Songs like Ulunthu Vithaikaiyilae ( From "Mudhalvan") by Swarnalatha
Based on a tempo of (+/- 10%) and a similar genre
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Sundar C. Babu
Aadunga Da
77 bpm • A min • 04:20 • -5.95db
56% Popularity • 44% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
56% Popularity • 44% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Swarnalatha
Ulunthu Vithaikaiyilae ( From "Mudhalvan...
77 bpm • G Maj • 06:01 • -9db
44% Popularity • 63% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
44% Popularity • 63% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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Mani Sharma
Raangi Rangamma
77 bpm • A min • 04:41 • -8.03db
50% Popularity • 75% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
50% Popularity • 75% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Udit Narayan
Ramma Chilakamma
77 bpm • G Maj • 04:45 • -4.77db
47% Popularity • 46% Danceability • 88% Energy • 39% Liveness
0% Instrumentalness • 70% Positiveness
47% Popularity • 46% Danceability • 88% Energy • 39% Liveness
0% Instrumentalness • 70% Positiveness
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Anuradha Sriram
Elanthapalam Elanthapalam
77 bpm • G# Maj • 04:47 • -8.13db
52% Popularity • 75% Danceability • 73% Energy • 25% Liveness
0% Instrumentalness • 86% Positiveness
52% Popularity • 75% Danceability • 73% Energy • 25% Liveness
0% Instrumentalness • 86% Positiveness
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Anitha Chandrasekar
Azhagiya Asura
78 bpm • D Maj • 04:21 • -10.32db
43% Popularity • 75% Danceability • 49% Energy • 2% Liveness
0% Instrumentalness • 68% Positiveness
43% Popularity • 75% Danceability • 49% Energy • 2% Liveness
0% Instrumentalness • 68% Positiveness
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Achu
Thanni Karuthirichi
75 bpm • A# min • 04:30 • -8.53db
57% Popularity • 60% Danceability • 85% Energy • 23% Liveness
0% Instrumentalness • 69% Positiveness
57% Popularity • 60% Danceability • 85% Energy • 23% Liveness
0% Instrumentalness • 69% Positiveness
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Deva
Coca Cola Pole
76 bpm • B Maj • 04:30 • -6.58db
52% Popularity • 73% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
52% Popularity • 73% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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K. J. Yesudas
Maasi Masam Alana Ponnu
75 bpm • B Maj • 04:59 • -13.02db
52% Popularity • 56% Danceability • 34% Energy • 33% Liveness
15% Instrumentalness • 55% Positiveness
52% Popularity • 56% Danceability • 34% Energy • 33% Liveness
15% Instrumentalness • 55% Positiveness
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Aalaap Raju
Jal Jal Jal Oosai - Soundtrack Version
79 bpm • E min • 04:45 • -5.98db
54% Popularity • 43% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
54% Popularity • 43% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Chinmayi
Kaathirunthaai Anbe
80 bpm • C min • 06:02 • -6.96db
46% Popularity • 64% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
46% Popularity • 64% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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Deva
Aval Varuvala
80 bpm • C min • 06:07 • -11.25db
36% Popularity • 84% Danceability • 56% Energy • 7% Liveness
1% Instrumentalness • 51% Positiveness
36% Popularity • 84% Danceability • 56% Energy • 7% Liveness
1% Instrumentalness • 51% Positiveness
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Murali
Bunny Bunny
80 bpm • D Maj • 04:47 • -3.54db
55% Popularity • 77% Danceability • 100% Energy • 29% Liveness
0% Instrumentalness • 32% Positiveness
55% Popularity • 77% Danceability • 100% Energy • 29% Liveness
0% Instrumentalness • 32% Positiveness
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S.A. Rajkumar
Azzhage Azhage
80 bpm • G min • 01:49 • -9.91db
41% Popularity • 57% Danceability • 36% Energy • 33% Liveness
0% Instrumentalness • 37% Positiveness
41% Popularity • 57% Danceability • 36% Energy • 33% Liveness
0% Instrumentalness • 37% Positiveness
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K. J. Yesudas
Thanthana Thanthana
80 bpm • G min • 04:31 • -10.99db
34% Popularity • 79% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
34% Popularity • 79% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Bharadwaj
Oru Vartha Kekka
81 bpm • A# min • 05:02 • -5.34db
29% Popularity • 59% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
29% Popularity • 59% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Chitra, Raqeeb Alam
Aha Allari
81 bpm • F min • 04:14 • -9db
54% Popularity • 73% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
54% Popularity • 73% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Shankar Mahadevan
Kumbeda Pona Thaivam
82 bpm • C# Maj • 04:12 • -8.58db
49% Popularity • 45% Danceability • 90% Energy • 9% Liveness
2% Instrumentalness • 87% Positiveness
49% Popularity • 45% Danceability • 90% Energy • 9% Liveness
2% Instrumentalness • 87% Positiveness
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Anuradha Sriram
O Podu 1
82 bpm • C# Maj • 04:00 • -6.4db
64% Popularity • 64% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
