Songs like Un amour comme le notre by Charles Borel-Clerc
Based on a tempo of (+/- 10%) and a similar genre
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Guo Tai Gong
Raid On the White Tiger Regiment, Interm...
124 bpm • C min • 01:04 • -19.28db
18% Popularity • 34% Danceability • 7% Energy • 17% Liveness
88% Instrumentalness • 51% Positiveness
18% Popularity • 34% Danceability • 7% Energy • 17% Liveness
88% Instrumentalness • 51% Positiveness
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Carmine Coppola
The Godfather's Tarantella
124 bpm • F min • 03:12 • -12.2db
11% Popularity • 54% Danceability • 50% Energy • 18% Liveness
5% Instrumentalness • 55% Positiveness
11% Popularity • 54% Danceability • 50% Energy • 18% Liveness
5% Instrumentalness • 55% Positiveness
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Giuseppe Verdi
La traviata, Act I: Act I: Prelude
124 bpm • B Maj • 03:52 • -16.25db
7% Popularity • 25% Danceability • 38% Energy • 62% Liveness
69% Instrumentalness • 38% Positiveness
7% Popularity • 25% Danceability • 38% Energy • 62% Liveness
69% Instrumentalness • 38% Positiveness
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Joan LluÃs Moraleda
Tirant lo Blanc (Version for Symphonic B...
124 bpm • A Maj • 02:37 • -8.48db
8% Popularity • 71% Danceability • 31% Energy • 10% Liveness
94% Instrumentalness • 21% Positiveness
8% Popularity • 71% Danceability • 31% Energy • 10% Liveness
94% Instrumentalness • 21% Positiveness
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Charles Borel-Clerc
Un amour comme le notre
124 bpm • F Maj • 03:28 • -17.37db
0% Popularity • 51% Danceability • 11% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
0% Popularity • 51% Danceability • 11% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
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Carmen Cavallaro
Orchids in the Moonlight
124 bpm • F Maj • 03:02 • -9db
11% Popularity • 49% Danceability • 35% Energy • 30% Liveness
35% Instrumentalness • 65% Positiveness
11% Popularity • 49% Danceability • 35% Energy • 30% Liveness
35% Instrumentalness • 65% Positiveness
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Raymond Scott
Popgun Parade - 1953
124 bpm • F Maj • 02:09 • -7.37db
8% Popularity • 70% Danceability • 49% Energy • 13% Liveness
10% Instrumentalness • 71% Positiveness
8% Popularity • 70% Danceability • 49% Energy • 13% Liveness
10% Instrumentalness • 71% Positiveness
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Verdi
Amami Alfredo (Remastered 2014)
124 bpm • E Maj • 02:16 • -15.8db
13% Popularity • 38% Danceability • 15% Energy • 23% Liveness
87% Instrumentalness • 25% Positiveness
13% Popularity • 38% Danceability • 15% Energy • 23% Liveness
87% Instrumentalness • 25% Positiveness
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銀河大樂隊
銀河之æŒ
125 bpm • A# Maj • 02:48 • -11.69db
9% Popularity • 25% Danceability • 22% Energy • 12% Liveness
96% Instrumentalness • 37% Positiveness
9% Popularity • 25% Danceability • 22% Energy • 12% Liveness
96% Instrumentalness • 37% Positiveness
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Aimable et son orchestre
Suspiros de España
125 bpm • A# Maj • 03:19 • -13.8db
9% Popularity • 53% Danceability • 20% Energy • 7% Liveness
25% Instrumentalness • 45% Positiveness
9% Popularity • 53% Danceability • 20% Energy • 7% Liveness
25% Instrumentalness • 45% Positiveness
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Emmerich Kálmán
Die Csardasfurstin (The Gypsy Princess):...
125 bpm • C Maj • 01:58 • -20db
19% Popularity • 38% Danceability • 17% Energy • 14% Liveness
64% Instrumentalness • 45% Positiveness
19% Popularity • 38% Danceability • 17% Energy • 14% Liveness
64% Instrumentalness • 45% Positiveness
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Victor Silvester
Love Is A Many Splendored Thing (Slow Fo...
