Songs like Underworld by Alice Phoebe Lou
Based on a tempo of (+/- 10%) and a similar genre
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Metronomy
405 - Metronomy x Biig Piig
130 bpm • C Maj • 04:25 • -10.15db
52% Popularity • 72% Danceability • 46% Energy • 13% Liveness
6% Instrumentalness • 44% Positiveness
52% Popularity • 72% Danceability • 46% Energy • 13% Liveness
6% Instrumentalness • 44% Positiveness
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Barrie
Frankie
130 bpm • F Maj • 04:17 • -8db
30% Popularity • 76% Danceability • 46% Energy • 8% Liveness
26% Instrumentalness • 62% Positiveness
30% Popularity • 76% Danceability • 46% Energy • 8% Liveness
26% Instrumentalness • 62% Positiveness
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Kate Bollinger
Running
130 bpm • C Maj • 03:05 • -13db
31% Popularity • 71% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
31% Popularity • 71% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Midnight Sister
Daddy Long Legs
130 bpm • C Maj • 03:58 • -5.77db
29% Popularity • 66% Danceability • 75% Energy • 23% Liveness
36% Instrumentalness • 72% Positiveness
29% Popularity • 66% Danceability • 75% Energy • 23% Liveness
36% Instrumentalness • 72% Positiveness
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Hannah Jadagu
Think Too Much
130 bpm • B Maj • 02:50 • -5db
35% Popularity • 54% Danceability • 76% Energy • 12% Liveness
6% Instrumentalness • 57% Positiveness
35% Popularity • 54% Danceability • 76% Energy • 12% Liveness
6% Instrumentalness • 57% Positiveness
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Florist
Spring in Hours
130 bpm • A# Maj • 06:05 • -15.05db
33% Popularity • 62% Danceability • 33% Energy • 6% Liveness
5% Instrumentalness • 37% Positiveness
33% Popularity • 62% Danceability • 33% Energy • 6% Liveness
5% Instrumentalness • 37% Positiveness
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Alice Phoebe Lou
Underworld
130 bpm • B min • 02:46 • -4.53db
40% Popularity • 62% Danceability • 73% Energy • 14% Liveness
1% Instrumentalness • 48% Positiveness
40% Popularity • 62% Danceability • 73% Energy • 14% Liveness
1% Instrumentalness • 48% Positiveness
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Marina Allen
Oh, Louise
130 bpm • D# min • 03:15 • -12db
21% Popularity • 50% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
21% Popularity • 50% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
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Jessica Pratt
Greycedes
130 bpm • D Maj • 02:38 • -11db
48% Popularity • 51% Danceability • 43% Energy • 26% Liveness
12% Instrumentalness • 34% Positiveness
48% Popularity • 51% Danceability • 43% Energy • 26% Liveness
12% Instrumentalness • 34% Positiveness
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Frankie Cosmos
Empty Head
131 bpm • C Maj • 05:13 • -10.42db
28% Popularity • 40% Danceability • 46% Energy • 8% Liveness
15% Instrumentalness • 24% Positiveness
28% Popularity • 40% Danceability • 46% Energy • 8% Liveness
15% Instrumentalness • 24% Positiveness
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Metronomy
Life and Death
129 bpm • C Maj • 03:00 • -12.17db
30% Popularity • 79% Danceability • 28% Energy • 12% Liveness
6% Instrumentalness • 52% Positiveness
30% Popularity • 79% Danceability • 28% Energy • 12% Liveness
6% Instrumentalness • 52% Positiveness
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Japanese Breakfast
Savage Good Boy
129 bpm • D Maj • 02:26 • -6db
48% Popularity • 71% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
48% Popularity • 71% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 30% Positiveness
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Saya Gray
SAVING GRACE
129 bpm • G# min • 02:52 • -11.18db
30% Popularity • 81% Danceability • 52% Energy • 9% Liveness
2% Instrumentalness • 68% Positiveness
30% Popularity • 81% Danceability • 52% Energy • 9% Liveness
2% Instrumentalness • 68% Positiveness
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Honeyglaze
Female Lead
129 bpm • E Maj • 02:04 • -7.95db
25% Popularity • 56% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
25% Popularity • 56% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Alice Phoebe Lou
She
128 bpm • D Maj • 03:55 • -8.72db
47% Popularity • 36% Danceability • 58% Energy • 9% Liveness
1% Instrumentalness • 7% Positiveness
47% Popularity • 36% Danceability • 58% Energy • 9% Liveness
1% Instrumentalness • 7% Positiveness
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MorMor
Seasons Change
132 bpm • C Maj • 02:29 • -8.42db
32% Popularity • 79% Danceability • 76% Energy • 29% Liveness
54% Instrumentalness • 67% Positiveness
32% Popularity • 79% Danceability • 76% Energy • 29% Liveness
54% Instrumentalness • 67% Positiveness
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Maia Friedman
Where The Rocks Are
132 bpm • D# Maj • 03:53 • -11.43db
25% Popularity • 55% Danceability • 39% Energy • 11% Liveness
42% Instrumentalness • 21% Positiveness
25% Popularity • 55% Danceability • 39% Energy • 11% Liveness
42% Instrumentalness • 21% Positiveness
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Sorry
There’s So Many People That Want To Be...
