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Underwater Lament
Songs like
Underwater Lament
by
Murcof
Based on a tempo of (+/- 10%) and a similar genre
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Murcof
Underwater Lament
110 bpm • C# Maj • 05:20 • -16db
25% Popularity • 48% Danceability • 50% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Dylan Henner
The Peach Tree Next Door Grew over Our F...
110 bpm • C# Maj • 05:38 • -17db
34% Popularity • 52% Danceability • 33% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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A Winged Victory for the Sullen
The Slow Descent Has Begun
109 bpm • A min • 04:55 • -21db
38% Popularity • 16% Danceability • 5% Energy • 8% Liveness
98% Instrumentalness • 3% Positiveness
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Susumu Yokota
Gekkoh
111 bpm • A# Maj • 04:59 • -11db
28% Popularity • 65% Danceability • 60% Energy • 9% Liveness
90% Instrumentalness • 23% Positiveness
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Clark
Omni Vignette
112 bpm • C# Maj • 02:18 • -25db
38% Popularity • 27% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 11% Positiveness
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Erik Truffaz
Avant l'aube
108 bpm • C min • 08:36 • -14.15db
7% Popularity • 48% Danceability • 49% Energy • 10% Liveness
95% Instrumentalness • 14% Positiveness
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Bing & Ruth
We Are on the Side of Angels
112 bpm • F Maj • 07:00 • -32.1db
23% Popularity • 47% Danceability • 28% Energy • 8% Liveness
87% Instrumentalness • 37% Positiveness
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Kelpe
All the Way Round - Edit
108 bpm • D min • 04:30 • -19.74db
28% Popularity • 25% Danceability • 15% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
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A Winged Victory for the Sullen
We Played Some Open Chords and Rejoiced,...
108 bpm • A# Maj • 06:18 • -22.84db
35% Popularity • 26% Danceability • 2% Energy • 14% Liveness
91% Instrumentalness • 3% Positiveness
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Mark Pritchard
Circle of Fear
112 bpm • A min • 03:06 • -24.5db
17% Popularity • 28% Danceability • 6% Energy • 7% Liveness
88% Instrumentalness • 18% Positiveness
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Murcof
Ultimatum
108 bpm • A Maj • 06:09 • -16.55db
17% Popularity • 83% Danceability • 44% Energy • 9% Liveness
90% Instrumentalness • 18% Positiveness
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The Gentleman Losers
Silver Water Ripples
112 bpm • C min • 02:47 • -21db
29% Popularity • 56% Danceability • 23% Energy • 16% Liveness
88% Instrumentalness • 29% Positiveness
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Mary Lattimore
The Quiet at Night
108 bpm • D Maj • 04:12 • -12db
33% Popularity • 48% Danceability • 21% Energy • 10% Liveness
92% Instrumentalness • 21% Positiveness
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Brambles
In The Androgynous Dark
113 bpm • G# Maj • 04:43 • -17.02db
49% Popularity • 59% Danceability • 12% Energy • 9% Liveness
94% Instrumentalness • 7% Positiveness
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Taylor Deupree
elm
113 bpm • D Maj • 01:22 • -24.2db
44% Popularity • 17% Danceability • 6% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
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Fennesz
Tom
113 bpm • B Maj • 03:04 • -14.03db
34% Popularity • 17% Danceability • 18% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Steve Hauschildt
A Reflecting Pool
107 bpm • C# min • 03:10 • -19db
26% Popularity • 54% Danceability • 38% Energy • 13% Liveness
92% Instrumentalness • 57% Positiveness
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Bruno Sanfilippo
Upon Contact
113 bpm • A# min • 05:37 • -19.18db
7% Popularity • 17% Danceability • 24% Energy • 16% Liveness
97% Instrumentalness • 4% Positiveness
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Kronos Quartet
The Water Rises
106 bpm • F min • 02:42 • -11db
35% Popularity • 33% Danceability • 30% Energy • 12% Liveness
96% Instrumentalness • 14% Positiveness
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Loscil
Drained Lake
114 bpm • G# Maj • 06:46 • -20.29db
20% Popularity • 25% Danceability • 25% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Taylor Deupree
Something That Looks Like Stars
114 bpm • D Maj • 02:15 • -20.22db
34% Popularity • 23% Danceability • 14% Energy • 7% Liveness
77% Instrumentalness • 7% Positiveness
