Songs like Una Mattina by Ludovico Einaudi
Based on a tempo of (+/- 10%) and a similar genre
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Ludovico Einaudi
Una Mattina
131 bpm • D Maj • 03:23 • -31.54db
71% Popularity • 23% Danceability • 3% Energy • 7% Liveness
88% Instrumentalness • 7% Positiveness
71% Popularity • 23% Danceability • 3% Energy • 7% Liveness
88% Instrumentalness • 7% Positiveness
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Ryuichi Sakamoto
The Revenant Main Theme
132 bpm • E min • 02:41 • -26.3db
53% Popularity • 16% Danceability • 12% Energy • 10% Liveness
76% Instrumentalness • 5% Positiveness
53% Popularity • 16% Danceability • 12% Energy • 10% Liveness
76% Instrumentalness • 5% Positiveness
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Lambert
As Ballad
132 bpm • D# Maj • 04:53 • -22db
46% Popularity • 40% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 17% Positiveness
46% Popularity • 40% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 17% Positiveness
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Evgeny Grinko
See You Tomorrow
130 bpm • F# min • 01:31 • -29.73db
66% Popularity • 64% Danceability • 3% Energy • 12% Liveness
40% Instrumentalness • 40% Positiveness
66% Popularity • 64% Danceability • 3% Energy • 12% Liveness
40% Instrumentalness • 40% Positiveness
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Peter Sandberg
Synesthesia (Scaled Down Version)
130 bpm • A Maj • 01:54 • -22db
52% Popularity • 68% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 20% Positiveness
52% Popularity • 68% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 20% Positiveness
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Abel Korzeniowski
Table For Two
132 bpm • A# min • 03:23 • -15.99db
53% Popularity • 20% Danceability • 13% Energy • 28% Liveness
87% Instrumentalness • 4% Positiveness
53% Popularity • 20% Danceability • 13% Energy • 28% Liveness
87% Instrumentalness • 4% Positiveness
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Ludovico Einaudi
Burning
131 bpm • F# min • 05:08 • -16.95db
50% Popularity • 23% Danceability • 16% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
50% Popularity • 23% Danceability • 16% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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Adrián Berenguer
October
132 bpm • E min • 04:32 • -10.07db
54% Popularity • 45% Danceability • 34% Energy • 9% Liveness
95% Instrumentalness • 19% Positiveness
54% Popularity • 45% Danceability • 34% Energy • 9% Liveness
95% Instrumentalness • 19% Positiveness
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Oskar Schuster
Vleurgat
132 bpm • C min • 02:05 • -21db
55% Popularity • 70% Danceability • 19% Energy • 9% Liveness
90% Instrumentalness • 26% Positiveness
55% Popularity • 70% Danceability • 19% Energy • 9% Liveness
90% Instrumentalness • 26% Positiveness
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Angus MacRae
Mirror Lake
132 bpm • G# Maj • 04:31 • -21db
48% Popularity • 40% Danceability • 10% Energy • 16% Liveness
93% Instrumentalness • 17% Positiveness
48% Popularity • 40% Danceability • 10% Energy • 16% Liveness
93% Instrumentalness • 17% Positiveness
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Jóhann Jóhannsson
Camping
129 bpm • A min • 01:18 • -20db
66% Popularity • 37% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
66% Popularity • 37% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
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Yann Tiersen
Dispute
133 bpm • C min • 04:14 • -18.1db
52% Popularity • 47% Danceability • 2% Energy • 10% Liveness
10% Instrumentalness • 8% Positiveness
52% Popularity • 47% Danceability • 2% Energy • 10% Liveness
10% Instrumentalness • 8% Positiveness
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Ludovico Einaudi
I Giorni
132 bpm • D Maj • 06:51 • -30.21db
61% Popularity • 28% Danceability • 3% Energy • 7% Liveness
94% Instrumentalness • 5% Positiveness
61% Popularity • 28% Danceability • 3% Energy • 7% Liveness
94% Instrumentalness • 5% Positiveness
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Patrick Watson
Je te laisserai des mots
133 bpm • D Maj • 02:40 • -16.76db
85% Popularity • 30% Danceability • 19% Energy • 10% Liveness
49% Instrumentalness • 21% Positiveness
85% Popularity • 30% Danceability • 19% Energy • 10% Liveness
49% Instrumentalness • 21% Positiveness
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Lang Lang
Bagatelle No. 25 in A Minor, WoO 59 "Fü...