132 bpm • D Maj • 04:05 • -7db
27% Popularity • 57% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
27% Popularity • 57% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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strongboi
honey thighs
132 bpm • G Maj • 04:44 • -9db
50% Popularity • 63% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
50% Popularity • 63% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Okay Kaya
Insert Generic Name
132 bpm • A Maj • 02:25 • -8.69db
38% Popularity • 61% Danceability • 42% Energy • 33% Liveness
0% Instrumentalness • 33% Positiveness
38% Popularity • 61% Danceability • 42% Energy • 33% Liveness
0% Instrumentalness • 33% Positiveness
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Alice Phoebe Lou
Something Holy
132 bpm • A Maj • 04:46 • -6.82db
47% Popularity • 41% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
47% Popularity • 41% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Fake Fruit
I Am the Car
128 bpm • E Maj • 04:50 • -8db
30% Popularity • 67% Danceability • 94% Energy • 11% Liveness
43% Instrumentalness • 80% Positiveness
30% Popularity • 67% Danceability • 94% Energy • 11% Liveness
43% Instrumentalness • 80% Positiveness
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Drop Frame
Maze
128 bpm • G# Maj • 07:30 • -8.12db
5% Popularity • 34% Danceability • 79% Energy • 6% Liveness
4% Instrumentalness • 23% Positiveness
5% Popularity • 34% Danceability • 79% Energy • 6% Liveness
4% Instrumentalness • 23% Positiveness
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Japanese Breakfast
Slide Tackle
128 bpm • F Maj • 03:39 • -6.52db
49% Popularity • 75% Danceability • 60% Energy • 6% Liveness
1% Instrumentalness • 87% Positiveness
49% Popularity • 75% Danceability • 60% Energy • 6% Liveness
1% Instrumentalness • 87% Positiveness
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Hand Habits
No Difference
132 bpm • A# Maj • 02:51 • -9.99db
35% Popularity • 61% Danceability • 64% Energy • 15% Liveness
23% Instrumentalness • 52% Positiveness
35% Popularity • 61% Danceability • 64% Energy • 15% Liveness
23% Instrumentalness • 52% Positiveness
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Sam Valdez
Palms Casino
128 bpm • G min • 03:13 • -8.38db
22% Popularity • 61% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
22% Popularity • 61% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Oracle Sisters
Spotlight
132 bpm • D Maj • 04:25 • -6db
33% Popularity • 74% Danceability • 55% Energy • 12% Liveness
1% Instrumentalness • 49% Positiveness
33% Popularity • 74% Danceability • 55% Energy • 12% Liveness
1% Instrumentalness • 49% Positiveness
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Abby Sage
The Florist
128 bpm • A min • 03:10 • -10.21db
50% Popularity • 72% Danceability • 48% Energy • 47% Liveness
93% Instrumentalness • 28% Positiveness
50% Popularity • 72% Danceability • 48% Energy • 47% Liveness
93% Instrumentalness • 28% Positiveness
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Mamalarky
It Hurts
128 bpm • A min • 03:23 • -9db
28% Popularity • 63% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
28% Popularity • 63% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
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June McDoom
The City
128 bpm • D min • 04:40 • -8db
18% Popularity • 29% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
18% Popularity • 29% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Hand Habits
Just to Hear You
128 bpm • D Maj • 02:53 • -10.85db
40% Popularity • 76% Danceability • 37% Energy • 11% Liveness
19% Instrumentalness • 52% Positiveness
40% Popularity • 76% Danceability • 37% Energy • 11% Liveness
19% Instrumentalness • 52% Positiveness
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Kate Bollinger
I Found Out
128 bpm • B Maj • 02:52 • -11.47db
31% Popularity • 62% Danceability • 31% Energy • 38% Liveness
12% Instrumentalness • 40% Positiveness
31% Popularity • 62% Danceability • 31% Energy • 38% Liveness
12% Instrumentalness • 40% Positiveness
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Frankie Cosmos
Aftershook
128 bpm • G# Maj • 03:25 • -9.34db
40% Popularity • 54% Danceability • 45% Energy • 8% Liveness
17% Instrumentalness • 24% Positiveness
40% Popularity • 54% Danceability • 45% Energy • 8% Liveness
17% Instrumentalness • 24% Positiveness
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Girlpool
