Songs like Under The Rug (feat. Eric Gales) by Gary Hoey
Based on a tempo of (+/- 10%) and a similar genre
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Guthrie Govan
The Cost of Loving
120 bpm • B min • 02:13 • -7.01db
40% Popularity • 51% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
40% Popularity • 51% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Tony Spinner
Dirty Little Mynx
120 bpm • C# Maj • 03:20 • -6.04db
20% Popularity • 70% Danceability • 68% Energy • 22% Liveness
10% Instrumentalness • 86% Positiveness
20% Popularity • 70% Danceability • 68% Energy • 22% Liveness
10% Instrumentalness • 86% Positiveness
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David Gogo
Cuts Me To The Bone
120 bpm • G Maj • 03:19 • -6.76db
29% Popularity • 54% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
29% Popularity • 54% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Steve Stevens
Cherry Vanilla
120 bpm • F min • 07:29 • -5.19db
10% Popularity • 56% Danceability • 92% Energy • 9% Liveness
75% Instrumentalness • 68% Positiveness
10% Popularity • 56% Danceability • 92% Energy • 9% Liveness
75% Instrumentalness • 68% Positiveness
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Coco Montoya
Lost In The Bottle
120 bpm • E min • 04:47 • -5db
33% Popularity • 55% Danceability • 84% Energy • 10% Liveness
22% Instrumentalness • 70% Positiveness
33% Popularity • 55% Danceability • 84% Energy • 10% Liveness
22% Instrumentalness • 70% Positiveness
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James Ec
DESCONTROL
120 bpm • E Maj • 03:14 • -6.39db
9% Popularity • 81% Danceability • 62% Energy • 4% Liveness
1% Instrumentalness • 88% Positiveness
9% Popularity • 81% Danceability • 62% Energy • 4% Liveness
1% Instrumentalness • 88% Positiveness
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Gary Hoey
The Deep
120 bpm • D# min • 06:02 • -4.8db
8% Popularity • 48% Danceability • 71% Energy • 30% Liveness
74% Instrumentalness • 10% Positiveness
8% Popularity • 48% Danceability • 71% Energy • 30% Liveness
74% Instrumentalness • 10% Positiveness
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Buddaheads
State Of Grace
120 bpm • G# min • 04:04 • -5.73db
12% Popularity • 73% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
12% Popularity • 73% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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David Arkenstone
Long Drive Home
120 bpm • E min • 02:30 • -7.42db
14% Popularity • 62% Danceability • 61% Energy • 24% Liveness
85% Instrumentalness • 67% Positiveness
14% Popularity • 62% Danceability • 61% Energy • 24% Liveness
85% Instrumentalness • 67% Positiveness
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Royal Southern Brotherhood
Where There's Smoke There's Fire
120 bpm • G min • 04:37 • -4db
18% Popularity • 62% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
18% Popularity • 62% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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Tony Spinner
Lay Down Your Crutch
120 bpm • E Maj • 04:48 • -3.62db
8% Popularity • 37% Danceability • 79% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
8% Popularity • 37% Danceability • 79% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
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Jan Cyrka
Rip Roaring
120 bpm • G Maj • 01:38 • -4.89db
33% Popularity • 40% Danceability • 76% Energy • 12% Liveness
97% Instrumentalness • 69% Positiveness
33% Popularity • 40% Danceability • 76% Energy • 12% Liveness
97% Instrumentalness • 69% Positiveness
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Gary Hoey
Peter Gunn
120 bpm • C# min • 02:39 • -1.56db
8% Popularity • 45% Danceability • 98% Energy • 17% Liveness
84% Instrumentalness • 49% Positiveness
8% Popularity • 45% Danceability • 98% Energy • 17% Liveness
84% Instrumentalness • 49% Positiveness
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Black Country Communion
Sista Jane
120 bpm • D Maj • 06:54 • -8db
18% Popularity • 35% Danceability • 85% Energy • 26% Liveness
31% Instrumentalness • 33% Positiveness
18% Popularity • 35% Danceability • 85% Energy • 26% Liveness
