Songs like Un soir chez Norris by Pierre Cavalli
Based on a tempo of (+/- 10%) and a similar genre
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Eden Ahbez
Eden's Island
98 bpm • G min • 02:12 • -16db
29% Popularity • 55% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
29% Popularity • 55% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Fifty Foot Hose
Rose
98 bpm • D Maj • 05:07 • -10.38db
23% Popularity • 38% Danceability • 62% Energy • 14% Liveness
4% Instrumentalness • 56% Positiveness
23% Popularity • 38% Danceability • 62% Energy • 14% Liveness
4% Instrumentalness • 56% Positiveness
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Pierre Cavalli
Un soir chez Norris
98 bpm • B min • 02:30 • -7.69db
26% Popularity • 22% Danceability • 84% Energy • 9% Liveness
87% Instrumentalness • 27% Positiveness
26% Popularity • 22% Danceability • 84% Energy • 9% Liveness
87% Instrumentalness • 27% Positiveness
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Piero Piccioni
Psychedelic Mood
98 bpm • E Maj • 02:33 • -12.25db
13% Popularity • 60% Danceability • 71% Energy • 9% Liveness
94% Instrumentalness • 58% Positiveness
13% Popularity • 60% Danceability • 71% Energy • 9% Liveness
94% Instrumentalness • 58% Positiveness
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Robert Wyatt
Heaps Of Sheeps
98 bpm • C# Maj • 04:56 • -10.1db
32% Popularity • 54% Danceability • 69% Energy • 9% Liveness
9% Instrumentalness • 43% Positiveness
32% Popularity • 54% Danceability • 69% Energy • 9% Liveness
9% Instrumentalness • 43% Positiveness
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Les Baxter
Hogin' Machine
98 bpm • D# Maj • 01:37 • -5db
28% Popularity • 45% Danceability • 85% Energy • 14% Liveness
77% Instrumentalness • 53% Positiveness
28% Popularity • 45% Danceability • 85% Energy • 14% Liveness
77% Instrumentalness • 53% Positiveness
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Nick Nicely
Hilly Fields
97 bpm • C# Maj • 03:33 • -5.82db
29% Popularity • 50% Danceability • 75% Energy • 28% Liveness
0% Instrumentalness • 56% Positiveness
29% Popularity • 50% Danceability • 75% Energy • 28% Liveness
0% Instrumentalness • 56% Positiveness
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Alain Goraguer
Maquillage de Tiwa
97 bpm • F# min • 01:17 • -10db
33% Popularity • 72% Danceability • 51% Energy • 24% Liveness
90% Instrumentalness • 53% Positiveness
33% Popularity • 72% Danceability • 51% Energy • 24% Liveness
90% Instrumentalness • 53% Positiveness
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Pierre Cavalli
Sing a Song
97 bpm • E Maj • 02:26 • -8.21db
1% Popularity • 47% Danceability • 58% Energy • 17% Liveness
5% Instrumentalness • 54% Positiveness
1% Popularity • 47% Danceability • 58% Energy • 17% Liveness
5% Instrumentalness • 54% Positiveness
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Creations Unlimited
Chrystal Illusion
99 bpm • B Maj • 03:18 • -10db
12% Popularity • 52% Danceability • 92% Energy • 6% Liveness
56% Instrumentalness • 79% Positiveness
12% Popularity • 52% Danceability • 92% Energy • 6% Liveness
56% Instrumentalness • 79% Positiveness
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Roland Vincent
L.S.D. Partie
100 bpm • A min • 03:00 • -11.52db
31% Popularity • 53% Danceability • 50% Energy • 14% Liveness
85% Instrumentalness • 49% Positiveness
31% Popularity • 53% Danceability • 50% Energy • 14% Liveness
85% Instrumentalness • 49% Positiveness
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Jean-Claude Vannier
Je m'appelle Géraldine (Mid tempo) - Mi...
