Songs like Unaccompanied Cello Suite No. 1 in G Major: Prelude by Steven Sharp Nelson
Based on a tempo of (+/- 10%) and a similar genre
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David Lanz
The Enchantment
78 bpm • C min • 05:49 • -20.5db
28% Popularity • 56% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 7% Positiveness
28% Popularity • 56% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 7% Positiveness
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Greg Maroney
Whispering Wind
78 bpm • G# Maj • 03:09 • -18.14db
11% Popularity • 28% Danceability • 23% Energy • 12% Liveness
83% Instrumentalness • 19% Positiveness
11% Popularity • 28% Danceability • 23% Energy • 12% Liveness
83% Instrumentalness • 19% Positiveness
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Shoshannah
Welcoming The Angels / Shalom Aleichem
78 bpm • G# min • 02:37 • -28db
11% Popularity • 39% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 23% Positiveness
11% Popularity • 39% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 23% Positiveness
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Konrad Kono
Pachabel Canon
78 bpm • D Maj • 04:30 • -19.48db
32% Popularity • 25% Danceability • 24% Energy • 9% Liveness
85% Instrumentalness • 12% Positiveness
32% Popularity • 25% Danceability • 24% Energy • 9% Liveness
85% Instrumentalness • 12% Positiveness
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Nazareno Aversa
The Gladiator (Main Theme)
78 bpm • F# min • 02:50 • -20.35db
32% Popularity • 42% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
32% Popularity • 42% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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Steven Sharp Nelson
Unaccompanied Cello Suite No. 1 in G Maj...
78 bpm • G Maj • 02:43 • -18db
34% Popularity • 18% Danceability • 11% Energy • 9% Liveness
93% Instrumentalness • 30% Positiveness
34% Popularity • 18% Danceability • 11% Energy • 9% Liveness
93% Instrumentalness • 30% Positiveness
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Serge Mazerand
Pachabel's Canon in D, Variation #4
78 bpm • D Maj • 04:06 • -24.39db
10% Popularity • 18% Danceability • 5% Energy • 11% Liveness
72% Instrumentalness • 10% Positiveness
10% Popularity • 18% Danceability • 5% Energy • 11% Liveness
72% Instrumentalness • 10% Positiveness
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Ballet L'école
Slow Tendu - Pachelbel's Canon In D Ball...
78 bpm • D Maj • 02:44 • -22db
44% Popularity • 44% Danceability • 6% Energy • 8% Liveness
91% Instrumentalness • 20% Positiveness
44% Popularity • 44% Danceability • 6% Energy • 8% Liveness
91% Instrumentalness • 20% Positiveness
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Nick Farr
And So It Is
78 bpm • G min • 02:50 • -13.88db
28% Popularity • 20% Danceability • 21% Energy • 10% Liveness
96% Instrumentalness • 40% Positiveness
28% Popularity • 20% Danceability • 21% Energy • 10% Liveness
96% Instrumentalness • 40% Positiveness
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Emmanuel Vass
Bohemian Rhapsody
78 bpm • D# Maj • 06:33 • -14db
28% Popularity • 32% Danceability • 19% Energy • 6% Liveness
93% Instrumentalness • 6% Positiveness
28% Popularity • 32% Danceability • 19% Energy • 6% Liveness
93% Instrumentalness • 6% Positiveness
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Joe Bongiorno
Walk With Me
78 bpm • D Maj • 05:29 • -23.09db
29% Popularity • 30% Danceability • 9% Energy • 7% Liveness
90% Instrumentalness • 19% Positiveness
29% Popularity • 30% Danceability • 9% Energy • 7% Liveness
90% Instrumentalness • 19% Positiveness
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Craig Ogden
Cavatina
79 bpm • E Maj • 03:59 • -22.87db
33% Popularity • 30% Danceability • 9% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
33% Popularity • 30% Danceability • 9% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
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Jonathan Keith
Lord I Would Follow Thee
79 bpm • A Maj • 07:11 • -27.28db
24% Popularity • 48% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 30% Positiveness
24% Popularity • 48% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 30% Positiveness
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Patrick Doyle
La Valse De L'Amour
77 bpm • F Maj • 02:50 • -16.57db
34% Popularity • 53% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 26% Positiveness
