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Ulster's Spaceman
Songs like
Ulster's Spaceman
by
James Young
Based on a tempo of (+/- 10%) and a similar genre
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jsmoove382
Instant rizz
77 bpm • B Maj • 01:16 • -12.92db
23% Popularity • 54% Danceability • 49% Energy • 36% Liveness
0% Instrumentalness • 63% Positiveness
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Respond Potato
Stormy Length
77 bpm • C# Maj • 03:05 • -14db
17% Popularity • 33% Danceability • 29% Energy • 21% Liveness
0% Instrumentalness • 20% Positiveness
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James Young
Cherryvalley Debutramp
77 bpm • G# Maj • 02:53 • -9.48db
0% Popularity • 62% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Big Joe The Storyteller
Quackling
78 bpm • G# Maj • 08:33 • -10.56db
11% Popularity • 63% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Wynford Vaughan Thomas
Mass Surrender Of German Troops 3.5.1945
78 bpm • G min • 01:20 • -12.01db
9% Popularity • 69% Danceability • 78% Energy • 64% Liveness
0% Instrumentalness • 75% Positiveness
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YBN Kaleb
556
77 bpm • B Maj • 01:12 • -11.33db
24% Popularity • 57% Danceability • 66% Energy • 92% Liveness
0% Instrumentalness • 44% Positiveness
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The Bradshaws
Chapped Legs
76 bpm • F min • 04:28 • -10.31db
10% Popularity • 66% Danceability • 34% Energy • 68% Liveness
0% Instrumentalness • 58% Positiveness
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Megatron2x
Glock dance
78 bpm • G Maj • 01:14 • -10.31db
22% Popularity • 63% Danceability • 69% Energy • 43% Liveness
0% Instrumentalness • 60% Positiveness
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Cheryl Frances-Hoad
You Promised Me Eveything
78 bpm • D Maj • 02:53 • -23.93db
0% Popularity • 27% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 6% Positiveness
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Edwin Roxburgh
Introduction & Arabesques: Introduction
75 bpm • G# Maj • 01:27 • -22.7db
0% Popularity • 41% Danceability • 3% Energy • 26% Liveness
89% Instrumentalness • 32% Positiveness
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Yrn L3d
Roll up
75 bpm • B Maj • 01:16 • -13.31db
23% Popularity • 56% Danceability • 53% Energy • 42% Liveness
1% Instrumentalness • 66% Positiveness
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YBN Kaleb
Bounce
75 bpm • A# Maj • 01:12 • -11.84db
24% Popularity • 58% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 44% Positiveness
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Michael Harris
Introduction to the Babcock Song
79 bpm • G# Maj • 02:51 • -20.67db
18% Popularity • 68% Danceability • 31% Energy • 37% Liveness
0% Instrumentalness • 25% Positiveness
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Bobby Goldsboro
Me and Millie
79 bpm • G Maj • 02:30 • -12.77db
8% Popularity • 76% Danceability • 50% Energy • 67% Liveness
0% Instrumentalness • 89% Positiveness
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Ed Ward
Anti-Aircraft Battery: Hyde Park - 21 Se...