96 bpm • C min • 01:28 • -8.48db
24% Popularity • 59% Danceability • 51% Energy • 10% Liveness
85% Instrumentalness • 76% Positiveness
24% Popularity • 59% Danceability • 51% Energy • 10% Liveness
85% Instrumentalness • 76% Positiveness
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Miles Davis
Honky Tonk
96 bpm • G# Maj • 05:53 • -10.06db
29% Popularity • 57% Danceability • 56% Energy • 32% Liveness
69% Instrumentalness • 53% Positiveness
29% Popularity • 57% Danceability • 56% Energy • 32% Liveness
69% Instrumentalness • 53% Positiveness
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Alain Goraguer
Le bracelet
96 bpm • C# min • 01:27 • -12.68db
46% Popularity • 61% Danceability • 43% Energy • 11% Liveness
96% Instrumentalness • 35% Positiveness
46% Popularity • 61% Danceability • 43% Energy • 11% Liveness
96% Instrumentalness • 35% Positiveness
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Frankie Reyes
Alma, Corazón y Vida
100 bpm • C min • 02:05 • -31.16db
37% Popularity • 49% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 64% Positiveness
37% Popularity • 49% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 64% Positiveness
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Jonny Greenwood
Spooks
100 bpm • C Maj • 02:35 • -11.5db
30% Popularity • 46% Danceability • 44% Energy • 10% Liveness
66% Instrumentalness • 17% Positiveness
30% Popularity • 46% Danceability • 44% Energy • 10% Liveness
66% Instrumentalness • 17% Positiveness
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Various Artists
Hope to Meet You
101 bpm • D Maj • 03:17 • -13.71db
19% Popularity • 51% Danceability • 36% Energy • 13% Liveness
86% Instrumentalness • 89% Positiveness
19% Popularity • 51% Danceability • 36% Energy • 13% Liveness
86% Instrumentalness • 89% Positiveness
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Jean-Claude Vannier
Theme 504
100 bpm • A min • 01:51 • -9.32db
14% Popularity • 78% Danceability • 35% Energy • 8% Liveness
92% Instrumentalness • 51% Positiveness
14% Popularity • 78% Danceability • 35% Energy • 8% Liveness
92% Instrumentalness • 51% Positiveness
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Baby Grandmothers
Somebody Keeps Calling My Name
101 bpm • G min • 09:14 • -4.55db
10% Popularity • 20% Danceability • 96% Energy • 13% Liveness
4% Instrumentalness • 22% Positiveness
10% Popularity • 20% Danceability • 96% Energy • 13% Liveness
4% Instrumentalness • 22% Positiveness
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Bernard Chabert
Helga Selzer
101 bpm • C Maj • 04:16 • -7.79db
8% Popularity • 59% Danceability • 88% Energy • 15% Liveness
65% Instrumentalness • 57% Positiveness
8% Popularity • 59% Danceability • 88% Energy • 15% Liveness
65% Instrumentalness • 57% Positiveness
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The Electric Flag
Peter's Trip
95 bpm • C Maj • 02:35 • -10.55db
10% Popularity • 51% Danceability • 61% Energy • 26% Liveness
62% Instrumentalness • 68% Positiveness
10% Popularity • 51% Danceability • 61% Energy • 26% Liveness
62% Instrumentalness • 68% Positiveness
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Alessandro Alessandroni
Spiagge azzurre
101 bpm • G# Maj • 04:46 • -10.41db
18% Popularity • 63% Danceability • 66% Energy • 9% Liveness
91% Instrumentalness • 60% Positiveness
18% Popularity • 63% Danceability • 66% Energy • 9% Liveness
91% Instrumentalness • 60% Positiveness
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Gábor Szabó
Somewhere I Belong
101 bpm • E Maj • 03:51 • -19db
33% Popularity • 38% Danceability • 37% Energy • 11% Liveness
92% Instrumentalness • 19% Positiveness
33% Popularity • 38% Danceability • 37% Energy • 11% Liveness
92% Instrumentalness • 19% Positiveness
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John Lurie
Small Car
95 bpm • D# min • 05:47 • -10.58db
31% Popularity • 70% Danceability • 62% Energy • 20% Liveness
6% Instrumentalness • 89% Positiveness
31% Popularity • 70% Danceability • 62% Energy • 20% Liveness
6% Instrumentalness • 89% Positiveness