34% Popularity • 53% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 26% Positiveness
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Duo.Hansen
Greensleves - Violin and Cello
77 bpm • G Maj • 03:28 • -20.35db
29% Popularity • 15% Danceability • 8% Energy • 21% Liveness
61% Instrumentalness • 14% Positiveness
29% Popularity • 15% Danceability • 8% Energy • 21% Liveness
61% Instrumentalness • 14% Positiveness
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Rachel Currea
Passions
77 bpm • C# Maj • 02:33 • -21db
29% Popularity • 20% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
29% Popularity • 20% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
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Michael W. Smith
The Giving
77 bpm • C Maj • 03:18 • -14db
35% Popularity • 18% Danceability • 14% Energy • 10% Liveness
67% Instrumentalness • 4% Positiveness
35% Popularity • 18% Danceability • 14% Energy • 10% Liveness
67% Instrumentalness • 4% Positiveness
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Craig Urquhart
Silver Stream
76 bpm • F min • 05:17 • -21db
12% Popularity • 38% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 18% Positiveness
12% Popularity • 38% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 18% Positiveness
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Jay R. Powell
Lord, I Would Follow Thee
76 bpm • E Maj • 04:15 • -25.23db
29% Popularity • 54% Danceability • 6% Energy • 7% Liveness
94% Instrumentalness • 33% Positiveness
29% Popularity • 54% Danceability • 6% Energy • 7% Liveness
94% Instrumentalness • 33% Positiveness
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Jan A.P. Kaczmarek
Andrew and Natasha in Love
77 bpm • C Maj • 07:41 • -19.6db
21% Popularity • 7% Danceability • 15% Energy • 13% Liveness
96% Instrumentalness • 5% Positiveness
21% Popularity • 7% Danceability • 15% Energy • 13% Liveness
96% Instrumentalness • 5% Positiveness
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The Violin Sisters
All Creatures of Our God and King
80 bpm • D Maj • 03:19 • -12.12db
25% Popularity • 20% Danceability • 21% Energy • 25% Liveness
66% Instrumentalness • 24% Positiveness
25% Popularity • 20% Danceability • 21% Energy • 25% Liveness
66% Instrumentalness • 24% Positiveness
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Alma Deutscher
Rondino in E-Flat Major for Violin, Viol...
76 bpm • D# Maj • 03:40 • -11.08db
11% Popularity • 14% Danceability • 27% Energy • 18% Liveness
84% Instrumentalness • 26% Positiveness
11% Popularity • 14% Danceability • 27% Energy • 18% Liveness
84% Instrumentalness • 26% Positiveness
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Bill Douglas
Forest Hymn
80 bpm • E min • 04:15 • -14.77db
32% Popularity • 13% Danceability • 19% Energy • 11% Liveness
76% Instrumentalness • 14% Positiveness
32% Popularity • 13% Danceability • 19% Energy • 11% Liveness
76% Instrumentalness • 14% Positiveness
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Jules Massenet
Thaïs: Méditation (Arr. for Cello & Pi...
80 bpm • D Maj • 05:46 • -27db
39% Popularity • 8% Danceability • 3% Energy • 7% Liveness
81% Instrumentalness • 4% Positiveness
39% Popularity • 8% Danceability • 3% Energy • 7% Liveness
81% Instrumentalness • 4% Positiveness
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Serge Mazerand
Pachabel's Canon in D, Variation #8
80 bpm • C min • 04:24 • -21.66db
9% Popularity • 33% Danceability • 7% Energy • 11% Liveness
61% Instrumentalness • 43% Positiveness
9% Popularity • 33% Danceability • 7% Energy • 11% Liveness
61% Instrumentalness • 43% Positiveness
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Craig Urquhart
Streamwalker
80 bpm • A Maj • 04:59 • -23.42db
20% Popularity • 42% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 25% Positiveness
20% Popularity • 42% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 25% Positiveness
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Carolyn Southworth
Old Scottish Lullaby (instrumental)
80 bpm • A Maj • 03:56 • -12.73db
12% Popularity • 29% Danceability • 22% Energy • 9% Liveness
81% Instrumentalness • 15% Positiveness
12% Popularity • 29% Danceability • 22% Energy • 9% Liveness
81% Instrumentalness • 15% Positiveness
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Ennio Morricone
Sergio Leone Suite: Main Theme from "Onc...