123 bpm • G# Maj • 02:52 • -14.65db
18% Popularity • 24% Danceability • 30% Energy • 9% Liveness
69% Instrumentalness • 34% Positiveness
18% Popularity • 24% Danceability • 30% Energy • 9% Liveness
69% Instrumentalness • 34% Positiveness
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Victor Young
The Greatest Show on Earth
123 bpm • A# Maj • 02:40 • -8.08db
9% Popularity • 64% Danceability • 78% Energy • 9% Liveness
74% Instrumentalness • 97% Positiveness
9% Popularity • 64% Danceability • 78% Energy • 9% Liveness
74% Instrumentalness • 97% Positiveness
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Jean-Valentin Bender
March of the 1st Guides Regiment
126 bpm • D# Maj • 03:38 • -10db
7% Popularity • 44% Danceability • 67% Energy • 68% Liveness
88% Instrumentalness • 52% Positiveness
7% Popularity • 44% Danceability • 67% Energy • 68% Liveness
88% Instrumentalness • 52% Positiveness
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Andre Kostelanetz
Letter to a Lady
126 bpm • G min • 01:23 • -15.91db
20% Popularity • 34% Danceability • 22% Energy • 13% Liveness
35% Instrumentalness • 35% Positiveness
20% Popularity • 34% Danceability • 22% Energy • 13% Liveness
35% Instrumentalness • 35% Positiveness
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Eddie Fisher
My Arms, My Heart, My Love - Remastered
126 bpm • D min • 02:06 • -8.95db
8% Popularity • 53% Danceability • 38% Energy • 6% Liveness
10% Instrumentalness • 83% Positiveness
8% Popularity • 53% Danceability • 38% Energy • 6% Liveness
10% Instrumentalness • 83% Positiveness
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Paul Eakins' Mortier Belgian Band Organ
Goodbye Broadway, Hello France
126 bpm • A# Maj • 01:58 • -13.72db
8% Popularity • 54% Danceability • 42% Energy • 25% Liveness
50% Instrumentalness • 86% Positiveness
8% Popularity • 54% Danceability • 42% Energy • 25% Liveness
50% Instrumentalness • 86% Positiveness
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Emmanuel Chabrier
Chabrier: España
126 bpm • F Maj • 06:12 • -12.22db
2% Popularity • 37% Danceability • 39% Energy • 4% Liveness
89% Instrumentalness • 33% Positiveness
2% Popularity • 37% Danceability • 39% Energy • 4% Liveness
89% Instrumentalness • 33% Positiveness
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Aimable et son orchestre
Doce Cascabeles
122 bpm • G Maj • 02:19 • -11.13db
9% Popularity • 65% Danceability • 25% Energy • 7% Liveness
3% Instrumentalness • 65% Positiveness
9% Popularity • 65% Danceability • 25% Energy • 7% Liveness
3% Instrumentalness • 65% Positiveness
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Adam Plachetka
Bugatti Step
122 bpm • D# Maj • 02:37 • -12.29db
17% Popularity • 63% Danceability • 37% Energy • 15% Liveness
90% Instrumentalness • 85% Positiveness
17% Popularity • 63% Danceability • 37% Energy • 15% Liveness
90% Instrumentalness • 85% Positiveness
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Vico Torriani
Du Schwartzer Zigeuner
122 bpm • E Maj • 03:09 • -9.4db
11% Popularity • 39% Danceability • 42% Energy • 33% Liveness
2% Instrumentalness • 45% Positiveness
11% Popularity • 39% Danceability • 42% Energy • 33% Liveness
2% Instrumentalness • 45% Positiveness
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Santec Music Orchestra
Optimisten Polka
126 bpm • C Maj • 03:01 • -14.73db
12% Popularity • 51% Danceability • 23% Energy • 14% Liveness
93% Instrumentalness • 57% Positiveness
12% Popularity • 51% Danceability • 23% Energy • 14% Liveness
93% Instrumentalness • 57% Positiveness
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Victor Silvester
Isn't It Romantic
122 bpm • D Maj • 02:15 • -11.49db
18% Popularity • 36% Danceability • 28% Energy • 54% Liveness
92% Instrumentalness • 59% Positiveness
18% Popularity • 36% Danceability • 28% Energy • 54% Liveness
92% Instrumentalness • 59% Positiveness
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Traditional
La Bamba
121 bpm • F Maj • 02:31 • -17.92db
11% Popularity • 48% Danceability • 32% Energy • 42% Liveness
93% Instrumentalness • 66% Positiveness
11% Popularity • 48% Danceability • 32% Energy • 42% Liveness
93% Instrumentalness • 66% Positiveness
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Michał Kleofas Ogiński
Quadrille No. 1 in F Minor
121 bpm • F min • 01:30 • -14.49db
15% Popularity • 49% Danceability • 26% Energy • 15% Liveness
55% Instrumentalness • 81% Positiveness
15% Popularity • 49% Danceability • 26% Energy • 15% Liveness
55% Instrumentalness • 81% Positiveness
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J. Mikel
Les Lanciers: IV. 4. tur
121 bpm • G Maj • 02:40 • -20db
16% Popularity • 32% Danceability • 16% Energy • 56% Liveness
94% Instrumentalness • 51% Positiveness
16% Popularity • 32% Danceability • 16% Energy • 56% Liveness
94% Instrumentalness • 51% Positiveness
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Giuseppe Verdi
Verdi: Il trovatore, Act 2: Coro di zing...