64% Popularity • 64% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Santhosh Narayanan
Manasula Soora Kaathey
82 bpm • B min • 04:21 • -12db
52% Popularity • 46% Danceability • 32% Energy • 7% Liveness
4% Instrumentalness • 31% Positiveness
52% Popularity • 46% Danceability • 32% Energy • 7% Liveness
4% Instrumentalness • 31% Positiveness
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K. J. Yesudas
Nee Pathi Naan Pathi
80 bpm • A Maj • 04:42 • -12.4db
52% Popularity • 65% Danceability • 38% Energy • 41% Liveness
1% Instrumentalness • 79% Positiveness
52% Popularity • 65% Danceability • 38% Energy • 41% Liveness
1% Instrumentalness • 79% Positiveness
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Vijay Yesudas
Hemanthamen
82 bpm • A min • 04:18 • -9.96db
52% Popularity • 49% Danceability • 34% Energy • 24% Liveness
0% Instrumentalness • 44% Positiveness
52% Popularity • 49% Danceability • 34% Energy • 24% Liveness
0% Instrumentalness • 44% Positiveness
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Swarnalatha
Thirumana Malargal
82 bpm • D Maj • 05:23 • -11.89db
46% Popularity • 50% Danceability • 46% Energy • 4% Liveness
0% Instrumentalness • 68% Positiveness
46% Popularity • 50% Danceability • 46% Energy • 4% Liveness
0% Instrumentalness • 68% Positiveness
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Alphons Joseph
Nee Manimukilaadakal
72 bpm • D min • 06:18 • -14.04db
34% Popularity • 68% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 60% Positiveness
34% Popularity • 68% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 60% Positiveness
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Udit Narayan
Keeravaani
82 bpm • F# min • 04:57 • -17db
34% Popularity • 82% Danceability • 47% Energy • 24% Liveness
0% Instrumentalness • 95% Positiveness
34% Popularity • 82% Danceability • 47% Energy • 24% Liveness
0% Instrumentalness • 95% Positiveness
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Unnikrishnan
Kulliruthu Kulliruthu
82 bpm • G min • 04:46 • -13db
54% Popularity • 64% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
54% Popularity • 64% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Malaysia Vasudevan
Pothuvaaga Enmanasu
72 bpm • D# Maj • 05:06 • -6.65db
29% Popularity • 65% Danceability • 76% Energy • 59% Liveness
2% Instrumentalness • 81% Positiveness
29% Popularity • 65% Danceability • 76% Energy • 59% Liveness
2% Instrumentalness • 81% Positiveness
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Bharadwaj
Seena Thana
82 bpm • A min • 04:47 • -11.06db
54% Popularity • 78% Danceability • 89% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
54% Popularity • 78% Danceability • 89% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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Swarnalatha
Nee Engey En Anbe
83 bpm • C min • 05:08 • -11.87db
44% Popularity • 62% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
44% Popularity • 62% Danceability • 34% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
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Rajesh
Buggey Bangarama
83 bpm • C Maj • 04:32 • -6db
54% Popularity • 62% Danceability • 61% Energy • 41% Liveness
0% Instrumentalness • 82% Positiveness
54% Popularity • 62% Danceability • 61% Energy • 41% Liveness
0% Instrumentalness • 82% Positiveness
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Jayadev
Aen Enakku
84 bpm • G min • 05:09 • -5db
52% Popularity • 63% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
52% Popularity • 63% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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D. Imman
Onnavitta Yaarum Yenakilla - Version 1
84 bpm • G min • 04:38 • -3.94db
57% Popularity • 51% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
57% Popularity • 51% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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P. Unnikrishnan
Vidaikodu Vidaikodu
84 bpm • G Maj • 04:24 • -14.37db
16% Popularity • 67% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
16% Popularity • 67% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Srikanth Deva
Vacchukka Vacchukka
84 bpm • A Maj • 05:25 • -5.56db
52% Popularity • 73% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
52% Popularity • 73% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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Swarnalatha
Poovoma Oorgolam
83 bpm • C min • 04:51 • -13db
58% Popularity • 68% Danceability • 37% Energy • 29% Liveness
4% Instrumentalness • 78% Positiveness
58% Popularity • 68% Danceability • 37% Energy • 29% Liveness
4% Instrumentalness • 78% Positiveness
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Kaithapram
Velikku Veluppaankaalam
84 bpm • E Maj • 04:50 • -15.25db
43% Popularity • 69% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
43% Popularity • 69% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Mani Sharma
Vangakadal Yellai
85 bpm • F min • 04:42 • -4.99db
51% Popularity • 55% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
51% Popularity • 55% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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T. L. Maharajan
Poovattam
69 bpm • C# min • 04:46 • -5.63db
9% Popularity • 54% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