133 bpm • A min • 03:26 • -27.7db
50% Popularity • 24% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 10% Positiveness
50% Popularity • 24% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 10% Positiveness
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Claude Debussy
Suite Bergamasque, L. 75: III. Clair de ...
133 bpm • C# Maj • 04:39 • -27db
57% Popularity • 36% Danceability • 2% Energy • 5% Liveness
93% Instrumentalness • 4% Positiveness
57% Popularity • 36% Danceability • 2% Energy • 5% Liveness
93% Instrumentalness • 4% Positiveness
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Alexandre Desplat
Statues
129 bpm • C# Maj • 02:24 • -20.5db
55% Popularity • 32% Danceability • 24% Energy • 10% Liveness
89% Instrumentalness • 8% Positiveness
55% Popularity • 32% Danceability • 24% Energy • 10% Liveness
89% Instrumentalness • 8% Positiveness
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Nils Frahm
Because This Must Be
133 bpm • C min • 02:45 • -29.62db
61% Popularity • 19% Danceability • 6% Energy • 12% Liveness
84% Instrumentalness • 9% Positiveness
61% Popularity • 19% Danceability • 6% Energy • 12% Liveness
84% Instrumentalness • 9% Positiveness
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Ludovico Einaudi
Einaudi: Brothers
132 bpm • C Maj • 04:51 • -17db
44% Popularity • 39% Danceability • 48% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
44% Popularity • 39% Danceability • 48% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Patrick Watson
Ode to Vivian - Rework
133 bpm • C min • 01:36 • -29.37db
68% Popularity • 45% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 23% Positiveness
68% Popularity • 45% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 23% Positiveness
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Pieter de Graaf
Charlotte's Daydream
133 bpm • F min • 01:54 • -19.28db
39% Popularity • 36% Danceability • 14% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
39% Popularity • 36% Danceability • 14% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
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Martin Stock
Larissas Lied
129 bpm • G min • 02:32 • -10.31db
22% Popularity • 28% Danceability • 30% Energy • 11% Liveness
41% Instrumentalness • 22% Positiveness
22% Popularity • 28% Danceability • 30% Energy • 11% Liveness
41% Instrumentalness • 22% Positiveness
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Andrea Vanzo
Soulmate
133 bpm • A# min • 02:41 • -20.76db
61% Popularity • 41% Danceability • 22% Energy • 11% Liveness
95% Instrumentalness • 35% Positiveness
61% Popularity • 41% Danceability • 22% Energy • 11% Liveness
95% Instrumentalness • 35% Positiveness
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Gibran Alcocer
Idea 9
129 bpm • D min • 02:17 • -24.95db
69% Popularity • 34% Danceability • 14% Energy • 11% Liveness
85% Instrumentalness • 32% Positiveness
69% Popularity • 34% Danceability • 14% Energy • 11% Liveness
85% Instrumentalness • 32% Positiveness
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Ludovico Einaudi
Seven Days Walking / Day 2: Birdsong
130 bpm • A min • 05:25 • -21db
41% Popularity • 40% Danceability • 10% Energy • 9% Liveness
92% Instrumentalness • 5% Positiveness
41% Popularity • 40% Danceability • 10% Energy • 9% Liveness
92% Instrumentalness • 5% Positiveness
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Joep Beving
An Amalgamation Waltz 1839
128 bpm • D min • 04:06 • -30.37db
48% Popularity • 36% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 19% Positiveness
48% Popularity • 36% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 19% Positiveness
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Clint Mansell
Lux Aeterna
134 bpm • G min • 03:54 • -13.96db
56% Popularity • 38% Danceability • 25% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
56% Popularity • 38% Danceability • 25% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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Karin Borg
Norrsken
134 bpm • C min • 01:35 • -22.4db
47% Popularity • 28% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
47% Popularity • 28% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Alexandra Streliski
Plus tôt
134 bpm • D Maj • 02:59 • -20.91db
52% Popularity • 34% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 17% Positiveness
52% Popularity • 34% Danceability • 15% Energy • 11% Liveness
92% Instrumentalness • 17% Positiveness
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Tony Ann
LOST
134 bpm • A# min • 02:35 • -14db
55% Popularity • 50% Danceability • 43% Energy • 11% Liveness
91% Instrumentalness • 14% Positiveness
55% Popularity • 50% Danceability • 43% Energy • 11% Liveness
91% Instrumentalness • 14% Positiveness
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Ludovico Einaudi
Nuvole Bianche
133 bpm • G# Maj • 05:57 • -25.4db
72% Popularity • 19% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 5% Positiveness
72% Popularity • 19% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 5% Positiveness
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Lang Lang
The Well-Tempered Clavier, Book 1, BWV 8...