121 bpm • G Maj • 06:37 • -19.79db
12% Popularity • 41% Danceability • 13% Energy • 7% Liveness
18% Instrumentalness • 23% Positiveness
12% Popularity • 41% Danceability • 13% Energy • 7% Liveness
18% Instrumentalness • 23% Positiveness
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AMOROSA ORCHESTRA
Hernando's Hideway
121 bpm • C Maj • 02:33 • -13.48db
9% Popularity • 60% Danceability • 29% Energy • 5% Liveness
53% Instrumentalness • 34% Positiveness
9% Popularity • 60% Danceability • 29% Energy • 5% Liveness
53% Instrumentalness • 34% Positiveness
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Frank Chacksfield
Marilyn
121 bpm • C Maj • 02:23 • -22.71db
12% Popularity • 37% Danceability • 7% Energy • 20% Liveness
85% Instrumentalness • 33% Positiveness
12% Popularity • 37% Danceability • 7% Energy • 20% Liveness
85% Instrumentalness • 33% Positiveness
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Albert Ketèlbey
Wedgwood Blue
128 bpm • A# Maj • 04:03 • -15.52db
12% Popularity • 38% Danceability • 19% Energy • 12% Liveness
85% Instrumentalness • 24% Positiveness
12% Popularity • 38% Danceability • 19% Energy • 12% Liveness
85% Instrumentalness • 24% Positiveness
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Vienna Walzer Orchestra
Johann Strauss II: Wien bleibt Wien - Ma...
120 bpm • D Maj • 02:34 • -12.95db
9% Popularity • 53% Danceability • 79% Energy • 89% Liveness
86% Instrumentalness • 71% Positiveness
9% Popularity • 53% Danceability • 79% Energy • 89% Liveness
86% Instrumentalness • 71% Positiveness
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Sophia Loren
Ice Cream vs Espresso (It Started in Nap...
127 bpm • F Maj • 01:09 • -15.25db
12% Popularity • 55% Danceability • 17% Energy • 12% Liveness
41% Instrumentalness • 48% Positiveness
12% Popularity • 55% Danceability • 17% Energy • 12% Liveness
41% Instrumentalness • 48% Positiveness
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Nana Mouskouri
Gia Sena Anthizi Oli I Gi
120 bpm • C Maj • 04:17 • -13.12db
9% Popularity • 31% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
9% Popularity • 31% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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Émile Waldteufel
España, Op. 236
128 bpm • F Maj • 06:17 • -18.66db
8% Popularity • 32% Danceability • 22% Energy • 15% Liveness
60% Instrumentalness • 39% Positiveness
8% Popularity • 32% Danceability • 22% Energy • 15% Liveness
60% Instrumentalness • 39% Positiveness
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Laurent Couson
The Parade
120 bpm • C Maj • 00:55 • -11.61db
15% Popularity • 82% Danceability • 38% Energy • 9% Liveness
76% Instrumentalness • 98% Positiveness
15% Popularity • 82% Danceability • 38% Energy • 9% Liveness
76% Instrumentalness • 98% Positiveness
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John Philip Sousa
Foshay Tower Washington Memorial
120 bpm • F Maj • 03:22 • -13.53db
11% Popularity • 54% Danceability • 28% Energy • 30% Liveness
96% Instrumentalness • 47% Positiveness
11% Popularity • 54% Danceability • 28% Energy • 30% Liveness
96% Instrumentalness • 47% Positiveness
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Larry Ashmore
Swashbucklers
128 bpm • C min • 01:33 • -8.19db
8% Popularity • 48% Danceability • 50% Energy • 28% Liveness
83% Instrumentalness • 53% Positiveness
8% Popularity • 48% Danceability • 50% Energy • 28% Liveness
83% Instrumentalness • 53% Positiveness
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VIOLIN COVERS
