Songs like Uhn Tiss Uhn Tiss Uhn Tiss by Bloodhound Gang
Based on a tempo of (+/- 10%) and a similar genre
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Bloodhound Gang
I'm The Least You Could Do
135 bpm • C min • 03:58 • -5db
42% Popularity • 70% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
42% Popularity • 70% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Daddy DJ
Daddy DJ - Chico & Tonio Radio Edit
135 bpm • C min • 03:39 • -7.5db
54% Popularity • 70% Danceability • 92% Energy • 14% Liveness
5% Instrumentalness • 68% Positiveness
54% Popularity • 70% Danceability • 92% Energy • 14% Liveness
5% Instrumentalness • 68% Positiveness
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Rollergirl
Dear Jessie
135 bpm • C min • 03:34 • -8db
57% Popularity • 79% Danceability • 90% Energy • 4% Liveness
1% Instrumentalness • 61% Positiveness
57% Popularity • 79% Danceability • 90% Energy • 4% Liveness
1% Instrumentalness • 61% Positiveness
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Rammstein
Pussy
135 bpm • G Maj • 03:59 • -4.63db
60% Popularity • 57% Danceability • 77% Energy • 7% Liveness
10% Instrumentalness • 54% Positiveness
60% Popularity • 57% Danceability • 77% Energy • 7% Liveness
10% Instrumentalness • 54% Positiveness
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The Hives
Tick Tick Boom
135 bpm • C Maj • 03:25 • -3.12db
58% Popularity • 56% Danceability • 83% Energy • 27% Liveness
0% Instrumentalness • 48% Positiveness
58% Popularity • 56% Danceability • 83% Energy • 27% Liveness
0% Instrumentalness • 48% Positiveness
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La Bouche
Be My Lover
135 bpm • C# min • 04:01 • -10.17db
71% Popularity • 67% Danceability • 84% Energy • 95% Liveness
0% Instrumentalness • 81% Positiveness
71% Popularity • 67% Danceability • 84% Energy • 95% Liveness
0% Instrumentalness • 81% Positiveness
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Bloodhound Gang
Uhn Tiss Uhn Tiss Uhn Tiss
135 bpm • C min • 04:20 • -8.96db
55% Popularity • 80% Danceability • 92% Energy • 7% Liveness
49% Instrumentalness • 85% Positiveness
55% Popularity • 80% Danceability • 92% Energy • 7% Liveness
49% Instrumentalness • 85% Positiveness
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Melanie C
I Turn To You
135 bpm • C# Maj • 05:52 • -5.83db
51% Popularity • 52% Danceability • 80% Energy • 31% Liveness
0% Instrumentalness • 8% Positiveness
51% Popularity • 52% Danceability • 80% Energy • 31% Liveness
0% Instrumentalness • 8% Positiveness
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Rise Against
Satellite
135 bpm • F min • 03:58 • -4.16db
68% Popularity • 39% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
68% Popularity • 39% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Good Charlotte
Girls & Boys
135 bpm • D# Maj • 03:03 • -5.5db
62% Popularity • 66% Danceability • 72% Energy • 36% Liveness
0% Instrumentalness • 61% Positiveness
62% Popularity • 66% Danceability • 72% Energy • 36% Liveness
0% Instrumentalness • 61% Positiveness
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Volbeat
Heaven Nor Hell
134 bpm • D# Maj • 05:22 • -4.21db
58% Popularity • 41% Danceability • 77% Energy • 13% Liveness
1% Instrumentalness • 66% Positiveness
58% Popularity • 41% Danceability • 77% Energy • 13% Liveness
1% Instrumentalness • 66% Positiveness
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Faithless
We Come 1 - Radio Edit
136 bpm • F min • 03:42 • -10.59db
54% Popularity • 64% Danceability • 90% Energy • 15% Liveness
80% Instrumentalness • 61% Positiveness
54% Popularity • 64% Danceability • 90% Energy • 15% Liveness
80% Instrumentalness • 61% Positiveness
