Songs like Underdog Running W/ My Head Off by Blayne B.
Based on a tempo of (+/- 10%) and a similar genre
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Blayne B.
Ecstasy
160 bpm • C# min • 02:30 • -4.65db
7% Popularity • 74% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
7% Popularity • 74% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
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Jet Black Alley Cat
ALL OUT OF LUCK
160 bpm • B min • 03:51 • -8db
31% Popularity • 34% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
31% Popularity • 34% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Dolo Tonight
Wakey Wakey
160 bpm • D Maj • 02:13 • -6.91db
26% Popularity • 62% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 98% Positiveness
26% Popularity • 62% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 98% Positiveness
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Godly the Ruler
off with your head
160 bpm • E min • 02:21 • -9db
20% Popularity • 66% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
20% Popularity • 66% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Landon Tewers
Cinnamon Skies
160 bpm • B Maj • 02:13 • -5db
37% Popularity • 65% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
37% Popularity • 65% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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HARRY WAS HERE
Hand Grenades
160 bpm • E Maj • 02:13 • -7.97db
29% Popularity • 62% Danceability • 71% Energy • 21% Liveness
0% Instrumentalness • 48% Positiveness
29% Popularity • 62% Danceability • 71% Energy • 21% Liveness
0% Instrumentalness • 48% Positiveness
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Blayne B.
Underdog Running W/ My Head Off
160 bpm • E Maj • 03:00 • -6.75db
35% Popularity • 69% Danceability • 92% Energy • 30% Liveness
27% Instrumentalness • 67% Positiveness
35% Popularity • 69% Danceability • 92% Energy • 30% Liveness
27% Instrumentalness • 67% Positiveness
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Freddie Sunshine
The Usual
160 bpm • G# Maj • 02:48 • -4.47db
21% Popularity • 69% Danceability • 75% Energy • 21% Liveness
0% Instrumentalness • 64% Positiveness
21% Popularity • 69% Danceability • 75% Energy • 21% Liveness
0% Instrumentalness • 64% Positiveness
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Cemetery Drive
SUNDAY BLOODBATH
160 bpm • C min • 03:54 • -8.33db
37% Popularity • 62% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
37% Popularity • 62% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Chad Tepper
I Wanna Be Your High
160 bpm • B Maj • 03:07 • -6db
46% Popularity • 50% Danceability • 89% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
46% Popularity • 50% Danceability • 89% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
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Arrested Youth
Find My Own Way
160 bpm • G# Maj • 02:19 • -6db
54% Popularity • 72% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
54% Popularity • 72% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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HARRY WAS HERE
No Talking
160 bpm • A Maj • 02:00 • -7db
49% Popularity • 57% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
49% Popularity • 57% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
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Blayne B.
Promise Me A Dance
160 bpm • C# Maj • 03:00 • -8.42db
2% Popularity • 62% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
2% Popularity • 62% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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wolfi
misleading
160 bpm • E min • 03:04 • -11db
38% Popularity • 77% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
38% Popularity • 77% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Yxng Davi
Happier Than Murakami
160 bpm • B Maj • 02:04 • -7.56db
28% Popularity • 60% Danceability • 48% Energy • 35% Liveness
0% Instrumentalness • 39% Positiveness
28% Popularity • 60% Danceability • 48% Energy • 35% Liveness
0% Instrumentalness • 39% Positiveness
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Uppbeat
Electronic Cigarettes
160 bpm • C# Maj • 02:36 • -5.03db
20% Popularity • 62% Danceability • 87% Energy • 54% Liveness
0% Instrumentalness • 49% Positiveness
20% Popularity • 62% Danceability • 87% Energy • 54% Liveness
0% Instrumentalness • 49% Positiveness
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Hairu Tokyo
Nightmares
159 bpm • G# Maj • 02:47 • -2.16db
23% Popularity • 72% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
23% Popularity • 72% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Damien Styles
Good Job!