Chitarra romana
120 bpm • D Maj • 03:16 • -12.91db
10% Popularity • 36% Danceability • 38% Energy • 36% Liveness
57% Instrumentalness • 82% Positiveness
10% Popularity • 36% Danceability • 38% Energy • 36% Liveness
57% Instrumentalness • 82% Positiveness
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Fredell caparon
smooth sailing
120 bpm • G Maj • 02:27 • -18.23db
9% Popularity • 44% Danceability • 16% Energy • 48% Liveness
94% Instrumentalness • 38% Positiveness
9% Popularity • 44% Danceability • 16% Energy • 48% Liveness
94% Instrumentalness • 38% Positiveness
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Sinfonietta Cinematica
Good Old Days
128 bpm • C Maj • 01:51 • -13.45db
14% Popularity • 82% Danceability • 24% Energy • 12% Liveness
92% Instrumentalness • 75% Positiveness
14% Popularity • 82% Danceability • 24% Energy • 12% Liveness
92% Instrumentalness • 75% Positiveness
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Jo Privat
La morena de mi copla
128 bpm • D Maj • 02:38 • -9.27db
11% Popularity • 78% Danceability • 35% Energy • 3% Liveness
66% Instrumentalness • 83% Positiveness
11% Popularity • 78% Danceability • 35% Energy • 3% Liveness
66% Instrumentalness • 83% Positiveness
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Gilbert & Sullivan
GENTLEMAN, I PRAY YOU TELL ME (Remastere...
120 bpm • D# Maj • 03:44 • -9.21db
8% Popularity • 56% Danceability • 35% Energy • 14% Liveness
87% Instrumentalness • 68% Positiveness
8% Popularity • 56% Danceability • 35% Energy • 14% Liveness
87% Instrumentalness • 68% Positiveness
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Laur. Rosenthal
Jugendfeuer - Galopp
128 bpm • E Maj • 01:11 • -18.74db
17% Popularity • 52% Danceability • 18% Energy • 16% Liveness
93% Instrumentalness • 74% Positiveness
17% Popularity • 52% Danceability • 18% Energy • 16% Liveness
93% Instrumentalness • 74% Positiveness
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Victor Silvester
Never On Sunday (Cha Cha Cha)
128 bpm • A# Maj • 02:18 • -14.79db
13% Popularity • 47% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
13% Popularity • 47% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Ensemble Freesia
Theme / Polka / Finale from "Sanma no Aj...
120 bpm • C Maj • 05:25 • -12.77db
8% Popularity • 25% Danceability • 30% Energy • 12% Liveness
57% Instrumentalness • 7% Positiveness
8% Popularity • 25% Danceability • 30% Energy • 12% Liveness
57% Instrumentalness • 7% Positiveness
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Rina Ketty
C'est un oiseau qui passe
129 bpm • G# Maj • 02:55 • -11.7db
9% Popularity • 44% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
9% Popularity • 44% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Giuseppe Verdi
Verdi: Rigoletto, Act 3: "La donna è mo...
129 bpm • B Maj • 03:20 • -20.23db
12% Popularity • 30% Danceability • 19% Energy • 35% Liveness
81% Instrumentalness • 42% Positiveness
12% Popularity • 30% Danceability • 19% Energy • 35% Liveness
81% Instrumentalness • 42% Positiveness
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Luis Mariano
Tchi ki tin
129 bpm • C min • 02:25 • -9.92db
8% Popularity • 73% Danceability • 50% Energy • 35% Liveness
0% Instrumentalness • 71% Positiveness
8% Popularity • 73% Danceability • 50% Energy • 35% Liveness
0% Instrumentalness • 71% Positiveness
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Alexander Glazunov
Raymonda, Act III: Variation 2 for four ...