76 bpm • D Maj • 03:21 • -17db
35% Popularity • 7% Danceability • 15% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
35% Popularity • 7% Danceability • 15% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Aramis Quartet
Turn Your Eyes upon Jesus
76 bpm • F Maj • 01:37 • -30db
41% Popularity • 13% Danceability • 2% Energy • 13% Liveness
87% Instrumentalness • 10% Positiveness
41% Popularity • 13% Danceability • 2% Energy • 13% Liveness
87% Instrumentalness • 10% Positiveness
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The Hampton String Quartet
Earth Angel
76 bpm • D Maj • 04:20 • -17.84db
10% Popularity • 10% Danceability • 19% Energy • 32% Liveness
39% Instrumentalness • 13% Positiveness
10% Popularity • 10% Danceability • 19% Energy • 32% Liveness
39% Instrumentalness • 13% Positiveness
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Christine Brown
Bridge of Grace
76 bpm • A# Maj • 05:35 • -20.6db
23% Popularity • 40% Danceability • 11% Energy • 11% Liveness
83% Instrumentalness • 12% Positiveness
23% Popularity • 40% Danceability • 11% Energy • 11% Liveness
83% Instrumentalness • 12% Positiveness
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Silverwood Quartet
Vivaldi: Winter From The Four Seasons 2....
75 bpm • A# Maj • 01:55 • -17.92db
27% Popularity • 24% Danceability • 14% Energy • 14% Liveness
62% Instrumentalness • 38% Positiveness
27% Popularity • 24% Danceability • 14% Energy • 14% Liveness
62% Instrumentalness • 38% Positiveness
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Ann Sweeten
Riversong
81 bpm • F Maj • 05:43 • -17.11db
18% Popularity • 27% Danceability • 21% Energy • 14% Liveness
91% Instrumentalness • 18% Positiveness
18% Popularity • 27% Danceability • 21% Energy • 14% Liveness
91% Instrumentalness • 18% Positiveness
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Ennio Morricone
Giuseppe Tornatore Suite: Playing Love f...
80 bpm • D Maj • 01:48 • -17.16db
43% Popularity • 16% Danceability • 14% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
43% Popularity • 16% Danceability • 14% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
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Steven Sharp Nelson
O My Father
81 bpm • G Maj • 04:07 • -19db
32% Popularity • 15% Danceability • 15% Energy • 10% Liveness
94% Instrumentalness • 12% Positiveness
32% Popularity • 15% Danceability • 15% Energy • 10% Liveness
94% Instrumentalness • 12% Positiveness
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Anne Trenning
The Sunflower Waltz
75 bpm • D# Maj • 02:37 • -17db
26% Popularity • 11% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 50% Positiveness
26% Popularity • 11% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 50% Positiveness
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Ola Gjeilo
The Crossing
75 bpm • F Maj • 03:37 • -22.28db
29% Popularity • 12% Danceability • 5% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
29% Popularity • 12% Danceability • 5% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Kathryn Toyama
The Light
75 bpm • C# min • 01:49 • -16db
48% Popularity • 41% Danceability • 19% Energy • 13% Liveness
90% Instrumentalness • 9% Positiveness
48% Popularity • 41% Danceability • 19% Energy • 13% Liveness
90% Instrumentalness • 9% Positiveness
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Alexis Ffrench
Pure
81 bpm • G Maj • 02:49 • -16.38db
23% Popularity • 24% Danceability • 23% Energy • 24% Liveness
87% Instrumentalness • 34% Positiveness
23% Popularity • 24% Danceability • 23% Energy • 24% Liveness
87% Instrumentalness • 34% Positiveness
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Stan Whitmire
Colors Of The Wind
75 bpm • A# Maj • 04:35 • -13.23db
37% Popularity • 32% Danceability • 28% Energy • 8% Liveness
89% Instrumentalness • 31% Positiveness
37% Popularity • 32% Danceability • 28% Energy • 8% Liveness
89% Instrumentalness • 31% Positiveness
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Kevin Kern
We Should Waltz
81 bpm • E Maj • 06:07 • -23db
37% Popularity • 44% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 19% Positiveness
37% Popularity • 44% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 19% Positiveness
