Songs like Udi Udi Suga by Santosh Kumar
Based on a tempo of (+/- 10%) and a similar genre
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Aslam Singer Original
Teri Ada Aagi Pasand
132 bpm • C# min • 09:54 • -6.16db
16% Popularity • 68% Danceability • 98% Energy • 39% Liveness
0% Instrumentalness • 59% Positiveness
16% Popularity • 68% Danceability • 98% Energy • 39% Liveness
0% Instrumentalness • 59% Positiveness
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Ravi Khare
Prem Na Dhaga
132 bpm • G# Maj • 05:09 • -7.14db
8% Popularity • 65% Danceability • 73% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
8% Popularity • 65% Danceability • 73% Energy • 35% Liveness
0% Instrumentalness • 56% Positiveness
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Pawan Singh
Sajal Darbar
132 bpm • C# Maj • 02:58 • -0.31db
21% Popularity • 68% Danceability • 97% Energy • 28% Liveness
0% Instrumentalness • 77% Positiveness
21% Popularity • 68% Danceability • 97% Energy • 28% Liveness
0% Instrumentalness • 77% Positiveness
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Ratti Gothwal
Mahri Kad File Pass Karegi
132 bpm • C Maj • 09:38 • -4.17db
8% Popularity • 65% Danceability • 96% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
8% Popularity • 65% Danceability • 96% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
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Chhote Baba
Future Ka Pati
132 bpm • G min • 03:16 • -1.73db
16% Popularity • 70% Danceability • 100% Energy • 60% Liveness
0% Instrumentalness • 47% Positiveness
16% Popularity • 70% Danceability • 100% Energy • 60% Liveness
0% Instrumentalness • 47% Positiveness
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Puran Bilod
Meenawati New Song 2024
131 bpm • C# Maj • 09:47 • -5.42db
10% Popularity • 64% Danceability • 96% Energy • 9% Liveness
32% Instrumentalness • 51% Positiveness
10% Popularity • 64% Danceability • 96% Energy • 9% Liveness
32% Instrumentalness • 51% Positiveness
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Gouranga Raag
Pohila Morom
131 bpm • D Maj • 04:03 • -3.25db
18% Popularity • 72% Danceability • 74% Energy • 75% Liveness
0% Instrumentalness • 79% Positiveness
18% Popularity • 72% Danceability • 74% Energy • 75% Liveness
0% Instrumentalness • 79% Positiveness
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Lakhi Chandra
Khati, Vol. 3
130 bpm • B min • 07:00 • -3.58db
17% Popularity • 48% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
17% Popularity • 48% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Santosh Kumar
Mukut Sir Mor Ka
130 bpm • G# Maj • 07:37 • -5.59db
0% Popularity • 64% Danceability • 95% Energy • 36% Liveness
0% Instrumentalness • 36% Positiveness
0% Popularity • 64% Danceability • 95% Energy • 36% Liveness
0% Instrumentalness • 36% Positiveness
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Dharmendra Singh Mahi
Corona Bolbam
130 bpm • G# Maj • 02:44 • -6.61db
8% Popularity • 68% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
8% Popularity • 68% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Krishan Chouhan
Bhagat Mein Nadan
134 bpm • C Maj • 03:22 • -3.81db
12% Popularity • 71% Danceability • 91% Energy • 43% Liveness
0% Instrumentalness • 66% Positiveness
12% Popularity • 71% Danceability • 91% Energy • 43% Liveness
0% Instrumentalness • 66% Positiveness
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Alok Kumar
Piya Piya Bole Payaliya
134 bpm • F# min • 04:10 • -0.45db
17% Popularity • 66% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 71% Positiveness
17% Popularity • 66% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 71% Positiveness
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Pawan Pardesi
Jija Ji Abhi Bachchi Hu
134 bpm • C Maj • 03:33 • -4.21db
7% Popularity • 68% Danceability • 95% Energy • 40% Liveness
0% Instrumentalness • 90% Positiveness
7% Popularity • 68% Danceability • 95% Energy • 40% Liveness
0% Instrumentalness • 90% Positiveness
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Aslam Singer Original
Jawani Aari Tan Pe
134 bpm • C# Maj • 09:37 • -5.06db
15% Popularity • 74% Danceability • 97% Energy • 39% Liveness
0% Instrumentalness • 90% Positiveness
15% Popularity • 74% Danceability • 97% Energy • 39% Liveness
0% Instrumentalness • 90% Positiveness
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Junaid Alwar
Faijan Ki Mohabbat
130 bpm • F min • 09:27 • -3.58db
19% Popularity • 60% Danceability • 99% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
19% Popularity • 60% Danceability • 99% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
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Kaypee Kaptaan