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The Limiñanas
La mélancolie
95 bpm • F Maj • 03:31 • -5.8db
22% Popularity • 73% Danceability • 53% Energy • 11% Liveness
71% Instrumentalness • 84% Positiveness
22% Popularity • 73% Danceability • 53% Energy • 11% Liveness
71% Instrumentalness • 84% Positiveness
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Captain Beefheart & His Magic Band
Abba Zaba
95 bpm • D min • 02:43 • -9.26db
32% Popularity • 71% Danceability • 66% Energy • 19% Liveness
74% Instrumentalness • 96% Positiveness
32% Popularity • 71% Danceability • 66% Energy • 19% Liveness
74% Instrumentalness • 96% Positiveness
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The Monks
Yellow Grass
95 bpm • C min • 02:53 • -11.73db
12% Popularity • 61% Danceability • 42% Energy • 68% Liveness
91% Instrumentalness • 48% Positiveness
12% Popularity • 61% Danceability • 42% Energy • 68% Liveness
91% Instrumentalness • 48% Positiveness
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Marvin Pontiac
Runnin' Round
101 bpm • A Maj • 03:41 • -9.72db
26% Popularity • 60% Danceability • 51% Energy • 9% Liveness
5% Instrumentalness • 83% Positiveness
26% Popularity • 60% Danceability • 51% Energy • 9% Liveness
5% Instrumentalness • 83% Positiveness
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Alessandro Alessandroni
Hovercraft
101 bpm • A Maj • 02:48 • -9.71db
25% Popularity • 43% Danceability • 63% Energy • 20% Liveness
85% Instrumentalness • 72% Positiveness
25% Popularity • 43% Danceability • 63% Energy • 20% Liveness
85% Instrumentalness • 72% Positiveness
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Pierre Cavalli
Tom Dooley
101 bpm • G# Maj • 01:44 • -9.32db
5% Popularity • 48% Danceability • 44% Energy • 10% Liveness
81% Instrumentalness • 53% Positiveness
5% Popularity • 48% Danceability • 44% Energy • 10% Liveness
81% Instrumentalness • 53% Positiveness
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The Animated Egg
Sock It My Way
95 bpm • C min • 03:22 • -12.59db
13% Popularity • 63% Danceability • 47% Energy • 21% Liveness
78% Instrumentalness • 16% Positiveness
13% Popularity • 63% Danceability • 47% Energy • 21% Liveness
78% Instrumentalness • 16% Positiveness
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MoÄŸollar
Haliç'te Gün Batışı
102 bpm • D# Maj • 04:08 • -14.04db
27% Popularity • 52% Danceability • 38% Energy • 21% Liveness
90% Instrumentalness • 30% Positiveness
27% Popularity • 52% Danceability • 38% Energy • 21% Liveness
90% Instrumentalness • 30% Positiveness
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Janko Nilovic
Ballet dans l'espace - Remastered
95 bpm • A Maj • 03:05 • -5.12db
15% Popularity • 28% Danceability • 66% Energy • 22% Liveness
77% Instrumentalness • 31% Positiveness
15% Popularity • 28% Danceability • 66% Energy • 22% Liveness
77% Instrumentalness • 31% Positiveness
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Keith Mansfield
Morning Broadway
94 bpm • C Maj • 02:05 • -8.12db
42% Popularity • 76% Danceability • 62% Energy • 11% Liveness
79% Instrumentalness • 64% Positiveness
42% Popularity • 76% Danceability • 62% Energy • 11% Liveness
79% Instrumentalness • 64% Positiveness
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The Hykkers
I Want a Break Thru
102 bpm • B min • 03:02 • -6.26db
34% Popularity • 79% Danceability • 85% Energy • 27% Liveness
80% Instrumentalness • 64% Positiveness
34% Popularity • 79% Danceability • 85% Energy • 27% Liveness
80% Instrumentalness • 64% Positiveness
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David Axelrod
The Fly
94 bpm • A min • 04:54 • -7db
22% Popularity • 34% Danceability • 46% Energy • 11% Liveness
13% Instrumentalness • 34% Positiveness
22% Popularity • 34% Danceability • 46% Energy • 11% Liveness
13% Instrumentalness • 34% Positiveness
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Jacqueline Taieb
Le cœur au bout des doigts
94 bpm • B min • 02:38 • -5.3db
46% Popularity • 47% Danceability • 83% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
46% Popularity • 47% Danceability • 83% Energy • 4% Liveness
