Songs like Under African Skies (feat. Kurt Darren & 'Big Voice Jack' Lerole) by Mango Groove
Based on a tempo of (+/- 10%) and a similar genre
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PJ Powers
Bette Davis Eyes
125 bpm • F Maj • 04:03 • -9.9db
12% Popularity • 83% Danceability • 91% Energy • 22% Liveness
1% Instrumentalness • 68% Positiveness
12% Popularity • 83% Danceability • 91% Energy • 22% Liveness
1% Instrumentalness • 68% Positiveness
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The Rockets
Welcome to Cape Town
125 bpm • F Maj • 04:48 • -6.08db
8% Popularity • 66% Danceability • 92% Energy • 29% Liveness
0% Instrumentalness • 94% Positiveness
8% Popularity • 66% Danceability • 92% Energy • 29% Liveness
0% Instrumentalness • 94% Positiveness
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Sunset Sweatshop
Aye
125 bpm • D Maj • 03:26 • -9.44db
34% Popularity • 76% Danceability • 51% Energy • 27% Liveness
1% Instrumentalness • 79% Positiveness
34% Popularity • 76% Danceability • 51% Energy • 27% Liveness
1% Instrumentalness • 79% Positiveness
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Nianell
Life's Gift
125 bpm • A# Maj • 03:42 • -12.34db
8% Popularity • 40% Danceability • 30% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
8% Popularity • 40% Danceability • 30% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
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Four Jacks And a Jill
Timothy
125 bpm • F Maj • 02:45 • -6.59db
22% Popularity • 77% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
22% Popularity • 77% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Johannes Kerkorrel en die Gereformeerde Blues Band
Sit Dit Af
125 bpm • F Maj • 04:54 • -7.27db
10% Popularity • 72% Danceability • 69% Energy • 22% Liveness
0% Instrumentalness • 95% Positiveness
10% Popularity • 72% Danceability • 69% Energy • 22% Liveness
0% Instrumentalness • 95% Positiveness
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PJ Powers
World in Union 2011
125 bpm • F# Maj • 03:40 • -5.21db
12% Popularity • 58% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
12% Popularity • 58% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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Majozi
Breathing
125 bpm • E min • 03:09 • -4.81db
27% Popularity • 68% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
27% Popularity • 68% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Hugh Masekela
Sarafina!
125 bpm • G Maj • 02:40 • -10.02db
33% Popularity • 65% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
33% Popularity • 65% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
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Johannes Kerkorrel
Sit Dit Af
125 bpm • F Maj • 04:54 • -4.25db
13% Popularity • 71% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
13% Popularity • 71% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
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Steve Kekana
The Bushman
125 bpm • D min • 04:51 • -7.3db
14% Popularity • 73% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 51% Positiveness
14% Popularity • 73% Danceability • 44% Energy • 32% Liveness
0% Instrumentalness • 51% Positiveness
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Die Briels
Die Trein Na Pretoria
125 bpm • C Maj • 02:26 • -11.67db
13% Popularity • 60% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
13% Popularity • 60% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Cinema
My Kind of Girl
125 bpm • F# Maj • 04:27 • -4.18db
20% Popularity • 64% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
20% Popularity • 64% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
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Carike Keuzenkamp
Bartlomeu Dias
124 bpm • D Maj • 03:53 • -7.77db
26% Popularity • 62% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
26% Popularity • 62% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Four Jacks And a Jill
Timothy
125 bpm • F Maj • 01:57 • -6.84db
15% Popularity • 66% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
15% Popularity • 66% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
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Koos Kombuis
Lisa Se Klavier
124 bpm • G# Maj • 04:47 • -15.18db
23% Popularity • 53% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
23% Popularity • 53% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Johnny Clegg & Juluka
Bullets For Bafazane
124 bpm • A min • 03:56 • -6.14db
17% Popularity • 59% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
17% Popularity • 59% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Dr. Victor & the Rasta Rebels
Shambala
124 bpm • G Maj • 03:29 • -7db
21% Popularity • 80% Danceability • 98% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
21% Popularity • 80% Danceability • 98% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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Sias Reinecke
Sproeitjies
124 bpm • G Maj • 03:42 • -11.1db
22% Popularity • 40% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
22% Popularity • 40% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Robin Auld
Baby you've been good
126 bpm • A Maj • 03:31 • -4.6db
19% Popularity • 68% Danceability • 85% Energy • 29% Liveness
0% Instrumentalness • 75% Positiveness
19% Popularity • 68% Danceability • 85% Energy • 29% Liveness
0% Instrumentalness • 75% Positiveness
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Gert Vlok Nel
'N Hand Vol Gruis
126 bpm • D Maj • 02:05 • -14.49db
17% Popularity • 60% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
17% Popularity • 60% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Nianell
Who Painted The Moon?
