Songs like Ugobhozi, Lwami by Mqhikiza Buthelezi
Based on a tempo of (+/- 10%) and a similar genre
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Effetti Sonori Lab
Lupi, ululati
152 bpm • G# Maj • 01:00 • -25.31db
23% Popularity • 18% Danceability • 5% Energy • 17% Liveness
95% Instrumentalness • 8% Positiveness
23% Popularity • 18% Danceability • 5% Energy • 17% Liveness
95% Instrumentalness • 8% Positiveness
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Ten Years After
Three Blind Mice
152 bpm • G# Maj • 00:58 • -16.02db
30% Popularity • 48% Danceability • 31% Energy • 12% Liveness
94% Instrumentalness • 67% Positiveness
30% Popularity • 48% Danceability • 31% Energy • 12% Liveness
94% Instrumentalness • 67% Positiveness
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Samantha Choi
Work in Jazz Bar
150 bpm • C Maj • 02:25 • -14.04db
9% Popularity • 70% Danceability • 27% Energy • 13% Liveness
51% Instrumentalness • 44% Positiveness
9% Popularity • 70% Danceability • 27% Energy • 13% Liveness
51% Instrumentalness • 44% Positiveness
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M.RUX
Remember
150 bpm • F Maj • 04:56 • -9.82db
14% Popularity • 82% Danceability • 48% Energy • 16% Liveness
79% Instrumentalness • 37% Positiveness
14% Popularity • 82% Danceability • 48% Energy • 16% Liveness
79% Instrumentalness • 37% Positiveness
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Osanna
Stanza città
150 bpm • E Maj • 01:49 • -24.37db
19% Popularity • 29% Danceability • 11% Energy • 36% Liveness
77% Instrumentalness • 9% Positiveness
19% Popularity • 29% Danceability • 11% Energy • 36% Liveness
77% Instrumentalness • 9% Positiveness
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Terapia del Canto
Mensaje Chamalú Me Declaro Libre
152 bpm • G Maj • 05:42 • -9.75db
12% Popularity • 44% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
12% Popularity • 44% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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Congreso
Niño
153 bpm • B Maj • 03:29 • -17.98db
7% Popularity • 68% Danceability • 23% Energy • 7% Liveness
1% Instrumentalness • 27% Positiveness
7% Popularity • 68% Danceability • 23% Energy • 7% Liveness
1% Instrumentalness • 27% Positiveness
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Laurie Anderson
O Superman
149 bpm • C min • 08:55 • -18db
15% Popularity • 77% Danceability • 15% Energy • 94% Liveness
5% Instrumentalness • 29% Positiveness
15% Popularity • 77% Danceability • 15% Energy • 94% Liveness
5% Instrumentalness • 29% Positiveness
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Altered Images
Intro: Happy Birthday
153 bpm • A# Maj • 00:44 • -14.51db
14% Popularity • 70% Danceability • 19% Energy • 10% Liveness
15% Instrumentalness • 37% Positiveness
14% Popularity • 70% Danceability • 19% Energy • 10% Liveness
15% Instrumentalness • 37% Positiveness
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Rapunzel Free Style
Woman Moaning Oh Baby Pound Beat Harder
154 bpm • D min • 02:11 • -13.97db
20% Popularity • 59% Danceability • 62% Energy • 74% Liveness
57% Instrumentalness • 54% Positiveness
20% Popularity • 59% Danceability • 62% Energy • 74% Liveness
57% Instrumentalness • 54% Positiveness
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Plastilina Mosh
Niño Bomba Tampico Mix - Remix
148 bpm • G# Maj • 03:07 • -10.83db
11% Popularity • 81% Danceability • 73% Energy • 18% Liveness
87% Instrumentalness • 84% Positiveness
11% Popularity • 81% Danceability • 73% Energy • 18% Liveness
87% Instrumentalness • 84% Positiveness
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King Moulah
Outro- Thomas Sankara
148 bpm • C# Maj • 01:12 • -7.19db
8% Popularity • 64% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
8% Popularity • 64% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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ศิลปินกรมศิลปากร
รำมาซิมารำ
155 bpm • E Maj • 03:56 • -12.43db
8% Popularity • 57% Danceability • 33% Energy • 12% Liveness
16% Instrumentalness • 69% Positiveness
8% Popularity • 57% Danceability • 33% Energy • 12% Liveness
16% Instrumentalness • 69% Positiveness
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Kinneret
Mr. Foschia's Class
147 bpm • G# Maj • 00:46 • -22.87db
16% Popularity • 32% Danceability • 20% Energy • 84% Liveness
9% Instrumentalness • 50% Positiveness
16% Popularity • 32% Danceability • 20% Energy • 84% Liveness
9% Instrumentalness • 50% Positiveness
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Tom Rosenthal
Red Red Red
155 bpm • E min • 01:22 • -13db
42% Popularity • 59% Danceability • 32% Energy • 11% Liveness
4% Instrumentalness • 65% Positiveness
42% Popularity • 59% Danceability • 32% Energy • 11% Liveness
4% Instrumentalness • 65% Positiveness
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Tomoe-Ryu Yutakadaiko
Chichibuyatai (Chichibu Stalls) - Bayash...