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Scatman John
Scatman (ski-ba-bop-ba-dop-bop)
136 bpm • F min • 03:35 • -10.9db
71% Popularity • 65% Danceability • 82% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
71% Popularity • 65% Danceability • 82% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
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Barcode Brothers
It's A Fine Day
136 bpm • F# min • 03:52 • -7db
44% Popularity • 58% Danceability • 86% Energy • 36% Liveness
1% Instrumentalness • 51% Positiveness
44% Popularity • 58% Danceability • 86% Energy • 36% Liveness
1% Instrumentalness • 51% Positiveness
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Caesars
Jerk It Out
134 bpm • G# min • 03:15 • -2.6db
69% Popularity • 58% Danceability • 98% Energy • 39% Liveness
0% Instrumentalness • 86% Positiveness
69% Popularity • 58% Danceability • 98% Energy • 39% Liveness
0% Instrumentalness • 86% Positiveness
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Bloodhound Gang
The Ballad Of Chasey Lain
134 bpm • A Maj • 02:21 • -5.95db
59% Popularity • 79% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 98% Positiveness
59% Popularity • 79% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 98% Positiveness
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Northern Lite
What You Want
136 bpm • C Maj • 03:39 • -8.97db
37% Popularity • 75% Danceability • 59% Energy • 9% Liveness
13% Instrumentalness • 73% Positiveness
37% Popularity • 75% Danceability • 59% Energy • 9% Liveness
13% Instrumentalness • 73% Positiveness
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Hadouken!
M.A.D
134 bpm • F Maj • 03:23 • -3db
38% Popularity • 64% Danceability • 93% Energy • 28% Liveness
0% Instrumentalness • 16% Positiveness
38% Popularity • 64% Danceability • 93% Energy • 28% Liveness
0% Instrumentalness • 16% Positiveness
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Darude
Sandstorm
136 bpm • B min • 03:45 • -7.98db
69% Popularity • 53% Danceability • 97% Energy • 12% Liveness
98% Instrumentalness • 59% Positiveness
69% Popularity • 53% Danceability • 97% Energy • 12% Liveness
98% Instrumentalness • 59% Positiveness
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Die Antwoord
Cookie Thumper!
134 bpm • B Maj • 03:20 • -4.16db
57% Popularity • 78% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 51% Positiveness
57% Popularity • 78% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 51% Positiveness
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La Bouche
Sweet Dreams - Radio Version
134 bpm • B min • 03:24 • -12.53db
61% Popularity • 65% Danceability • 85% Energy • 7% Liveness
6% Instrumentalness • 86% Positiveness
61% Popularity • 65% Danceability • 85% Energy • 7% Liveness
6% Instrumentalness • 86% Positiveness
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Bad Religion
21st Century (Digital Boy)
134 bpm • F Maj • 02:49 • -4db
57% Popularity • 45% Danceability • 98% Energy • 32% Liveness
0% Instrumentalness • 63% Positiveness
57% Popularity • 45% Danceability • 98% Energy • 32% Liveness
0% Instrumentalness • 63% Positiveness
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Northern Lite
My Pain
136 bpm • G# Maj • 05:16 • -9.3db
37% Popularity • 80% Danceability • 56% Energy • 15% Liveness
67% Instrumentalness • 66% Positiveness
37% Popularity • 80% Danceability • 56% Energy • 15% Liveness
67% Instrumentalness • 66% Positiveness
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Beastie Boys
Fight For Your Right
134 bpm • G# Maj • 03:28 • -6.3db
71% Popularity • 50% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