126 bpm • A# Maj • 03:19 • -9.41db
23% Popularity • 67% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
23% Popularity • 67% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Rubber Duc
Zebra Horse
124 bpm • G Maj • 03:57 • -6.01db
20% Popularity • 80% Danceability • 92% Energy • 37% Liveness
0% Instrumentalness • 84% Positiveness
20% Popularity • 80% Danceability • 92% Energy • 37% Liveness
0% Instrumentalness • 84% Positiveness
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Dr. Victor & the Rasta Rebels
Shambala
124 bpm • G Maj • 04:40 • -12.03db
10% Popularity • 80% Danceability • 90% Energy • 5% Liveness
1% Instrumentalness • 97% Positiveness
10% Popularity • 80% Danceability • 90% Energy • 5% Liveness
1% Instrumentalness • 97% Positiveness
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Freshlyground
Fire Is Low
124 bpm • A Maj • 04:01 • -6.86db
22% Popularity • 83% Danceability • 70% Energy • 4% Liveness
0% Instrumentalness • 73% Positiveness
22% Popularity • 83% Danceability • 70% Energy • 4% Liveness
0% Instrumentalness • 73% Positiveness
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Ddisselblom
Nikotien en Kafeïen
126 bpm • D Maj • 02:49 • -8db
21% Popularity • 72% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
21% Popularity • 72% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Andre Swiegers
Blou
124 bpm • B Maj • 03:32 • -8.7db
29% Popularity • 63% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 10% Positiveness
29% Popularity • 63% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 10% Positiveness
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Robin Auld
Baby you've been Good
126 bpm • A Maj • 04:13 • -13.16db
11% Popularity • 71% Danceability • 54% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
11% Popularity • 71% Danceability • 54% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
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Chris Chameleon
Korreltjie Sand
126 bpm • A Maj • 01:44 • -5.79db
19% Popularity • 83% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 95% Positiveness
19% Popularity • 83% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 95% Positiveness
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Dr. Victor & the Rasta Rebels
Pretty Belinda
124 bpm • F# Maj • 04:06 • -6.97db
32% Popularity • 91% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
32% Popularity • 91% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
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Prime Circle
Hello
126 bpm • D Maj • 03:42 • -6.42db
36% Popularity • 56% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
36% Popularity • 56% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Lesley Rae Dowling
Grips Of Emotion
126 bpm • E min • 03:35 • -5.26db
9% Popularity • 70% Danceability • 80% Energy • 41% Liveness
0% Instrumentalness • 93% Positiveness
9% Popularity • 70% Danceability • 80% Energy • 41% Liveness
0% Instrumentalness • 93% Positiveness
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Die Melktert Kommissie
Proudly South African
126 bpm • D Maj • 03:38 • -8.88db
27% Popularity • 80% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
27% Popularity • 80% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Anneli Van Rooyen
Ek Lewe
123 bpm • B Maj • 03:49 • -12.83db
33% Popularity • 63% Danceability • 45% Energy • 32% Liveness
0% Instrumentalness • 69% Positiveness
33% Popularity • 63% Danceability • 45% Energy • 32% Liveness
0% Instrumentalness • 69% Positiveness
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Chris Chameleon
Jy't My Gekierang
126 bpm • D Maj • 01:20 • -5db
13% Popularity • 72% Danceability • 87% Energy • 38% Liveness
0% Instrumentalness • 95% Positiveness
13% Popularity • 72% Danceability • 87% Energy • 38% Liveness
0% Instrumentalness • 95% Positiveness
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Mango Groove
Tsa-Oo!