129 bpm • D Maj • 01:29 • -22.75db
19% Popularity • 49% Danceability • 5% Energy • 34% Liveness
54% Instrumentalness • 43% Positiveness
19% Popularity • 49% Danceability • 5% Energy • 34% Liveness
54% Instrumentalness • 43% Positiveness
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Lakota West HS Red Symphonic Band
Fall River Overture
119 bpm • F Maj • 05:29 • -11.89db
7% Popularity • 28% Danceability • 26% Energy • 70% Liveness
96% Instrumentalness • 14% Positiveness
7% Popularity • 28% Danceability • 26% Energy • 70% Liveness
96% Instrumentalness • 14% Positiveness
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Emmerich Kálmán
Die Csardasfurstin (The Gypsy Princess):...
129 bpm • C Maj • 03:16 • -20db
10% Popularity • 50% Danceability • 19% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
10% Popularity • 50% Danceability • 19% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
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Charlie Kunz
In the Blue of Evening
119 bpm • F Maj • 03:08 • -22.23db
9% Popularity • 60% Danceability • 12% Energy • 12% Liveness
92% Instrumentalness • 34% Positiveness
9% Popularity • 60% Danceability • 12% Energy • 12% Liveness
92% Instrumentalness • 34% Positiveness
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Fredell caparon
sweet purple
119 bpm • C Maj • 02:08 • -19db
9% Popularity • 44% Danceability • 19% Energy • 11% Liveness
88% Instrumentalness • 43% Positiveness
9% Popularity • 44% Danceability • 19% Energy • 11% Liveness
88% Instrumentalness • 43% Positiveness
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Walter Noack
My Sweetheart
129 bpm • G Maj • 03:02 • -11.3db
10% Popularity • 31% Danceability • 28% Energy • 15% Liveness
86% Instrumentalness • 38% Positiveness
10% Popularity • 31% Danceability • 28% Energy • 15% Liveness
86% Instrumentalness • 38% Positiveness
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Crying Cello
Fading Shadows of Yesterday (Sad Cello)
129 bpm • D Maj • 01:51 • -11.2db
21% Popularity • 23% Danceability • 33% Energy • 37% Liveness
43% Instrumentalness • 23% Positiveness
21% Popularity • 23% Danceability • 33% Energy • 37% Liveness
43% Instrumentalness • 23% Positiveness
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Raymond Scott
Bambolina - 1940
119 bpm • A# Maj • 02:55 • -7.94db
10% Popularity • 63% Danceability • 61% Energy • 10% Liveness
97% Instrumentalness • 84% Positiveness
10% Popularity • 63% Danceability • 61% Energy • 10% Liveness
97% Instrumentalness • 84% Positiveness
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Jacky Noguez et son orchestre
Ramona
129 bpm • D# Maj • 02:08 • -16.32db
9% Popularity • 82% Danceability • 19% Energy • 9% Liveness
38% Instrumentalness • 92% Positiveness
9% Popularity • 82% Danceability • 19% Energy • 9% Liveness
38% Instrumentalness • 92% Positiveness
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Walter Ostanek
Barbara Polka
129 bpm • A# Maj • 01:59 • -11.46db
16% Popularity • 79% Danceability • 52% Energy • 4% Liveness
30% Instrumentalness • 99% Positiveness
16% Popularity • 79% Danceability • 52% Energy • 4% Liveness
30% Instrumentalness • 99% Positiveness
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Fredell caparon
doubts that kill
119 bpm • C Maj • 02:20 • -22db
9% Popularity • 65% Danceability • 9% Energy • 13% Liveness
88% Instrumentalness • 52% Positiveness
9% Popularity • 65% Danceability • 9% Energy • 13% Liveness
88% Instrumentalness • 52% Positiveness
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Miguel Fleta
Tosca - Amaro Sol Per Te
130 bpm • B Maj • 04:08 • -13.99db
0% Popularity • 38% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
0% Popularity • 38% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
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John Morris
Hope For The Best - Main Title
119 bpm • C# Maj • 02:43 • -10.88db
8% Popularity • 47% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
8% Popularity • 47% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Helmut Zacharias
Cossack-Swing
130 bpm • G min • 03:03 • -7.09db
13% Popularity • 55% Danceability • 46% Energy • 11% Liveness
86% Instrumentalness • 61% Positiveness
13% Popularity • 55% Danceability • 46% Energy • 11% Liveness
86% Instrumentalness • 61% Positiveness
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Alessandro Simonetto
Giada - Video Edit
130 bpm • A min • 03:38 • -8.95db
18% Popularity • 21% Danceability • 41% Energy • 50% Liveness
0% Instrumentalness • 6% Positiveness
18% Popularity • 21% Danceability • 41% Energy • 50% Liveness
0% Instrumentalness • 6% Positiveness
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RTE Concert Orchestra
The Irish Washerwoman
130 bpm • A Maj • 03:13 • -18.32db
11% Popularity • 40% Danceability • 34% Energy • 9% Liveness
88% Instrumentalness • 78% Positiveness
11% Popularity • 40% Danceability • 34% Energy • 9% Liveness
88% Instrumentalness • 78% Positiveness
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Marko Simsa
Kodaly Quartett, Kontrabass: Istvan Toth...