Sasra m khaya kha maal
130 bpm • G# min • 07:01 • -6.8db
11% Popularity • 74% Danceability • 97% Energy • 4% Liveness
0% Instrumentalness • 64% Positiveness
11% Popularity • 74% Danceability • 97% Energy • 4% Liveness
0% Instrumentalness • 64% Positiveness
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Shivani
Pehan Ke Sou Macxi
130 bpm • G Maj • 02:11 • -4.66db
15% Popularity • 63% Danceability • 91% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
15% Popularity • 63% Danceability • 91% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
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Om Jha
Sab Hisab Hoga Tera
134 bpm • F# Maj • 03:43 • -3.17db
32% Popularity • 76% Danceability • 82% Energy • 25% Liveness
0% Instrumentalness • 82% Positiveness
32% Popularity • 76% Danceability • 82% Energy • 25% Liveness
0% Instrumentalness • 82% Positiveness
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Aanupma Yadav
Tohara Baat Me Zahar Ba
130 bpm • F# Maj • 06:32 • -3.65db
11% Popularity • 71% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
11% Popularity • 71% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Prakash Gandhi
Kar Baba Ne Yaad
130 bpm • F# min • 01:21 • -11.43db
18% Popularity • 62% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
18% Popularity • 62% Danceability • 77% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Sunita Swami
Bhajan Kro Bhri Jawani Me
130 bpm • A Maj • 05:42 • -6.52db
13% Popularity • 79% Danceability • 86% Energy • 49% Liveness
0% Instrumentalness • 90% Positiveness
13% Popularity • 79% Danceability • 86% Energy • 49% Liveness
0% Instrumentalness • 90% Positiveness
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Robin Rangeela
POWDER LAGAI HE
130 bpm • B min • 04:10 • -0.23db
9% Popularity • 74% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
9% Popularity • 74% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Sumit Baisla
Gujjar Ka Rukka
130 bpm • C Maj • 03:50 • -0.62db
18% Popularity • 65% Danceability • 95% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
18% Popularity • 65% Danceability • 95% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
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Khesari Lal Yadav
Bhauji Lenge Lenge
130 bpm • F# Maj • 03:32 • -1.2db
49% Popularity • 65% Danceability • 99% Energy • 83% Liveness
0% Instrumentalness • 73% Positiveness
49% Popularity • 65% Danceability • 99% Energy • 83% Liveness
0% Instrumentalness • 73% Positiveness
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Saddik Alwar
Gair Ke Gayi Sath
130 bpm • C# Maj • 10:12 • -4.67db
15% Popularity • 72% Danceability • 98% Energy • 37% Liveness
0% Instrumentalness • 53% Positiveness
15% Popularity • 72% Danceability • 98% Energy • 37% Liveness
0% Instrumentalness • 53% Positiveness
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Umesh R Deewana
Kamariya Dhake Jhak Jhor Deb
130 bpm • F# Maj • 03:42 • -8.56db
10% Popularity • 78% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 61% Positiveness
10% Popularity • 78% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 61% Positiveness
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Santosh Kumar
Doob Gaye Hain Chand Sitare
130 bpm • G Maj • 06:14 • -15.48db
0% Popularity • 48% Danceability • 28% Energy • 50% Liveness
0% Instrumentalness • 56% Positiveness
0% Popularity • 48% Danceability • 28% Energy • 50% Liveness
0% Instrumentalness • 56% Positiveness
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Sneh Upadhya
Hile Jab Mori Kamariya
130 bpm • C# Maj • 03:12 • -1.49db
9% Popularity • 67% Danceability • 98% Energy • 38% Liveness
0% Instrumentalness • 63% Positiveness
9% Popularity • 67% Danceability • 98% Energy • 38% Liveness
0% Instrumentalness • 63% Positiveness
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Suraj Kumar
Dil To Mera Tuta Hai
130 bpm • F min • 04:10 • -3.27db
8% Popularity • 78% Danceability • 90% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
8% Popularity • 78% Danceability • 90% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
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Aslam Singer Original
Alwar Me Dil Loot Go
130 bpm • C min • 05:20 • -5.5db
17% Popularity • 59% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 93% Positiveness
17% Popularity • 59% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 93% Positiveness
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Aslam Mirzapuri
Roop Maiya Ke Mohe
130 bpm • F Maj • 04:27 • -0.42db
14% Popularity • 53% Danceability • 96% Energy • 56% Liveness
0% Instrumentalness • 84% Positiveness
14% Popularity • 53% Danceability • 96% Energy • 56% Liveness
0% Instrumentalness • 84% Positiveness