0% Instrumentalness • 77% Positiveness
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Beak>
Sex Music
94 bpm • D Maj • 03:50 • -10db
33% Popularity • 78% Danceability • 62% Energy • 9% Liveness
84% Instrumentalness • 67% Positiveness
33% Popularity • 78% Danceability • 62% Energy • 9% Liveness
84% Instrumentalness • 67% Positiveness
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Pram
Track Of The Cat
102 bpm • A min • 04:13 • -8.77db
33% Popularity • 62% Danceability • 80% Energy • 12% Liveness
8% Instrumentalness • 63% Positiveness
33% Popularity • 62% Danceability • 80% Energy • 12% Liveness
8% Instrumentalness • 63% Positiveness
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The Tempters
Tell Me More
102 bpm • F# Maj • 03:41 • -9.56db
16% Popularity • 47% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
16% Popularity • 47% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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101 Strings Orchestra
Flameout
94 bpm • C Maj • 02:49 • -12.3db
10% Popularity • 38% Danceability • 53% Energy • 35% Liveness
25% Instrumentalness • 19% Positiveness
10% Popularity • 38% Danceability • 53% Energy • 35% Liveness
25% Instrumentalness • 19% Positiveness
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Dorothy Ashby
Soul Vibrations
94 bpm • F Maj • 03:20 • -10.43db
40% Popularity • 55% Danceability • 56% Energy • 12% Liveness
83% Instrumentalness • 33% Positiveness
40% Popularity • 55% Danceability • 56% Energy • 12% Liveness
83% Instrumentalness • 33% Positiveness
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Les Baxter
Hot Wind
102 bpm • F Maj • 01:55 • -7.07db
22% Popularity • 57% Danceability • 88% Energy • 23% Liveness
81% Instrumentalness • 60% Positiveness
22% Popularity • 57% Danceability • 88% Energy • 23% Liveness
81% Instrumentalness • 60% Positiveness
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Le Orme
Ad Gloriam
102 bpm • D Maj • 05:36 • -9db
27% Popularity • 50% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
27% Popularity • 50% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Phil Cordell
Red Lady
94 bpm • F# Maj • 02:30 • -4.96db
35% Popularity • 49% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
35% Popularity • 49% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
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Vampire Sound Inc.
We Don't Care
102 bpm • D min • 05:20 • -9.75db
22% Popularity • 46% Danceability • 66% Energy • 10% Liveness
17% Instrumentalness • 77% Positiveness
22% Popularity • 46% Danceability • 66% Energy • 10% Liveness
17% Instrumentalness • 77% Positiveness
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Link Wray
Son of Rumble
94 bpm • F# Maj • 02:03 • -4.67db
27% Popularity • 40% Danceability • 99% Energy • 55% Liveness
93% Instrumentalness • 6% Positiveness
27% Popularity • 40% Danceability • 99% Energy • 55% Liveness
93% Instrumentalness • 6% Positiveness
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Musi-O-Tunya
When I'm Gone
94 bpm • E min • 02:23 • -10.55db
32% Popularity • 40% Danceability • 52% Energy • 6% Liveness
16% Instrumentalness • 43% Positiveness
32% Popularity • 40% Danceability • 52% Energy • 6% Liveness
16% Instrumentalness • 43% Positiveness
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Jonathan Richman & The Modern Lovers
The Sweeping Wing (Kwa Ti Feng)
94 bpm • D Maj • 02:01 • -11.59db
27% Popularity • 55% Danceability • 39% Energy • 18% Liveness
91% Instrumentalness • 35% Positiveness
27% Popularity • 55% Danceability • 39% Energy • 18% Liveness
91% Instrumentalness • 35% Positiveness
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Supergrass
Coffee in the Pot
94 bpm • D min • 01:50 • -9.89db
40% Popularity • 67% Danceability • 58% Energy • 10% Liveness
89% Instrumentalness • 96% Positiveness
40% Popularity • 67% Danceability • 58% Energy • 10% Liveness
89% Instrumentalness • 96% Positiveness
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Peter Gordon & Love of Life Orchestra
Beginning of the Heartbreak / Don't Don'...