31% Instrumentalness • 33% Positiveness
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Greg Koch
Funk Force Five
120 bpm • E min • 03:09 • -3.02db
25% Popularity • 51% Danceability • 88% Energy • 15% Liveness
68% Instrumentalness • 86% Positiveness
25% Popularity • 51% Danceability • 88% Energy • 15% Liveness
68% Instrumentalness • 86% Positiveness
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Tammy Bulson
Town
120 bpm • G min • 05:16 • -10.68db
18% Popularity • 49% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 61% Positiveness
18% Popularity • 49% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 61% Positiveness
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Back Door Slam
Tear Down the Walls
119 bpm • F# min • 05:01 • -6db
19% Popularity • 45% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
19% Popularity • 45% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Eric Steckel
Love Me or Leave Me
121 bpm • G Maj • 03:34 • -3.38db
16% Popularity • 53% Danceability • 96% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
16% Popularity • 53% Danceability • 96% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
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Dead Man's Hand HTX
Devils Due
121 bpm • E min • 04:36 • -9.71db
8% Popularity • 54% Danceability • 82% Energy • 11% Liveness
1% Instrumentalness • 69% Positiveness
8% Popularity • 54% Danceability • 82% Energy • 11% Liveness
1% Instrumentalness • 69% Positiveness
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Eric Johnson
Trademark - Instrumental
121 bpm • E Maj • 04:44 • -12db
37% Popularity • 50% Danceability • 60% Energy • 24% Liveness
68% Instrumentalness • 43% Positiveness
37% Popularity • 50% Danceability • 60% Energy • 24% Liveness
68% Instrumentalness • 43% Positiveness
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Ashbury
W.M.D.
119 bpm • B min • 01:42 • -6.65db
12% Popularity • 53% Danceability • 81% Energy • 7% Liveness
92% Instrumentalness • 66% Positiveness
12% Popularity • 53% Danceability • 81% Energy • 7% Liveness
92% Instrumentalness • 66% Positiveness
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Guitar Pete
Grooveyard Boogie
121 bpm • A Maj • 03:12 • -8.84db
11% Popularity • 51% Danceability • 42% Energy • 7% Liveness
89% Instrumentalness • 68% Positiveness
11% Popularity • 51% Danceability • 42% Energy • 7% Liveness
89% Instrumentalness • 68% Positiveness
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BBM
Can't Fool The Blues
121 bpm • A Maj • 05:15 • -9.44db
17% Popularity • 30% Danceability • 89% Energy • 8% Liveness
1% Instrumentalness • 57% Positiveness
17% Popularity • 30% Danceability • 89% Energy • 8% Liveness
1% Instrumentalness • 57% Positiveness
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Chickenfoot
Lighten Up
121 bpm • C# Maj • 05:12 • -4.87db
14% Popularity • 38% Danceability • 91% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
14% Popularity • 38% Danceability • 91% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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Blindside Blues Band
Dirty Double Dealer
119 bpm • A Maj • 04:16 • -5.09db
12% Popularity • 42% Danceability • 87% Energy • 15% Liveness
9% Instrumentalness • 76% Positiveness
12% Popularity • 42% Danceability • 87% Energy • 15% Liveness
9% Instrumentalness • 76% Positiveness
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Lance Lopez
Get Out and Walk
119 bpm • A Maj • 04:23 • -7.51db
20% Popularity • 53% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
20% Popularity • 53% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Dave Meniketti
Bad Feeling
118 bpm • B min • 05:46 • -5.47db
24% Popularity • 38% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
24% Popularity • 38% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Foghat
Louisiana Blues
122 bpm • C# min • 04:43 • -7.15db
26% Popularity • 40% Danceability • 89% Energy • 57% Liveness
1% Instrumentalness • 66% Positiveness
26% Popularity • 40% Danceability • 89% Energy • 57% Liveness
1% Instrumentalness • 66% Positiveness
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Gary Hoey