79 bpm • F# min • 03:46 • -20.36db
7% Popularity • 75% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Inside Out
Impressions
79 bpm • D Maj • 03:10 • -11.01db
14% Popularity • 50% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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James Young
Orange Lily
79 bpm • A Maj • 06:43 • -22.37db
0% Popularity • 62% Danceability • 38% Energy • 97% Liveness
0% Instrumentalness • 54% Positiveness
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Big $moove
Riding
75 bpm • B Maj • 01:16 • -11.46db
22% Popularity • 57% Danceability • 54% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
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Michael Harris
The Granberry Song
75 bpm • D Maj • 02:21 • -15.57db
18% Popularity • 58% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Rich Youngin2x
Thick thot
75 bpm • G# min • 01:14 • -8.63db
25% Popularity • 50% Danceability • 81% Energy • 65% Liveness
0% Instrumentalness • 40% Positiveness
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Perform
Walk Like a Wallaby
74 bpm • G Maj • 02:35 • -9.46db
10% Popularity • 65% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 74% Positiveness
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NFL Choppa
Hits
75 bpm • D# min • 01:16 • -15.58db
22% Popularity • 54% Danceability • 58% Energy • 72% Liveness
0% Instrumentalness • 52% Positiveness
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Gigiloo Maan
New thots
74 bpm • D Maj • 01:18 • -8.86db
23% Popularity • 64% Danceability • 55% Energy • 41% Liveness
0% Instrumentalness • 37% Positiveness
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Leon Earl Harris
When Mama Cried to God for Me
80 bpm • E Maj • 03:40 • -18.83db
24% Popularity • 54% Danceability • 18% Energy • 36% Liveness
0% Instrumentalness • 64% Positiveness
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James Young
Living In Hope - In Ireland at the Group...
80 bpm • C# Maj • 07:00 • -16.2db
0% Popularity • 52% Danceability • 55% Energy • 95% Liveness
0% Instrumentalness • 35% Positiveness
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Cris Mantello
The Honky Tonks Are Closed
80 bpm • G# Maj • 03:21 • -9.9db
13% Popularity • 45% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
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The I Band
A Rainy Day
80 bpm • F Maj • 03:11 • -15.2db
7% Popularity • 70% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Ottfried Stork
Can't Wait
80 bpm • D Maj • 03:20 • -18.75db
20% Popularity • 56% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Terence Julius
Revenge
80 bpm • C min • 02:54 • -10.16db
19% Popularity • 72% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
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Sean William
Glucksey's Birthday Song
80 bpm • A# min • 02:42 • -13.81db
19% Popularity • 65% Danceability • 22% Energy • 42% Liveness
0% Instrumentalness • 88% Positiveness
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James Young
Ireland In The Sun
80 bpm • G# Maj • 03:11 • -22.08db
0% Popularity • 64% Danceability • 32% Energy • 58% Liveness
0% Instrumentalness • 47% Positiveness
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Bernard Manning
Piss Pots
74 bpm • F min • 05:29 • -14.48db
9% Popularity • 36% Danceability • 78% Energy • 95% Liveness
0% Instrumentalness • 44% Positiveness
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Bob Holt
The Pioneers
80 bpm • A Maj • 03:43 • -12.77db
9% Popularity • 56% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Doris Day
Artist's Choice 'Secret Love' Promo Spot
80 bpm • A# min • 01:05 • -19.11db
16% Popularity • 65% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Aladdin-Ane
Bill Oddity
74 bpm • A# min • 01:18 • -6.9db
8% Popularity • 48% Danceability • 69% Energy • 27% Liveness
0% Instrumentalness • 24% Positiveness
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Moneyman2x
Trap
81 bpm • B Maj • 01:16 • -13.04db
21% Popularity • 61% Danceability • 52% Energy • 29% Liveness
0% Instrumentalness • 72% Positiveness
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James Young
The Farmer Wants A Wife
81 bpm • D Maj • 05:49 • -15.95db
0% Popularity • 46% Danceability • 54% Energy • 90% Liveness
0% Instrumentalness • 15% Positiveness
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Classical Gasbag
Flight of the Bumble Oh Jeez
81 bpm • F# Maj • 01:06 • -12.38db
9% Popularity • 70% Danceability • 34% Energy • 24% Liveness
0% Instrumentalness • 92% Positiveness
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Bad Wolf Press
Just One Pan Away - Vocals
81 bpm • D Maj • 02:00 • -11.06db
