% Popularity • 73% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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You're a Good Man, Charlie Brown Ensemble (1999)
Happiness
117 bpm • G Maj • 03:31 • -16db
29% Popularity • 40% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
29% Popularity • 40% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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Gavin Lee as Bert
Let's Go Fly A Kite - London Cast Record...
116 bpm • D# Maj • 02:04 • -15.99db
27% Popularity • 44% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
27% Popularity • 44% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Adam Pascal
Elaborate Lives
117 bpm • F# Maj • 04:29 • -12db
31% Popularity • 38% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
31% Popularity • 38% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Devon Busswood
Crazier Than You
107 bpm • G Maj • 03:06 • -13.39db
19% Popularity • 47% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
19% Popularity • 47% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Cast of Ghost - The Musical
Suspend My Disbelief/I Had A Life
117 bpm • E min • 09:19 • -8.4db
23% Popularity • 46% Danceability • 51% Energy • 32% Liveness
0% Instrumentalness • 37% Positiveness
23% Popularity • 46% Danceability • 51% Energy • 32% Liveness
0% Instrumentalness • 37% Positiveness
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Josh Strickland
Two Worlds (Finale) - Broadway Cast Reco...
116 bpm • C Maj • 01:16 • -8.5db
17% Popularity • 40% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 40% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Christopher Walken
(You're) Timeless To Me
117 bpm • E min • 04:47 • -8.26db
42% Popularity • 49% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
42% Popularity • 49% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Gavin Lee as Bert
Supercalifragilisticexpialidocious - Lon...
116 bpm • F Maj • 04:24 • -15db
33% Popularity • 66% Danceability • 22% Energy • 89% Liveness
0% Instrumentalness • 66% Positiveness
33% Popularity • 66% Danceability • 22% Energy • 89% Liveness
0% Instrumentalness • 66% Positiveness
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Christian Borle
The Candy Man
118 bpm • G# Maj • 03:11 • -8.1db
36% Popularity • 68% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
36% Popularity • 68% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Patina Miller
Glory
118 bpm • G# Maj • 05:54 • -8db
34% Popularity • 52% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 49% Positiveness
34% Popularity • 52% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 49% Positiveness
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Jonathan Pryce
Be Back Soon
118 bpm • C Maj • 03:19 • -16.82db
30% Popularity • 69% Danceability • 25% Energy • 39% Liveness
0% Instrumentalness • 78% Positiveness
30% Popularity • 69% Danceability • 25% Energy • 39% Liveness
0% Instrumentalness • 78% Positiveness
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Josh Strickland
Everything That I Am - Broadway Cast Rec...
107 bpm • D min • 04:44 • -9.14db
18% Popularity • 36% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 7% Positiveness
18% Popularity • 36% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 7% Positiveness
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Christopher J. Hanke
Coffee Break
118 bpm • G min • 03:30 • -11db
21% Popularity • 75% Danceability • 43% Energy • 31% Liveness
0% Instrumentalness • 40% Positiveness
21% Popularity • 75% Danceability • 43% Energy • 31% Liveness
0% Instrumentalness • 40% Positiveness
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Gavin Lee as Bert
Prologue/Chim Chim Cher-ee - London Cast...
108 bpm • C min • 01:34 • -15.87db
26% Popularity • 41% Danceability • 13% Energy • 35% Liveness
2% Instrumentalness • 14% Positiveness
26% Popularity • 41% Danceability • 13% Energy • 35% Liveness
2% Instrumentalness • 14% Positiveness
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Burke Moses
Gaston (Reprise)
106 bpm • G Maj • 01:37 • -15.3db
31% Popularity • 56% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
31% Popularity • 56% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Sarah Charles Lewis
Everlasting
106 bpm • A# Maj • 02:43 • -10.45db
25% Popularity • 51% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
25% Popularity • 51% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Richard M. Sherman
Chitty Chitty Bang Bang: Chitty Flies Ho...