103 bpm • A Maj • 08:50 • -7.72db
24% Popularity • 48% Danceability • 64% Energy • 10% Liveness
34% Instrumentalness • 24% Positiveness
24% Popularity • 48% Danceability • 64% Energy • 10% Liveness
34% Instrumentalness • 24% Positiveness
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Vampire Sound Inc.
The Lions and the Cucumber
102 bpm • G Maj • 05:12 • -9.69db
34% Popularity • 49% Danceability • 68% Energy • 8% Liveness
58% Instrumentalness • 75% Positiveness
34% Popularity • 49% Danceability • 68% Energy • 8% Liveness
58% Instrumentalness • 75% Positiveness
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Janko Nilovic
Pop Impressions - Remastered
93 bpm • D Maj • 03:10 • -6db
38% Popularity • 42% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 53% Positiveness
38% Popularity • 42% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 53% Positiveness
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Professionals
Theme from the Godfather
93 bpm • A min • 04:12 • -7.11db
33% Popularity • 62% Danceability • 58% Energy • 5% Liveness
84% Instrumentalness • 70% Positiveness
33% Popularity • 62% Danceability • 58% Energy • 5% Liveness
84% Instrumentalness • 70% Positiveness
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Pierre Cavalli
Caçador
93 bpm • C Maj • 02:33 • -12.1db
15% Popularity • 59% Danceability • 69% Energy • 69% Liveness
50% Instrumentalness • 82% Positiveness
15% Popularity • 59% Danceability • 69% Energy • 69% Liveness
50% Instrumentalness • 82% Positiveness
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Sensations Fix
Music Is Painting In The Air
93 bpm • A Maj • 04:13 • -14.13db
14% Popularity • 49% Danceability • 50% Energy • 12% Liveness
83% Instrumentalness • 24% Positiveness
14% Popularity • 49% Danceability • 50% Energy • 12% Liveness
83% Instrumentalness • 24% Positiveness
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Gert Wilden & Orchestra
Dirty Beat (Schulmädchenreport 2)
103 bpm • F Maj • 02:53 • -8db
13% Popularity • 59% Danceability • 75% Energy • 28% Liveness
84% Instrumentalness • 61% Positiveness
13% Popularity • 59% Danceability • 75% Energy • 28% Liveness
84% Instrumentalness • 61% Positiveness
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The Soundcarriers
There Only Once
93 bpm • A min • 03:34 • -7db
31% Popularity • 55% Danceability • 92% Energy • 8% Liveness
66% Instrumentalness • 77% Positiveness
31% Popularity • 55% Danceability • 92% Energy • 8% Liveness
66% Instrumentalness • 77% Positiveness
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Duane Eddy
Stalkin'
104 bpm • A# min • 02:26 • -9.24db
35% Popularity • 47% Danceability • 54% Energy • 10% Liveness
83% Instrumentalness • 72% Positiveness
35% Popularity • 47% Danceability • 54% Energy • 10% Liveness
83% Instrumentalness • 72% Positiveness
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Chayns
Live with the Moon
93 bpm • A Maj • 03:06 • -8db
29% Popularity • 48% Danceability • 53% Energy • 12% Liveness
72% Instrumentalness • 25% Positiveness
29% Popularity • 48% Danceability • 53% Energy • 12% Liveness
72% Instrumentalness • 25% Positiveness
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Ahmed Malek
Autopsie d'un complot
104 bpm • A min • 03:29 • -11.12db
49% Popularity • 58% Danceability • 60% Energy • 30% Liveness
85% Instrumentalness • 70% Positiveness
49% Popularity • 58% Danceability • 60% Energy • 30% Liveness
85% Instrumentalness • 70% Positiveness
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The Hygrades
In The Jungle (Instrumental)
104 bpm • D min • 03:08 • -6.07db
38% Popularity • 73% Danceability • 81% Energy • 20% Liveness
23% Instrumentalness • 82% Positiveness
38% Popularity • 73% Danceability • 81% Energy • 20% Liveness