Karma Climb
122 bpm • G# min • 05:25 • -7.41db
8% Popularity • 47% Danceability • 78% Energy • 37% Liveness
81% Instrumentalness • 42% Positiveness
8% Popularity • 47% Danceability • 78% Energy • 37% Liveness
81% Instrumentalness • 42% Positiveness
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Bloodline
Stone Cold Hearted
118 bpm • F# min • 03:19 • -6.66db
20% Popularity • 60% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
20% Popularity • 60% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
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Gina Marsh
Isn't It Crazy
122 bpm • C# min • 04:01 • -5.81db
2% Popularity • 73% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
2% Popularity • 73% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Julian Sas
Thirty Days In The Hole
122 bpm • C Maj • 03:24 • -4.65db
14% Popularity • 65% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
14% Popularity • 65% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Alastair Greene
Living Today
122 bpm • D Maj • 04:19 • -7.34db
19% Popularity • 37% Danceability • 87% Energy • 31% Liveness
24% Instrumentalness • 44% Positiveness
19% Popularity • 37% Danceability • 87% Energy • 31% Liveness
24% Instrumentalness • 44% Positiveness
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Robin Trower
Jack and Jill
118 bpm • F# Maj • 02:44 • -13.75db
40% Popularity • 50% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
40% Popularity • 50% Danceability • 72% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
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Gary Hoey
Damned If I Do
118 bpm • C# Maj • 04:42 • -6.27db
10% Popularity • 59% Danceability • 78% Energy • 9% Liveness
59% Instrumentalness • 29% Positiveness
10% Popularity • 59% Danceability • 78% Energy • 9% Liveness
59% Instrumentalness • 29% Positiveness
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Jeff Beck
Big Block
122 bpm • A Maj • 04:06 • -13.11db
24% Popularity • 46% Danceability • 70% Energy • 10% Liveness
85% Instrumentalness • 35% Positiveness
24% Popularity • 46% Danceability • 70% Energy • 10% Liveness
85% Instrumentalness • 35% Positiveness
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Bloodline
Dixie Peach
118 bpm • A# min • 03:37 • -6db
16% Popularity • 62% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
16% Popularity • 62% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
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Chris BadNews Barnes
Back in a Cadillac - Live
123 bpm • D Maj • 03:26 • -5.76db
2% Popularity • 53% Danceability • 79% Energy • 90% Liveness
0% Instrumentalness • 64% Positiveness
2% Popularity • 53% Danceability • 79% Energy • 90% Liveness
0% Instrumentalness • 64% Positiveness
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Chickenfoot
Last Temptation
117 bpm • C# Maj • 04:02 • -4db
21% Popularity • 46% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
21% Popularity • 46% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Robin Trower
The Fool and Me - 2007 Remaster
123 bpm • A min • 03:55 • -8.03db
42% Popularity • 41% Danceability • 77% Energy • 27% Liveness
35% Instrumentalness • 78% Positiveness
42% Popularity • 41% Danceability • 77% Energy • 27% Liveness
35% Instrumentalness • 78% Positiveness
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Black Country Communion
Medusa
123 bpm • C Maj • 06:56 • -8db
20% Popularity • 49% Danceability • 62% Energy • 54% Liveness
2% Instrumentalness • 13% Positiveness
20% Popularity • 49% Danceability • 62% Energy • 54% Liveness
2% Instrumentalness • 13% Positiveness
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Dave Meniketti
Just Coastin'
123 bpm • F min • 04:52 • -6.42db
27% Popularity • 53% Danceability • 80% Energy • 6% Liveness
68% Instrumentalness • 59% Positiveness
27% Popularity • 53% Danceability • 80% Energy • 6% Liveness
68% Instrumentalness • 59% Positiveness
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Michael Angelo Batio
Clapton Is God
117 bpm • F# Maj • 06:04 • -4db
22% Popularity • 51% Danceability • 96% Energy • 34% Liveness
0% Instrumentalness • 42% Positiveness