Faultline
128 bpm • D# Maj • 04:11 • -5.2db
25% Popularity • 58% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
25% Popularity • 58% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Oracle Sisters
Captain America
133 bpm • A Maj • 04:44 • -7db
21% Popularity • 51% Danceability • 52% Energy • 24% Liveness
1% Instrumentalness • 48% Positiveness
21% Popularity • 51% Danceability • 52% Energy • 24% Liveness
1% Instrumentalness • 48% Positiveness
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Alice Phoebe Lou
Let Me
127 bpm • A Maj • 02:44 • -10.52db
34% Popularity • 46% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
34% Popularity • 46% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Habibi
Angel Eyes
134 bpm • A Maj • 04:43 • -8.98db
34% Popularity • 47% Danceability • 69% Energy • 20% Liveness
70% Instrumentalness • 72% Positiveness
34% Popularity • 47% Danceability • 69% Energy • 20% Liveness
70% Instrumentalness • 72% Positiveness
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Okay Kaya
Comic Sans
134 bpm • C Maj • 02:49 • -11.84db
29% Popularity • 76% Danceability • 33% Energy • 24% Liveness
7% Instrumentalness • 33% Positiveness
29% Popularity • 76% Danceability • 33% Energy • 24% Liveness
7% Instrumentalness • 33% Positiveness
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Frankie Cosmos
F.O.O.F.
126 bpm • F# Maj • 02:08 • -10.07db
32% Popularity • 61% Danceability • 59% Energy • 10% Liveness
41% Instrumentalness • 61% Positiveness
32% Popularity • 61% Danceability • 59% Energy • 10% Liveness
41% Instrumentalness • 61% Positiveness
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Marlon Williams
Beautiful Dress
134 bpm • G Maj • 03:31 • -8.85db
28% Popularity • 42% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
28% Popularity • 42% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Hand Habits
Aquamarine
134 bpm • C# Maj • 04:14 • -9.07db
32% Popularity • 63% Danceability • 82% Energy • 13% Liveness
75% Instrumentalness • 56% Positiveness
32% Popularity • 63% Danceability • 82% Energy • 13% Liveness
75% Instrumentalness • 56% Positiveness
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Julia Jacklin
Just To Be A Part
126 bpm • D min • 03:24 • -8.62db
34% Popularity • 58% Danceability • 30% Energy • 16% Liveness
17% Instrumentalness • 27% Positiveness
34% Popularity • 58% Danceability • 30% Energy • 16% Liveness
17% Instrumentalness • 27% Positiveness
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La Luz
Watching Cartoons
126 bpm • C Maj • 03:28 • -8db
38% Popularity • 57% Danceability • 67% Energy • 16% Liveness
79% Instrumentalness • 68% Positiveness
38% Popularity • 57% Danceability • 67% Energy • 16% Liveness
79% Instrumentalness • 68% Positiveness
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Okay Kaya
Mother Nature's Bitch
126 bpm • F min • 01:33 • -10db
58% Popularity • 73% Danceability • 59% Energy • 22% Liveness
58% Instrumentalness • 75% Positiveness
58% Popularity • 73% Danceability • 59% Energy • 22% Liveness
58% Instrumentalness • 75% Positiveness
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Kate Bollinger
Je Rêverai à Toi
134 bpm • D Maj • 02:27 • -13.87db
39% Popularity • 63% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 22% Positiveness
39% Popularity • 63% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 22% Positiveness
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Yves Jarvis
For Props
126 bpm • G# min • 03:43 • -10.73db
28% Popularity • 57% Danceability • 57% Energy • 16% Liveness
38% Instrumentalness • 72% Positiveness
28% Popularity • 57% Danceability • 57% Energy • 16% Liveness
38% Instrumentalness • 72% Positiveness
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Honeyglaze
Burglar
135 bpm • C min • 05:48 • -10db
27% Popularity • 46% Danceability • 49% Energy • 10% Liveness
19% Instrumentalness • 37% Positiveness
27% Popularity • 46% Danceability • 49% Energy • 10% Liveness
19% Instrumentalness • 37% Positiveness
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Lala Lala
DIVER
135 bpm • C Maj • 03:01 • -9.13db
31% Popularity • 58% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 16% Positiveness
31% Popularity • 58% Danceability • 56% Energy • 5% Liveness
0% Instrumentalness • 16% Positiveness
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Lunar Vacation
Shrug
125 bpm • D Maj • 03:15 • -4.94db
7% Popularity • 54% Danceability • 78% Energy • 53% Liveness