124 bpm • C Maj • 04:13 • -9.62db
9% Popularity • 73% Danceability • 72% Energy • 23% Liveness
15% Instrumentalness • 48% Positiveness
9% Popularity • 73% Danceability • 72% Energy • 23% Liveness
15% Instrumentalness • 48% Positiveness
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Dr. Victor & the Rasta Rebels
Gimme Hope Jo'Anna
126 bpm • A# Maj • 04:22 • -7.15db
24% Popularity • 80% Danceability • 86% Energy • 8% Liveness
1% Instrumentalness • 89% Positiveness
24% Popularity • 80% Danceability • 86% Energy • 8% Liveness
1% Instrumentalness • 89% Positiveness
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Anton Goosen
Silver De Lange
127 bpm • C Maj • 03:54 • -6.85db
26% Popularity • 73% Danceability • 70% Energy • 45% Liveness
0% Instrumentalness • 86% Positiveness
26% Popularity • 73% Danceability • 70% Energy • 45% Liveness
0% Instrumentalness • 86% Positiveness
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David Kramer
Hanne
123 bpm • E Maj • 02:58 • -6.16db
13% Popularity • 67% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
13% Popularity • 67% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
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Freshly Ground feat. The Ninth Remix
Gimme Hope Jo'anna
123 bpm • C# Maj • 03:59 • -3.3db
15% Popularity • 81% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 65% Positiveness
15% Popularity • 81% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 65% Positiveness
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Henry Ate
Henry
127 bpm • G Maj • 03:54 • -9.98db
16% Popularity • 61% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
16% Popularity • 61% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Chris Chameleon
Sterredank
127 bpm • A min • 03:20 • -6.82db
15% Popularity • 73% Danceability • 90% Energy • 90% Liveness
0% Instrumentalness • 38% Positiveness
15% Popularity • 73% Danceability • 90% Energy • 90% Liveness
0% Instrumentalness • 38% Positiveness
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Koos Kombuis
Liza Se Klavier
123 bpm • E Maj • 04:26 • -17.75db
27% Popularity • 55% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
27% Popularity • 55% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Worsie Visser
Strandfontein
127 bpm • A Maj • 03:50 • -7.67db
20% Popularity • 69% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
20% Popularity • 69% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Johnny Clegg & Juluka
Umfazi Omdala
123 bpm • F Maj • 03:16 • -3.62db
16% Popularity • 43% Danceability • 92% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
16% Popularity • 43% Danceability • 92% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
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Anneli Van Rooyen
Soos Ou Vriende
123 bpm • F Maj • 03:29 • -11.65db
22% Popularity • 37% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
22% Popularity • 37% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Freshlyground
Chicken To Change
128 bpm • G# Maj • 04:19 • -6.49db
4% Popularity • 68% Danceability • 81% Energy • 29% Liveness
0% Instrumentalness • 76% Positiveness
4% Popularity • 68% Danceability • 81% Energy • 29% Liveness
0% Instrumentalness • 76% Positiveness
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Hot Water
Lekker Sakkie
128 bpm • F Maj • 05:00 • -6.34db
18% Popularity • 69% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
18% Popularity • 69% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 87% Positiveness
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Four Jacks And a Jill
Master Jack
128 bpm • B Maj • 02:43 • -14db
23% Popularity • 55% Danceability • 28% Energy • 23% Liveness
0% Instrumentalness • 43% Positiveness
23% Popularity • 55% Danceability • 28% Energy • 23% Liveness
0% Instrumentalness • 43% Positiveness
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Coleske
Vanishing Point
128 bpm • G Maj • 03:57 • -3.6db
20% Popularity • 63% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
20% Popularity • 63% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Die Campbells
Rooi Rok Bokkie
128 bpm • D Maj • 03:55 • -5.2db
37% Popularity • 80% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 97% Positiveness
37% Popularity • 80% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 97% Positiveness