22% Popularity • 51% Danceability • 96% Energy • 34% Liveness
0% Instrumentalness • 42% Positiveness
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Asphalt Jungle
Pharaoh's Blood
117 bpm • F# Maj • 04:30 • -4.41db
0% Popularity • 51% Danceability • 93% Energy • 15% Liveness
61% Instrumentalness • 31% Positiveness
0% Popularity • 51% Danceability • 93% Energy • 15% Liveness
61% Instrumentalness • 31% Positiveness
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Paul Rodgers
Deep Blue
117 bpm • F# min • 02:35 • -5.01db
11% Popularity • 60% Danceability • 98% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
11% Popularity • 60% Danceability • 98% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Gary Hoey
Don't Come Crying
117 bpm • F# min • 04:33 • -8db
17% Popularity • 60% Danceability • 68% Energy • 30% Liveness
3% Instrumentalness • 59% Positiveness
17% Popularity • 60% Danceability • 68% Energy • 30% Liveness
3% Instrumentalness • 59% Positiveness
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Eric Johnson
High Landrons
123 bpm • G# min • 05:45 • -11db
27% Popularity • 33% Danceability • 82% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
27% Popularity • 33% Danceability • 82% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
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Indigenous
Out Of Nowhere
123 bpm • G# Maj • 03:18 • -7.13db
16% Popularity • 55% Danceability • 92% Energy • 26% Liveness
82% Instrumentalness • 67% Positiveness
16% Popularity • 55% Danceability • 92% Energy • 26% Liveness
82% Instrumentalness • 67% Positiveness
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Chickenfoot
Sexy Little Thing
123 bpm • G Maj • 04:15 • -4db
29% Popularity • 51% Danceability • 83% Energy • 10% Liveness
3% Instrumentalness • 34% Positiveness
29% Popularity • 51% Danceability • 83% Energy • 10% Liveness
3% Instrumentalness • 34% Positiveness
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Asphalt Jungle
PHARAOHS BLOOD-RHYTHM MIX
117 bpm • F# Maj • 04:25 • -5.78db
0% Popularity • 75% Danceability • 93% Energy • 35% Liveness
19% Instrumentalness • 38% Positiveness
0% Popularity • 75% Danceability • 93% Energy • 35% Liveness
19% Instrumentalness • 38% Positiveness
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Danny Bryant's Redeyeband
Heart Working Overtime
124 bpm • A min • 03:19 • -4.65db
15% Popularity • 67% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
15% Popularity • 67% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Cry Of Love
Saving Grace
116 bpm • C Maj • 06:22 • -13.14db
16% Popularity • 49% Danceability • 33% Energy • 36% Liveness
0% Instrumentalness • 25% Positiveness
16% Popularity • 49% Danceability • 33% Energy • 36% Liveness
0% Instrumentalness • 25% Positiveness
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Supersonic Blues Machine
Broken Heart
124 bpm • G min • 03:57 • -4db
19% Popularity • 64% Danceability • 87% Energy • 25% Liveness
0% Instrumentalness • 43% Positiveness
19% Popularity • 64% Danceability • 87% Energy • 25% Liveness
0% Instrumentalness • 43% Positiveness
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Gary Hoey
Dust & Bones
124 bpm • B Maj • 04:09 • -7db
9% Popularity • 62% Danceability • 85% Energy • 3% Liveness
1% Instrumentalness • 32% Positiveness
9% Popularity • 62% Danceability • 85% Energy • 3% Liveness
1% Instrumentalness • 32% Positiveness
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Chickenfoot
Runnin' Out
116 bpm • F Maj • 03:52 • -4.96db
19% Popularity • 52% Danceability • 76% Energy • 11% Liveness
1% Instrumentalness • 56% Positiveness
19% Popularity • 52% Danceability • 76% Energy • 11% Liveness
1% Instrumentalness • 56% Positiveness
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BBM
City Of Gold
116 bpm • A Maj • 03:57 • -8db
27% Popularity • 54% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
27% Popularity • 54% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Jeff Healey
Please
124 bpm • A min • 03:44 • -11.34db
15% Popularity • 48% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
15% Popularity • 48% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Bonalien