155 bpm • E min • 03:52 • -15.09db
14% Popularity • 44% Danceability • 79% Energy • 14% Liveness
84% Instrumentalness • 85% Positiveness
14% Popularity • 44% Danceability • 79% Energy • 14% Liveness
84% Instrumentalness • 85% Positiveness
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Penguin Cafe Orchestra
Cutting Branches For A Temporary Shelter...
156 bpm • F Maj • 03:08 • -21db
39% Popularity • 36% Danceability • 14% Energy • 29% Liveness
83% Instrumentalness • 51% Positiveness
39% Popularity • 36% Danceability • 14% Energy • 29% Liveness
83% Instrumentalness • 51% Positiveness
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Dirty Projectors
When the World Comes to an End - Vocalis...
146 bpm • G Maj • 02:46 • -14.93db
14% Popularity • 56% Danceability • 27% Energy • 25% Liveness
0% Instrumentalness • 83% Positiveness
14% Popularity • 56% Danceability • 27% Energy • 25% Liveness
0% Instrumentalness • 83% Positiveness
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Rosie Lowe
He Hu
156 bpm • C min • 02:03 • -16.14db
15% Popularity • 55% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
15% Popularity • 55% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Kecak Ganda Sari
Forest Scene
146 bpm • F# Maj • 06:10 • -22.92db
10% Popularity • 43% Danceability • 51% Energy • 86% Liveness
0% Instrumentalness • 58% Positiveness
10% Popularity • 43% Danceability • 51% Energy • 86% Liveness
0% Instrumentalness • 58% Positiveness
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PJ Harvey
Lying In The Sun
146 bpm • B min • 04:30 • -19.26db
17% Popularity • 30% Danceability • 5% Energy • 9% Liveness
22% Instrumentalness • 4% Positiveness
17% Popularity • 30% Danceability • 5% Energy • 9% Liveness
22% Instrumentalness • 4% Positiveness
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ศิลปินกรมศิลปากร
ชาวไทย
145 bpm • B Maj • 03:29 • -13.08db
9% Popularity • 60% Danceability • 34% Energy • 12% Liveness
20% Instrumentalness • 55% Positiveness
9% Popularity • 60% Danceability • 34% Energy • 12% Liveness
20% Instrumentalness • 55% Positiveness
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Nonesuch Explorer Series
Bendrong II (Gambang Solo)
156 bpm • G# Maj • 01:38 • -23.18db
13% Popularity • 46% Danceability • 21% Energy • 9% Liveness
96% Instrumentalness • 99% Positiveness
13% Popularity • 46% Danceability • 21% Energy • 9% Liveness
96% Instrumentalness • 99% Positiveness
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MrBorox
Sakupen Hell
145 bpm • C# Maj • 01:00 • -27.05db
9% Popularity • 76% Danceability • 49% Energy • 20% Liveness
69% Instrumentalness • 4% Positiveness
9% Popularity • 76% Danceability • 49% Energy • 20% Liveness
69% Instrumentalness • 4% Positiveness
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Alan Silvestri
Coy Dog
158 bpm • C Maj • 02:36 • -15.47db
9% Popularity • 59% Danceability • 44% Energy • 15% Liveness
5% Instrumentalness • 54% Positiveness
9% Popularity • 59% Danceability • 44% Energy • 15% Liveness
5% Instrumentalness • 54% Positiveness
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Colleen
Humming Fields
158 bpm • A Maj • 03:28 • -14.67db
14% Popularity • 37% Danceability • 26% Energy • 8% Liveness
52% Instrumentalness • 13% Positiveness
14% Popularity • 37% Danceability • 26% Energy • 8% Liveness
52% Instrumentalness • 13% Positiveness
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Tom Waits
Black Box Theme - 2023 Remaster
144 bpm • C# min • 02:41 • -16.62db
19% Popularity • 14% Danceability • 28% Energy • 17% Liveness
99% Instrumentalness • 21% Positiveness
19% Popularity • 14% Danceability • 28% Energy • 17% Liveness
99% Instrumentalness • 21% Positiveness
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Kahimi Karie
Habanera