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Raj Aluda Meena Geet
Be Wafa Tera You Muskurana
130 bpm • B min • 11:13 • -4.88db
8% Popularity • 64% Danceability • 94% Energy • 30% Liveness
0% Instrumentalness • 37% Positiveness
8% Popularity • 64% Danceability • 94% Energy • 30% Liveness
0% Instrumentalness • 37% Positiveness
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Karpal Meena
Mat Khav Namkin
134 bpm • F# min • 09:53 • -4.68db
14% Popularity • 63% Danceability • 100% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
14% Popularity • 63% Danceability • 100% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Krishan Chouhan
Bhole Chaal Pade Jab Te Sawan Aaya Ho
135 bpm • D Maj • 05:01 • -4.26db
9% Popularity • 75% Danceability • 99% Energy • 24% Liveness
0% Instrumentalness • 71% Positiveness
9% Popularity • 75% Danceability • 99% Energy • 24% Liveness
0% Instrumentalness • 71% Positiveness
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Mr Ar
Sanam Sanam - Nagpuri
135 bpm • A Maj • 05:07 • -6.16db
8% Popularity • 77% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
8% Popularity • 77% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Aslam Singer Original
Teri Roti Sekungi
135 bpm • C min • 09:53 • -4.45db
13% Popularity • 72% Danceability • 91% Energy • 37% Liveness
0% Instrumentalness • 76% Positiveness
13% Popularity • 72% Danceability • 91% Energy • 37% Liveness
0% Instrumentalness • 76% Positiveness
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Mahi Dawar
Hichki
135 bpm • G min • 05:00 • -9.12db
11% Popularity • 73% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
11% Popularity • 73% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Khortha Star
Jamun Gachhe Tare Sutal Balmua
135 bpm • B min • 03:34 • -4db
0% Popularity • 69% Danceability • 95% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
0% Popularity • 69% Danceability • 95% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
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Khesari Lal Yadav
Ram Jane
135 bpm • B min • 03:20 • -1.18db
48% Popularity • 58% Danceability • 100% Energy • 32% Liveness
0% Instrumentalness • 83% Positiveness
48% Popularity • 58% Danceability • 100% Energy • 32% Liveness
0% Instrumentalness • 83% Positiveness
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Raj Pareek
Ude Hai Bajrangbali
135 bpm • F# min • 03:50 • -5.85db
12% Popularity • 74% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 88% Positiveness
12% Popularity • 74% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 88% Positiveness
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Mukesh Kharte
Dahde Juwanaiya Badle VA
135 bpm • A# min • 06:19 • -6.9db
15% Popularity • 68% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
15% Popularity • 68% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
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Chhote Baba
Dhura Kabar Fagua
135 bpm • C Maj • 03:04 • -5.61db
9% Popularity • 78% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 89% Positiveness
9% Popularity • 78% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 89% Positiveness
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Dilraj Meena Galad
Mero Picho Kai Kr Dilraj
135 bpm • F# min • 08:13 • -4.32db
8% Popularity • 70% Danceability • 92% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
8% Popularity • 70% Danceability • 92% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
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GAURI SHANKAR DABAR
Photu Nachti Ki Lego
135 bpm • C Maj • 09:19 • -6.14db
16% Popularity • 66% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
16% Popularity • 66% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
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Dharmendra Singh Mahi
Khush Hojajeehe Maiya Rani
135 bpm • G# Maj • 03:28 • -10.47db
7% Popularity • 64% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
7% Popularity • 64% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Santosh Kumar
Tujhe Hum Andhere Ka Naam Den
136 bpm • C Maj • 06:29 • -14db
0% Popularity • 39% Danceability • 43% Energy • 12% Liveness
1% Instrumentalness • 59% Positiveness
0% Popularity • 39% Danceability • 43% Energy • 12% Liveness
1% Instrumentalness • 59% Positiveness
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Aslam Singer Original
Sasre Lu Jari
136 bpm • C# min • 09:10 • -3.85db
11% Popularity • 70% Danceability • 98% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
11% Popularity • 70% Danceability • 98% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
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Master Saleem
Maiya ji
136 bpm • A# min • 04:01 • -3.7db