Take a Ride with A Devil's Son
116 bpm • A min • 04:12 • -5.13db
10% Popularity • 48% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
10% Popularity • 48% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Supersonic Blues Machine
Running Whiskey
124 bpm • C# Maj • 02:41 • -3.48db
37% Popularity • 52% Danceability • 92% Energy • 46% Liveness
1% Instrumentalness • 58% Positiveness
37% Popularity • 52% Danceability • 92% Energy • 46% Liveness
1% Instrumentalness • 58% Positiveness
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Gary Hoey
Boss You Around
124 bpm • C# Maj • 03:08 • -6.95db
10% Popularity • 60% Danceability • 70% Energy • 32% Liveness
8% Instrumentalness • 91% Positiveness
10% Popularity • 60% Danceability • 70% Energy • 32% Liveness
8% Instrumentalness • 91% Positiveness
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Tony Spinner
The Answer
116 bpm • F# Maj • 05:02 • -6db
33% Popularity • 68% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
33% Popularity • 68% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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Buddaheads
Let It Roll
124 bpm • F# Maj • 03:33 • -7.12db
18% Popularity • 60% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 74% Positiveness
18% Popularity • 60% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 74% Positiveness
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Eric Johnson
Steve's Boogie
124 bpm • D Maj • 01:53 • -14db
26% Popularity • 66% Danceability • 65% Energy • 13% Liveness
80% Instrumentalness • 96% Positiveness
26% Popularity • 66% Danceability • 65% Energy • 13% Liveness
80% Instrumentalness • 96% Positiveness
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Jason Damico
Top Shelf Lady
124 bpm • C# Maj • 03:48 • -10.71db
0% Popularity • 33% Danceability • 90% Energy • 24% Liveness
48% Instrumentalness • 13% Positiveness
0% Popularity • 33% Danceability • 90% Energy • 24% Liveness
48% Instrumentalness • 13% Positiveness
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Albert Castiglia
Let the Big Dog Eat
124 bpm • A min • 03:28 • -4.36db
27% Popularity • 50% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
27% Popularity • 50% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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Chris BadNews Barnes
Raise Your Hand - Live
124 bpm • D Maj • 04:17 • -5.71db
0% Popularity • 53% Danceability • 86% Energy • 98% Liveness
0% Instrumentalness • 62% Positiveness
0% Popularity • 53% Danceability • 86% Energy • 98% Liveness
0% Instrumentalness • 62% Positiveness
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Alastair Greene
Red Wine Woman (Live)
116 bpm • C Maj • 04:22 • -6.24db
13% Popularity • 47% Danceability • 88% Energy • 97% Liveness
1% Instrumentalness • 52% Positiveness
13% Popularity • 47% Danceability • 88% Energy • 97% Liveness
1% Instrumentalness • 52% Positiveness
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Bryce Janey
Stone Cold Killer
116 bpm • D Maj • 05:13 • -5.33db
8% Popularity • 58% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
8% Popularity • 58% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Dave Meniketti
Angel On My Shoulder
116 bpm • E min • 05:22 • -4.81db
18% Popularity • 41% Danceability • 85% Energy • 13% Liveness
1% Instrumentalness • 51% Positiveness
18% Popularity • 41% Danceability • 85% Energy • 13% Liveness
1% Instrumentalness • 51% Positiveness
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Robin Trower
Farther on up the Road - 2012 Remaster
115 bpm • C# Maj • 02:35 • -6.58db
37% Popularity • 48% Danceability • 92% Energy • 24% Liveness
0% Instrumentalness • 77% Positiveness
37% Popularity • 48% Danceability • 92% Energy • 24% Liveness
0% Instrumentalness • 77% Positiveness
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Manic Eden
Gimme A Shot
115 bpm • C# Maj • 05:11 • -6.84db
13% Popularity • 60% Danceability • 92% Energy • 7% Liveness
2% Instrumentalness • 64% Positiveness
13% Popularity • 60% Danceability • 92% Energy • 7% Liveness
2% Instrumentalness • 64% Positiveness
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Gary Hoey