162 bpm • A Maj • 02:37 • -8.21db
23% Popularity • 52% Danceability • 64% Energy • 4% Liveness
0% Instrumentalness • 56% Positiveness
23% Popularity • 52% Danceability • 64% Energy • 4% Liveness
0% Instrumentalness • 56% Positiveness
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Jeris Johnson
CHOKEHOLD
158 bpm • G min • 01:59 • -6db
38% Popularity • 61% Danceability • 52% Energy • 31% Liveness
0% Instrumentalness • 42% Positiveness
38% Popularity • 61% Danceability • 52% Energy • 31% Liveness
0% Instrumentalness • 42% Positiveness
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WHALES•TALK
Hypocrite
162 bpm • C# Maj • 02:51 • -2.19db
31% Popularity • 56% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
31% Popularity • 56% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Sueco
Bad Vibes
162 bpm • B Maj • 02:31 • -6.35db
41% Popularity • 70% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
41% Popularity • 70% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
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HARRY WAS HERE
Obvious
162 bpm • B Maj • 02:11 • -8db
27% Popularity • 66% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
27% Popularity • 66% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
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Colliding With Mars
liplock
158 bpm • F# Maj • 02:53 • -8.44db
22% Popularity • 62% Danceability • 82% Energy • 23% Liveness
0% Instrumentalness • 49% Positiveness
22% Popularity • 62% Danceability • 82% Energy • 23% Liveness
0% Instrumentalness • 49% Positiveness
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Hairu Tokyo
White Wine Red Lies
163 bpm • B min • 03:27 • -2.71db
46% Popularity • 75% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
46% Popularity • 75% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Paycheck
HIGHSCHOOL DROPOUT
157 bpm • C# min • 02:06 • -6.23db
53% Popularity • 78% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
53% Popularity • 78% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Time is Dead
TEMPTATION
157 bpm • G# min • 02:48 • -10.19db
30% Popularity • 47% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
30% Popularity • 47% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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LUCIUS ARTHUR
Humans
163 bpm • D Maj • 03:04 • -8.25db
34% Popularity • 61% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
34% Popularity • 61% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
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Public Theatre
THE HUNT
163 bpm • A# min • 03:13 • -11db
23% Popularity • 47% Danceability • 60% Energy • 20% Liveness
21% Instrumentalness • 47% Positiveness
23% Popularity • 47% Danceability • 60% Energy • 20% Liveness
21% Instrumentalness • 47% Positiveness
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Freddie Sunshine
It's ok, I'm okay
157 bpm • A# Maj • 02:21 • -4.9db
28% Popularity • 60% Danceability • 89% Energy • 22% Liveness
13% Instrumentalness • 49% Positiveness
28% Popularity • 60% Danceability • 89% Energy • 22% Liveness
13% Instrumentalness • 49% Positiveness
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again&again
daydreams
157 bpm • A Maj • 02:14 • -4.05db
51% Popularity • 62% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
51% Popularity • 62% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 49% Positiveness
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HARRY WAS HERE
Living Nightmares
164 bpm • C Maj • 02:16 • -6.79db
40% Popularity • 52% Danceability • 75% Energy • 33% Liveness
0% Instrumentalness • 26% Positiveness
40% Popularity • 52% Danceability • 75% Energy • 33% Liveness
0% Instrumentalness • 26% Positiveness
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Jack Miller
Hotel Heaven
164 bpm • B Maj • 02:21 • -11db
22% Popularity • 65% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
22% Popularity • 65% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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NOT A TOY
Gutter Kid
156 bpm • A Maj • 02:43 • -6.08db
31% Popularity • 76% Danceability • 80% Energy • 9% Liveness
3% Instrumentalness • 78% Positiveness
31% Popularity • 76% Danceability • 80% Energy • 9% Liveness
3% Instrumentalness • 78% Positiveness
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Time is Dead
ROAD TRIP [Remastered]
164 bpm • C Maj • 03:07 • -9.36db
18% Popularity • 45% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
18% Popularity • 45% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Kevin Walkman
3:30am
164 bpm • E min • 02:25 • -7db
45% Popularity • 62% Danceability • 65% Energy • 56% Liveness
0% Instrumentalness • 78% Positiveness
45% Popularity • 62% Danceability • 65% Energy • 56% Liveness
0% Instrumentalness • 78% Positiveness
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dying in designer
Simulation
156 bpm • A# Maj • 02:35 • -8db
22% Popularity • 63% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
22% Popularity • 63% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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J.Cyrus
Quick Fix
156 bpm • A# min • 02:29 • -2.6db
28% Popularity • 75% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
28% Popularity • 75% Danceability • 65% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
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Hairu Tokyo
tidal wave
156 bpm • C# Maj • 03:21 • -2.23db
20% Popularity • 66% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 63% Positiveness
20% Popularity • 66% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 63% Positiveness
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Vorsa
NAUSEOUS
165 bpm • A min • 02:16 • -4.15db
26% Popularity • 53% Danceability • 91% Energy • 48% Liveness
0% Instrumentalness • 58% Positiveness
26% Popularity • 53% Danceability • 91% Energy • 48% Liveness
0% Instrumentalness • 58% Positiveness
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Mitch the Hero
Misfit
165 bpm • B Maj • 02:34 • -4.22db
10% Popularity • 63% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
10% Popularity • 63% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Lil Xtra
Sober
165 bpm • F# min • 03:56 • -6.67db
33% Popularity • 59% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
33% Popularity • 59% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Blayne B.