130 bpm • D Maj • 01:53 • -17.11db
14% Popularity • 31% Danceability • 10% Energy • 21% Liveness
89% Instrumentalness • 35% Positiveness
14% Popularity • 31% Danceability • 10% Energy • 21% Liveness
89% Instrumentalness • 35% Positiveness
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Aiden Spencer
Harmony
130 bpm • G Maj • 05:21 • -19.86db
10% Popularity • 50% Danceability • 10% Energy • 34% Liveness
67% Instrumentalness • 28% Positiveness
10% Popularity • 50% Danceability • 10% Energy • 34% Liveness
67% Instrumentalness • 28% Positiveness
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Edwin Sarabia
Shells Will Come Round The Mountain
118 bpm • G Maj • 03:07 • -10.68db
21% Popularity • 68% Danceability • 60% Energy • 50% Liveness
0% Instrumentalness • 98% Positiveness
21% Popularity • 68% Danceability • 60% Energy • 50% Liveness
0% Instrumentalness • 98% Positiveness
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Michel Legrand
Thème Peter Pan
118 bpm • G# Maj • 01:31 • -16.22db
9% Popularity • 53% Danceability • 34% Energy • 15% Liveness
71% Instrumentalness • 83% Positiveness
9% Popularity • 53% Danceability • 34% Energy • 15% Liveness
71% Instrumentalness • 83% Positiveness
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Charlie Chaplin
Later That Night
118 bpm • F Maj • 02:01 • -6.06db
17% Popularity • 53% Danceability • 48% Energy • 17% Liveness
84% Instrumentalness • 63% Positiveness
17% Popularity • 53% Danceability • 48% Energy • 17% Liveness
84% Instrumentalness • 63% Positiveness
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Ralph Benatzky
Im weißen Rössl · Operette in 3 Akten...
130 bpm • D# Maj • 03:38 • -17.76db
8% Popularity • 56% Danceability • 32% Energy • 64% Liveness
0% Instrumentalness • 46% Positiveness
8% Popularity • 56% Danceability • 32% Energy • 64% Liveness
0% Instrumentalness • 46% Positiveness
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Umitaro Abe
ボタン
118 bpm • A# Maj • 02:43 • -11.84db
7% Popularity • 39% Danceability • 24% Energy • 13% Liveness
26% Instrumentalness • 33% Positiveness
7% Popularity • 39% Danceability • 24% Energy • 13% Liveness
26% Instrumentalness • 33% Positiveness
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Jean Laporte
Sous l'aigle double - Marche
131 bpm • D# Maj • 02:59 • -12.27db
9% Popularity • 66% Danceability • 39% Energy • 8% Liveness
83% Instrumentalness • 76% Positiveness
9% Popularity • 66% Danceability • 39% Energy • 8% Liveness
83% Instrumentalness • 76% Positiveness
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Kurt Edelhagen
Funicula Funicula
131 bpm • F Maj • 02:38 • -10.05db
17% Popularity • 40% Danceability • 42% Energy • 18% Liveness
34% Instrumentalness • 35% Positiveness
17% Popularity • 40% Danceability • 42% Energy • 18% Liveness
34% Instrumentalness • 35% Positiveness
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A. Strock
Sleep, My poor Heart
131 bpm • D Maj • 03:09 • -22.83db
9% Popularity • 38% Danceability • 10% Energy • 19% Liveness
89% Instrumentalness • 43% Positiveness
9% Popularity • 38% Danceability • 10% Energy • 19% Liveness
89% Instrumentalness • 43% Positiveness
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Etienne Lorin et son ensemble
Le rossignol Montmartrois
131 bpm • D Maj • 02:59 • -12.78db
13% Popularity • 73% Danceability • 42% Energy • 3% Liveness
66% Instrumentalness • 91% Positiveness
13% Popularity • 73% Danceability • 42% Energy • 3% Liveness
66% Instrumentalness • 91% Positiveness
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Soc. Fil. Naz. La Valette
Mater Dolorosa
131 bpm • C min • 06:50 • -11.1db