9% Popularity • 54% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Devi Sri Prasad
Kannu Rendum
85 bpm • C Maj • 04:44 • -3.65db
54% Popularity • 81% Danceability • 97% Energy • 2% Liveness
0% Instrumentalness • 93% Positiveness
54% Popularity • 81% Danceability • 97% Energy • 2% Liveness
0% Instrumentalness • 93% Positiveness
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Harish Raghavendra
Nenjai Poopol
86 bpm • A min • 01:01 • -13.53db
52% Popularity • 58% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
52% Popularity • 58% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Srikanth Deva
Pottu Thakku
86 bpm • C Maj • 05:08 • -4.29db
42% Popularity • 83% Danceability • 97% Energy • 48% Liveness
0% Instrumentalness • 53% Positiveness
42% Popularity • 83% Danceability • 97% Energy • 48% Liveness
0% Instrumentalness • 53% Positiveness
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Rajesh
Meghamai Vanthu Pogiren - Language: Tami...
87 bpm • D Maj • 04:21 • -3.72db
56% Popularity • 51% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
56% Popularity • 51% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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Kay Kay
Annanoda Paatu
86 bpm • F min • 05:17 • -2.34db
53% Popularity • 78% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
53% Popularity • 78% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Sagar
Jatha Kalise
87 bpm • C Maj • 03:44 • -6.39db
52% Popularity • 78% Danceability • 65% Energy • 4% Liveness
0% Instrumentalness • 68% Positiveness
52% Popularity • 78% Danceability • 65% Energy • 4% Liveness
0% Instrumentalness • 68% Positiveness
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Bharani
Naan Thamatikira Style Pathu
68 bpm • G min • 04:20 • -6.09db
34% Popularity • 60% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
34% Popularity • 60% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Devi Sri Prasad
Naane Indhiran
88 bpm • A# min • 05:31 • -4.1db
46% Popularity • 78% Danceability • 92% Energy • 30% Liveness
0% Instrumentalness • 93% Positiveness
46% Popularity • 78% Danceability • 92% Energy • 30% Liveness
0% Instrumentalness • 93% Positiveness
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C. Sathya
Un Pere Theriyadhu
88 bpm • A min • 04:38 • -6db
52% Popularity • 80% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
52% Popularity • 80% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Rajesh
Meghamai Vanthu Pogiren
87 bpm • D Maj • 04:22 • -7.72db
48% Popularity • 67% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
48% Popularity • 67% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Unni Menon
Kannukkulle
88 bpm • G min • 04:43 • -12db
56% Popularity • 70% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
56% Popularity • 70% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
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S.A. Rajkumar
Adiye Nile Nathiye
88 bpm • B min • 04:12 • -11.82db
48% Popularity • 80% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
48% Popularity • 80% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Swarnalatha
Akadanu Naanga
88 bpm • D Maj • 05:53 • -10.39db
31% Popularity • 82% Danceability • 73% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
31% Popularity • 82% Danceability • 73% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
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S. P. Venkatesh
Oru Thari Kasthoori
88 bpm • G# min • 05:15 • -13.64db
22% Popularity • 60% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
22% Popularity • 60% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
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Gopal
Vulakku Le Le
88 bpm • C# Maj • 04:23 • -12.43db
12% Popularity • 84% Danceability • 66% Energy • 16% Liveness
1% Instrumentalness • 83% Positiveness
12% Popularity • 84% Danceability • 66% Energy • 16% Liveness
1% Instrumentalness • 83% Positiveness
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D. Imman
Adi Raangi
88 bpm • D min • 04:22 • -4.94db
47% Popularity • 68% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
47% Popularity • 68% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Devi Sri Prasad
Excuse Me
88 bpm • B Maj • 05:46 • -4.12db
53% Popularity • 86% Danceability • 81% Energy • 4% Liveness
0% Instrumentalness • 78% Positiveness
53% Popularity • 86% Danceability • 81% Energy • 4% Liveness
0% Instrumentalness • 78% Positiveness
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Vidyasagar
Kasavinte Thattamittu
89 bpm • E Maj • 04:46 • -9.73db
53% Popularity • 73% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
53% Popularity • 73% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Swarnalatha
Adireti
88 bpm • C# Maj • 05:51 • -14db
42% Popularity • 84% Danceability • 58% Energy • 20% Liveness
1% Instrumentalness • 52% Positiveness
42% Popularity • 84% Danceability • 58% Energy • 20% Liveness
1% Instrumentalness • 52% Positiveness
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Ramesh Vinayakam
Vizhigalin Aruginil
89 bpm • E Maj • 05:27 • -6.73db
33% Popularity • 60% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
33% Popularity • 60% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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Nivas K Prasanna