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The Gentleman Losers
There Will Come Soft Rains
114 bpm • C Maj • 04:26 • -7.61db
21% Popularity • 23% Danceability • 50% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Shida Shahabi
Keiki
115 bpm • A# Maj • 04:55 • -24.06db
17% Popularity • 45% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 14% Positiveness
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Murcof
Memoria
115 bpm • G# Maj • 05:58 • -15.99db
23% Popularity • 74% Danceability • 62% Energy • 12% Liveness
82% Instrumentalness • 5% Positiveness
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Abul Mogard
Bound Universe
105 bpm • C# Maj • 06:44 • -25.66db
24% Popularity • 20% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 2% Positiveness
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Dictaphone
La Chute
115 bpm • G# min • 02:49 • -20.35db
17% Popularity • 42% Danceability • 26% Energy • 9% Liveness
92% Instrumentalness • 23% Positiveness
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Fennesz
Rivers of Sand
115 bpm • D Maj • 04:42 • -14.34db
28% Popularity • 19% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Deaf Center
Fiction Dawn
105 bpm • B min • 02:32 • -28db
30% Popularity • 45% Danceability • 1% Energy • 34% Liveness
89% Instrumentalness • 54% Positiveness
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Erik Truffaz
The Eye
116 bpm • D Maj • 04:00 • -14.1db
24% Popularity • 22% Danceability • 29% Energy • 9% Liveness
72% Instrumentalness • 3% Positiveness
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Murcof
Mes
105 bpm • C min • 05:50 • -16.7db
11% Popularity • 53% Danceability • 29% Energy • 10% Liveness
84% Instrumentalness • 13% Positiveness
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Loscil
Anthropocene
116 bpm • A min • 04:39 • -24.26db
27% Popularity • 52% Danceability • 30% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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Roedelius
On the Fly
104 bpm • E Maj • 04:19 • -27.21db
27% Popularity • 18% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Martyn Heyne
2400
104 bpm • D# min • 04:24 • -26db
36% Popularity • 38% Danceability • 12% Energy • 13% Liveness
89% Instrumentalness • 7% Positiveness
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Deaf Center
Divided
116 bpm • A Maj • 04:22 • -17.11db
15% Popularity • 17% Danceability • 32% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Pan-American
The Cloud Room
104 bpm • A Maj • 07:36 • -15db
25% Popularity • 27% Danceability • 31% Energy • 19% Liveness
92% Instrumentalness • 18% Positiveness
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Murcof
Ideology Storm
115 bpm • C# Maj • 05:50 • -19.92db
14% Popularity • 56% Danceability • 37% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
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Rafael Anton Irisarri
Watching As She Reels
104 bpm • C Maj • 07:07 • -12db
26% Popularity • 20% Danceability • 43% Energy • 17% Liveness
97% Instrumentalness • 10% Positiveness
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Delia Derbyshire Appreciation Society
Cloudface
117 bpm • G Maj • 04:31 • -21.85db
21% Popularity • 23% Danceability • 12% Energy • 6% Liveness
95% Instrumentalness • 4% Positiveness
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Martin Glass
Okinawa Fantasia
117 bpm • D min • 01:32 • -18db
38% Popularity • 54% Danceability • 29% Energy • 11% Liveness
85% Instrumentalness • 43% Positiveness
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Deru
Addictive Yearning
117 bpm • A min • 03:45 • -16.21db
27% Popularity • 18% Danceability • 29% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
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Dictaphone
Nr. 12
103 bpm • A min • 06:34 • -19.39db
10% Popularity • 22% Danceability • 12% Energy • 35% Liveness
90% Instrumentalness • 4% Positiveness
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Murcof
Fire Thief
115 bpm • C min • 04:58 • -16db
18% Popularity • 51% Danceability • 56% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Niklas Paschburg
Sand Whirling
117 bpm • B min • 04:31 • -18.53db
28% Popularity • 37% Danceability • 23% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
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Ochre
A Midsummer Nice Dream
118 bpm • F# min • 02:50 • -19.52db
36% Popularity • 45% Danceability • 22% Energy • 10% Liveness
94% Instrumentalness • 11% Positiveness
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Huerco S.