118 bpm • C Maj • 02:47 • -12.29db
21% Popularity • 64% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
21% Popularity • 64% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Merle Dandridge
No Other Way - Broadway Cast Recording
106 bpm • C# Maj • 03:39 • -7.37db
17% Popularity • 57% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
17% Popularity • 57% Danceability • 54% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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Stephen Schwartz
One Short Day
118 bpm • G Maj • 03:03 • -8.27db
39% Popularity • 46% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
39% Popularity • 46% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Andy Karl
Something About Her (Preamble)
106 bpm • G# Maj • 01:12 • -10.23db
28% Popularity • 73% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
28% Popularity • 73% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Andrew Keenan-Bolger
Top of the World
106 bpm • D Maj • 02:36 • -9.48db
34% Popularity • 64% Danceability • 48% Energy • 39% Liveness
0% Instrumentalness • 74% Positiveness
34% Popularity • 64% Danceability • 48% Energy • 39% Liveness
0% Instrumentalness • 74% Positiveness
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Darren Ritchie
One Knight
106 bpm • F# Maj • 04:00 • -12.97db
26% Popularity • 40% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
26% Popularity • 40% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Patina Miller
Sister Act (Reprise)
106 bpm • B Maj • 02:04 • -10.29db
27% Popularity • 33% Danceability • 26% Energy • 36% Liveness
0% Instrumentalness • 13% Positiveness
27% Popularity • 33% Danceability • 26% Energy • 36% Liveness
0% Instrumentalness • 13% Positiveness
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Jelani Alladin
Kristoff Lullaby
105 bpm • G Maj • 01:43 • -17.28db
55% Popularity • 39% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
55% Popularity • 39% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Christina Applegate
If My Friends Could See Me Now
119 bpm • A# min • 02:45 • -10.69db
22% Popularity • 84% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
22% Popularity • 84% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Susan Egan
End Duet / Transformation
119 bpm • F Maj • 03:27 • -21db
31% Popularity • 33% Danceability • 11% Energy • 42% Liveness
0% Instrumentalness • 5% Positiveness
31% Popularity • 33% Danceability • 11% Energy • 42% Liveness
0% Instrumentalness • 5% Positiveness
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Matthew Morrison
Neverland (Reprise) - Original Broadway ...
105 bpm • G Maj • 07:22 • -10.7db
22% Popularity • 41% Danceability • 29% Energy • 32% Liveness
0% Instrumentalness • 27% Positiveness
22% Popularity • 41% Danceability • 29% Energy • 32% Liveness
0% Instrumentalness • 27% Positiveness
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Edward Staudenmayer
Heroes
105 bpm • D Maj • 03:28 • -19.9db
19% Popularity • 28% Danceability • 8% Energy • 39% Liveness
0% Instrumentalness • 17% Positiveness
19% Popularity • 28% Danceability • 8% Energy • 39% Liveness
0% Instrumentalness • 17% Positiveness
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Richard M. Sherman
Chitty Chitty Bang Bang: Opening (The Pa...
120 bpm • G# Maj • 04:26 • -14.31db
20% Popularity • 52% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
20% Popularity • 52% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
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Ben Fankhauser
Seize The Day
120 bpm • D# Maj • 05:22 • -9.49db
52% Popularity • 47% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
52% Popularity • 47% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Michelle Pfeiffer
Big, Blonde and Beautiful (Reprise)
105 bpm • C Maj • 01:05 • -6.33db
40% Popularity • 58% Danceability • 62% Energy • 47% Liveness
0% Instrumentalness • 79% Positiveness
40% Popularity • 58% Danceability • 62% Energy • 47% Liveness
0% Instrumentalness • 79% Positiveness
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Once On This Island Storytellers
Why We Tell the Story
105 bpm • A Maj • 03:40 • -11.45db
25% Popularity • 50% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
25% Popularity • 50% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Josh Strickland
Strangers Like Me - Broadway Cast Record...
120 bpm • C# Maj • 03:46 • -6.53db
25% Popularity • 68% Danceability • 77% Energy • 22% Liveness
0% Instrumentalness • 44% Positiveness
25% Popularity • 68% Danceability • 77% Energy • 22% Liveness
0% Instrumentalness • 44% Positiveness
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Ian Mcshane
Dance with the Devil
120 bpm • C# Maj • 05:54 • -8db
17% Popularity • 53% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
17% Popularity • 53% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
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Daniel Breaker
Donkey Pot Pie
120 bpm • G Maj • 02:42 • -6.68db
38% Popularity • 66% Danceability • 63% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
38% Popularity • 66% Danceability • 63% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
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Ben Fankhauser
Seize The Day (Full Song With Dance Brea...