Madura Palapalakkuthu
89 bpm • C# Maj • 07:05 • -6.41db
53% Popularity • 48% Danceability • 91% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
53% Popularity • 48% Danceability • 91% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
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Velmurugan
Sangili Bungili
90 bpm • A# min • 03:55 • -6.76db
49% Popularity • 57% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
49% Popularity • 57% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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K. J. Yesudas
Poongaatru Puthithaanathu
89 bpm • C Maj • 04:14 • -15.33db
55% Popularity • 58% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
55% Popularity • 58% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Vijay Antony
Kitta Nerungi Vaadi
90 bpm • A min • 04:17 • -6db
59% Popularity • 80% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
59% Popularity • 80% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Swarnalatha
Jillena Jillena
88 bpm • F# Maj • 04:46 • -5.45db
33% Popularity • 37% Danceability • 72% Energy • 39% Liveness
0% Instrumentalness • 64% Positiveness
33% Popularity • 37% Danceability • 72% Energy • 39% Liveness
0% Instrumentalness • 64% Positiveness
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Vidyasagar
Enthe Innum Vanneela
90 bpm • E Maj • 07:28 • -8.56db
27% Popularity • 50% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
27% Popularity • 50% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
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Radhul Nambiar
Endha Pakkam
90 bpm • F min • 05:00 • -6db
53% Popularity • 72% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
53% Popularity • 72% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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S.A. Rajkumar
Elundhaal Malai Pola
90 bpm • A min • 04:40 • -7db
43% Popularity • 77% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
43% Popularity • 77% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
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Udit Narayan
Ithanundu
90 bpm • G Maj • 04:27 • -8db
44% Popularity • 72% Danceability • 84% Energy • 2% Liveness
0% Instrumentalness • 96% Positiveness
44% Popularity • 72% Danceability • 84% Energy • 2% Liveness
0% Instrumentalness • 96% Positiveness
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Sabesh
Anna Nagar Aandalu
66 bpm • A Maj • 04:45 • -4.29db
50% Popularity • 48% Danceability • 96% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
50% Popularity • 48% Danceability • 96% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
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K. J. Yesudas
Kaadhal Vanthathum
90 bpm • D Maj • 05:34 • -12.3db
48% Popularity • 80% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
48% Popularity • 80% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Sriram Parthasarathy
Pudhu Malar Thottu
90 bpm • G Maj • 04:41 • -5.48db
49% Popularity • 75% Danceability • 92% Energy • 28% Liveness
1% Instrumentalness • 89% Positiveness
49% Popularity • 75% Danceability • 92% Energy • 28% Liveness
1% Instrumentalness • 89% Positiveness
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Himesh Reshammiya
Mukundha Mukundha
90 bpm • C# min • 06:32 • -6db
47% Popularity • 77% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
47% Popularity • 77% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
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Sean Roldan
Kadhal Kanave
90 bpm • D Maj • 04:08 • -5.35db
56% Popularity • 58% Danceability • 56% Energy • 25% Liveness
0% Instrumentalness • 17% Positiveness
56% Popularity • 58% Danceability • 56% Energy • 25% Liveness
0% Instrumentalness • 17% Positiveness
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Sabesh Murali
Panjumethai Kiliye
90 bpm • G Maj • 04:32 • -5.23db
21% Popularity • 73% Danceability • 82% Energy • 4% Liveness
0% Instrumentalness • 61% Positiveness
21% Popularity • 73% Danceability • 82% Energy • 4% Liveness
0% Instrumentalness • 61% Positiveness
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Swarnalatha
Combathur Mapilaikku
91 bpm • D Maj • 04:30 • -4.87db
46% Popularity • 79% Danceability • 93% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
46% Popularity • 79% Danceability • 93% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
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Aadithyan
Aruvi Onnu
91 bpm • A min • 04:06 • -10.29db
21% Popularity • 73% Danceability • 84% Energy • 37% Liveness
3% Instrumentalness • 74% Positiveness
21% Popularity • 73% Danceability • 84% Energy • 37% Liveness
3% Instrumentalness • 74% Positiveness
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G. V. Prakash
Penne O Penne
91 bpm • E min • 04:41 • -7.56db
34% Popularity • 87% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
34% Popularity • 87% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Shankar Mahadevan
Thanga Sela
91 bpm • D# min • 04:37 • -9.38db
43% Popularity • 85% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
43% Popularity • 85% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Sean Roldan
The Romance Of Power Paandi - Venpani Ma...