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Steven Sharp Nelson
Beautiful Savior
81 bpm • E Maj • 04:37 • -16db
38% Popularity • 14% Danceability • 17% Energy • 10% Liveness
83% Instrumentalness • 7% Positiveness
38% Popularity • 14% Danceability • 17% Energy • 10% Liveness
83% Instrumentalness • 7% Positiveness
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The Violin Sisters
Amazing Grace
81 bpm • G Maj • 03:27 • -15.11db
31% Popularity • 15% Danceability • 11% Energy • 10% Liveness
70% Instrumentalness • 15% Positiveness
31% Popularity • 15% Danceability • 11% Energy • 10% Liveness
70% Instrumentalness • 15% Positiveness
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Michele McLaughlin
The North Sea
81 bpm • C min • 03:58 • -13.55db
29% Popularity • 21% Danceability • 40% Energy • 11% Liveness
87% Instrumentalness • 30% Positiveness
29% Popularity • 21% Danceability • 40% Energy • 11% Liveness
87% Instrumentalness • 30% Positiveness
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Robin Spielberg
With A Song in My Heart
75 bpm • D# Maj • 04:21 • -25.87db
16% Popularity • 44% Danceability • 2% Energy • 13% Liveness
94% Instrumentalness • 11% Positiveness
16% Popularity • 44% Danceability • 2% Energy • 13% Liveness
94% Instrumentalness • 11% Positiveness
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Sally Maer
The Salley Gardens (Arr. Sally Whitwell)
81 bpm • D Maj • 04:53 • -23.92db
10% Popularity • 14% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 11% Positiveness
10% Popularity • 14% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 11% Positiveness
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Jay R. Powell
I Stand All Amazed
75 bpm • F# Maj • 04:48 • -21db
24% Popularity • 49% Danceability • 7% Energy • 9% Liveness
95% Instrumentalness • 14% Positiveness
24% Popularity • 49% Danceability • 7% Energy • 9% Liveness
95% Instrumentalness • 14% Positiveness
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Steven Sharp Nelson
Be Still My Soul
75 bpm • F Maj • 02:43 • -20.09db
42% Popularity • 19% Danceability • 13% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
42% Popularity • 19% Danceability • 13% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
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Craig Urquhart
My Angel
81 bpm • A Maj • 05:38 • -23.34db
15% Popularity • 41% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 18% Positiveness
15% Popularity • 41% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 18% Positiveness
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Michele McLaughlin
Until We Meet Again
81 bpm • D# Maj • 04:10 • -19.39db
26% Popularity • 21% Danceability • 15% Energy • 12% Liveness
89% Instrumentalness • 13% Positiveness
26% Popularity • 21% Danceability • 15% Energy • 12% Liveness
89% Instrumentalness • 13% Positiveness
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Ludovico Einaudi
I giorni (Arr. For Violin, Piano And Str...
75 bpm • D Maj • 05:36 • -18.87db
34% Popularity • 10% Danceability • 10% Energy • 17% Liveness
3% Instrumentalness • 8% Positiveness
34% Popularity • 10% Danceability • 10% Energy • 17% Liveness
3% Instrumentalness • 8% Positiveness
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Robin Spielberg
The Time Traveler
81 bpm • E min • 07:49 • -18.41db
16% Popularity • 49% Danceability • 4% Energy • 10% Liveness
84% Instrumentalness • 14% Positiveness
16% Popularity • 49% Danceability • 4% Energy • 10% Liveness
84% Instrumentalness • 14% Positiveness
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Anne Trenning
Eden Hall
81 bpm • F# Maj • 04:06 • -14.58db
18% Popularity • 25% Danceability • 34% Energy • 10% Liveness
92% Instrumentalness • 22% Positiveness
18% Popularity • 25% Danceability • 34% Energy • 10% Liveness
92% Instrumentalness • 22% Positiveness
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Ola Gjeilo
The Ground
82 bpm • D# Maj • 03:38 • -17.92db
37% Popularity • 18% Danceability • 13% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
37% Popularity • 18% Danceability • 13% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Ennio Morricone
Giuseppe Tornatore Suite: Looking for Yo...