13% Popularity • 62% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Allan Sherman
Cradunza
81 bpm • G# Maj • 01:02 • -13.87db
18% Popularity • 36% Danceability • 22% Energy • 47% Liveness
0% Instrumentalness • 60% Positiveness
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Eltank
Joe
73 bpm • A# Maj • 01:26 • -14.1db
7% Popularity • 74% Danceability • 36% Energy • 22% Liveness
0% Instrumentalness • 92% Positiveness
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The Bradshaws
Bonfire Night
82 bpm • F min • 06:41 • -11.31db
8% Popularity • 66% Danceability • 26% Energy • 67% Liveness
0% Instrumentalness • 38% Positiveness
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Derek & Clive
The Worst Job I Ever Had
82 bpm • G Maj • 03:35 • -25.86db
15% Popularity • 70% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Classical Gasbag
I Sneezed In This One
81 bpm • F# Maj • 01:06 • -12.38db
8% Popularity • 70% Danceability • 34% Energy • 24% Liveness
0% Instrumentalness • 92% Positiveness
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James Young
The Letter
82 bpm • B min • 05:56 • -16.48db
0% Popularity • 54% Danceability • 37% Energy • 95% Liveness
0% Instrumentalness • 29% Positiveness
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Ivor Biggun
Cucumber Number
82 bpm • D Maj • 01:59 • -8.43db
8% Popularity • 78% Danceability • 53% Energy • 57% Liveness
0% Instrumentalness • 88% Positiveness
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Stan Freberg
Little Blue Riding Hood
82 bpm • G Maj • 03:24 • -19.3db
5% Popularity • 69% Danceability • 14% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Tim Hawkins
The Pain Song
72 bpm • G# Maj • 02:22 • -14.17db
18% Popularity • 63% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Sean William
Talent Becomes the Glucksey
82 bpm • G Maj • 03:45 • -14.95db
18% Popularity • 66% Danceability • 30% Energy • 66% Liveness
0% Instrumentalness • 68% Positiveness
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Bob Holt
Mama's Ride
83 bpm • C Maj • 04:01 • -14.23db
9% Popularity • 57% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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James Young
Smithfield Market
82 bpm • C Maj • 03:33 • -7.96db
0% Popularity • 74% Danceability • 64% Energy • 69% Liveness
0% Instrumentalness • 86% Positiveness
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Grim Reaper Players
The Hitchhiker
83 bpm • G# Maj • 06:35 • -18db
10% Popularity • 67% Danceability • 43% Energy • 36% Liveness
0% Instrumentalness • 40% Positiveness
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Bill Harley
A Walk Around the Block
83 bpm • C Maj • 05:18 • -11.42db
8% Popularity • 66% Danceability • 31% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
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Big Joe The Storyteller
Teeny Tiny Fly And The Great Big Whale
71 bpm • G Maj • 08:35 • -13db
12% Popularity • 66% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Understand Rigid
Round
83 bpm • D# Maj • 02:18 • -14.16db
17% Popularity • 55% Danceability • 38% Energy • 28% Liveness
0% Instrumentalness • 70% Positiveness
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Cheek Mills
Run it up
83 bpm • B Maj • 01:16 • -13.01db
24% Popularity • 67% Danceability • 49% Energy • 24% Liveness
0% Instrumentalness • 34% Positiveness
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Anthony Ritchie
Coming To It, Op. 91: VI.
83 bpm • D Maj • 01:47 • -21.7db
8% Popularity • 47% Danceability • 17% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
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Winning Man
Power
71 bpm • A Maj • 01:01 • -14.88db
13% Popularity • 71% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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Napoleon XIV
Dr. Psyche, the Cut​-​Rate Head​-�...
83 bpm • G Maj • 01:55 • -15.5db
9% Popularity • 86% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Julie Walters
Barbara Cartland
83 bpm • F# min • 01:28 • -17.29db
8% Popularity • 59% Danceability • 75% Energy • 76% Liveness
0% Instrumentalness • 35% Positiveness
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Derek & Clive
Jump
83 bpm • C Maj • 01:39 • -26.55db
17% Popularity • 48% Danceability • 19% Energy • 66% Liveness
0% Instrumentalness • 43% Positiveness
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James Young
The Centre Forward
84 bpm • G# Maj • 04:01 • -15.53db
0% Popularity • 71% Danceability • 37% Energy • 96% Liveness
0% Instrumentalness • 47% Positiveness
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Sir Ralph Richardson
And Did Those Feet in Ancient Time by Wi...