120 bpm • A# Maj • 06:39 • -9.51db
37% Popularity • 50% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
37% Popularity • 50% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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Patina Miller
Bless Our Show
120 bpm • A min • 03:04 • -8.03db
29% Popularity • 55% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
29% Popularity • 55% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Jake Ryan Flynn
Willy Wonka! Willy Wonka!
104 bpm • B Maj • 02:46 • -7.18db
31% Popularity • 84% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
31% Popularity • 84% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Allison Janney, Megan Hilty, Charlie Pollock, Stephanie J. Block and Ensemble
Nine to Five
104 bpm • D Maj • 04:52 • -7.36db
40% Popularity • 74% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
40% Popularity • 74% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Bring It On: The Musical - Original Broadway Cast
Do Your Own Thing
104 bpm • A# Maj • 04:41 • -5.59db
37% Popularity • 77% Danceability • 61% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
37% Popularity • 77% Danceability • 61% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
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Hugh Jackman
At The End Of The Day
121 bpm • F min • 04:26 • -12.53db
45% Popularity • 56% Danceability • 39% Energy • 68% Liveness
0% Instrumentalness • 57% Positiveness
45% Popularity • 56% Danceability • 39% Energy • 68% Liveness
0% Instrumentalness • 57% Positiveness
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Charles Strouse
Little Girls (Miss Hannigan) - Voice
104 bpm • G# Maj • 02:46 • -8.93db
26% Popularity • 58% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
26% Popularity • 58% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Adam Pascal
A Step Too Far
121 bpm • F min • 03:59 • -9db
31% Popularity • 51% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
31% Popularity • 51% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Sierra Boggess as Ariel
Beyond My Wildest Dreams
121 bpm • F Maj • 03:03 • -20.01db
37% Popularity • 52% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
37% Popularity • 52% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Scott Irby-Ranniar
I Just Can't Wait To Be King
103 bpm • C Maj • 03:02 • -7.86db
44% Popularity • 55% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
44% Popularity • 55% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
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Patti Murin
Love Is an Open Door
104 bpm • F# min • 03:10 • -7db
40% Popularity • 56% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
40% Popularity • 56% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Judy Kuhn
What a Day in London
122 bpm • G Maj • 04:01 • -10.91db
26% Popularity • 60% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
26% Popularity • 60% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Charles Kimbrough
A Guy Like You
103 bpm • G Maj • 02:54 • -14.22db
34% Popularity • 43% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
34% Popularity • 43% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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John Tartaglia
Story Of My Life
122 bpm • A Maj • 03:10 • -6db
44% Popularity • 68% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
44% Popularity • 68% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Charlotte Spencer as Jane Banks
Practically Perfect - London Cast Record...
103 bpm • D Maj • 04:10 • -17.76db
29% Popularity • 64% Danceability • 9% Energy • 35% Liveness
0% Instrumentalness • 53% Positiveness
29% Popularity • 64% Danceability • 9% Energy • 35% Liveness
0% Instrumentalness • 53% Positiveness
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Andy Kelso
Take What You Got
122 bpm • B Maj • 03:18 • -6db
31% Popularity • 61% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 52% Positiveness
31% Popularity • 61% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 52% Positiveness
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Kristin Chenoweth
My New Philosophy
103 bpm • A Maj • 02:56 • -12.27db
42% Popularity • 76% Danceability • 32% Energy • 60% Liveness
0% Instrumentalness • 72% Positiveness
42% Popularity • 76% Danceability • 32% Energy • 60% Liveness
0% Instrumentalness • 72% Positiveness
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Alice Ripley
Over at the Frankenstein Place
103 bpm • D# Maj • 03:20 • -8.18db
23% Popularity • 60% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
23% Popularity • 60% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Rick Lyon
School for Monsters / The Money Song (Re...
103 bpm • C# min • 01:59 • -8.69db
7% Popularity • 64% Danceability • 30% Energy • 5% Liveness
0% Instrumentalness • 43% Positiveness
7% Popularity • 64% Danceability • 30% Energy • 5% Liveness
0% Instrumentalness • 43% Positiveness
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Brian D'Arcy James
Overture/Big Bright Beautiful World
122 bpm • D Maj • 05:43 • -6.97db
42% Popularity • 57% Danceability • 57% Energy • 83% Liveness
0% Instrumentalness • 59% Positiveness
42% Popularity • 57% Danceability • 57% Energy • 83% Liveness
0% Instrumentalness • 59% Positiveness