A Sea Of Love
102 bpm • A# min • 07:17 • -28.72db
38% Popularity • 14% Danceability • 12% Energy • 11% Liveness
87% Instrumentalness • 12% Positiveness
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Deaf Center
Far Between
118 bpm • D# min • 03:13 • -30.19db
14% Popularity • 40% Danceability • 1% Energy • 9% Liveness
83% Instrumentalness • 24% Positiveness
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Martyn Heyne
Curium
102 bpm • C min • 09:30 • -12.86db
15% Popularity • 60% Danceability • 42% Energy • 10% Liveness
80% Instrumentalness • 16% Positiveness
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Murcof
Retrato
104 bpm • C# min • 02:26 • -36.03db
31% Popularity • 27% Danceability • 5% Energy • 12% Liveness
84% Instrumentalness • 33% Positiveness
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Susumu Yokota
Saku
118 bpm • D Maj • 05:45 • -18db
40% Popularity • 39% Danceability • 16% Energy • 12% Liveness
87% Instrumentalness • 12% Positiveness
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Mika Vainio
Stratostaatti
102 bpm • F min • 07:06 • -26.92db
19% Popularity • 61% Danceability • 7% Energy • 11% Liveness
96% Instrumentalness • 38% Positiveness
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Mark Pritchard
Parkstone Melody II
119 bpm • F Maj • 03:04 • -23.57db
21% Popularity • 20% Danceability • 12% Energy • 29% Liveness
92% Instrumentalness • 4% Positiveness
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Loscil
Motoc
119 bpm • A min • 06:29 • -19.63db
21% Popularity • 35% Danceability • 26% Energy • 8% Liveness
82% Instrumentalness • 3% Positiveness
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Brambles
Such Owls As You
102 bpm • B Maj • 05:29 • -26db
44% Popularity • 19% Danceability • 7% Energy • 13% Liveness
91% Instrumentalness • 9% Positiveness
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Deru
Three Cheers For Existence
119 bpm • F Maj • 05:19 • -25.61db
32% Popularity • 17% Danceability • 6% Energy • 17% Liveness
96% Instrumentalness • 2% Positiveness
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Pye Corner Audio
Theme Number Sixty Eight
119 bpm • A# min • 01:50 • -14.23db
37% Popularity • 31% Danceability • 26% Energy • 18% Liveness
91% Instrumentalness • 22% Positiveness
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Florencia Ruiz
Siberia - Murcof Remix
101 bpm • E min • 06:27 • -23.88db
0% Popularity • 45% Danceability • 31% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
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Peter Broderick
Begin
120 bpm • D Maj • 02:03 • -26db
36% Popularity • 31% Danceability • 0% Energy • 7% Liveness
80% Instrumentalness • 33% Positiveness
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Rafael Anton Irisarri
Empire Systems
119 bpm • C Maj • 08:44 • -11.5db
23% Popularity • 17% Danceability • 18% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
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Hauschka
#283
120 bpm • A# Maj • 05:34 • -17.72db
11% Popularity • 45% Danceability • 19% Energy • 10% Liveness
90% Instrumentalness • 18% Positiveness
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Charlotte Danhier
The See Within
101 bpm • E min • 02:53 • -25db
36% Popularity • 31% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Neil Cowley
Solitary Refinement
101 bpm • G# min • 05:59 • -21.87db
28% Popularity • 67% Danceability • 33% Energy • 10% Liveness
96% Instrumentalness • 73% Positiveness
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Federico Albanese
By the Deep Sea
120 bpm • F min • 03:58 • -22.62db
47% Popularity • 54% Danceability • 21% Energy • 9% Liveness
87% Instrumentalness • 5% Positiveness
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Murcof
Recuerdos
120 bpm • A# min • 08:01 • -17.25db
15% Popularity • 47% Danceability • 41% Energy • 10% Liveness
90% Instrumentalness • 26% Positiveness
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Kaitlyn Aurelia Smith
Mt Baker
120 bpm • C# min • 05:12 • -15.74db
39% Popularity • 42% Danceability • 26% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
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Loscil
In Threes
120 bpm • C min • 05:57 • -25db
27% Popularity • 29% Danceability • 7% Energy • 10% Liveness
81% Instrumentalness • 3% Positiveness
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Phil France
The Swimmer
120 bpm • B Maj • 04:12 • -18.03db
39% Popularity • 50% Danceability • 7% Energy • 11% Liveness
95% Instrumentalness • 14% Positiveness
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Brambles
Petrichor
120 bpm • D min • 05:16 • -19.95db
17% Popularity • 48% Danceability • 20% Energy • 8% Liveness
95% Instrumentalness • 10% Positiveness
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Federico Albanese
Mauer Blues
120 bpm • C# Maj • 04:01 • -20.92db
38% Popularity • 44% Danceability • 35% Energy • 10% Liveness
86% Instrumentalness • 11% Positiveness
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Murcof
Rostro
120 bpm • F# min • 08:21 • -22db
20% Popularity • 33% Danceability • 41% Energy • 12% Liveness
91% Instrumentalness • 5% Positiveness
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Ben Lukas Boysen
Golden Times 1
120 bpm • C# min • 08:37 • -19.84db
30% Popularity • 51% Danceability • 22% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Erik Truffaz
Human Being
120 bpm • C min • 09:37 • -13.64db
15% Popularity • 60% Danceability • 78% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Phil France
Circle
120 bpm • F# Maj • 04:03 • -16db