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Anneli Van Rooyen
Ek Glo
128 bpm • A Maj • 03:24 • -15.06db
26% Popularity • 67% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
26% Popularity • 67% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Freshlyground
Nomvula (After the Rain)
122 bpm • F# min • 04:43 • -11.76db
39% Popularity • 71% Danceability • 30% Energy • 10% Liveness
18% Instrumentalness • 42% Positiveness
39% Popularity • 71% Danceability • 30% Energy • 10% Liveness
18% Instrumentalness • 42% Positiveness
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Hilary
Sunglasses
128 bpm • B Maj • 02:34 • -12.79db
5% Popularity • 81% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 82% Positiveness
5% Popularity • 81% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 82% Positiveness
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Majozi
Someday
128 bpm • A# Maj • 03:41 • -5.05db
15% Popularity • 55% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
15% Popularity • 55% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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The Parlotones
Dragonflies and Astronauts
122 bpm • A Maj • 02:57 • -4.73db
22% Popularity • 56% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
22% Popularity • 56% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Die Campbells
Jaloers Bokkie
122 bpm • G Maj • 04:00 • -5.6db
13% Popularity • 74% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
13% Popularity • 74% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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Dr. Victor & the Rasta Rebels
Nightshift
122 bpm • F# min • 04:38 • -5.89db
11% Popularity • 72% Danceability • 97% Energy • 29% Liveness
6% Instrumentalness • 96% Positiveness
11% Popularity • 72% Danceability • 97% Energy • 29% Liveness
6% Instrumentalness • 96% Positiveness
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Robin Auld
All of Woman - Remix
122 bpm • D Maj • 04:37 • -12.64db
18% Popularity • 79% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
18% Popularity • 79% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Bobby Hendricks
Clap-Clap Sound
128 bpm • A# Maj • 02:48 • -3.27db
18% Popularity • 67% Danceability • 71% Energy • 9% Liveness
1% Instrumentalness • 96% Positiveness
18% Popularity • 67% Danceability • 71% Energy • 9% Liveness
1% Instrumentalness • 96% Positiveness
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Jeremy Taylor
The Ballad of the Southern Suburbs (Ag P...
122 bpm • G Maj • 04:08 • -14.04db
12% Popularity • 62% Danceability • 36% Energy • 71% Liveness
0% Instrumentalness • 82% Positiveness
12% Popularity • 62% Danceability • 36% Energy • 71% Liveness
0% Instrumentalness • 82% Positiveness
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The Bats
Groen En Goud
128 bpm • G Maj • 02:17 • -10.36db
13% Popularity • 61% Danceability • 62% Energy • 68% Liveness
0% Instrumentalness • 96% Positiveness
13% Popularity • 61% Danceability • 62% Energy • 68% Liveness
0% Instrumentalness • 96% Positiveness
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Bhekumuzi Luthuli
Banamanga
128 bpm • F Maj • 04:03 • -10.73db
11% Popularity • 68% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
11% Popularity • 68% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Anneli Van Rooyen
Ek Kan Droom Van My Sonskip
121 bpm • F Maj • 03:20 • -12.74db
28% Popularity • 60% Danceability • 38% Energy • 34% Liveness
0% Instrumentalness • 86% Positiveness
28% Popularity • 60% Danceability • 38% Energy • 34% Liveness
0% Instrumentalness • 86% Positiveness
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Johnny Clegg & Juluka
Scatterlings Of Africa
121 bpm • B min • 05:35 • -6.86db
28% Popularity • 53% Danceability • 83% Energy • 25% Liveness
0% Instrumentalness • 63% Positiveness
28% Popularity • 53% Danceability • 83% Energy • 25% Liveness
0% Instrumentalness • 63% Positiveness
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Henry Ate
Just
121 bpm • A# Maj • 02:48 • -12.6db
30% Popularity • 59% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
30% Popularity • 59% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Dr. Victor & the Rasta Rebels
Sweet Caroline