144 bpm • D min • 03:33 • -10.23db
11% Popularity • 42% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
11% Popularity • 42% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Laurie Anderson
Langue D'Amour
144 bpm • D Maj • 06:18 • -23.9db
17% Popularity • 47% Danceability • 17% Energy • 7% Liveness
10% Instrumentalness • 52% Positiveness
17% Popularity • 47% Danceability • 17% Energy • 7% Liveness
10% Instrumentalness • 52% Positiveness
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CHIKA
BROTHER'S BETRAYAL
144 bpm • D# Maj • 01:08 • -15.53db
13% Popularity • 46% Danceability • 22% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
13% Popularity • 46% Danceability • 22% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
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Lorenzo Cimino
Search for a New World
159 bpm • F Maj • 03:04 • -22.83db
14% Popularity • 49% Danceability • 22% Energy • 19% Liveness
19% Instrumentalness • 59% Positiveness
14% Popularity • 49% Danceability • 22% Energy • 19% Liveness
19% Instrumentalness • 59% Positiveness
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Nonesuch Explorer Series
Pangkur (Gender Solo)
144 bpm • B Maj • 03:06 • -26.12db
14% Popularity • 26% Danceability • 3% Energy • 8% Liveness
69% Instrumentalness • 31% Positiveness
14% Popularity • 26% Danceability • 3% Energy • 8% Liveness
69% Instrumentalness • 31% Positiveness
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ศิลปินกรมศิลปากร
ดวงจันทร์วันเ�...
160 bpm • B Maj • 03:27 • -13.12db
13% Popularity • 58% Danceability • 30% Energy • 14% Liveness
48% Instrumentalness • 59% Positiveness
13% Popularity • 58% Danceability • 30% Energy • 14% Liveness
48% Instrumentalness • 59% Positiveness
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Proyecto Voltaire
Ave María
160 bpm • F Maj • 02:06 • -14.43db
11% Popularity • 66% Danceability • 20% Energy • 11% Liveness
5% Instrumentalness • 43% Positiveness
11% Popularity • 66% Danceability • 20% Energy • 11% Liveness
5% Instrumentalness • 43% Positiveness
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Tim Buckley
Star Sailor
143 bpm • B Maj • 04:35 • -11.85db
14% Popularity • 19% Danceability • 42% Energy • 9% Liveness
2% Instrumentalness • 5% Positiveness
14% Popularity • 19% Danceability • 42% Energy • 9% Liveness
2% Instrumentalness • 5% Positiveness
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Joanna Wang
我迫不及待戀愛
142 bpm • G Maj • 01:00 • -20.93db
8% Popularity • 55% Danceability • 21% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
8% Popularity • 55% Danceability • 21% Energy • 5% Liveness
0% Instrumentalness • 64% Positiveness
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張瀚中、盧廣仲
馬克 G 了竹輪版
160 bpm • A# Maj • 01:39 • -15.39db
11% Popularity • 51% Danceability • 8% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
11% Popularity • 51% Danceability • 8% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
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HARASB
Spicy Spring Roll
161 bpm • A# min • 01:01 • -18db
21% Popularity • 57% Danceability • 24% Energy • 11% Liveness
82% Instrumentalness • 99% Positiveness
21% Popularity • 57% Danceability • 24% Energy • 11% Liveness
82% Instrumentalness • 99% Positiveness
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Coleman Barks
Some Kiss
161 bpm • C Maj • 00:57 • -13.61db
17% Popularity • 26% Danceability • 33% Energy • 18% Liveness
16% Instrumentalness • 59% Positiveness
17% Popularity • 26% Danceability • 33% Energy • 18% Liveness
16% Instrumentalness • 59% Positiveness
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The Sapri Mandolin Ensemble
Festa Siciliana
142 bpm • A Maj • 01:47 • -12.89db
20% Popularity • 80% Danceability • 46% Energy • 8% Liveness