134 bpm • C Maj • 02:19 • -25.42db
62% Popularity • 24% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 21% Positiveness
62% Popularity • 24% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 21% Positiveness
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Danny Elfman
The Piano Duet
134 bpm • D min • 01:53 • -20.77db
56% Popularity • 48% Danceability • 9% Energy • 9% Liveness
95% Instrumentalness • 19% Positiveness
56% Popularity • 48% Danceability • 9% Energy • 9% Liveness
95% Instrumentalness • 19% Positiveness
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Ólafur Arnalds
Fyrsta
134 bpm • C min • 04:16 • -20.97db
50% Popularity • 23% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 7% Positiveness
50% Popularity • 23% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 7% Positiveness
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Joep Beving
The Gift
128 bpm • C Maj • 03:45 • -24.33db
53% Popularity • 38% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
53% Popularity • 38% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
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Agnes Obel
September Song - Bonus Track
135 bpm • C Maj • 03:24 • -27.04db
59% Popularity • 23% Danceability • 10% Energy • 11% Liveness
76% Instrumentalness • 13% Positiveness
59% Popularity • 23% Danceability • 10% Energy • 11% Liveness
76% Instrumentalness • 13% Positiveness
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Ludovico Einaudi
Ora
133 bpm • A# Maj • 07:53 • -26.39db
53% Popularity • 22% Danceability • 12% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
53% Popularity • 22% Danceability • 12% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
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Ramin Djawadi
Goodbye Brother
127 bpm • D# Maj • 03:07 • -28.04db
54% Popularity • 17% Danceability • 2% Energy • 12% Liveness
89% Instrumentalness • 3% Positiveness
54% Popularity • 17% Danceability • 2% Energy • 12% Liveness
89% Instrumentalness • 3% Positiveness
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Joel Sunny
Luminary
135 bpm • F# min • 03:09 • -8.9db
73% Popularity • 40% Danceability • 59% Energy • 20% Liveness
5% Instrumentalness • 38% Positiveness
73% Popularity • 40% Danceability • 59% Energy • 20% Liveness
5% Instrumentalness • 38% Positiveness
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Dustin O'Halloran
Arrival
135 bpm • C min • 04:26 • -22.27db
39% Popularity • 20% Danceability • 9% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
39% Popularity • 20% Danceability • 9% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
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Ludwig van Beethoven
Für Elise, WoO 59
127 bpm • A min • 03:08 • -27.43db
62% Popularity • 30% Danceability • 11% Energy • 8% Liveness
88% Instrumentalness • 18% Positiveness
62% Popularity • 30% Danceability • 11% Energy • 8% Liveness
88% Instrumentalness • 18% Positiveness
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Joep Beving
Midwayer
135 bpm • C Maj • 05:45 • -25db
51% Popularity • 33% Danceability • 7% Energy • 5% Liveness
87% Instrumentalness • 9% Positiveness
51% Popularity • 33% Danceability • 7% Energy • 5% Liveness
87% Instrumentalness • 9% Positiveness
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Ludovico Einaudi
Waterways
128 bpm • G# Maj • 04:17 • -23.59db
49% Popularity • 33% Danceability • 10% Energy • 11% Liveness
84% Instrumentalness • 5% Positiveness
49% Popularity • 33% Danceability • 10% Energy • 11% Liveness
84% Instrumentalness • 5% Positiveness
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Tony Anderson
Butterflies - Piano Sonata
127 bpm • E min • 04:00 • -28.27db
53% Popularity • 31% Danceability • 3% Energy • 8% Liveness
91% Instrumentalness • 8% Positiveness