14% Popularity • 79% Danceability • 97% Energy • 22% Liveness
0% Instrumentalness • 53% Positiveness
14% Popularity • 79% Danceability • 97% Energy • 22% Liveness
0% Instrumentalness • 53% Positiveness
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Diwakar Dwivedi
Miyandeen Ke Arhari Mein
136 bpm • C Maj • 06:39 • -4.56db
19% Popularity • 65% Danceability • 90% Energy • 39% Liveness
0% Instrumentalness • 72% Positiveness
19% Popularity • 65% Danceability • 90% Energy • 39% Liveness
0% Instrumentalness • 72% Positiveness
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Soumya Pokhrel
Pawan Singh Pe Bain Lagi - bhojpuri
128 bpm • C# Maj • 02:23 • -1.26db
0% Popularity • 87% Danceability • 99% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
0% Popularity • 87% Danceability • 99% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Priyanka Singh
Manba Sajan Bahiya Mein Bhar La
128 bpm • B min • 03:11 • -6.19db
17% Popularity • 74% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 73% Positiveness
17% Popularity • 74% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 73% Positiveness
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Sunil Sharma
जगत में डंका बा�...
136 bpm • G min • 04:11 • -2.84db
9% Popularity • 75% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 86% Positiveness
9% Popularity • 75% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 86% Positiveness
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Pawan
Gori Re Tor Lamba Kesh
128 bpm • A# min • 04:23 • -3.5db
16% Popularity • 69% Danceability • 93% Energy • 24% Liveness
0% Instrumentalness • 81% Positiveness
16% Popularity • 69% Danceability • 93% Energy • 24% Liveness
0% Instrumentalness • 81% Positiveness
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Indu Sonali
Jaljira Bhail Baa Umariya
128 bpm • C# Maj • 03:28 • -2.3db
27% Popularity • 64% Danceability • 97% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
27% Popularity • 64% Danceability • 97% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Meenakshi Mukesh
Sas Mnai Chhakki Pai Dardhi
128 bpm • G# min • 03:22 • -3.3db
15% Popularity • 89% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
15% Popularity • 89% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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Amrit Tanti
Sonamoni - Original
137 bpm • F# Maj • 06:18 • -5.02db
14% Popularity • 61% Danceability • 90% Energy • 38% Liveness
0% Instrumentalness • 77% Positiveness
14% Popularity • 61% Danceability • 90% Energy • 38% Liveness
0% Instrumentalness • 77% Positiveness
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Raj Aluda Meena Geet
Ada Kamal Ki Teri
127 bpm • A# min • 09:54 • -2.19db
10% Popularity • 66% Danceability • 97% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
10% Popularity • 66% Danceability • 97% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Tarun Panchal
Chotiya
137 bpm • F min • 03:45 • -3.45db
15% Popularity • 83% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
15% Popularity • 83% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Sayar Khan Dangri
Jaisane ri kurja
137 bpm • C Maj • 08:44 • -3.12db
8% Popularity • 70% Danceability • 99% Energy • 34% Liveness
0% Instrumentalness • 94% Positiveness
8% Popularity • 70% Danceability • 99% Energy • 34% Liveness
0% Instrumentalness • 94% Positiveness
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Reema Bharti
Raja Sange Sutake - Bhojpuri
127 bpm • A Maj • 03:09 • -3.21db
0% Popularity • 64% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
0% Popularity • 64% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
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Santosh Kumar
Bhola Ji Boli Kaise
138 bpm • C# Maj • 03:25 • -4.87db
0% Popularity • 54% Danceability • 97% Energy • 60% Liveness
0% Instrumentalness • 67% Positiveness
0% Popularity • 54% Danceability • 97% Energy • 60% Liveness
0% Instrumentalness • 67% Positiveness
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Saddik Mewati
Nazara Tera
127 bpm • G# Maj • 05:34 • -3.88db
24% Popularity • 78% Danceability • 99% Energy • 17% Liveness
0% Instrumentalness • 90% Positiveness
24% Popularity • 78% Danceability • 99% Energy • 17% Liveness
0% Instrumentalness • 90% Positiveness
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Omesh Vishwahar
Jondhra Lai
138 bpm • F# min • 05:12 • -2.04db
18% Popularity • 70% Danceability • 92% Energy • 28% Liveness
0% Instrumentalness • 82% Positiveness
18% Popularity • 70% Danceability • 92% Energy • 28% Liveness
0% Instrumentalness • 82% Positiveness
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Sukhlal Matwas
Chori Ton Marwaya Chodgo Sukhlal Matwas ...