57% Instrumentalness • 98% Positiveness
20% Popularity • 80% Danceability • 46% Energy • 8% Liveness
57% Instrumentalness • 98% Positiveness
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ศิลปินกรมศิลปากร
ดอกไม้ของชาติ
162 bpm • B Maj • 02:48 • -12.76db
9% Popularity • 52% Danceability • 32% Energy • 19% Liveness
43% Instrumentalness • 82% Positiveness
9% Popularity • 52% Danceability • 32% Energy • 19% Liveness
43% Instrumentalness • 82% Positiveness
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Isabelle Adjani
Shamisen
140 bpm • F# min • 01:46 • -23.56db
15% Popularity • 26% Danceability • 4% Energy • 20% Liveness
40% Instrumentalness • 20% Positiveness
15% Popularity • 26% Danceability • 4% Energy • 20% Liveness
40% Instrumentalness • 20% Positiveness
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Walter RedCross
mister
141 bpm • A min • 01:12 • -13.09db
31% Popularity • 67% Danceability • 16% Energy • 17% Liveness
15% Instrumentalness • 76% Positiveness
31% Popularity • 67% Danceability • 16% Energy • 17% Liveness
15% Instrumentalness • 76% Positiveness
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Monique Rhodes
The Present Moment
140 bpm • G# Maj • 04:48 • -15.87db
16% Popularity • 75% Danceability • 25% Energy • 13% Liveness
43% Instrumentalness • 16% Positiveness
16% Popularity • 75% Danceability • 25% Energy • 13% Liveness
43% Instrumentalness • 16% Positiveness
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Frank Zappa
The Uncle Meat Variations
140 bpm • G min • 04:46 • -14.11db
14% Popularity • 56% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
14% Popularity • 56% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Mouchance
bois
140 bpm • B min • 01:09 • -22.38db
43% Popularity • 69% Danceability • 8% Energy • 20% Liveness
1% Instrumentalness • 4% Positiveness
43% Popularity • 69% Danceability • 8% Energy • 20% Liveness
1% Instrumentalness • 4% Positiveness
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Hiroyuki Sawano
CELLOpianoVIIIVI
140 bpm • C Maj • 03:52 • -15.36db
20% Popularity • 38% Danceability • 9% Energy • 11% Liveness
57% Instrumentalness • 13% Positiveness
20% Popularity • 38% Danceability • 9% Energy • 11% Liveness
57% Instrumentalness • 13% Positiveness
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Deepak Chopra
Inviting The Spirit of Healing
140 bpm • C# min • 03:27 • -14.8db
19% Popularity • 46% Danceability • 36% Energy • 7% Liveness
22% Instrumentalness • 41% Positiveness
19% Popularity • 46% Danceability • 36% Energy • 7% Liveness
22% Instrumentalness • 41% Positiveness
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Arley Lanza
Rezas de Ogun
139 bpm • A min • 01:09 • -20.39db
14% Popularity • 63% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
14% Popularity • 63% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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The Beatles
Los Paranoias - Studio Jam
164 bpm • C Maj • 03:58 • -11.71db
24% Popularity • 61% Danceability • 52% Energy • 19% Liveness
2% Instrumentalness • 91% Positiveness
24% Popularity • 61% Danceability • 52% Energy • 19% Liveness
2% Instrumentalness • 91% Positiveness
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Iggy Pop
We Are The People
139 bpm • C Maj • 03:13 • -14.37db
17% Popularity • 50% Danceability • 30% Energy • 25% Liveness
0% Instrumentalness • 17% Positiveness
17% Popularity • 50% Danceability • 30% Energy • 25% Liveness
0% Instrumentalness • 17% Positiveness
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Huun-Huur-Tu
Eerbek-Aksy
164 bpm • G# min • 02:02 • -16.76db
13% Popularity • 61% Danceability • 23% Energy • 12% Liveness
2% Instrumentalness • 72% Positiveness
13% Popularity • 61% Danceability • 23% Energy • 12% Liveness