71% Popularity • 50% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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The Bubbles
Bidibodi bidibù - Satollo Mix
133 bpm • C# min • 06:07 • -8db
39% Popularity • 64% Danceability • 85% Energy • 10% Liveness
35% Instrumentalness • 17% Positiveness
39% Popularity • 64% Danceability • 85% Energy • 10% Liveness
35% Instrumentalness • 17% Positiveness
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Placebo
Every You Every Me
133 bpm • A# Maj • 03:33 • -7.55db
68% Popularity • 48% Danceability • 92% Energy • 32% Liveness
72% Instrumentalness • 16% Positiveness
68% Popularity • 48% Danceability • 92% Energy • 32% Liveness
72% Instrumentalness • 16% Positiveness
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Alien Ant Farm
Wish
133 bpm • D Maj • 03:21 • -4.5db
52% Popularity • 56% Danceability • 92% Energy • 34% Liveness
10% Instrumentalness • 47% Positiveness
52% Popularity • 56% Danceability • 92% Energy • 34% Liveness
10% Instrumentalness • 47% Positiveness
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Alice Deejay
Better Off Alone
137 bpm • G# min • 03:34 • -6.15db
78% Popularity • 67% Danceability • 88% Energy • 28% Liveness
67% Instrumentalness • 79% Positiveness
78% Popularity • 67% Danceability • 88% Energy • 28% Liveness
67% Instrumentalness • 79% Positiveness
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X-Perience
A Neverending Dream
133 bpm • C# min • 03:43 • -7.4db
45% Popularity • 58% Danceability • 91% Energy • 40% Liveness
0% Instrumentalness • 96% Positiveness
45% Popularity • 58% Danceability • 91% Energy • 40% Liveness
0% Instrumentalness • 96% Positiveness
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Bloodhound Gang
Foxtrot Uniform Charlie Kilo
137 bpm • A# min • 02:51 • -5.18db
64% Popularity • 77% Danceability • 60% Energy • 7% Liveness
4% Instrumentalness • 79% Positiveness
64% Popularity • 77% Danceability • 60% Energy • 7% Liveness
4% Instrumentalness • 79% Positiveness
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The Bubbles
Bidibodi bidibù - Satollo Radio Edit
133 bpm • B Maj • 03:38 • -8db
29% Popularity • 63% Danceability • 88% Energy • 33% Liveness
51% Instrumentalness • 17% Positiveness
29% Popularity • 63% Danceability • 88% Energy • 33% Liveness
51% Instrumentalness • 17% Positiveness
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Maxx
Get A Way
133 bpm • D Maj • 03:46 • -10.13db
64% Popularity • 85% Danceability • 86% Energy • 5% Liveness
2% Instrumentalness • 60% Positiveness
64% Popularity • 85% Danceability • 86% Energy • 5% Liveness
2% Instrumentalness • 60% Positiveness
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Metallica
Whiskey In The Jar
133 bpm • A# Maj • 05:04 • -3.72db
74% Popularity • 51% Danceability • 97% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
74% Popularity • 51% Danceability • 97% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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Robert Miles
Children
137 bpm • C Maj • 04:03 • -10.76db
70% Popularity • 60% Danceability • 76% Energy • 6% Liveness
82% Instrumentalness • 39% Positiveness
70% Popularity • 60% Danceability • 76% Energy • 6% Liveness
82% Instrumentalness • 39% Positiveness
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Culture Beat
Mr. Vain - Original Radio Edit
133 bpm • A min • 04:17 • -7.67db
72% Popularity • 70% Danceability • 100% Energy • 12% Liveness
2% Instrumentalness • 39% Positiveness
72% Popularity • 70% Danceability • 100% Energy • 12% Liveness
2% Instrumentalness • 39% Positiveness
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Global Deejays
The Sound Of San Francisco - Progressive...