23% Instrumentalness • 82% Positiveness
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Pierre Cavalli
Transmissão Mutà vel
104 bpm • E min • 02:32 • -14.33db
18% Popularity • 61% Danceability • 56% Energy • 16% Liveness
90% Instrumentalness • 58% Positiveness
18% Popularity • 61% Danceability • 56% Energy • 16% Liveness
90% Instrumentalness • 58% Positiveness
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The Advancement
Stone Folk
92 bpm • B min • 03:18 • -9.98db
20% Popularity • 58% Danceability • 68% Energy • 18% Liveness
46% Instrumentalness • 43% Positiveness
20% Popularity • 58% Danceability • 68% Energy • 18% Liveness
46% Instrumentalness • 43% Positiveness
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Damon
Song of a Gypsy
104 bpm • F# min • 02:18 • -7.31db
12% Popularity • 27% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
12% Popularity • 27% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
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The Blues Project
Flute Thing
105 bpm • D min • 06:03 • -13.83db
28% Popularity • 48% Danceability • 41% Energy • 10% Liveness
70% Instrumentalness • 63% Positiveness
28% Popularity • 48% Danceability • 41% Energy • 10% Liveness
70% Instrumentalness • 63% Positiveness
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The Jellies
Jive Baby On A Saturday Night
105 bpm • C Maj • 04:41 • -7.68db
32% Popularity • 95% Danceability • 56% Energy • 8% Liveness
24% Instrumentalness • 89% Positiveness
32% Popularity • 95% Danceability • 56% Energy • 8% Liveness
24% Instrumentalness • 89% Positiveness
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Eden Ahbez
The Old Boat
92 bpm • G Maj • 02:36 • -13.43db
19% Popularity • 50% Danceability • 41% Energy • 30% Liveness
33% Instrumentalness • 48% Positiveness
19% Popularity • 50% Danceability • 41% Energy • 30% Liveness
33% Instrumentalness • 48% Positiveness
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Vampire Sound Inc.
The Message
92 bpm • D# Maj • 03:26 • -9.15db
11% Popularity • 24% Danceability • 57% Energy • 11% Liveness
78% Instrumentalness • 19% Positiveness
11% Popularity • 24% Danceability • 57% Energy • 11% Liveness
78% Instrumentalness • 19% Positiveness
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Michel Polnareff
Voyages
105 bpm • A min • 02:52 • -10.78db
27% Popularity • 32% Danceability • 42% Energy • 12% Liveness
71% Instrumentalness • 36% Positiveness
27% Popularity • 32% Danceability • 42% Energy • 12% Liveness
71% Instrumentalness • 36% Positiveness
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David Axelrod
Song Of Innocence
105 bpm • G Maj • 04:34 • -12db
25% Popularity • 45% Danceability • 53% Energy • 28% Liveness
57% Instrumentalness • 48% Positiveness
25% Popularity • 45% Danceability • 53% Energy • 28% Liveness
57% Instrumentalness • 48% Positiveness
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Lizzy Mercier Descloux
Mission Impossible
92 bpm • F# min • 02:35 • -11.06db
19% Popularity • 85% Danceability • 64% Energy • 8% Liveness
91% Instrumentalness • 72% Positiveness
19% Popularity • 85% Danceability • 64% Energy • 8% Liveness
91% Instrumentalness • 72% Positiveness
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Ultimate Spinach
(BALLAD OF) THE HIP DEATH GODDESS
105 bpm • B min • 08:14 • -8.4db
33% Popularity • 54% Danceability • 72% Energy • 33% Liveness
15% Instrumentalness • 46% Positiveness
33% Popularity • 54% Danceability • 72% Energy • 33% Liveness
15% Instrumentalness • 46% Positiveness
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The Advancement
Stone Folk
91 bpm • G Maj • 03:16 • -13.52db
11% Popularity • 59% Danceability • 62% Energy • 24% Liveness
56% Instrumentalness • 39% Positiveness
11% Popularity • 59% Danceability • 62% Energy • 24% Liveness