2% Instrumentalness • 72% Positiveness
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Tanya Tagaq
Flight
139 bpm • G# min • 04:40 • -20.51db
14% Popularity • 35% Danceability • 29% Energy • 17% Liveness
2% Instrumentalness • 23% Positiveness
14% Popularity • 35% Danceability • 29% Energy • 17% Liveness
2% Instrumentalness • 23% Positiveness
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Arthea
Souffles
165 bpm • C# Maj • 05:01 • -18.28db
10% Popularity • 51% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
10% Popularity • 51% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Arley Lanza
Reza de Iansa 3
139 bpm • F Maj • 01:05 • -15.49db
12% Popularity • 62% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
12% Popularity • 62% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
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ศิลปินกรมศิลปากร
งามแสงเดือน
138 bpm • D# min • 02:55 • -12.79db
14% Popularity • 61% Danceability • 30% Energy • 9% Liveness
28% Instrumentalness • 68% Positiveness
14% Popularity • 61% Danceability • 30% Energy • 9% Liveness
28% Instrumentalness • 68% Positiveness
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Ano
We
165 bpm • D min • 01:00 • -11.38db
10% Popularity • 42% Danceability • 29% Energy • 26% Liveness
0% Instrumentalness • 67% Positiveness
10% Popularity • 42% Danceability • 29% Energy • 26% Liveness
0% Instrumentalness • 67% Positiveness
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Vighnesh Maharaj Peters
The Battle of Peace
138 bpm • D Maj • 04:17 • -20.38db
10% Popularity • 69% Danceability • 59% Energy • 6% Liveness
38% Instrumentalness • 23% Positiveness
10% Popularity • 69% Danceability • 59% Energy • 6% Liveness
38% Instrumentalness • 23% Positiveness
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Altan Urag
The People of Mongolia
138 bpm • C min • 02:04 • -11.35db
17% Popularity • 37% Danceability • 44% Energy • 54% Liveness
0% Instrumentalness • 68% Positiveness
17% Popularity • 37% Danceability • 44% Energy • 54% Liveness
0% Instrumentalness • 68% Positiveness
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Laurie Anderson
Tightrope
137 bpm • D Maj • 05:57 • -22.13db
15% Popularity • 52% Danceability • 11% Energy • 22% Liveness
3% Instrumentalness • 11% Positiveness
15% Popularity • 52% Danceability • 11% Energy • 22% Liveness
3% Instrumentalness • 11% Positiveness
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Pascal Comelade
Les Filles du Calvaire
166 bpm • F min • 01:29 • -8.31db
10% Popularity • 49% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 58% Positiveness
10% Popularity • 49% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 58% Positiveness
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Swami Sivananda Radha
Hari Om (Demonstration)
137 bpm • F# Maj • 01:44 • -27.11db
12% Popularity • 15% Danceability • 3% Energy • 11% Liveness
99% Instrumentalness • 34% Positiveness
12% Popularity • 15% Danceability • 3% Energy • 11% Liveness
99% Instrumentalness • 34% Positiveness
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當代電影大師
胸毛之歌
137 bpm • F# Maj • 02:00 • -13.07db
14% Popularity • 42% Danceability • 14% Energy • 36% Liveness
0% Instrumentalness • 18% Positiveness
14% Popularity • 42% Danceability • 14% Energy • 36% Liveness
0% Instrumentalness • 18% Positiveness
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OKI
Kai Kai As To (Rippling Lake)
136 bpm • G min • 06:05 • -16.63db
28% Popularity • 74% Danceability • 24% Energy • 12% Liveness
6% Instrumentalness • 46% Positiveness
28% Popularity • 74% Danceability • 24% Energy • 12% Liveness
6% Instrumentalness • 46% Positiveness
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Cordel do Fogo Encantado
A Chegada de Zé do Né Na Lagoa de Dent...