132 bpm • F# min • 03:44 • -5.74db
63% Popularity • 69% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
63% Popularity • 69% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Darude
Feel the Beat
138 bpm • G# Maj • 04:18 • -6.93db
53% Popularity • 47% Danceability • 91% Energy • 28% Liveness
77% Instrumentalness • 48% Positiveness
53% Popularity • 47% Danceability • 91% Energy • 28% Liveness
77% Instrumentalness • 48% Positiveness
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666
Supa Dupa Fly (Radio Version)
138 bpm • G# min • 03:53 • -6.51db
18% Popularity • 74% Danceability • 98% Energy • 36% Liveness
32% Instrumentalness • 96% Positiveness
18% Popularity • 74% Danceability • 98% Energy • 36% Liveness
32% Instrumentalness • 96% Positiveness
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Volbeat
I Only Wanna Be With You
138 bpm • D Maj • 02:44 • -5db
61% Popularity • 43% Danceability • 99% Energy • 4% Liveness
1% Instrumentalness • 60% Positiveness
61% Popularity • 43% Danceability • 99% Energy • 4% Liveness
1% Instrumentalness • 60% Positiveness
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Magic Affair
Omen III - Single Edit
138 bpm • F# min • 03:57 • -10.55db
57% Popularity • 69% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
57% Popularity • 69% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Culture Beat
Mr. Vain
133 bpm • A min • 05:36 • -7.95db
67% Popularity • 68% Danceability • 100% Energy • 33% Liveness
26% Instrumentalness • 40% Positiveness
67% Popularity • 68% Danceability • 100% Energy • 33% Liveness
26% Instrumentalness • 40% Positiveness
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Haddaway
What Is Love - Reloaded - Radio Edit
138 bpm • G min • 02:56 • -5.39db
58% Popularity • 62% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
58% Popularity • 62% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Alcazar
Crying at the Discoteque - Radio Edit
138 bpm • A min • 03:51 • -5.94db
60% Popularity • 70% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
60% Popularity • 70% Danceability • 93% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Barcode Brothers
Flute
138 bpm • C min • 04:44 • -6.65db
45% Popularity • 75% Danceability • 88% Energy • 16% Liveness
94% Instrumentalness • 40% Positiveness
45% Popularity • 75% Danceability • 88% Energy • 16% Liveness
94% Instrumentalness • 40% Positiveness
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Danko Jones
Full Of Regret
132 bpm • F# Maj • 03:57 • -3.32db
38% Popularity • 56% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
38% Popularity • 56% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Right Said Fred
You're My Mate
132 bpm • E Maj • 03:17 • -5.73db
52% Popularity • 64% Danceability • 92% Energy • 35% Liveness
0% Instrumentalness • 70% Positiveness
52% Popularity • 64% Danceability • 92% Energy • 35% Liveness
0% Instrumentalness • 70% Positiveness
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Donots
Stop the Clocks
132 bpm • F# Maj • 04:09 • -6.33db
51% Popularity • 64% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
51% Popularity • 64% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Little Big
Skibidi
132 bpm • C Maj • 02:43 • -6.01db
55% Popularity • 87% Danceability • 76% Energy • 6% Liveness
39% Instrumentalness • 91% Positiveness
55% Popularity • 87% Danceability • 76% Energy • 6% Liveness
39% Instrumentalness • 91% Positiveness
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The Killers
Somebody Told Me
138 bpm • A# min • 03:17 • -4.85db
82% Popularity • 50% Danceability • 97% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
82% Popularity • 50% Danceability • 97% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Barcode Brothers
Dooh Dooh
138 bpm • G# Maj • 03:51 • -6db
49% Popularity • 69% Danceability • 91% Energy • 43% Liveness
86% Instrumentalness • 56% Positiveness
49% Popularity • 69% Danceability • 91% Energy • 43% Liveness
86% Instrumentalness • 56% Positiveness
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Günther
Teeny Weeny String Bikini
132 bpm • C Maj • 04:01 • -3db
43% Popularity • 67% Danceability • 100% Energy • 22% Liveness
0% Instrumentalness • 86% Positiveness
43% Popularity • 67% Danceability • 100% Energy • 22% Liveness
0% Instrumentalness • 86% Positiveness
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Bloodhound Gang
No Hard Feelings - The Magnus Winbjörk ...