53% Popularity • 31% Danceability • 3% Energy • 8% Liveness
91% Instrumentalness • 8% Positiveness
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James Heather
Biomes
127 bpm • D# Maj • 02:42 • -24.42db
61% Popularity • 25% Danceability • 11% Energy • 11% Liveness
87% Instrumentalness • 14% Positiveness
61% Popularity • 25% Danceability • 11% Energy • 11% Liveness
87% Instrumentalness • 14% Positiveness
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HAUSER
River Flows in You
135 bpm • A Maj • 03:00 • -8.93db
53% Popularity • 25% Danceability • 38% Energy • 11% Liveness
89% Instrumentalness • 36% Positiveness
53% Popularity • 25% Danceability • 38% Energy • 11% Liveness
89% Instrumentalness • 36% Positiveness
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Jóhann Jóhannsson
Epilogue
136 bpm • A min • 01:48 • -24.71db
65% Popularity • 25% Danceability • 9% Energy • 11% Liveness
87% Instrumentalness • 13% Positiveness
65% Popularity • 25% Danceability • 9% Energy • 11% Liveness
87% Instrumentalness • 13% Positiveness
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Joep Beving
Ab Ovo
135 bpm • A min • 04:48 • -25.73db
52% Popularity • 39% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
52% Popularity • 39% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Ludovico Einaudi
Nefeli
134 bpm • A min • 04:30 • -25.56db
39% Popularity • 25% Danceability • 11% Energy • 9% Liveness
89% Instrumentalness • 5% Positiveness
39% Popularity • 25% Danceability • 11% Energy • 9% Liveness
89% Instrumentalness • 5% Positiveness
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Edith Whiskers
Lights Are On - Instrumental
136 bpm • D# Maj • 03:12 • -20.37db
65% Popularity • 27% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 17% Positiveness
65% Popularity • 27% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 17% Positiveness
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Peter Sandberg
Who's There
136 bpm • E min • 02:37 • -23.68db
47% Popularity • 55% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 9% Positiveness
47% Popularity • 55% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 9% Positiveness
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Jesper Kyd
Ezio's Family
126 bpm • D min • 03:57 • -12.56db
62% Popularity • 38% Danceability • 34% Energy • 7% Liveness
78% Instrumentalness • 11% Positiveness
62% Popularity • 38% Danceability • 34% Energy • 7% Liveness
78% Instrumentalness • 11% Positiveness
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Wolfgang Amadeus Mozart
Fantasia in D Minor, K. 397
126 bpm • D Maj • 05:16 • -25.26db
56% Popularity • 38% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 8% Positiveness
56% Popularity • 38% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 8% Positiveness
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Joep Beving
Etude
126 bpm • A min • 04:35 • -28db
49% Popularity • 41% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 24% Positiveness
49% Popularity • 41% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 24% Positiveness
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Jean-Philippe Rameau
The Arts and the Hours
136 bpm • C# Maj • 04:45 • -36.7db
64% Popularity • 42% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
64% Popularity • 42% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
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Ludovico Einaudi
Walk
135 bpm • A# min • 03:27 • -32db
52% Popularity • 26% Danceability • 1% Energy • 8% Liveness
25% Instrumentalness • 7% Positiveness
52% Popularity • 26% Danceability • 1% Energy • 8% Liveness
25% Instrumentalness • 7% Positiveness
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Philip Glass
String Quartet No. 3, "Mishima": VI. Mis...