75 bpm • A# Maj • 01:43 • -14db
40% Popularity • 17% Danceability • 25% Energy • 12% Liveness
90% Instrumentalness • 5% Positiveness
40% Popularity • 17% Danceability • 25% Energy • 12% Liveness
90% Instrumentalness • 5% Positiveness
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Vitamin String Quartet
The Princess Bride - Storybook Love
75 bpm • D Maj • 03:05 • -12.77db
32% Popularity • 20% Danceability • 30% Energy • 13% Liveness
91% Instrumentalness • 18% Positiveness
32% Popularity • 20% Danceability • 30% Energy • 13% Liveness
91% Instrumentalness • 18% Positiveness
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Ann Sweeten
The Hanging Road
82 bpm • F Maj • 05:15 • -18db
21% Popularity • 27% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 18% Positiveness
21% Popularity • 27% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 18% Positiveness
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Jane Leslie
Traveler's Serenade
74 bpm • E Maj • 03:00 • -25db
44% Popularity • 29% Danceability • 3% Energy • 8% Liveness
94% Instrumentalness • 24% Positiveness
44% Popularity • 29% Danceability • 3% Energy • 8% Liveness
94% Instrumentalness • 24% Positiveness
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Roger Quilter
My Lady Greensleeves (arr. J. Lloyd Webb...
82 bpm • G min • 02:53 • -26db
15% Popularity • 18% Danceability • 4% Energy • 14% Liveness
89% Instrumentalness • 14% Positiveness
15% Popularity • 18% Danceability • 4% Energy • 14% Liveness
89% Instrumentalness • 14% Positiveness
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Phil Coulter
The Year Of The French
74 bpm • E Maj • 03:28 • -20.89db
28% Popularity • 31% Danceability • 6% Energy • 9% Liveness
75% Instrumentalness • 16% Positiveness
28% Popularity • 31% Danceability • 6% Energy • 9% Liveness
75% Instrumentalness • 16% Positiveness
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Jun Sung Ahn
FOUND
82 bpm • A Maj • 03:03 • -6.18db
29% Popularity • 34% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
29% Popularity • 34% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Steven Sharp Nelson
Rhapsody on a theme of Paganini
82 bpm • D Maj • 04:58 • -19.23db
25% Popularity • 16% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
25% Popularity • 16% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
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Robin Spielberg
It's All Just As Well
82 bpm • G min • 02:45 • -18.39db
24% Popularity • 46% Danceability • 9% Energy • 24% Liveness
87% Instrumentalness • 8% Positiveness
24% Popularity • 46% Danceability • 9% Energy • 24% Liveness
87% Instrumentalness • 8% Positiveness
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Kathryn Toyama
True Friends
82 bpm • G min • 01:32 • -16.26db
49% Popularity • 30% Danceability • 22% Energy • 16% Liveness
96% Instrumentalness • 6% Positiveness
49% Popularity • 30% Danceability • 22% Energy • 16% Liveness
96% Instrumentalness • 6% Positiveness
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Greg Maroney
Dance Of The Imagination
82 bpm • E Maj • 03:17 • -17.58db
27% Popularity • 26% Danceability • 27% Energy • 10% Liveness
90% Instrumentalness • 36% Positiveness
27% Popularity • 26% Danceability • 27% Energy • 10% Liveness
90% Instrumentalness • 36% Positiveness
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Marshall McDonald
O Come O Come Emmanuel
74 bpm • E min • 07:16 • -7.3db
2% Popularity • 9% Danceability • 20% Energy • 18% Liveness
2% Instrumentalness • 4% Positiveness
2% Popularity • 9% Danceability • 20% Energy • 18% Liveness
2% Instrumentalness • 4% Positiveness
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David Tolk
For Lisa
74 bpm • G Maj • 04:36 • -14.78db
31% Popularity • 29% Danceability • 16% Energy • 11% Liveness
77% Instrumentalness • 13% Positiveness
31% Popularity • 29% Danceability • 16% Energy • 11% Liveness
77% Instrumentalness • 13% Positiveness
► Preview
Jeff Bjorck
Porch Swing Summer Night
74 bpm • F Maj • 02:54 • -20.47db
35% Popularity • 40% Danceability • 8% Energy • 15% Liveness
90% Instrumentalness • 16% Positiveness
35% Popularity • 40% Danceability • 8% Energy • 15% Liveness
90% Instrumentalness • 16% Positiveness
► Preview
Steven Sharp Nelson
Traumerei (dream)
74 bpm • F Maj • 03:35 • -24.42db
10% Popularity • 9% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
10% Popularity • 9% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
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David Davidson, David Angell, Monisa Angell, Anthony LaMarchina
How Great Thou Art
83 bpm • A# Maj • 04:41 • -19db
27% Popularity • 18% Danceability • 13% Energy • 16% Liveness
77% Instrumentalness • 4% Positiveness
27% Popularity • 18% Danceability • 13% Energy • 16% Liveness