56% Instrumentalness • 39% Positiveness
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The Yardbirds
Glimpses - 2003 Remaster
91 bpm • C Maj • 04:24 • -11db
23% Popularity • 42% Danceability • 55% Energy • 7% Liveness
84% Instrumentalness • 39% Positiveness
23% Popularity • 42% Danceability • 55% Energy • 7% Liveness
84% Instrumentalness • 39% Positiveness
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Endless Boogie
The Artemus Ward
91 bpm • C Maj • 09:16 • -17.06db
13% Popularity • 45% Danceability • 29% Energy • 11% Liveness
75% Instrumentalness • 39% Positiveness
13% Popularity • 45% Danceability • 29% Energy • 11% Liveness
75% Instrumentalness • 39% Positiveness
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Dion
Daddy Rollin' (In Your Arms)
105 bpm • F Maj • 02:37 • -19db
34% Popularity • 58% Danceability • 36% Energy • 10% Liveness
44% Instrumentalness • 36% Positiveness
34% Popularity • 58% Danceability • 36% Energy • 10% Liveness
44% Instrumentalness • 36% Positiveness
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The Monks
Space Age
106 bpm • D Maj • 02:40 • -10.35db
0% Popularity • 42% Danceability • 92% Energy • 16% Liveness
63% Instrumentalness • 31% Positiveness
0% Popularity • 42% Danceability • 92% Energy • 16% Liveness
63% Instrumentalness • 31% Positiveness
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The Chocolate Watchband
Baby Blue
106 bpm • D Maj • 03:12 • -8.53db
35% Popularity • 54% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
35% Popularity • 54% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Pierre Cavalli
Possarinhos
106 bpm • D min • 02:29 • -13.21db
48% Popularity • 69% Danceability • 50% Energy • 12% Liveness
87% Instrumentalness • 89% Positiveness
48% Popularity • 69% Danceability • 50% Energy • 12% Liveness
87% Instrumentalness • 89% Positiveness
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Serge Gainsbourg
En Melody
106 bpm • F min • 03:26 • -13.17db
31% Popularity • 56% Danceability • 82% Energy • 5% Liveness
67% Instrumentalness • 49% Positiveness
31% Popularity • 56% Danceability • 82% Energy • 5% Liveness
67% Instrumentalness • 49% Positiveness
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Janko Nilovic
Sacha Pacha - Remastered
91 bpm • G Maj • 03:24 • -10db
27% Popularity • 44% Danceability • 56% Energy • 11% Liveness
66% Instrumentalness • 21% Positiveness
27% Popularity • 44% Danceability • 56% Energy • 11% Liveness
66% Instrumentalness • 21% Positiveness
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Matt Berry
The Night Terrors - Saint Etienne Mix
91 bpm • E Maj • 04:15 • -14.35db
31% Popularity • 82% Danceability • 41% Energy • 19% Liveness
82% Instrumentalness • 81% Positiveness
31% Popularity • 82% Danceability • 41% Energy • 19% Liveness
82% Instrumentalness • 81% Positiveness
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The Melody Mates
Enchantment
106 bpm • A Maj • 02:25 • -9db
31% Popularity • 63% Danceability • 60% Energy • 20% Liveness
41% Instrumentalness • 26% Positiveness
31% Popularity • 63% Danceability • 60% Energy • 20% Liveness
41% Instrumentalness • 26% Positiveness
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David Axelrod
The Smile
91 bpm • A min • 03:25 • -13db
31% Popularity • 43% Danceability • 38% Energy • 35% Liveness
88% Instrumentalness • 27% Positiveness
31% Popularity • 43% Danceability • 38% Energy • 35% Liveness
88% Instrumentalness • 27% Positiveness
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Shinki Chen
Gloomy Reflections
106 bpm • E min • 03:55 • -10.72db
25% Popularity • 16% Danceability • 42% Energy • 16% Liveness
86% Instrumentalness • 28% Positiveness
25% Popularity • 16% Danceability • 42% Energy • 16% Liveness