129 bpm • B Maj • 04:11 • -6.93db
12% Popularity • 79% Danceability • 70% Energy • 8% Liveness
16% Instrumentalness • 96% Positiveness
12% Popularity • 79% Danceability • 70% Energy • 8% Liveness
16% Instrumentalness • 96% Positiveness
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Johnny Clegg
Great Heart
121 bpm • G Maj • 04:24 • -16.71db
35% Popularity • 69% Danceability • 52% Energy • 25% Liveness
0% Instrumentalness • 91% Positiveness
35% Popularity • 69% Danceability • 52% Energy • 25% Liveness
0% Instrumentalness • 91% Positiveness
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Hot Water
Laduma
121 bpm • A Maj • 03:09 • -7.27db
21% Popularity • 73% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
21% Popularity • 73% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Koos Du Plessis
Pretoria
129 bpm • A Maj • 02:46 • -19.06db
12% Popularity • 56% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
12% Popularity • 56% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Freshlyground
Ma'Cheri
121 bpm • C# Maj • 04:29 • -6db
8% Popularity • 71% Danceability • 71% Energy • 24% Liveness
0% Instrumentalness • 81% Positiveness
8% Popularity • 71% Danceability • 71% Energy • 24% Liveness
0% Instrumentalness • 81% Positiveness
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Ipi Tombi
Ipi Tombi
129 bpm • F min • 03:41 • -2.51db
8% Popularity • 84% Danceability • 94% Energy • 25% Liveness
0% Instrumentalness • 76% Positiveness
8% Popularity • 84% Danceability • 94% Energy • 25% Liveness
0% Instrumentalness • 76% Positiveness
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Johannes Kerkorrel en die Gereformeerde Blues Band
Energie
130 bpm • G Maj • 03:33 • -8.49db
11% Popularity • 72% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
11% Popularity • 72% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Johnny Clegg
Great Heart ('13)
121 bpm • G Maj • 04:13 • -6.81db
22% Popularity • 66% Danceability • 85% Energy • 33% Liveness
0% Instrumentalness • 61% Positiveness
22% Popularity • 66% Danceability • 85% Energy • 33% Liveness
0% Instrumentalness • 61% Positiveness
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Radio Rats
ZX Dan
120 bpm • C Maj • 05:17 • -2.87db
13% Popularity • 44% Danceability • 94% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
13% Popularity • 44% Danceability • 94% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Wonderboom
Africa
120 bpm • C Maj • 03:27 • -6.11db
27% Popularity • 64% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 33% Positiveness
27% Popularity • 64% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 33% Positiveness
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Koos Kombuis
Vet Vrou
130 bpm • D Maj • 03:22 • -8.83db
19% Popularity • 64% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
19% Popularity • 64% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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"Ipi Ntombi" 1975 Original Cast
Baby Baby / Soweto By Night
130 bpm • F Maj • 05:18 • -7.78db
8% Popularity • 53% Danceability • 72% Energy • 85% Liveness
0% Instrumentalness • 84% Positiveness
8% Popularity • 53% Danceability • 72% Energy • 85% Liveness
0% Instrumentalness • 84% Positiveness
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Mango Groove
Dance Sum More
130 bpm • E Maj • 03:15 • -3.88db
12% Popularity • 73% Danceability • 89% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
12% Popularity • 73% Danceability • 89% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
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Four Jacks And a Jill
Jimmy Come Lately
120 bpm • B Maj • 03:59 • -9db
10% Popularity • 78% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
10% Popularity • 78% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
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Ddisselblom
Lente In die Boland
130 bpm • D Maj • 03:36 • -6db
8% Popularity • 72% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
8% Popularity • 72% Danceability • 79% Energy • 6% Liveness
0% Instrumentalness • 53% Positiveness
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Coenie De Villiers
Wonder Bo Wonder
130 bpm • G Maj • 04:02 • -7.55db
17% Popularity • 56% Danceability • 57% Energy • 29% Liveness