77% Instrumentalness • 4% Positiveness
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Denise Young
Green Mountain Meadows
82 bpm • C Maj • 05:29 • -17.93db
36% Popularity • 34% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
36% Popularity • 34% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
► Preview
Louis Landon
Imagine
73 bpm • C Maj • 05:01 • -20db
36% Popularity • 25% Danceability • 9% Energy • 12% Liveness
90% Instrumentalness • 25% Positiveness
36% Popularity • 25% Danceability • 9% Energy • 12% Liveness
90% Instrumentalness • 25% Positiveness
► Preview
Robert Philip
Meditation from Thais
83 bpm • D Maj • 03:52 • -24db
21% Popularity • 34% Danceability • 4% Energy • 9% Liveness
88% Instrumentalness • 8% Positiveness
21% Popularity • 34% Danceability • 4% Energy • 9% Liveness
88% Instrumentalness • 8% Positiveness
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Greg Maroney
Addie
73 bpm • D Maj • 02:50 • -15.1db
25% Popularity • 30% Danceability • 27% Energy • 10% Liveness
89% Instrumentalness • 29% Positiveness
25% Popularity • 30% Danceability • 27% Energy • 10% Liveness
89% Instrumentalness • 29% Positiveness
► Preview
Anne Trenning
A Prayer For The World
73 bpm • C min • 03:37 • -20.16db
28% Popularity • 31% Danceability • 9% Energy • 8% Liveness
84% Instrumentalness • 17% Positiveness
28% Popularity • 31% Danceability • 9% Energy • 8% Liveness
84% Instrumentalness • 17% Positiveness
► Preview
Jonathan Keith
More Holiness Give Me
83 bpm • C# Maj • 06:41 • -22db
22% Popularity • 23% Danceability • 6% Energy • 10% Liveness
83% Instrumentalness • 8% Positiveness
22% Popularity • 23% Danceability • 6% Energy • 10% Liveness
83% Instrumentalness • 8% Positiveness
► Preview
St. Petersburg Orchestra Harmony
Pachelbel Canon
73 bpm • D Maj • 02:59 • -16db
48% Popularity • 18% Danceability • 20% Energy • 21% Liveness
92% Instrumentalness • 16% Positiveness
48% Popularity • 18% Danceability • 20% Energy • 21% Liveness
92% Instrumentalness • 16% Positiveness
► Preview
Steven Sharp Nelson
Moonlight Sonata
73 bpm • C# min • 06:29 • -24.55db
16% Popularity • 11% Danceability • 3% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
16% Popularity • 11% Danceability • 3% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Anna Moor
Poema
83 bpm • C Maj • 01:56 • -16.65db
18% Popularity • 24% Danceability • 16% Energy • 12% Liveness
2% Instrumentalness • 17% Positiveness
18% Popularity • 24% Danceability • 16% Energy • 12% Liveness
2% Instrumentalness • 17% Positiveness
► Preview
David Tolk
Timeless
83 bpm • D Maj • 03:14 • -12.51db
33% Popularity • 32% Danceability • 31% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
33% Popularity • 32% Danceability • 31% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
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Greg Maroney
Walking with the Moon
73 bpm • A Maj • 07:31 • -15.71db
27% Popularity • 32% Danceability • 13% Energy • 10% Liveness
87% Instrumentalness • 13% Positiveness
27% Popularity • 32% Danceability • 13% Energy • 10% Liveness
87% Instrumentalness • 13% Positiveness
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James Horner
The Ludlows
73 bpm • G Maj • 05:40 • -28db
54% Popularity • 16% Danceability • 2% Energy • 10% Liveness
85% Instrumentalness • 5% Positiveness
54% Popularity • 16% Danceability • 2% Energy • 10% Liveness
85% Instrumentalness • 5% Positiveness
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Stan Whitmire
Think Of Me
84 bpm • D# Maj • 04:03 • -17.86db
35% Popularity • 36% Danceability • 16% Energy • 12% Liveness
90% Instrumentalness • 14% Positiveness
35% Popularity • 36% Danceability • 16% Energy • 12% Liveness
90% Instrumentalness • 14% Positiveness
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Steven Sharp Nelson
New World
73 bpm • C# Maj • 06:33 • -12.24db
25% Popularity • 13% Danceability • 16% Energy • 10% Liveness
64% Instrumentalness • 7% Positiveness
25% Popularity • 13% Danceability • 16% Energy • 10% Liveness
64% Instrumentalness • 7% Positiveness
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Joseph Akins
An Inspiration
72 bpm • C# Maj • 05:38 • -21db
35% Popularity • 32% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 9% Positiveness
35% Popularity • 32% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 9% Positiveness
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David Tolk
Redeemer of Israel
83 bpm • C Maj • 04:47 • -15.9db
34% Popularity • 22% Danceability • 17% Energy • 8% Liveness
93% Instrumentalness • 10% Positiveness
34% Popularity • 22% Danceability • 17% Energy • 8% Liveness
93% Instrumentalness • 10% Positiveness
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Leila N. Morris
Nearer, Still Nearer - Christian Worship...