Pictures
165 bpm • C min • 02:52 • -12.37db
2% Popularity • 52% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
2% Popularity • 52% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Fuller
How To Lose A Guy In 10 Days
165 bpm • D Maj • 02:24 • -4.88db
24% Popularity • 65% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
24% Popularity • 65% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Wes Patrick
AIRHEAD
165 bpm • A Maj • 02:20 • -6.26db
42% Popularity • 58% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
42% Popularity • 58% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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again&again
sundays
155 bpm • A Maj • 02:29 • -6.2db
45% Popularity • 59% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 43% Positiveness
45% Popularity • 59% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 43% Positiveness
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Chandler Cooper
Away From Me
155 bpm • C# min • 02:13 • -9.38db
32% Popularity • 64% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
32% Popularity • 64% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Kenny Orlando
eating me inside
155 bpm • A Maj • 02:41 • -5.38db
31% Popularity • 47% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
31% Popularity • 47% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Blayne B.
Carousel
165 bpm • A Maj • 02:58 • -6.83db
4% Popularity • 62% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
4% Popularity • 62% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Caspr
Coke Nose
155 bpm • C# min • 02:44 • -5.99db
41% Popularity • 67% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
41% Popularity • 67% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Dolo Tonight
Fake My Death
155 bpm • A Maj • 02:25 • -6.34db
37% Popularity • 59% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
37% Popularity • 59% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Gentrammel
Toxic Twins
165 bpm • C Maj • 03:22 • -7db
39% Popularity • 49% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
39% Popularity • 49% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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✦kenji✦
No Lie
155 bpm • A# Maj • 02:20 • -6db
41% Popularity • 52% Danceability • 67% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
41% Popularity • 52% Danceability • 67% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
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Chadwick.
Floating Away
155 bpm • E min • 02:39 • -9.04db
34% Popularity • 70% Danceability • 53% Energy • 66% Liveness
0% Instrumentalness • 72% Positiveness
34% Popularity • 70% Danceability • 53% Energy • 66% Liveness
0% Instrumentalness • 72% Positiveness
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Scrawny
Break Me Down
155 bpm • C Maj • 03:17 • -5.99db
28% Popularity • 86% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
28% Popularity • 86% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Dolorous
Technical Dreams
155 bpm • C# Maj • 03:31 • -10db
32% Popularity • 70% Danceability • 46% Energy • 21% Liveness
64% Instrumentalness • 71% Positiveness
32% Popularity • 70% Danceability • 46% Energy • 21% Liveness
64% Instrumentalness • 71% Positiveness
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Slush Puppy
Juliette
165 bpm • D Maj • 02:50 • -10db
43% Popularity • 46% Danceability • 47% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
43% Popularity • 46% Danceability • 47% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
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Blayne B.
Alright
155 bpm • D Maj • 02:54 • -12.51db
5% Popularity • 64% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
5% Popularity • 64% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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JonesJrr
ON THE RUN
166 bpm • C# Maj • 02:58 • -8.56db
37% Popularity • 67% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
37% Popularity • 67% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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LESANE
AFTER THE CLUB
166 bpm • G# Maj • 02:23 • -6.92db
24% Popularity • 50% Danceability • 90% Energy • 27% Liveness
0% Instrumentalness • 92% Positiveness
24% Popularity • 50% Danceability • 90% Energy • 27% Liveness
0% Instrumentalness • 92% Positiveness
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Paycheck
WORTH IT
166 bpm • G# Maj • 02:10 • -6.86db
35% Popularity • 62% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
35% Popularity • 62% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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RØNIN
Butterflies
154 bpm • B min • 03:35 • -3.54db
39% Popularity • 74% Danceability • 71% Energy • 10% Liveness
10% Instrumentalness • 70% Positiveness
39% Popularity • 74% Danceability • 71% Energy • 10% Liveness
10% Instrumentalness • 70% Positiveness
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SK8M BANKS
Like it alone
154 bpm • F# Maj • 02:07 • -6.44db
25% Popularity • 68% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
25% Popularity • 68% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Blayne B.