136 bpm • C min • 03:14 • -29.89db
53% Popularity • 20% Danceability • 4% Energy • 17% Liveness
97% Instrumentalness • 13% Positiveness
53% Popularity • 20% Danceability • 4% Energy • 17% Liveness
97% Instrumentalness • 13% Positiveness
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Michael Nyman
The Heart Asks Pleasure First
136 bpm • A min • 03:45 • -25db
34% Popularity • 22% Danceability • 13% Energy • 11% Liveness
85% Instrumentalness • 22% Positiveness
34% Popularity • 22% Danceability • 13% Energy • 11% Liveness
85% Instrumentalness • 22% Positiveness
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Maurice Ravel
Ravel: Pavane pour une infante défunte,...
126 bpm • E min • 05:46 • -27db
59% Popularity • 49% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
59% Popularity • 49% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
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Ludwig van Beethoven
Bagatelle No. 25 in A Minor, WoO 59 "Fü...
126 bpm • A min • 03:32 • -30.79db
65% Popularity • 29% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 12% Positiveness
65% Popularity • 29% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 12% Positiveness
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Franz Liszt
Liebestraum No. 3 in A-Flat Major, S. 54...
137 bpm • G# Maj • 04:53 • -26.8db
62% Popularity • 28% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
62% Popularity • 28% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Ludovico Einaudi
Resta Con Me
137 bpm • D# Maj • 04:55 • -27.73db
51% Popularity • 33% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
51% Popularity • 33% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 5% Positiveness
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Franz Schubert
4 Impromptus, Op. 90, D.899: No. 4 in A ...
125 bpm • G# Maj • 08:17 • -27db
49% Popularity • 34% Danceability • 2% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
49% Popularity • 34% Danceability • 2% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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Dustin O'Halloran
Home
137 bpm • A min • 02:40 • -21db
50% Popularity • 33% Danceability • 7% Energy • 34% Liveness
92% Instrumentalness • 4% Positiveness
50% Popularity • 33% Danceability • 7% Energy • 34% Liveness
92% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Unaccompanied Cello Suite No. 1 in G maj...
137 bpm • G Maj • 02:30 • -22db
59% Popularity • 33% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 42% Positiveness
59% Popularity • 33% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 42% Positiveness
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Piano Novel
Connected Colors
125 bpm • A# min • 03:46 • -19.69db
29% Popularity • 45% Danceability • 23% Energy • 22% Liveness
93% Instrumentalness • 9% Positiveness
29% Popularity • 45% Danceability • 23% Energy • 22% Liveness
93% Instrumentalness • 9% Positiveness
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Peter Gregson
A Little Chaos
138 bpm • D# Maj • 05:37 • -15.01db
45% Popularity • 45% Danceability • 22% Energy • 8% Liveness
84% Instrumentalness • 9% Positiveness
45% Popularity • 45% Danceability • 22% Energy • 8% Liveness
84% Instrumentalness • 9% Positiveness
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Ludovico Einaudi
Time Lapse
125 bpm • F min • 05:31 • -26db
53% Popularity • 59% Danceability • 14% Energy • 9% Liveness
81% Instrumentalness • 17% Positiveness
53% Popularity • 59% Danceability • 14% Energy • 9% Liveness
81% Instrumentalness • 17% Positiveness
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Hans Zimmer
Now We Are Free
138 bpm • A Maj • 04:14 • -18.6db
65% Popularity • 34% Danceability • 22% Energy • 10% Liveness
10% Instrumentalness • 4% Positiveness