84 bpm • F# Maj • 00:57 • -16.89db
15% Popularity • 68% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
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Keith Hopwood
This is my Home
84 bpm • D# Maj • 03:03 • -15db
9% Popularity • 51% Danceability • 16% Energy • 13% Liveness
2% Instrumentalness • 22% Positiveness
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The Three Stooges
The Aba Daba Honeymoon
84 bpm • A# Maj • 01:51 • -13.66db
9% Popularity • 70% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Cast of Oh What A Lovely War
I Want To Go Home
85 bpm • F Maj • 01:38 • -15.73db
10% Popularity • 67% Danceability • 22% Energy • 65% Liveness
0% Instrumentalness • 24% Positiveness
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Richard Cadell
Sooty and Friends At the Beach.2 & Sooty...
85 bpm • E min • 03:47 • -8.26db
9% Popularity • 62% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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James Young
The Year 2001 - Live At The Group Theatr...
84 bpm • G Maj • 05:24 • -15.71db
0% Popularity • 68% Danceability • 41% Energy • 74% Liveness
0% Instrumentalness • 22% Positiveness
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Big Juke
I’m the man
85 bpm • D# min • 01:18 • -11.79db
25% Popularity • 55% Danceability • 54% Energy • 49% Liveness
0% Instrumentalness • 68% Positiveness
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Bradley Geordie
When the Flowers Bloom On the Saint
85 bpm • F Maj • 02:56 • -12.32db
26% Popularity • 64% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Rick Stevens
Always been You
85 bpm • A min • 04:34 • -8.61db
7% Popularity • 68% Danceability • 65% Energy • 25% Liveness
0% Instrumentalness • 74% Positiveness
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Bibi and Tina
Chapter 12: The Fall Tournament
86 bpm • C# Maj • 03:00 • -19.12db
14% Popularity • 56% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 49% Positiveness
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Big $moove
New Balenci
86 bpm • E Maj • 01:16 • -10.47db
22% Popularity • 61% Danceability • 56% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
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James Young
Ould Blackman
85 bpm • G Maj • 02:39 • -13.87db
0% Popularity • 69% Danceability • 27% Energy • 57% Liveness
0% Instrumentalness • 43% Positiveness
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Moneyman2x
Havin
86 bpm • B Maj • 01:18 • -12.23db
21% Popularity • 51% Danceability • 59% Energy • 84% Liveness
0% Instrumentalness • 64% Positiveness
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The Bradshaws
Monopoly Night
86 bpm • F min • 04:22 • -13.27db
8% Popularity • 73% Danceability • 34% Energy • 70% Liveness
0% Instrumentalness • 67% Positiveness
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Michael Harris
Introduction to George's Song
86 bpm • G# Maj • 02:51 • -23db
17% Popularity • 72% Danceability • 24% Energy • 28% Liveness
0% Instrumentalness • 29% Positiveness
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Yrn L3d
Opp thot
86 bpm • A Maj • 01:14 • -12.59db
23% Popularity • 61% Danceability • 45% Energy • 35% Liveness
0% Instrumentalness • 86% Positiveness
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Ivor Biggun
I Have a Dog His Name is Rover
87 bpm • D Maj • 01:15 • -16.02db
10% Popularity • 73% Danceability • 8% Energy • 22% Liveness
0% Instrumentalness • 45% Positiveness
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James Young
Bingo Crazy
85 bpm • D# Maj • 03:03 • -6.87db
0% Popularity • 66% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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Justin Wilson
The Misplaced Patriots
87 bpm • A# min • 01:43 • -15.38db
10% Popularity • 56% Danceability • 52% Energy • 96% Liveness
0% Instrumentalness • 65% Positiveness
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NFL Choppa