Who I Am
166 bpm • B Maj • 02:43 • -12.35db
1% Popularity • 46% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
1% Popularity • 46% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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MASN
Adrenaline
167 bpm • F Maj • 02:26 • -5.24db
38% Popularity • 60% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
38% Popularity • 60% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
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Lil Godd
MY EMOTIONS
167 bpm • G Maj • 02:43 • -7.57db
28% Popularity • 44% Danceability • 77% Energy • 29% Liveness
3% Instrumentalness • 47% Positiveness
28% Popularity • 44% Danceability • 77% Energy • 29% Liveness
3% Instrumentalness • 47% Positiveness
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Aaron Taos
punk chick
153 bpm • G Maj • 03:08 • -3.04db
29% Popularity • 77% Danceability • 85% Energy • 64% Liveness
0% Instrumentalness • 82% Positiveness
29% Popularity • 77% Danceability • 85% Energy • 64% Liveness
0% Instrumentalness • 82% Positiveness
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Younger Hunger
Light Stream
168 bpm • G# Maj • 03:37 • -5.12db
25% Popularity • 41% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
25% Popularity • 41% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Max Bennett Kelly
Always Never Again
168 bpm • D min • 02:35 • -6.13db
17% Popularity • 67% Danceability • 77% Energy • 38% Liveness
0% Instrumentalness • 63% Positiveness
17% Popularity • 67% Danceability • 77% Energy • 38% Liveness
0% Instrumentalness • 63% Positiveness
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Blayne B.
Cold Outside
166 bpm • G# Maj • 02:20 • -6.6db
1% Popularity • 70% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
1% Popularity • 70% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Exit
Down & Out (And Punked)
168 bpm • B min • 02:10 • -8.31db
38% Popularity • 46% Danceability • 81% Energy • 38% Liveness
0% Instrumentalness • 67% Positiveness
38% Popularity • 46% Danceability • 81% Energy • 38% Liveness
0% Instrumentalness • 67% Positiveness
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Groupthink
Me and Your Boyfriend
168 bpm • C Maj • 02:06 • -7.56db
26% Popularity • 38% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
26% Popularity • 38% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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ash blakk
ifellinlovewiththebeat
168 bpm • E Maj • 01:48 • -9.21db
28% Popularity • 72% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
28% Popularity • 72% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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baej Lambeaux
The Weather Was Perfect, the Beaches Wer...
168 bpm • D# Maj • 02:45 • -6.03db
35% Popularity • 43% Danceability • 59% Energy • 38% Liveness
0% Instrumentalness • 71% Positiveness
35% Popularity • 43% Danceability • 59% Energy • 38% Liveness
0% Instrumentalness • 71% Positiveness
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Friday Pilots Club
Hot Mess
168 bpm • F# Maj • 03:10 • -4.96db
56% Popularity • 58% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
56% Popularity • 58% Danceability • 95% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Sueco
Next Ex
152 bpm • G Maj • 02:09 • -4.41db
54% Popularity • 72% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 91% Positiveness
54% Popularity • 72% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 91% Positiveness
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CxViolet
Hackerboy
168 bpm • A# Maj • 02:36 • -8.61db
30% Popularity • 42% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
30% Popularity • 42% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
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ChrispyD
dire straits
152 bpm • D min • 02:22 • -5.71db
32% Popularity • 78% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
32% Popularity • 78% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Silent Child
IDFLU
169 bpm • E min • 02:52 • -3.58db
42% Popularity • 45% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
42% Popularity • 45% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Aim Vision
I'M ALRIGHT
151 bpm • B Maj • 02:23 • -7.32db
24% Popularity • 64% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
24% Popularity • 64% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Hairu Tokyo
fuck.the.world
151 bpm • A min • 02:11 • -3.12db
32% Popularity • 73% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
32% Popularity • 73% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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ONLY BAD COMPANY
The Kids Are Sick!