The Deep
115 bpm • D# min • 03:16 • -9.06db
5% Popularity • 34% Danceability • 32% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
5% Popularity • 34% Danceability • 32% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
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Lucien Felton
His Son
115 bpm • B Maj • 04:46 • -11.02db
25% Popularity • 55% Danceability • 57% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
25% Popularity • 55% Danceability • 57% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
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Supersonic Blues Machine
Do It Again
125 bpm • G Maj • 03:15 • -3.69db
13% Popularity • 48% Danceability • 94% Energy • 62% Liveness
0% Instrumentalness • 51% Positiveness
13% Popularity • 48% Danceability • 94% Energy • 62% Liveness
0% Instrumentalness • 51% Positiveness
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Neil Zaza
Bari
125 bpm • D Maj • 03:34 • -5.08db
30% Popularity • 56% Danceability • 87% Energy • 3% Liveness
59% Instrumentalness • 62% Positiveness
30% Popularity • 56% Danceability • 87% Energy • 3% Liveness
59% Instrumentalness • 62% Positiveness
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D2UR
Someday Soon Reprise
115 bpm • B min • 01:31 • -7.98db
14% Popularity • 57% Danceability • 78% Energy • 8% Liveness
90% Instrumentalness • 84% Positiveness
14% Popularity • 57% Danceability • 78% Energy • 8% Liveness
90% Instrumentalness • 84% Positiveness
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Dave Meniketti
Until The Next time
115 bpm • A min • 04:59 • -8db
30% Popularity • 63% Danceability • 52% Energy • 12% Liveness
76% Instrumentalness • 24% Positiveness
30% Popularity • 63% Danceability • 52% Energy • 12% Liveness
76% Instrumentalness • 24% Positiveness
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Gary Hoey
Your Kind Of Love
125 bpm • G# Maj • 03:37 • -6.95db
10% Popularity • 56% Danceability • 85% Energy • 35% Liveness
0% Instrumentalness • 70% Positiveness
10% Popularity • 56% Danceability • 85% Energy • 35% Liveness
0% Instrumentalness • 70% Positiveness
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Andy Wood
Junktown
115 bpm • F# min • 03:16 • -5.1db
32% Popularity • 59% Danceability • 93% Energy • 10% Liveness
90% Instrumentalness • 80% Positiveness
32% Popularity • 59% Danceability • 93% Energy • 10% Liveness
90% Instrumentalness • 80% Positiveness
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EMPERORS & ANGELS
Black Cat
115 bpm • A Maj • 04:33 • -6.78db
28% Popularity • 57% Danceability • 90% Energy • 90% Liveness
0% Instrumentalness • 51% Positiveness
28% Popularity • 57% Danceability • 90% Energy • 90% Liveness
0% Instrumentalness • 51% Positiveness
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Neil Zaza
Purple Rain
115 bpm • A# Maj • 07:53 • -6.94db
27% Popularity • 44% Danceability • 56% Energy • 16% Liveness
55% Instrumentalness • 10% Positiveness
27% Popularity • 44% Danceability • 56% Energy • 16% Liveness
55% Instrumentalness • 10% Positiveness
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Jeff Healey
Daze Of The Night
115 bpm • G Maj • 04:01 • -10db
20% Popularity • 53% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
20% Popularity • 53% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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Dave Meniketti
Hard As I Try
115 bpm • D min • 06:07 • -6.05db
13% Popularity • 55% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
13% Popularity • 55% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Bryce Janey
Funky Guitar Blues
115 bpm • F Maj • 04:21 • -5.83db
41% Popularity • 56% Danceability • 87% Energy • 9% Liveness
1% Instrumentalness • 52% Positiveness
41% Popularity • 56% Danceability • 87% Energy • 9% Liveness
1% Instrumentalness • 52% Positiveness
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Savoy Brown
Guitar Slinger
115 bpm • E min • 03:55 • -4.09db
25% Popularity • 52% Danceability • 85% Energy • 10% Liveness
75% Instrumentalness • 75% Positiveness
25% Popularity • 52% Danceability • 85% Energy • 10% Liveness
75% Instrumentalness • 75% Positiveness