84 bpm • C# Maj • 03:36 • -26db
24% Popularity • 32% Danceability • 5% Energy • 9% Liveness
90% Instrumentalness • 17% Positiveness
24% Popularity • 32% Danceability • 5% Energy • 9% Liveness
90% Instrumentalness • 17% Positiveness
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David Hicken
Canon in D Meets Ode to Joy
72 bpm • D Maj • 04:06 • -16.23db
24% Popularity • 30% Danceability • 27% Energy • 11% Liveness
91% Instrumentalness • 16% Positiveness
24% Popularity • 30% Danceability • 27% Energy • 11% Liveness
91% Instrumentalness • 16% Positiveness
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Kevin Kern
The Enchanted Garden
84 bpm • C# Maj • 06:54 • -17.51db
43% Popularity • 42% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 14% Positiveness
43% Popularity • 42% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 14% Positiveness
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Stan Whitmire
When You Wish Upon A Star
72 bpm • C Maj • 04:40 • -20.57db
36% Popularity • 39% Danceability • 6% Energy • 14% Liveness
92% Instrumentalness • 10% Positiveness
36% Popularity • 39% Danceability • 6% Energy • 14% Liveness
92% Instrumentalness • 10% Positiveness
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Mark Schultz
Autumn
72 bpm • F# Maj • 03:16 • -14.94db
30% Popularity • 36% Danceability • 12% Energy • 7% Liveness
91% Instrumentalness • 14% Positiveness
30% Popularity • 36% Danceability • 12% Energy • 7% Liveness
91% Instrumentalness • 14% Positiveness
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Phillip Keveren & Anthony LaMarchina
Above All
84 bpm • G Maj • 04:48 • -17db
30% Popularity • 21% Danceability • 12% Energy • 13% Liveness
80% Instrumentalness • 19% Positiveness
30% Popularity • 21% Danceability • 12% Energy • 13% Liveness
80% Instrumentalness • 19% Positiveness
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Robin Spielberg
In My Dreams
72 bpm • G min • 05:09 • -18db
22% Popularity • 43% Danceability • 4% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
22% Popularity • 43% Danceability • 4% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Stuart Buck
Anna Magdalena Notebook, BWV 114: Minuet...
72 bpm • A Maj • 01:31 • -27.78db
29% Popularity • 45% Danceability • 8% Energy • 9% Liveness
93% Instrumentalness • 49% Positiveness
29% Popularity • 45% Danceability • 8% Energy • 9% Liveness
93% Instrumentalness • 49% Positiveness
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Steven Sharp Nelson
God Be With You Till We Meet Again
85 bpm • D# Maj • 04:29 • -17.85db
35% Popularity • 18% Danceability • 21% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
35% Popularity • 18% Danceability • 21% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
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Ennio Morricone
Gabriel's Oboe
85 bpm • D Maj • 03:42 • -16.07db
50% Popularity • 9% Danceability • 18% Energy • 9% Liveness
80% Instrumentalness • 6% Positiveness
50% Popularity • 9% Danceability • 18% Energy • 9% Liveness
80% Instrumentalness • 6% Positiveness
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London Symphony Orchestra
Finale
72 bpm • A Maj • 03:30 • -17.34db
29% Popularity • 14% Danceability • 16% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
29% Popularity • 14% Danceability • 16% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
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Anne Trenning
When You Say Nothing At All
85 bpm • D# Maj • 03:29 • -19.08db
22% Popularity • 40% Danceability • 14% Energy • 15% Liveness
95% Instrumentalness • 16% Positiveness
22% Popularity • 40% Danceability • 14% Energy • 15% Liveness
95% Instrumentalness • 16% Positiveness