170 bpm • A min • 02:07 • -6db
40% Popularity • 38% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
40% Popularity • 38% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
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Fuller
Never Better
170 bpm • E min • 02:51 • -4db
44% Popularity • 48% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
44% Popularity • 48% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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LESANE
COLD BEER
170 bpm • C# Maj • 01:41 • -6.26db
36% Popularity • 72% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
36% Popularity • 72% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Little Hurt
Modern Art
170 bpm • C# min • 02:22 • -7.48db
22% Popularity • 57% Danceability • 82% Energy • 4% Liveness
0% Instrumentalness • 65% Positiveness
22% Popularity • 57% Danceability • 82% Energy • 4% Liveness
0% Instrumentalness • 65% Positiveness
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7evin7ins
Oh Sh!t
170 bpm • F# min • 03:06 • -6.49db
43% Popularity • 44% Danceability • 90% Energy • 20% Liveness
29% Instrumentalness • 39% Positiveness
43% Popularity • 44% Danceability • 90% Energy • 20% Liveness
29% Instrumentalness • 39% Positiveness
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The Ghost Club
Likes and Comments
170 bpm • C Maj • 02:58 • -6.21db
30% Popularity • 63% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
30% Popularity • 63% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Emerson Vernon
Hex Girl
170 bpm • G Maj • 02:35 • -8.46db
41% Popularity • 56% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
41% Popularity • 56% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
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HARRY WAS HERE
Started With
170 bpm • C# min • 02:05 • -5.48db
40% Popularity • 47% Danceability • 88% Energy • 47% Liveness
0% Instrumentalness • 31% Positiveness
40% Popularity • 47% Danceability • 88% Energy • 47% Liveness
0% Instrumentalness • 31% Positiveness
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poptropicaslutz!
Hollywood High 16
170 bpm • C# Maj • 03:05 • -6.78db
44% Popularity • 46% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
44% Popularity • 46% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Blayne B.
Walk Away
170 bpm • G# Maj • 02:18 • -8.39db
2% Popularity • 51% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
2% Popularity • 51% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Skuff Micksun
It Wants Me Dead
170 bpm • D Maj • 03:07 • -7.52db
15% Popularity • 46% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
15% Popularity • 46% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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Bryce Bishop
Winter
170 bpm • E Maj • 02:29 • -9.41db
37% Popularity • 62% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
37% Popularity • 62% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Fuller
Sex
170 bpm • B min • 02:33 • -4.85db
30% Popularity • 36% Danceability • 72% Energy • 77% Liveness
21% Instrumentalness • 45% Positiveness
30% Popularity • 36% Danceability • 72% Energy • 77% Liveness
21% Instrumentalness • 45% Positiveness
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![She Loves Drugs (I Like Her) [Acoustic] cover art](https://i.scdn.co/image/ab67616d00001e0271a8511faa4d53831d46c20b)
44Blonde
She Loves Drugs (I Like Her) [Acoustic]
150 bpm • B Maj • 02:04 • -6.02db
23% Popularity • 63% Danceability • 54% Energy • 41% Liveness
0% Instrumentalness • 92% Positiveness
23% Popularity • 63% Danceability • 54% Energy • 41% Liveness
0% Instrumentalness • 92% Positiveness
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atlgrandma
Bested
150 bpm • C# Maj • 02:10 • -5.97db
22% Popularity • 74% Danceability • 70% Energy • 9% Liveness
1% Instrumentalness • 84% Positiveness
22% Popularity • 74% Danceability • 70% Energy • 9% Liveness
1% Instrumentalness • 84% Positiveness
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updog
bouncy boy
150 bpm • G# Maj • 02:54 • -6.29db
36% Popularity • 62% Danceability • 91% Energy • 59% Liveness
2% Instrumentalness • 63% Positiveness
36% Popularity • 62% Danceability • 91% Energy • 59% Liveness
2% Instrumentalness • 63% Positiveness
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Jack Omstead
DON'T WANT YOUR LOVE
150 bpm • C# min • 01:56 • -11.14db
33% Popularity • 88% Danceability • 44% Energy • 12% Liveness
6% Instrumentalness • 59% Positiveness
33% Popularity • 88% Danceability • 44% Energy • 12% Liveness
6% Instrumentalness • 59% Positiveness
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Bryce Bishop
You Seemed Distracted
150 bpm • B Maj • 03:16 • -6.6db
32% Popularity • 57% Danceability • 69% Energy • 31% Liveness
1% Instrumentalness • 46% Positiveness
32% Popularity • 57% Danceability • 69% Energy • 31% Liveness
1% Instrumentalness • 46% Positiveness