86% Instrumentalness • 28% Positiveness
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Jack Nitzsche
The Lonely Surfer
106 bpm • F Maj • 02:35 • -10db
29% Popularity • 30% Danceability • 63% Energy • 17% Liveness
55% Instrumentalness • 40% Positiveness
29% Popularity • 30% Danceability • 63% Energy • 17% Liveness
55% Instrumentalness • 40% Positiveness
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The Psychedelic Aliens
Extraordinary Woman
106 bpm • B min • 03:09 • -11.34db
28% Popularity • 62% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
28% Popularity • 62% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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Nino Nardini
Shut Up
106 bpm • A# min • 02:26 • -7db
9% Popularity • 55% Danceability • 88% Energy • 19% Liveness
75% Instrumentalness • 76% Positiveness
9% Popularity • 55% Danceability • 88% Energy • 19% Liveness
75% Instrumentalness • 76% Positiveness
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Franco Bixio
Diamonds
90 bpm • F Maj • 02:26 • -16db
30% Popularity • 69% Danceability • 69% Energy • 8% Liveness
85% Instrumentalness • 96% Positiveness
30% Popularity • 69% Danceability • 69% Energy • 8% Liveness
85% Instrumentalness • 96% Positiveness
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Alessandro Alessandroni
Dialogando
90 bpm • G Maj • 02:50 • -18db
27% Popularity • 72% Danceability • 28% Energy • 10% Liveness
98% Instrumentalness • 97% Positiveness
27% Popularity • 72% Danceability • 28% Energy • 10% Liveness
98% Instrumentalness • 97% Positiveness
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Nino Ferrer
Mint Julep
90 bpm • F min • 04:02 • -6db
28% Popularity • 69% Danceability • 68% Energy • 9% Liveness
36% Instrumentalness • 62% Positiveness
28% Popularity • 69% Danceability • 68% Energy • 9% Liveness
36% Instrumentalness • 62% Positiveness
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R. Stevie Moore
Another No Answer
107 bpm • B Maj • 05:12 • -13.69db
29% Popularity • 86% Danceability • 40% Energy • 27% Liveness
2% Instrumentalness • 82% Positiveness
29% Popularity • 86% Danceability • 40% Energy • 27% Liveness
2% Instrumentalness • 82% Positiveness
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The Psychedelic Aliens
We're Laughing
106 bpm • D min • 03:03 • -10.31db
27% Popularity • 76% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
27% Popularity • 76% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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The Petch Phin Thong Band
Soul Lam Plearn
106 bpm • C# Maj • 03:00 • -9db
27% Popularity • 64% Danceability • 74% Energy • 15% Liveness
36% Instrumentalness • 94% Positiveness
27% Popularity • 64% Danceability • 74% Energy • 15% Liveness
36% Instrumentalness • 94% Positiveness
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Harvey Mandel
A Wade In The Water
107 bpm • A# min • 07:50 • -11db
24% Popularity • 40% Danceability • 48% Energy • 21% Liveness
82% Instrumentalness • 56% Positiveness
24% Popularity • 40% Danceability • 48% Energy • 21% Liveness
82% Instrumentalness • 56% Positiveness
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Andrew Oldham Orchestra
Play With Fire
107 bpm • E min • 02:25 • -9db
16% Popularity • 49% Danceability • 92% Energy • 12% Liveness
82% Instrumentalness • 58% Positiveness
16% Popularity • 49% Danceability • 92% Energy • 12% Liveness
82% Instrumentalness • 58% Positiveness
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I Marc 4
Beat Morbido
90 bpm • D Maj • 03:10 • -20.28db
25% Popularity • 70% Danceability • 42% Energy • 8% Liveness
91% Instrumentalness • 88% Positiveness
25% Popularity • 70% Danceability • 42% Energy • 8% Liveness
91% Instrumentalness • 88% Positiveness