138 bpm • C Maj • 09:36 • -3.31db
12% Popularity • 67% Danceability • 99% Energy • 40% Liveness
0% Instrumentalness • 63% Positiveness
12% Popularity • 67% Danceability • 99% Energy • 40% Liveness
0% Instrumentalness • 63% Positiveness
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Priyanka Singh
Ego Mai Hoke
138 bpm • A Maj • 04:31 • -2.93db
12% Popularity • 53% Danceability • 93% Energy • 37% Liveness
0% Instrumentalness • 60% Positiveness
12% Popularity • 53% Danceability • 93% Energy • 37% Liveness
0% Instrumentalness • 60% Positiveness
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Sourav Hazarika
High Pressure Low Pressure (Jangfai 2023...
138 bpm • C# Maj • 03:18 • -9.79db
8% Popularity • 82% Danceability • 64% Energy • 35% Liveness
0% Instrumentalness • 91% Positiveness
8% Popularity • 82% Danceability • 64% Energy • 35% Liveness
0% Instrumentalness • 91% Positiveness
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Rahul Rathi
Peeni Padjya
138 bpm • A# min • 02:39 • -4.36db
13% Popularity • 70% Danceability • 89% Energy • 16% Liveness
0% Instrumentalness • 94% Positiveness
13% Popularity • 70% Danceability • 89% Energy • 16% Liveness
0% Instrumentalness • 94% Positiveness
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Sunil Sharma
Sun Le Megnath Ke Father Much Nichi Karl...
138 bpm • C Maj • 04:06 • -4.29db
7% Popularity • 73% Danceability • 96% Energy • 40% Liveness
0% Instrumentalness • 81% Positiveness
7% Popularity • 73% Danceability • 96% Energy • 40% Liveness
0% Instrumentalness • 81% Positiveness
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Yashoda Solanki
Nanhi Gudiya Kare Pukar
126 bpm • C Maj • 06:24 • -7.74db
0% Popularity • 66% Danceability • 39% Energy • 23% Liveness
0% Instrumentalness • 51% Positiveness
0% Popularity • 66% Danceability • 39% Energy • 23% Liveness
0% Instrumentalness • 51% Positiveness
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Chanchal Prajapati
Mai Kanwad Lekar Aaun Or Lakar Tujhpe Ch...