132 bpm • B min • 03:24 • -7.01db
13% Popularity • 62% Danceability • 89% Energy • 31% Liveness
1% Instrumentalness • 58% Positiveness
13% Popularity • 62% Danceability • 89% Energy • 31% Liveness
1% Instrumentalness • 58% Positiveness
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The Offspring
Hit That
132 bpm • E Maj • 02:49 • -3.05db
65% Popularity • 70% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
65% Popularity • 70% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Die Atzen
Disco Pogo
132 bpm • A Maj • 03:24 • -4.55db
59% Popularity • 64% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
59% Popularity • 64% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Westbam
Beatbox Rocker - Original
132 bpm • G Maj • 06:44 • -15db
42% Popularity • 84% Danceability • 55% Energy • 8% Liveness
1% Instrumentalness • 89% Positiveness
42% Popularity • 84% Danceability • 55% Energy • 8% Liveness
1% Instrumentalness • 89% Positiveness
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Peaches
Fuck the Pain Away
132 bpm • E Maj • 04:10 • -2.63db
53% Popularity • 90% Danceability • 94% Energy • 8% Liveness
1% Instrumentalness • 93% Positiveness
53% Popularity • 90% Danceability • 94% Energy • 8% Liveness
1% Instrumentalness • 93% Positiveness
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Günther
Ding Dong Song - Radio Edit
132 bpm • B min • 04:05 • -4.63db
54% Popularity • 72% Danceability • 95% Energy • 33% Liveness
5% Instrumentalness • 93% Positiveness
54% Popularity • 72% Danceability • 95% Energy • 33% Liveness
5% Instrumentalness • 93% Positiveness
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The Lonely Island
Motherlover
131 bpm • D Maj • 02:49 • -6.3db
55% Popularity • 76% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
55% Popularity • 76% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Paffendorf
Lalala Girl - Short Edit
139 bpm • C min • 03:33 • -6.39db
8% Popularity • 62% Danceability • 89% Energy • 5% Liveness
26% Instrumentalness • 76% Positiveness
8% Popularity • 62% Danceability • 89% Energy • 5% Liveness
26% Instrumentalness • 76% Positiveness
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Brooklyn Bounce
Bass, Beats & Melody
139 bpm • B min • 03:40 • -6.32db
48% Popularity • 68% Danceability • 88% Energy • 17% Liveness
18% Instrumentalness • 47% Positiveness
48% Popularity • 68% Danceability • 88% Energy • 17% Liveness
18% Instrumentalness • 47% Positiveness
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The Offspring
Coming For You
139 bpm • C Maj • 03:48 • -1.79db
59% Popularity • 51% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
59% Popularity • 51% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Tenacious D
Kickapoo
131 bpm • C Maj • 04:14 • -4.6db
61% Popularity • 50% Danceability • 80% Energy • 54% Liveness
0% Instrumentalness • 58% Positiveness
61% Popularity • 50% Danceability • 80% Energy • 54% Liveness
0% Instrumentalness • 58% Positiveness
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New Order
Blue Monday '88
130 bpm • G Maj • 04:04 • -8.49db
66% Popularity • 68% Danceability • 89% Energy • 6% Liveness
38% Instrumentalness • 95% Positiveness
66% Popularity • 68% Danceability • 89% Energy • 6% Liveness
38% Instrumentalness • 95% Positiveness
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Culture Beat
Mr. Vain Recall - Radio Edit
140 bpm • D Maj • 03:33 • -5.14db
62% Popularity • 55% Danceability • 95% Energy • 33% Liveness
3% Instrumentalness • 38% Positiveness
62% Popularity • 55% Danceability • 95% Energy • 33% Liveness
3% Instrumentalness • 38% Positiveness
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Roger Alan Wade
If Your Gonna Be Dumb
140 bpm • G Maj • 07:13 • -7.15db
35% Popularity • 55% Danceability • 77% Energy • 7% Liveness
4% Instrumentalness • 20% Positiveness
35% Popularity • 55% Danceability • 77% Energy • 7% Liveness
4% Instrumentalness • 20% Positiveness
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Daron Malakian and Scars On Broadway
They Say
140 bpm • C# Maj • 02:47 • -1.28db
57% Popularity • 47% Danceability • 99% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
57% Popularity • 47% Danceability • 99% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Jon Lajoie
Sunday Afternoon
140 bpm • F Maj • 02:59 • -4.61db
28% Popularity • 94% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 87% Positiveness
28% Popularity • 94% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 87% Positiveness
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Tenacious D
Beelzeboss (The Final Showdown)
131 bpm • D Maj • 05:35 • -3.74db
58% Popularity • 47% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 43% Positiveness
58% Popularity • 47% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 43% Positiveness
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Aqua
Doctor Jones
140 bpm • C min • 03:23 • -11.65db
63% Popularity • 70% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
63% Popularity • 70% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Special D.