65% Popularity • 34% Danceability • 22% Energy • 10% Liveness
10% Instrumentalness • 4% Positiveness
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Dustin O'Halloran
Family
137 bpm • G min • 01:04 • -21db
47% Popularity • 38% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
47% Popularity • 38% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
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Hania Rani
Eden
138 bpm • A min • 04:55 • -25.46db
53% Popularity • 44% Danceability • 18% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
53% Popularity • 44% Danceability • 18% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Erik Satie
Gnossienne: No. 1
124 bpm • F min • 03:34 • -28.35db
61% Popularity • 42% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
61% Popularity • 42% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
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Yann Tiersen
Le moulin
138 bpm • A# min • 04:27 • -16db
54% Popularity • 57% Danceability • 6% Energy • 8% Liveness
54% Instrumentalness • 21% Positiveness
54% Popularity • 57% Danceability • 6% Energy • 8% Liveness
54% Instrumentalness • 21% Positiveness
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Ludovico Einaudi
Discovery At Night
125 bpm • D# Maj • 04:25 • -28.96db
47% Popularity • 30% Danceability • 3% Energy • 15% Liveness
93% Instrumentalness • 10% Positiveness
47% Popularity • 30% Danceability • 3% Energy • 15% Liveness
93% Instrumentalness • 10% Positiveness
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Kerry Muzzey
The Secret History
124 bpm • D# min • 05:02 • -14.03db
58% Popularity • 23% Danceability • 22% Energy • 12% Liveness
16% Instrumentalness • 4% Positiveness
58% Popularity • 23% Danceability • 22% Energy • 12% Liveness
16% Instrumentalness • 4% Positiveness
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Dustin O'Halloran
Lion Theme
138 bpm • C min • 01:58 • -18.55db
49% Popularity • 30% Danceability • 13% Energy • 12% Liveness
87% Instrumentalness • 7% Positiveness
49% Popularity • 30% Danceability • 13% Energy • 12% Liveness
87% Instrumentalness • 7% Positiveness
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Ludwig Göransson
Can You Hear The Music
139 bpm • E min • 01:50 • -12.46db
75% Popularity • 19% Danceability • 44% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
75% Popularity • 19% Danceability • 44% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
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Jean Sibelius
13 Pieces for Piano, Op. 76: II. Etude
124 bpm • G min • 02:48 • -28.34db
47% Popularity • 42% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 48% Positiveness
47% Popularity • 42% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 48% Positiveness
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Yann Tiersen
The Drowned Girl - Edit
139 bpm • G Maj • 02:03 • -9.4db
51% Popularity • 52% Danceability • 21% Energy • 7% Liveness
93% Instrumentalness • 94% Positiveness
51% Popularity • 52% Danceability • 21% Energy • 7% Liveness
93% Instrumentalness • 94% Positiveness
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Rhiannon Bannenberg
For Stormboy
123 bpm • G# min • 01:36 • -29.13db
51% Popularity • 20% Danceability • 5% Energy • 9% Liveness
86% Instrumentalness • 13% Positiveness
51% Popularity • 20% Danceability • 5% Energy • 9% Liveness
86% Instrumentalness • 13% Positiveness
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Ludovico Einaudi
Nightbook
124 bpm • F# min • 05:50 • -16.3db
47% Popularity • 60% Danceability • 29% Energy • 9% Liveness
84% Instrumentalness • 19% Positiveness
47% Popularity • 60% Danceability • 29% Energy • 9% Liveness
84% Instrumentalness • 19% Positiveness
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Ludwig van Beethoven
Piano Sonata No. 14 in C-Sharp Minor, Op...