126 bpm • F min • 03:14 • -4.69db
11% Popularity • 72% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
11% Popularity • 72% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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Rajinder Manhas
Mindla Ch Har Saal Lagde Ne Melae
126 bpm • C Maj • 06:30 • -8.99db
15% Popularity • 79% Danceability • 53% Energy • 56% Liveness
0% Instrumentalness • 63% Positiveness
15% Popularity • 79% Danceability • 53% Energy • 56% Liveness
0% Instrumentalness • 63% Positiveness
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Malkoo
Munda Shehar Sialkot Da
126 bpm • F# Maj • 04:13 • -6.92db
10% Popularity • 73% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
10% Popularity • 73% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Baya Ho
Skirt Wali Guiya
126 bpm • B min • 04:09 • -7.12db
13% Popularity • 63% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 91% Positiveness
13% Popularity • 63% Danceability • 80% Energy • 28% Liveness
0% Instrumentalness • 91% Positiveness
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Tinku Kumar
Bam bam bholenath
126 bpm • C# Maj • 04:47 • -4.99db
10% Popularity • 83% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
10% Popularity • 83% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Kiran Rajput
Bhang Kaa Rola - Hindi
126 bpm • D Maj • 05:26 • -2.69db
10% Popularity • 69% Danceability • 91% Energy • 37% Liveness
74% Instrumentalness • 46% Positiveness
10% Popularity • 69% Danceability • 91% Energy • 37% Liveness
74% Instrumentalness • 46% Positiveness
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Pankaj Thakur
Sheetal Ki Nati
139 bpm • C Maj • 09:08 • -8.23db
13% Popularity • 61% Danceability • 75% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
13% Popularity • 61% Danceability • 75% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
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Alok Kumar
Dil Toot Gail
126 bpm • A# min • 04:07 • -2.69db
16% Popularity • 59% Danceability • 93% Energy • 34% Liveness
0% Instrumentalness • 63% Positiveness
16% Popularity • 59% Danceability • 93% Energy • 34% Liveness
0% Instrumentalness • 63% Positiveness
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Dharmendra Singh Mahi
Sab Chhauri Mili DJ Pe Nachaye
125 bpm • C# Maj • 03:42 • -11.88db
8% Popularity • 55% Danceability • 87% Energy • 40% Liveness
0% Instrumentalness • 53% Positiveness
8% Popularity • 55% Danceability • 87% Energy • 40% Liveness
0% Instrumentalness • 53% Positiveness
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Santosh Kumar
Is Tarah Aap Ki
139 bpm • A min • 06:21 • -14.52db
3% Popularity • 46% Danceability • 32% Energy • 57% Liveness
1% Instrumentalness • 51% Positiveness
3% Popularity • 46% Danceability • 32% Energy • 57% Liveness
1% Instrumentalness • 51% Positiveness
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Rashid Singer Tauru
Sak Padro Meri Mai K
125 bpm • C# min • 06:55 • -3.68db
21% Popularity • 68% Danceability • 94% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
21% Popularity • 68% Danceability • 94% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
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Aditya Babu
Dekhawela Balmua Dhori Pa Agarbatti - Bh...
125 bpm • G# Maj • 03:12 • -2.48db
8% Popularity • 72% Danceability • 99% Energy • 60% Liveness
0% Instrumentalness • 61% Positiveness
8% Popularity • 72% Danceability • 99% Energy • 60% Liveness
0% Instrumentalness • 61% Positiveness
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Pankaj Thakur
Wish Meri Miss
139 bpm • E Maj • 07:09 • -2.29db
13% Popularity • 70% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
13% Popularity • 70% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
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Rama Shankar Ray
Dewara Parsadi Chatana Ba 2 - Bhakti
125 bpm • B min • 03:52 • -3.92db
9% Popularity • 72% Danceability • 93% Energy • 59% Liveness
0% Instrumentalness • 65% Positiveness
9% Popularity • 72% Danceability • 93% Energy • 59% Liveness
0% Instrumentalness • 65% Positiveness
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M. K. Singh
Laika Kunwara
125 bpm • G# min • 03:21 • -1.05db
21% Popularity • 74% Danceability • 100% Energy • 33% Liveness
0% Instrumentalness • 85% Positiveness
21% Popularity • 74% Danceability • 100% Energy • 33% Liveness
0% Instrumentalness • 85% Positiveness