Come With Me - Radio Edit
140 bpm • G Maj • 03:05 • -5.08db
59% Popularity • 74% Danceability • 100% Energy • 28% Liveness
0% Instrumentalness • 50% Positiveness
59% Popularity • 74% Danceability • 100% Energy • 28% Liveness
0% Instrumentalness • 50% Positiveness
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Zombie Nation
Kernkraft 400 - DJ Gius Mix, Radio Edit
140 bpm • F# Maj • 03:27 • -8.79db
61% Popularity • 71% Danceability • 53% Energy • 8% Liveness
85% Instrumentalness • 30% Positiveness
61% Popularity • 71% Danceability • 53% Energy • 8% Liveness
85% Instrumentalness • 30% Positiveness
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Lasgo
Something
140 bpm • G min • 03:40 • -6.64db
70% Popularity • 64% Danceability • 98% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
70% Popularity • 64% Danceability • 98% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Fettes Brot
Schwule Mädchen
140 bpm • C Maj • 03:25 • -4db
51% Popularity • 84% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
51% Popularity • 84% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Marilyn Manson
Personal Jesus
130 bpm • D Maj • 04:06 • -5.26db
59% Popularity • 57% Danceability • 94% Energy • 52% Liveness
1% Instrumentalness • 28% Positiveness
59% Popularity • 57% Danceability • 94% Energy • 52% Liveness
1% Instrumentalness • 28% Positiveness
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Aqua
Roses Are Red - Original Version
140 bpm • C min • 03:45 • -11.4db
56% Popularity • 67% Danceability • 86% Energy • 36% Liveness
2% Instrumentalness • 82% Positiveness
56% Popularity • 67% Danceability • 86% Energy • 36% Liveness
2% Instrumentalness • 82% Positiveness
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Drunkenmunky
Calabria
140 bpm • F min • 02:47 • -7.23db
46% Popularity • 74% Danceability • 90% Energy • 20% Liveness
70% Instrumentalness • 31% Positiveness
46% Popularity • 74% Danceability • 90% Energy • 20% Liveness
70% Instrumentalness • 31% Positiveness
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Deichkind
Arbeit nervt
130 bpm • C# Maj • 03:18 • -6db
40% Popularity • 73% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
40% Popularity • 73% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Kosheen
Catch - 2021 Remaster
130 bpm • A# min • 03:23 • -5db
49% Popularity • 66% Danceability • 94% Energy • 38% Liveness
0% Instrumentalness • 78% Positiveness
49% Popularity • 66% Danceability • 94% Energy • 38% Liveness
0% Instrumentalness • 78% Positiveness
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Die Antwoord
Baby's On Fire
130 bpm • E min • 03:56 • -4.33db
66% Popularity • 83% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
66% Popularity • 83% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
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2-4 Grooves
Writing on the Wall (St. Elmo's Fire) - ...
130 bpm • C# min • 03:23 • -6db
31% Popularity • 58% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
31% Popularity • 58% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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French Affair
My Heart Goes Boom - Radio Version 'Relo...