37% Popularity • 39% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 6% Positiveness
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Biosphere
Ikata - 1
120 bpm • C Maj • 05:04 • -25.15db
33% Popularity • 70% Danceability • 11% Energy • 7% Liveness
94% Instrumentalness • 64% Positiveness
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Brambles
Salt Photographs
120 bpm • G# Maj • 06:54 • -18db
30% Popularity • 52% Danceability • 23% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Murcof
Rios
120 bpm • E min • 08:30 • -16.92db
12% Popularity • 69% Danceability • 54% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
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Richard Skelton
Undertow
120 bpm • G# Maj • 06:26 • -16db
15% Popularity • 20% Danceability • 22% Energy • 11% Liveness
97% Instrumentalness • 4% Positiveness
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Chapelier Fou
Antivalse
120 bpm • F Maj • 02:47 • -14.57db
38% Popularity • 43% Danceability • 15% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Rafael Anton Irisarri
RH Negative
101 bpm • B min • 05:49 • -10.95db
23% Popularity • 17% Danceability • 25% Energy • 9% Liveness
96% Instrumentalness • 9% Positiveness
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Biosphere
Addio
120 bpm • D Maj • 01:30 • -28.02db
32% Popularity • 46% Danceability • 12% Energy • 13% Liveness
99% Instrumentalness • 69% Positiveness
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Peter Broderick
Two Balloons, Pt. 1
121 bpm • F Maj • 01:09 • -20.98db
34% Popularity • 35% Danceability • 16% Energy • 9% Liveness
97% Instrumentalness • 10% Positiveness
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Murcof
Momento
120 bpm • C# Maj • 04:43 • -15.03db
18% Popularity • 61% Danceability • 44% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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Loscil
Holding Pattern
100 bpm • D min • 06:11 • -21db
25% Popularity • 30% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Deaf Center
Stone Beacon
100 bpm • G Maj • 03:29 • -20.7db
24% Popularity • 16% Danceability • 8% Energy • 8% Liveness
87% Instrumentalness • 3% Positiveness
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Mike Lazarev
Footsteps
122 bpm • E min • 02:12 • -24db
37% Popularity • 45% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Erik Truffaz
Good News from the Desert
99 bpm • A# min • 11:09 • -12.94db
9% Popularity • 28% Danceability • 36% Energy • 9% Liveness
82% Instrumentalness • 4% Positiveness
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Kaada
Everything Is An Illusion
123 bpm • F Maj • 04:02 • -23.75db
21% Popularity • 25% Danceability • 23% Energy • 14% Liveness
91% Instrumentalness • 9% Positiveness
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Murcof
Cometa
120 bpm • G Maj • 08:17 • -17.82db
7% Popularity • 64% Danceability • 56% Energy • 9% Liveness
91% Instrumentalness • 18% Positiveness
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Loscil
Persistent
100 bpm • C Maj • 05:17 • -23.74db
23% Popularity • 43% Danceability • 7% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
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Deaf Center
Eloy
99 bpm • D min • 02:15 • -24.18db
33% Popularity • 72% Danceability • 17% Energy • 11% Liveness
95% Instrumentalness • 47% Positiveness
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Masayoshi Fujita
Sadness - Carlos Cipa Rework
99 bpm • E Maj • 06:26 • -32.22db
25% Popularity • 16% Danceability • 4% Energy • 16% Liveness
93% Instrumentalness • 4% Positiveness
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Kelly Moran
Water Music
97 bpm • G# Maj • 06:29 • -13.75db
30% Popularity • 25% Danceability • 40% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Philip Glass
Metamorphosis 4
124 bpm • F min • 07:35 • -12.72db
12% Popularity • 47% Danceability • 73% Energy • 10% Liveness
88% Instrumentalness • 24% Positiveness
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Murcof
Una
120 bpm • G min • 06:49 • -17.74db
11% Popularity • 45% Danceability • 34% Energy • 8% Liveness
81% Instrumentalness • 31% Positiveness
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Luke Abbott
Tree
125 bpm • F min • 03:27 • -23db
32% Popularity • 30% Danceability • 13% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Deaf Center
Yet to Come
124 bpm • G# min • 03:01 • -29db
25% Popularity • 40% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
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Shida Shahabi
Low Land
125 bpm • A Maj • 02:37 • -20db
20% Popularity • 17% Danceability • 13% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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Christina Vantzou
Wild Beast Research
96 bpm • E min • 01:39 • -23.96db
29% Popularity • 43% Danceability • 27% Energy • 10% Liveness
33% Instrumentalness • 23% Positiveness
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Anna Phoebe
Light On Waves - Pt. 1
96 bpm • A# min • 03:20 • -15.75db
14% Popularity • 18% Danceability • 40% Energy • 22% Liveness
96% Instrumentalness • 24% Positiveness
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Murcof
Ulysses
120 bpm • E min • 10:10 • -19.26db
8% Popularity • 49% Danceability • 18% Energy • 6% Liveness
93% Instrumentalness • 3% Positiveness
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Julia Kent
Salt Point
96 bpm • A min • 03:17 • -16.61db
31% Popularity • 38% Danceability • 15% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Underwater Lament