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The Vaughan Brothers
Long Way from Home
114 bpm • G# Maj • 03:14 • -11db
35% Popularity • 72% Danceability • 92% Energy • 7% Liveness
42% Instrumentalness • 91% Positiveness
35% Popularity • 72% Danceability • 92% Energy • 7% Liveness
42% Instrumentalness • 91% Positiveness
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David Grissom
Skimming the Surface
126 bpm • A Maj • 04:23 • -8.36db
18% Popularity • 74% Danceability • 76% Energy • 11% Liveness
89% Instrumentalness • 61% Positiveness
18% Popularity • 74% Danceability • 76% Energy • 11% Liveness
89% Instrumentalness • 61% Positiveness
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Buddaheads
Road to Ruin
126 bpm • D Maj • 04:28 • -6.46db
11% Popularity • 64% Danceability • 90% Energy • 8% Liveness
7% Instrumentalness • 70% Positiveness
11% Popularity • 64% Danceability • 90% Energy • 8% Liveness
7% Instrumentalness • 70% Positiveness
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432 Hz Sweden
Strange World
126 bpm • G Maj • 04:07 • -11.84db
18% Popularity • 69% Danceability • 64% Energy • 7% Liveness
86% Instrumentalness • 67% Positiveness
18% Popularity • 69% Danceability • 64% Energy • 7% Liveness
86% Instrumentalness • 67% Positiveness
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Robin Trower
Man of the World
114 bpm • D Maj • 02:42 • -11.38db
40% Popularity • 65% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
40% Popularity • 65% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
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Dave Meniketti
Parchman Farm
114 bpm • G Maj • 02:33 • -3.96db
17% Popularity • 41% Danceability • 99% Energy • 36% Liveness
31% Instrumentalness • 65% Positiveness
17% Popularity • 41% Danceability • 99% Energy • 36% Liveness
31% Instrumentalness • 65% Positiveness
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Dudley Taft
Screaming in the Wind
127 bpm • C# Maj • 04:16 • -8db
11% Popularity • 47% Danceability • 60% Energy • 9% Liveness
18% Instrumentalness • 35% Positiveness
11% Popularity • 47% Danceability • 60% Energy • 9% Liveness
18% Instrumentalness • 35% Positiveness
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Alastair Greene
Last Train Around the Sun (Live)
114 bpm • B Maj • 05:50 • -5.95db
12% Popularity • 42% Danceability • 88% Energy • 94% Liveness
0% Instrumentalness • 49% Positiveness
12% Popularity • 42% Danceability • 88% Energy • 94% Liveness
0% Instrumentalness • 49% Positiveness
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The Screamin' Cheetah Wheelies
Shakin' the Blues
127 bpm • C# Maj • 03:01 • -11db
29% Popularity • 50% Danceability • 72% Energy • 5% Liveness
86% Instrumentalness • 90% Positiveness
29% Popularity • 50% Danceability • 72% Energy • 5% Liveness
86% Instrumentalness • 90% Positiveness
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Jimmy Thackery And The Drivers
Detroit Iron
127 bpm • G Maj • 05:05 • -4.33db
9% Popularity • 42% Danceability • 82% Energy • 60% Liveness
12% Instrumentalness • 29% Positiveness
9% Popularity • 42% Danceability • 82% Energy • 60% Liveness
12% Instrumentalness • 29% Positiveness
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Arc Angels
Paradise Café
113 bpm • C Maj • 05:30 • -4.93db
14% Popularity • 39% Danceability • 89% Energy • 94% Liveness
0% Instrumentalness • 31% Positiveness
14% Popularity • 39% Danceability • 89% Energy • 94% Liveness
0% Instrumentalness • 31% Positiveness
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Albert Castiglia
Hoodoo on Me
127 bpm • A min • 03:34 • -8.63db
30% Popularity • 47% Danceability • 73% Energy • 12% Liveness
56% Instrumentalness • 76% Positiveness
30% Popularity • 47% Danceability • 73% Energy • 12% Liveness
56% Instrumentalness • 76% Positiveness
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Blindside Blues Band
Calling My Name
127 bpm • G Maj • 05:34 • -6.42db
14% Popularity • 39% Danceability • 75% Energy • 32% Liveness
0% Instrumentalness • 63% Positiveness
14% Popularity • 39% Danceability • 75% Energy • 32% Liveness
0% Instrumentalness • 63% Positiveness