8% Popularity • 26% Danceability • 44% Energy • 38% Liveness
86% Instrumentalness • 14% Positiveness
8% Popularity • 26% Danceability • 44% Energy • 38% Liveness
86% Instrumentalness • 14% Positiveness
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Percy Faith
The Portuguese Washerwoman
117 bpm • G Maj • 03:01 • -11.78db
17% Popularity • 85% Danceability • 62% Energy • 10% Liveness
92% Instrumentalness • 97% Positiveness
17% Popularity • 85% Danceability • 62% Energy • 10% Liveness
92% Instrumentalness • 97% Positiveness
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Orchestra Romagnola Oscar Valente
Son di Faenza
132 bpm • G Maj • 02:40 • -11.76db
8% Popularity • 78% Danceability • 40% Energy • 6% Liveness
88% Instrumentalness • 95% Positiveness
8% Popularity • 78% Danceability • 40% Energy • 6% Liveness
88% Instrumentalness • 95% Positiveness
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Arthur Fuhrmann
Esplanadin kaikuja
117 bpm • F Maj • 03:33 • -18.01db
10% Popularity • 65% Danceability • 19% Energy • 6% Liveness
94% Instrumentalness • 69% Positiveness
10% Popularity • 65% Danceability • 19% Energy • 6% Liveness
94% Instrumentalness • 69% Positiveness
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James Wong
Flying Dragon
132 bpm • G min • 02:40 • -12.11db
9% Popularity • 43% Danceability • 48% Energy • 9% Liveness
97% Instrumentalness • 82% Positiveness
9% Popularity • 43% Danceability • 48% Energy • 9% Liveness
97% Instrumentalness • 82% Positiveness
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The Light Symphonia
Spring Gambol
132 bpm • C Maj • 02:23 • -12db
10% Popularity • 47% Danceability • 37% Energy • 10% Liveness
4% Instrumentalness • 78% Positiveness
10% Popularity • 47% Danceability • 37% Energy • 10% Liveness
4% Instrumentalness • 78% Positiveness
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Guo Tai Gong
Raid On the White Tiger Regiment: The Ch...
132 bpm • C min • 01:08 • -17.37db
19% Popularity • 43% Danceability • 15% Energy • 6% Liveness
92% Instrumentalness • 80% Positiveness
19% Popularity • 43% Danceability • 15% Energy • 6% Liveness
92% Instrumentalness • 80% Positiveness
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Maurice Yvain
Yes!, Act I: Ouverture
132 bpm • F Maj • 03:49 • -16.3db
13% Popularity • 44% Danceability • 27% Energy • 16% Liveness
93% Instrumentalness • 73% Positiveness
13% Popularity • 44% Danceability • 27% Energy • 16% Liveness
93% Instrumentalness • 73% Positiveness
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Camille Dejournet
El Vuelo del Angel
116 bpm • C# Maj • 02:36 • -11.18db
9% Popularity • 55% Danceability • 63% Energy • 11% Liveness
90% Instrumentalness • 88% Positiveness
9% Popularity • 55% Danceability • 63% Energy • 11% Liveness
90% Instrumentalness • 88% Positiveness
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Charles Borel-Clerc
La Sorella
116 bpm • C Maj • 03:29 • -22.82db
1% Popularity • 76% Danceability • 14% Energy • 6% Liveness
64% Instrumentalness • 56% Positiveness
1% Popularity • 76% Danceability • 14% Energy • 6% Liveness
64% Instrumentalness • 56% Positiveness
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Francois Fortin
Funny alucarD
132 bpm • F# Maj • 01:14 • -22.67db
13% Popularity • 44% Danceability • 9% Energy • 29% Liveness
93% Instrumentalness • 16% Positiveness
13% Popularity • 44% Danceability • 9% Energy • 29% Liveness
93% Instrumentalness • 16% Positiveness
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Ricardo Neffi
La danza
132 bpm • F Maj • 01:30 • -25db
26% Popularity • 46% Danceability • 11% Energy • 40% Liveness
1% Instrumentalness • 68% Positiveness