Gangster
87 bpm • C# min • 01:16 • -14.05db
22% Popularity • 55% Danceability • 62% Energy • 37% Liveness
0% Instrumentalness • 51% Positiveness
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Michael Harris
Introduction to the Whitehurst Song
86 bpm • G# Maj • 02:54 • -20.37db
17% Popularity • 65% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Dora MacAdam
City Lights
68 bpm • B min • 03:12 • -16.62db
25% Popularity • 44% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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The Smothers Brothers
Overture-Aesop's Fables Our Way
87 bpm • C Maj • 01:16 • -12.57db
10% Popularity • 70% Danceability • 29% Energy • 35% Liveness
0% Instrumentalness • 89% Positiveness
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James Young
Why Some People Go To Church
85 bpm • F min • 01:55 • -22.33db
0% Popularity • 64% Danceability • 26% Energy • 36% Liveness
0% Instrumentalness • 20% Positiveness
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Bibi and Tina
Chapter 10: The Scavenger Hunt
87 bpm • F# Maj • 03:10 • -21.06db
10% Popularity • 62% Danceability • 40% Energy • 78% Liveness
0% Instrumentalness • 51% Positiveness
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Benjamin Cello
I'm for the Birds
87 bpm • E Maj • 01:40 • -10.93db
8% Popularity • 55% Danceability • 53% Energy • 34% Liveness
0% Instrumentalness • 87% Positiveness
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Anita Dangler
Scene III, Part I
88 bpm • C Maj • 00:59 • -20.25db
16% Popularity • 80% Danceability • 34% Energy • 66% Liveness
0% Instrumentalness • 47% Positiveness
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Bernard Manning
Ugly Bastards
88 bpm • G# Maj • 04:10 • -11db
10% Popularity • 42% Danceability • 90% Energy • 94% Liveness
0% Instrumentalness • 22% Positiveness
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Thomas Craig
Bloody Hell
67 bpm • C# min • 01:54 • -3.88db
16% Popularity • 74% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
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James Young
The Waitress
69 bpm • G Maj • 08:05 • -19.05db
0% Popularity • 49% Danceability • 40% Energy • 93% Liveness
0% Instrumentalness • 18% Positiveness
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Cater Sassy
Book
88 bpm • D Maj • 01:53 • -6.73db
17% Popularity • 68% Danceability • 54% Energy • 39% Liveness
0% Instrumentalness • 38% Positiveness
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Babies Trap Boys
Stone
88 bpm • C# Maj • 03:46 • -17.12db
10% Popularity • 35% Danceability • 21% Energy • 5% Liveness
0% Instrumentalness • 33% Positiveness
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YB Better
Thicktok
88 bpm • C# Maj • 01:14 • -11.36db
21% Popularity • 57% Danceability • 61% Energy • 69% Liveness
0% Instrumentalness • 59% Positiveness
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Be Variety
Market Poet
88 bpm • D Maj • 02:46 • -13.35db
17% Popularity • 62% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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Shift Storage
Blushing People
88 bpm • D Maj • 02:46 • -13.35db
17% Popularity • 62% Danceability • 49% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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James Young
Hairy Tale
87 bpm • G Maj • 02:45 • -7.47db
0% Popularity • 74% Danceability • 67% Energy • 62% Liveness
0% Instrumentalness • 90% Positiveness
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Douglas P Stoothoff
Be More Worried If She Says Yes - Extend...
89 bpm • F# min • 01:37 • -10.42db
0% Popularity • 71% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Cheek Mills
Haters
89 bpm • C Maj • 01:14 • -11.11db
24% Popularity • 61% Danceability • 65% Energy • 81% Liveness
0% Instrumentalness • 51% Positiveness
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Ulster's Spaceman