90 bpm • C min • 03:53 • -11.77db
58% Popularity • 64% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
58% Popularity • 64% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Madhu Balakrishnan
Kanden Kanden
91 bpm • B min • 04:49 • -10.1db
30% Popularity • 72% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
30% Popularity • 72% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
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Malaysia Vasudevan
Oru Koottu
92 bpm • A# min • 03:47 • -9.77db
50% Popularity • 76% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
50% Popularity • 76% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Venugopal
Pallitherundo Chathuranga
91 bpm • B min • 04:23 • -10.04db
48% Popularity • 71% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
48% Popularity • 71% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Mani Sharma
Manava Manava
92 bpm • G Maj • 05:37 • -6.97db
47% Popularity • 75% Danceability • 81% Energy • 41% Liveness
0% Instrumentalness • 55% Positiveness
47% Popularity • 75% Danceability • 81% Energy • 41% Liveness
0% Instrumentalness • 55% Positiveness
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Harish Raghavendra
Melliname
92 bpm • A Maj • 05:26 • -11.24db
64% Popularity • 66% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
64% Popularity • 66% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Thaman S
Gore Gore
92 bpm • G# Maj • 05:07 • -5.94db
56% Popularity • 79% Danceability • 73% Energy • 7% Liveness
3% Instrumentalness • 85% Positiveness
56% Popularity • 79% Danceability • 73% Energy • 7% Liveness
3% Instrumentalness • 85% Positiveness
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Anirudh Ravichander
Engadi Porandha
93 bpm • F# Maj • 03:25 • -8db
49% Popularity • 80% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
49% Popularity • 80% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Madhu Balakrishnan
Kanaa Kandenadi
93 bpm • D Maj • 04:45 • -9db
42% Popularity • 69% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
42% Popularity • 69% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Unni Menon
Huu Huu Lalala-Manamadurai
93 bpm • B min • 05:54 • -10.97db
47% Popularity • 76% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
47% Popularity • 76% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Sonu Nigam
Vizhiyil
93 bpm • D Maj • 04:48 • -7db
50% Popularity • 65% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
50% Popularity • 65% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Sukhwinder Singh
Okata Renda
94 bpm • A Maj • 05:05 • -3.12db
23% Popularity • 60% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
23% Popularity • 60% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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P. Jayachandran
Aararum - Male Version
93 bpm • C Maj • 04:36 • -8db
56% Popularity • 68% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
56% Popularity • 68% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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G. V. Prakash
Karuppu Nerathazhagi
94 bpm • A# min • 04:31 • -6.96db
53% Popularity • 63% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
53% Popularity • 63% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Kousalya
Ee Roje
94 bpm • E min • 04:51 • -6.65db
47% Popularity • 76% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
47% Popularity • 76% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
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Jency
En Vaanilay
95 bpm • B min • 04:47 • -11.66db
55% Popularity • 62% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
55% Popularity • 62% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Unni Menon
Dhandiya
95 bpm • F# Maj • 07:44 • -9.78db
55% Popularity • 38% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 79% Positiveness
55% Popularity • 38% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 79% Positiveness
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Harish Raghavendra
Thottu Thottu
95 bpm • C# Maj • 05:15 • -10db
50% Popularity • 79% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
50% Popularity • 79% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Hariharan
Thuli Thuliyaai
95 bpm • F min • 06:04 • -7.9db
39% Popularity • 77% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
39% Popularity • 77% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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G. V. Prakash
Iravaaga Nee
95 bpm • C# min • 05:49 • -10db
55% Popularity • 33% Danceability • 37% Energy • 39% Liveness
0% Instrumentalness • 27% Positiveness
55% Popularity • 33% Danceability • 37% Energy • 39% Liveness
0% Instrumentalness • 27% Positiveness
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Vidyasagar
Thottu Thottu Pesum
95 bpm • G min • 04:44 • -7.92db
56% Popularity • 66% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
56% Popularity • 66% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