130 bpm • A Maj • 03:41 • -6db
51% Popularity • 77% Danceability • 94% Energy • 8% Liveness
1% Instrumentalness • 94% Positiveness
51% Popularity • 77% Danceability • 94% Energy • 8% Liveness
1% Instrumentalness • 94% Positiveness
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Günther
Naughty Boy
130 bpm • E min • 03:28 • -5db
24% Popularity • 82% Danceability • 94% Energy • 4% Liveness
0% Instrumentalness • 98% Positiveness
24% Popularity • 82% Danceability • 94% Energy • 4% Liveness
0% Instrumentalness • 98% Positiveness
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Bloodhound Gang
The Choice Is Yours
130 bpm • G Maj • 03:43 • -7db
31% Popularity • 79% Danceability • 79% Energy • 15% Liveness
67% Instrumentalness • 92% Positiveness
31% Popularity • 79% Danceability • 79% Energy • 15% Liveness
67% Instrumentalness • 92% Positiveness
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Ann Lee
2 Times - Original
130 bpm • C Maj • 03:50 • -6.24db
66% Popularity • 85% Danceability • 88% Energy • 36% Liveness
2% Instrumentalness • 90% Positiveness
66% Popularity • 85% Danceability • 88% Energy • 36% Liveness
2% Instrumentalness • 90% Positiveness
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Basshunter
Boten Anna - Radio edit
140 bpm • A min • 03:27 • -6db
58% Popularity • 46% Danceability • 97% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
58% Popularity • 46% Danceability • 97% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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Deichkind
Remmidemmi (Yippie Yippie Yeah)
130 bpm • D# min • 04:41 • -6.67db
51% Popularity • 77% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
51% Popularity • 77% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Die Antwoord
I Fink U Freeky
130 bpm • F# Maj • 04:40 • -6db
61% Popularity • 84% Danceability • 75% Energy • 50% Liveness
0% Instrumentalness • 51% Positiveness
61% Popularity • 84% Danceability • 75% Energy • 50% Liveness
0% Instrumentalness • 51% Positiveness
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Supershirt
8000 Mark
130 bpm • A Maj • 04:11 • -5db
20% Popularity • 69% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
20% Popularity • 69% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Orgy
Blue Monday - Single Mix
130 bpm • G# Maj • 04:29 • -7db
35% Popularity • 56% Danceability • 77% Energy • 3% Liveness
0% Instrumentalness • 77% Positiveness
35% Popularity • 56% Danceability • 77% Energy • 3% Liveness
0% Instrumentalness • 77% Positiveness
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Blur
Song 2 - 2012 Remaster
130 bpm • G# Maj • 02:01 • -6.9db
81% Popularity • 67% Danceability • 79% Energy • 8% Liveness
1% Instrumentalness • 92% Positiveness
81% Popularity • 67% Danceability • 79% Energy • 8% Liveness
1% Instrumentalness • 92% Positiveness
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Eiffel 65
Move Your Body - Gabry Ponte Original Ra...
130 bpm • G Maj • 04:28 • -9.66db
53% Popularity • 74% Danceability • 96% Energy • 53% Liveness
32% Instrumentalness • 96% Positiveness
53% Popularity • 74% Danceability • 96% Energy • 53% Liveness
32% Instrumentalness • 96% Positiveness
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2 Unlimited
No Limit
141 bpm • F min • 03:44 • -14.4db
66% Popularity • 65% Danceability • 98% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
66% Popularity • 65% Danceability • 98% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
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Dropkick Murphys
I'm Shipping Up To Boston
129 bpm • D Maj • 02:33 • -3.13db
72% Popularity • 45% Danceability • 93% Energy • 23% Liveness
0% Instrumentalness • 60% Positiveness
72% Popularity • 45% Danceability • 93% Energy • 23% Liveness
0% Instrumentalness • 60% Positiveness
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Mr. Oizo
Flat Beat - Radio Edit
129 bpm • C Maj • 03:57 • -11.43db
45% Popularity • 91% Danceability • 44% Energy • 29% Liveness
13% Instrumentalness • 59% Positiveness
45% Popularity • 91% Danceability • 44% Energy • 29% Liveness
13% Instrumentalness • 59% Positiveness
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Run–D.M.C.
It's Like That
129 bpm • G Maj • 04:10 • -11.21db
64% Popularity • 85% Danceability • 87% Energy • 13% Liveness
45% Instrumentalness • 67% Positiveness
64% Popularity • 85% Danceability • 87% Energy • 13% Liveness
45% Instrumentalness • 67% Positiveness
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The Subways
Rock & Roll Queen
141 bpm • A# min • 02:49 • -6.26db
60% Popularity • 40% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
60% Popularity • 40% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Marilyn Manson
Tainted Love
142 bpm • G# Maj • 03:20 • -7.78db
62% Popularity • 62% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
62% Popularity • 62% Danceability • 88% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
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blink-182
Every Time I Look For You
128 bpm • B Maj • 03:05 • -3db
66% Popularity • 50% Danceability • 96% Energy • 38% Liveness
0% Instrumentalness • 62% Positiveness
66% Popularity • 50% Danceability • 96% Energy • 38% Liveness
0% Instrumentalness • 62% Positiveness