0% Instrumentalness • 25% Positiveness
17% Popularity • 56% Danceability • 57% Energy • 29% Liveness
0% Instrumentalness • 25% Positiveness
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Maria
Clap Your Hands and Stamp Your Feet
130 bpm • B Maj • 03:33 • -8.61db
23% Popularity • 68% Danceability • 70% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
23% Popularity • 68% Danceability • 70% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
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Garth Taylor
If I Don't Call
120 bpm • D# Maj • 03:38 • -5db
12% Popularity • 68% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
12% Popularity • 68% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Mango Groove
Dance Sum More
130 bpm • E Maj • 02:55 • -9.69db
31% Popularity • 76% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 94% Positiveness
31% Popularity • 76% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 94% Positiveness
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Hot Water
Skollie
120 bpm • C Maj • 03:20 • -5.81db
19% Popularity • 89% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
19% Popularity • 89% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Leon Schuster
Ag Pleeze Daddy
120 bpm • C Maj • 03:11 • -7.95db
21% Popularity • 90% Danceability • 55% Energy • 61% Liveness
0% Instrumentalness • 71% Positiveness
21% Popularity • 90% Danceability • 55% Energy • 61% Liveness
0% Instrumentalness • 71% Positiveness
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Dj Jazzy D
Lady Soul
120 bpm • C# Maj • 04:49 • -5.74db
33% Popularity • 81% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
33% Popularity • 81% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
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Pietman Peter Mitchell
You and I
120 bpm • B Maj • 03:31 • -6.9db
15% Popularity • 59% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
15% Popularity • 59% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Rocco De Villiers
Liewe Hemel, Liewe Aarde
120 bpm • E Maj • 03:28 • -8.82db
19% Popularity • 81% Danceability • 66% Energy • 9% Liveness
93% Instrumentalness • 71% Positiveness
19% Popularity • 81% Danceability • 66% Energy • 9% Liveness
93% Instrumentalness • 71% Positiveness
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Mango Groove
Kinders Van Die Wind
130 bpm • E Maj • 03:32 • -6.74db
15% Popularity • 56% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
15% Popularity • 56% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Whani Jansen
Shambala / Amarillo / I Can See Clearly ...
120 bpm • B Maj • 07:28 • -5.63db
19% Popularity • 85% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
19% Popularity • 85% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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Die Radio Kalahari Orkes
Heuningland
120 bpm • G Maj • 03:59 • -10db
13% Popularity • 72% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
13% Popularity • 72% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Sunset Sweatshop
Show Me Your Love
120 bpm • A# Maj • 03:37 • -7.28db
28% Popularity • 70% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
28% Popularity • 70% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Leon Schuster
Ek Soek Die Bokke
120 bpm • D Maj • 02:23 • -6.45db
15% Popularity • 92% Danceability • 66% Energy • 91% Liveness
0% Instrumentalness • 97% Positiveness
15% Popularity • 92% Danceability • 66% Energy • 91% Liveness
0% Instrumentalness • 97% Positiveness
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Gerhard Steyn
Tussen Treine
120 bpm • B Maj • 04:07 • -10db
30% Popularity • 66% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
30% Popularity • 66% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Mango Groove
Hellfire
120 bpm • G# Maj • 03:58 • -4.52db
27% Popularity • 76% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
27% Popularity • 76% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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aKING
Against All Odds
120 bpm • F Maj • 02:55 • -6db
32% Popularity • 65% Danceability • 78% Energy • 24% Liveness
0% Instrumentalness • 76% Positiveness
32% Popularity • 65% Danceability • 78% Energy • 24% Liveness
0% Instrumentalness • 76% Positiveness