26% Popularity • 46% Danceability • 11% Energy • 40% Liveness
1% Instrumentalness • 68% Positiveness
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Piero Piccioni
Tango Final
116 bpm • F min • 01:30 • -15.68db
10% Popularity • 52% Danceability • 10% Energy • 11% Liveness
70% Instrumentalness • 39% Positiveness
10% Popularity • 52% Danceability • 10% Energy • 11% Liveness
70% Instrumentalness • 39% Positiveness
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Josef Stelibsky
Ostrov milovánÃ: "Kosà fox"
116 bpm • G Maj • 03:01 • -17.38db
15% Popularity • 58% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
15% Popularity • 58% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Shanghai Philharmonic Orchestra
Evening Party
133 bpm • D Maj • 01:54 • -19.01db
17% Popularity • 58% Danceability • 9% Energy • 30% Liveness
6% Instrumentalness • 41% Positiveness
17% Popularity • 58% Danceability • 9% Energy • 30% Liveness
6% Instrumentalness • 41% Positiveness
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Banda dell'orgoglio nazionale
Repubblica Ceca - Kde Domov Můj? - Inno...
116 bpm • D# Maj • 01:06 • -14.84db
14% Popularity • 30% Danceability • 29% Energy • 34% Liveness
79% Instrumentalness • 23% Positiveness
14% Popularity • 30% Danceability • 29% Energy • 34% Liveness
79% Instrumentalness • 23% Positiveness
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Cincinnati Pops Orchestra
Drummers' Delight
133 bpm • G# Maj • 03:13 • -19.02db
8% Popularity • 39% Danceability • 44% Energy • 36% Liveness
90% Instrumentalness • 49% Positiveness
8% Popularity • 39% Danceability • 44% Energy • 36% Liveness
90% Instrumentalness • 49% Positiveness
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Luis Mariano
Il est un coin de France
115 bpm • D Maj • 02:47 • -10.91db
8% Popularity • 57% Danceability • 37% Energy • 54% Liveness
0% Instrumentalness • 63% Positiveness
8% Popularity • 57% Danceability • 37% Energy • 54% Liveness
0% Instrumentalness • 63% Positiveness
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Wiener Salonorchester
Blondin: Polka schnell op. 22
133 bpm • G Maj • 02:53 • -20.8db
9% Popularity • 44% Danceability • 23% Energy • 27% Liveness
81% Instrumentalness • 80% Positiveness
9% Popularity • 44% Danceability • 23% Energy • 27% Liveness
81% Instrumentalness • 80% Positiveness
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Les Trompettes Du Boute-Selle
À Cheval
115 bpm • C Maj • 01:26 • -8.12db
18% Popularity • 58% Danceability • 76% Energy • 8% Liveness
89% Instrumentalness • 63% Positiveness
18% Popularity • 58% Danceability • 76% Energy • 8% Liveness
89% Instrumentalness • 63% Positiveness
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Hershy Kay
Who Cares? (after Gershwin): Somebody lo...
134 bpm • G min • 02:54 • -16.33db
9% Popularity • 22% Danceability • 13% Energy • 17% Liveness
84% Instrumentalness • 18% Positiveness
9% Popularity • 22% Danceability • 13% Energy • 17% Liveness
84% Instrumentalness • 18% Positiveness
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Aimable et son orchestre
Retour de liege
134 bpm • F Maj • 02:58 • -11.06db
8% Popularity • 69% Danceability • 50% Energy • 4% Liveness
8% Instrumentalness • 86% Positiveness
8% Popularity • 69% Danceability • 50% Energy • 4% Liveness
8% Instrumentalness • 86% Positiveness
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Universal Production Music
Quiz Show Clock
134 bpm • A# Maj • 01:34 • -11.91db
2% Popularity • 66% Danceability • 22% Energy • 10% Liveness
7% Instrumentalness • 81% Positiveness
2% Popularity • 66% Danceability • 22% Energy • 10% Liveness
7% Instrumentalness • 81% Positiveness