139 bpm • C# min • 06:43 • -41.53db
58% Popularity • 28% Danceability • 0% Energy • 11% Liveness
88% Instrumentalness • 29% Positiveness
58% Popularity • 28% Danceability • 0% Energy • 11% Liveness
88% Instrumentalness • 29% Positiveness
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Jóhann Jóhannsson
A Sparrow Alighted upon our Shoulder
139 bpm • F# min • 02:27 • -21.14db
53% Popularity • 19% Danceability • 11% Energy • 12% Liveness
87% Instrumentalness • 5% Positiveness
53% Popularity • 19% Danceability • 11% Energy • 12% Liveness
87% Instrumentalness • 5% Positiveness
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Evgeny Khmara
Wheel of Life
123 bpm • E min • 03:27 • -11.9db
16% Popularity • 33% Danceability • 36% Energy • 11% Liveness
87% Instrumentalness • 8% Positiveness
16% Popularity • 33% Danceability • 36% Energy • 11% Liveness
87% Instrumentalness • 8% Positiveness
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Camille Saint-Saëns
The Swan
123 bpm • G Maj • 02:54 • -18.17db
62% Popularity • 22% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 12% Positiveness
62% Popularity • 22% Danceability • 15% Energy • 9% Liveness
94% Instrumentalness • 12% Positiveness
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Ibrahim Maalouf
True Sorry
123 bpm • E min • 04:51 • -7.64db
53% Popularity • 29% Danceability • 45% Energy • 18% Liveness
88% Instrumentalness • 8% Positiveness
53% Popularity • 29% Danceability • 45% Energy • 18% Liveness
88% Instrumentalness • 8% Positiveness
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Ludovico Einaudi
Le Onde
123 bpm • D Maj • 05:24 • -26.53db
57% Popularity • 24% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
57% Popularity • 24% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
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Ólafur Arnalds
Happiness Does Not Wait
123 bpm • F min • 04:11 • -16.61db
56% Popularity • 40% Danceability • 13% Energy • 11% Liveness
85% Instrumentalness • 12% Positiveness
56% Popularity • 40% Danceability • 13% Energy • 11% Liveness
85% Instrumentalness • 12% Positiveness
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Yanni
One Man's Dream
123 bpm • C min • 02:43 • -20.39db
59% Popularity • 36% Danceability • 12% Energy • 14% Liveness
98% Instrumentalness • 19% Positiveness
59% Popularity • 36% Danceability • 12% Energy • 14% Liveness
98% Instrumentalness • 19% Positiveness
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Duomo
Wildest Dreams
140 bpm • G# Maj • 03:25 • -10.45db
51% Popularity • 35% Danceability • 30% Energy • 13% Liveness
6% Instrumentalness • 32% Positiveness
51% Popularity • 35% Danceability • 30% Energy • 13% Liveness
6% Instrumentalness • 32% Positiveness
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RIOPY
Le rêve d'une note
140 bpm • F# min • 03:09 • -17db
42% Popularity • 51% Danceability • 32% Energy • 9% Liveness
92% Instrumentalness • 27% Positiveness
42% Popularity • 51% Danceability • 32% Energy • 9% Liveness
92% Instrumentalness • 27% Positiveness
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Ernesto Cortazar
Beethoven's Silence
141 bpm • D# min • 02:38 • -16db
52% Popularity • 27% Danceability • 27% Energy • 15% Liveness
96% Instrumentalness • 9% Positiveness
52% Popularity • 27% Danceability • 27% Energy • 15% Liveness
96% Instrumentalness • 9% Positiveness
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Ludovico Einaudi
Leo
140 bpm • D min • 05:09 • -26.11db
47% Popularity • 37% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 33% Positiveness
47% Popularity • 37% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 33% Positiveness
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Ólafur Arnalds
Tomorrow's Song
140 bpm • C Maj • 03:07 • -26db
48% Popularity • 44% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 14% Positiveness
48% Popularity • 44% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 14% Positiveness
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Woodsman
dream river.
141 bpm • G# min • 01:31 • -26.62db
59% Popularity • 25% Danceability • 13% Energy • 10% Liveness
88% Instrumentalness • 8% Positiveness
59% Popularity • 25% Danceability • 13% Energy • 10% Liveness
88% Instrumentalness • 8% Positiveness
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Sergei Rachmaninoff
Piano Concerto No. 2 in C Minor, Op. 18:...
141 bpm • E Maj • 10:44 • -24.88db
61% Popularity • 19% Danceability • 5% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
61% Popularity • 19% Danceability • 5% Energy • 6% Liveness
94% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Prelude in C Major, BWV 846
122 bpm • C Maj • 02:28 • -27db
49% Popularity • 27% Danceability • 11% Energy • 12% Liveness
87% Instrumentalness • 13% Positiveness
49% Popularity • 27% Danceability • 11% Energy • 12% Liveness
87% Instrumentalness • 13% Positiveness
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Moux
Gaze
141 bpm • D# min • 02:40 • -22.17db
48% Popularity • 57% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 8% Positiveness
48% Popularity • 57% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 8% Positiveness