136 bpm • D Maj • 01:18 • -7.78db
20% Popularity • 28% Danceability • 38% Energy • 24% Liveness
0% Instrumentalness • 14% Positiveness
20% Popularity • 28% Danceability • 38% Energy • 24% Liveness
0% Instrumentalness • 14% Positiveness
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Obinrin Trio
Agô
167 bpm • C Maj • 01:09 • -17db
17% Popularity • 18% Danceability • 5% Energy • 25% Liveness
52% Instrumentalness • 6% Positiveness
17% Popularity • 18% Danceability • 5% Energy • 25% Liveness
52% Instrumentalness • 6% Positiveness
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Brainticket
One Morning
168 bpm • D Maj • 03:52 • -20db
7% Popularity • 39% Danceability • 42% Energy • 36% Liveness
56% Instrumentalness • 63% Positiveness
7% Popularity • 39% Danceability • 42% Energy • 36% Liveness
56% Instrumentalness • 63% Positiveness
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John Mayall & The Bluesbreakers
There's Always Work
168 bpm • G# Maj • 01:35 • -21.32db
10% Popularity • 46% Danceability • 27% Energy • 7% Liveness
83% Instrumentalness • 20% Positiveness
10% Popularity • 46% Danceability • 27% Energy • 7% Liveness
83% Instrumentalness • 20% Positiveness
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Zh-
The Disaster
168 bpm • C# min • 02:51 • -29.99db
7% Popularity • 64% Danceability • 11% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
7% Popularity • 64% Danceability • 11% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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I Gusti Made Kecog
Gegineman
135 bpm • A Maj • 09:56 • -15db
26% Popularity • 70% Danceability • 43% Energy • 11% Liveness
97% Instrumentalness • 98% Positiveness
26% Popularity • 70% Danceability • 43% Energy • 11% Liveness
97% Instrumentalness • 98% Positiveness
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Henri Texier
Les korrigans
135 bpm • A Maj • 05:19 • -23.65db
9% Popularity • 36% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 17% Positiveness
9% Popularity • 36% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 17% Positiveness
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Susumu Yokota
Don't Go To Sleep
135 bpm • G min • 04:31 • -16.6db
15% Popularity • 80% Danceability • 28% Energy • 9% Liveness
86% Instrumentalness • 73% Positiveness
15% Popularity • 80% Danceability • 28% Energy • 9% Liveness
86% Instrumentalness • 73% Positiveness
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Mil June
Always Kind
135 bpm • E min • 00:58 • -12.96db
8% Popularity • 84% Danceability • 1% Energy • 10% Liveness
85% Instrumentalness • 7% Positiveness
8% Popularity • 84% Danceability • 1% Energy • 10% Liveness
85% Instrumentalness • 7% Positiveness
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Ojima Dominic LA
I Am Here for You Lord
135 bpm • G# Maj • 01:05 • -23.46db
26% Popularity • 93% Danceability • 5% Energy • 8% Liveness
76% Instrumentalness • 73% Positiveness
26% Popularity • 93% Danceability • 5% Energy • 8% Liveness
76% Instrumentalness • 73% Positiveness