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Santosh Kumar
Full Night Hoga Halla
125 bpm • C min • 03:27 • -12.89db
0% Popularity • 77% Danceability • 52% Energy • 48% Liveness
0% Instrumentalness • 78% Positiveness
0% Popularity • 77% Danceability • 52% Energy • 48% Liveness
0% Instrumentalness • 78% Positiveness
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Rashid Singer Tauru
Rashid Singer SR 11044
125 bpm • C# min • 07:49 • -3.13db
15% Popularity • 71% Danceability • 94% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 71% Danceability • 94% Energy • 29% Liveness
0% Instrumentalness • 96% Positiveness
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Kumar Mintu
Band Hothon Se
125 bpm • F# Maj • 06:42 • -9.85db
25% Popularity • 56% Danceability • 74% Energy • 23% Liveness
0% Instrumentalness • 24% Positiveness
25% Popularity • 56% Danceability • 74% Energy • 23% Liveness
0% Instrumentalness • 24% Positiveness
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Gunjan Singh
Gori Aam Tohar Chhote Chhote Ba
125 bpm • A# min • 02:51 • -1.19db
18% Popularity • 69% Danceability • 99% Energy • 31% Liveness
0% Instrumentalness • 87% Positiveness
18% Popularity • 69% Danceability • 99% Energy • 31% Liveness
0% Instrumentalness • 87% Positiveness
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Saddik Alwar
Choti Si Baat Mewati
125 bpm • C# Maj • 03:58 • -2.52db
17% Popularity • 77% Danceability • 95% Energy • 37% Liveness
0% Instrumentalness • 74% Positiveness
17% Popularity • 77% Danceability • 95% Energy • 37% Liveness
0% Instrumentalness • 74% Positiveness
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Aslam Singer Original
Man Kar Ro Chuman Ko
125 bpm • C min • 08:23 • -8.08db
17% Popularity • 75% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 88% Positiveness
17% Popularity • 75% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 88% Positiveness
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Santosh Kumar
Dhua Dhua Ho Jaaye Samiyaana Mein
125 bpm • G min • 02:49 • -7.59db
0% Popularity • 70% Danceability • 94% Energy • 39% Liveness
0% Instrumentalness • 65% Positiveness
0% Popularity • 70% Danceability • 94% Energy • 39% Liveness
0% Instrumentalness • 65% Positiveness
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Annu Alwar
TERE UPER HOGO BADNAM
125 bpm • G Maj • 10:16 • -6.15db
14% Popularity • 75% Danceability • 91% Energy • 29% Liveness
0% Instrumentalness • 74% Positiveness
14% Popularity • 75% Danceability • 91% Energy • 29% Liveness
0% Instrumentalness • 74% Positiveness
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Bunty Singh
Lakh Sajaile - Khortha
125 bpm • G min • 03:14 • -4.94db
12% Popularity • 76% Danceability • 89% Energy • 33% Liveness
0% Instrumentalness • 87% Positiveness
12% Popularity • 76% Danceability • 89% Energy • 33% Liveness
0% Instrumentalness • 87% Positiveness
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Pawan Roy
Mithu Mithu Bolale Baina
125 bpm • C Maj • 05:09 • -6.51db
10% Popularity • 66% Danceability • 81% Energy • 25% Liveness
0% Instrumentalness • 76% Positiveness
10% Popularity • 66% Danceability • 81% Energy • 25% Liveness
0% Instrumentalness • 76% Positiveness
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Saddik Alwar
Nosi Mewati
125 bpm • B Maj • 03:46 • -1.6db
20% Popularity • 72% Danceability • 93% Energy • 3% Liveness
0% Instrumentalness • 77% Positiveness
20% Popularity • 72% Danceability • 93% Energy • 3% Liveness
0% Instrumentalness • 77% Positiveness
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Tarun Panchal
Fan Zamidar Ki
125 bpm • A# min • 03:01 • -3.79db
19% Popularity • 84% Danceability • 90% Energy • 40% Liveness
0% Instrumentalness • 83% Positiveness
19% Popularity • 84% Danceability • 90% Energy • 40% Liveness
0% Instrumentalness • 83% Positiveness
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Santosh Kumar
Jhoom Jhoom Yaara
125 bpm • C min • 03:27 • -7.14db
0% Popularity • 80% Danceability • 64% Energy • 45% Liveness
0% Instrumentalness • 86% Positiveness
0% Popularity • 80% Danceability • 64% Energy • 45% Liveness
0% Instrumentalness • 86% Positiveness
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Kajal Maheriya
Dil Mera Sacha Se
125 bpm • D Maj • 01:53 • -4.88db
16% Popularity • 58% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 48% Positiveness
16% Popularity • 58% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 48% Positiveness