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Gamelan Orchestra of the Yogyakarta Royal Palace
Ladrang Semingin
135 bpm • G# Maj • 09:16 • -14.43db
14% Popularity • 52% Danceability • 42% Energy • 13% Liveness
14% Instrumentalness • 23% Positiveness
14% Popularity • 52% Danceability • 42% Energy • 13% Liveness
14% Instrumentalness • 23% Positiveness
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Caetano Veloso
Pulsar - Live 1995
134 bpm • G Maj • 02:21 • -16.13db
14% Popularity • 49% Danceability • 7% Energy • 67% Liveness
0% Instrumentalness • 17% Positiveness
14% Popularity • 49% Danceability • 7% Energy • 67% Liveness
0% Instrumentalness • 17% Positiveness
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Cosmo Sheldrake
Nightingale, Pt. 2
170 bpm • G# Maj • 01:36 • -11db
34% Popularity • 48% Danceability • 25% Energy • 35% Liveness
0% Instrumentalness • 15% Positiveness
34% Popularity • 48% Danceability • 25% Energy • 35% Liveness
0% Instrumentalness • 15% Positiveness
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Hareton Salvanini
Amazônia
134 bpm • C Maj • 02:18 • -13.65db
17% Popularity • 75% Danceability • 29% Energy • 11% Liveness
58% Instrumentalness • 76% Positiveness
17% Popularity • 75% Danceability • 29% Energy • 11% Liveness
58% Instrumentalness • 76% Positiveness
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Gurrumul
Waak (Crow) in E-Flat Major
170 bpm • D# Maj • 05:08 • -8.04db
19% Popularity • 39% Danceability • 57% Energy • 11% Liveness
14% Instrumentalness • 21% Positiveness
19% Popularity • 39% Danceability • 57% Energy • 11% Liveness
14% Instrumentalness • 21% Positiveness
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Magnet
The Masks / The Hobby Horse
134 bpm • G Maj • 01:25 • -20.27db
15% Popularity • 32% Danceability • 21% Energy • 37% Liveness
6% Instrumentalness • 16% Positiveness
15% Popularity • 32% Danceability • 21% Energy • 37% Liveness
6% Instrumentalness • 16% Positiveness
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Ludi Scaenici
Prex
134 bpm • F min • 03:24 • -22.3db
10% Popularity • 38% Danceability • 14% Energy • 42% Liveness
0% Instrumentalness • 16% Positiveness
10% Popularity • 38% Danceability • 14% Energy • 42% Liveness
0% Instrumentalness • 16% Positiveness
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Cristobal Tapia De Veer
Slivovitz
171 bpm • B Maj • 01:43 • -14.32db
19% Popularity • 55% Danceability • 46% Energy • 12% Liveness
29% Instrumentalness • 58% Positiveness
19% Popularity • 55% Danceability • 46% Energy • 12% Liveness
29% Instrumentalness • 58% Positiveness
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Brunori Sas
Quelli che arriveranno - Baby Cip!
171 bpm • B min • 04:36 • -11.25db
12% Popularity • 65% Danceability • 53% Energy • 12% Liveness
1% Instrumentalness • 37% Positiveness
12% Popularity • 65% Danceability • 53% Energy • 12% Liveness
1% Instrumentalness • 37% Positiveness
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Diamanda Galás
Confessional (Give Me Sodomy or Give Me ...
133 bpm • E Maj • 04:17 • -21.73db
7% Popularity • 39% Danceability • 36% Energy • 42% Liveness
0% Instrumentalness • 5% Positiveness
7% Popularity • 39% Danceability • 36% Energy • 42% Liveness
0% Instrumentalness • 5% Positiveness
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Egschiglen
Elstiin Ganga
171 bpm • C# Maj • 02:53 • -5db
10% Popularity • 19% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
10% Popularity • 19% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Matthew E. White
Eyes Like The Rest
133 bpm • F Maj • 04:25 • -12db
19% Popularity • 63% Danceability • 27% Energy • 10% Liveness
34% Instrumentalness • 36% Positiveness
19% Popularity • 63% Danceability • 27% Energy • 10% Liveness
34% Instrumentalness • 36% Positiveness
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The Clientele
My Childhood
172 bpm • A min • 02:39 • -7.62db
15% Popularity • 28% Danceability • 82% Energy • 4% Liveness
2% Instrumentalness • 54% Positiveness
15% Popularity • 28% Danceability • 82% Energy • 4% Liveness
2% Instrumentalness • 54% Positiveness
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Living Gratitude
Waheguru Simran 108 Times Fast
172 bpm • F# min • 02:18 • -11db
9% Popularity • 66% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
9% Popularity • 66% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Gong Padma Kencana
Tabuh Meradas
133 bpm • C Maj • 11:13 • -13.88db
9% Popularity • 55% Danceability • 62% Energy • 11% Liveness
87% Instrumentalness • 40% Positiveness
9% Popularity • 55% Danceability • 62% Energy • 11% Liveness
87% Instrumentalness • 40% Positiveness
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COSLOGY
Forever
132 bpm • G min • 01:23 • -21.83db
22% Popularity • 84% Danceability • 10% Energy • 11% Liveness
80% Instrumentalness • 90% Positiveness
22% Popularity • 84% Danceability • 10% Energy • 11% Liveness
80% Instrumentalness • 90% Positiveness
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Arley Lanza
Oriki de Obá
132 bpm • F Maj • 01:05 • -25.05db
16% Popularity • 56% Danceability • 44% Energy • 68% Liveness
0% Instrumentalness • 75% Positiveness
16% Popularity • 56% Danceability • 44% Energy • 68% Liveness
0% Instrumentalness • 75% Positiveness
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Chevelle
Sleep the Deep
173 bpm • C Maj • 01:06 • -22.79db
32% Popularity • 74% Danceability • 11% Energy • 13% Liveness
10% Instrumentalness • 15% Positiveness
32% Popularity • 74% Danceability • 11% Energy • 13% Liveness
10% Instrumentalness • 15% Positiveness
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Kawany Oliveira De Miranda
Xire do Orixa Ode
132 bpm • F# Maj • 01:03 • -25.22db
12% Popularity • 90% Danceability • 20% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
12% Popularity • 90% Danceability • 20% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
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Julius Eastman
Femenine: No. 2, Unison
131 bpm • A# Maj • 04:32 • -9.95db
16% Popularity • 34% Danceability • 26% Energy • 17% Liveness
5% Instrumentalness • 32% Positiveness
16% Popularity • 34% Danceability • 26% Energy • 17% Liveness
5% Instrumentalness • 32% Positiveness
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Brunori Sas
Bello appare il mondo - Baby Cip!
174 bpm • C Maj • 03:28 • -11.02db
13% Popularity • 46% Danceability • 28% Energy • 61% Liveness
20% Instrumentalness • 33% Positiveness
13% Popularity • 46% Danceability • 28% Energy • 61% Liveness
20% Instrumentalness • 33% Positiveness
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Jon Hassell
Empire I
131 bpm • E min • 02:00 • -27.85db
32% Popularity • 28% Danceability • 7% Energy • 26% Liveness
93% Instrumentalness • 71% Positiveness
32% Popularity • 28% Danceability • 7% Energy • 26% Liveness
93% Instrumentalness • 71% Positiveness
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Порез на Собаке
На Волю
174 bpm • A# min • 01:30 • -13.73db
10% Popularity • 34% Danceability • 58% Energy • 50% Liveness
0% Instrumentalness • 50% Positiveness
10% Popularity • 34% Danceability • 58% Energy • 50% Liveness
0% Instrumentalness • 50% Positiveness
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Stephan Micus
Baobab Dance
131 bpm • G# min • 03:08 • -27.24db
12% Popularity • 71% Danceability • 12% Energy • 11% Liveness
79% Instrumentalness • 6% Positiveness
12% Popularity • 71% Danceability • 12% Energy • 11% Liveness
79% Instrumentalness • 6% Positiveness