66% Instrumentalness • 53% Positiveness
7% Popularity • 54% Danceability • 78% Energy • 53% Liveness
66% Instrumentalness • 53% Positiveness
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Lael Neale
Hotline
135 bpm • A min • 02:50 • -4db
20% Popularity • 63% Danceability • 53% Energy • 40% Liveness
0% Instrumentalness • 59% Positiveness
20% Popularity • 63% Danceability • 53% Energy • 40% Liveness
0% Instrumentalness • 59% Positiveness
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Slow Pulp
New Media
135 bpm • C Maj • 03:11 • -6.83db
46% Popularity • 71% Danceability • 75% Energy • 14% Liveness
9% Instrumentalness • 72% Positiveness
46% Popularity • 71% Danceability • 75% Energy • 14% Liveness
9% Instrumentalness • 72% Positiveness
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Freak Slug
Sorry, Not Sorry
125 bpm • A Maj • 03:13 • -9.68db
25% Popularity • 71% Danceability • 62% Energy • 14% Liveness
15% Instrumentalness • 79% Positiveness
25% Popularity • 71% Danceability • 62% Energy • 14% Liveness
15% Instrumentalness • 79% Positiveness
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Cornelia Murr
Hang Yr Hat
125 bpm • F Maj • 03:37 • -10.02db
27% Popularity • 47% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
27% Popularity • 47% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Bnny
Ambulance
125 bpm • E Maj • 02:01 • -15.47db
33% Popularity • 35% Danceability • 12% Energy • 10% Liveness
3% Instrumentalness • 11% Positiveness
33% Popularity • 35% Danceability • 12% Energy • 10% Liveness
3% Instrumentalness • 11% Positiveness
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Hey Cowboy!
Cherry Jerry Citrus
124 bpm • C# Maj • 03:09 • -11db
38% Popularity • 62% Danceability • 45% Energy • 7% Liveness
93% Instrumentalness • 63% Positiveness
38% Popularity • 62% Danceability • 45% Energy • 7% Liveness
93% Instrumentalness • 63% Positiveness
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Hand Habits
Clean Air
136 bpm • B Maj • 03:08 • -10.1db
28% Popularity • 59% Danceability • 58% Energy • 45% Liveness
1% Instrumentalness • 56% Positiveness
28% Popularity • 59% Danceability • 58% Energy • 45% Liveness
1% Instrumentalness • 56% Positiveness
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Metronomy
I lost my mind
136 bpm • A min • 05:05 • -9.75db
29% Popularity • 67% Danceability • 60% Energy • 13% Liveness
63% Instrumentalness • 47% Positiveness
29% Popularity • 67% Danceability • 60% Energy • 13% Liveness
63% Instrumentalness • 47% Positiveness
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Freak Slug
Friday
125 bpm • D Maj • 03:24 • -10.02db
47% Popularity • 66% Danceability • 51% Energy • 15% Liveness
81% Instrumentalness • 49% Positiveness
47% Popularity • 66% Danceability • 51% Energy • 15% Liveness
81% Instrumentalness • 49% Positiveness
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Weyes Blood
Grapevine
124 bpm • E min • 05:25 • -9db
44% Popularity • 36% Danceability • 40% Energy • 10% Liveness
50% Instrumentalness • 9% Positiveness
44% Popularity • 36% Danceability • 40% Energy • 10% Liveness
50% Instrumentalness • 9% Positiveness
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Kate Bollinger
Who Am I But Someone
124 bpm • A Maj • 02:42 • -8.22db
47% Popularity • 56% Danceability • 50% Energy • 10% Liveness
15% Instrumentalness • 78% Positiveness
47% Popularity • 56% Danceability • 50% Energy • 10% Liveness
15% Instrumentalness • 78% Positiveness
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Unknown Mortal Orchestra
Weekend Run
124 bpm • F# min • 04:47 • -6db
42% Popularity • 81% Danceability • 70% Energy • 11% Liveness
38% Instrumentalness • 87% Positiveness
42% Popularity • 81% Danceability • 70% Energy • 11% Liveness
38% Instrumentalness • 87% Positiveness
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TOPS
I Feel Alive
136 bpm • C# min • 02:34 • -4.77db
41% Popularity • 57% Danceability • 73% Energy • 22% Liveness
0% Instrumentalness • 53% Positiveness
41% Popularity • 57% Danceability • 73% Energy • 22% Liveness
0% Instrumentalness • 53% Positiveness
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Alice Phoebe Lou
Dirty Mouth
137 bpm • B min • 02:54 • -6.43db
50% Popularity • 52% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
50% Popularity • 52% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
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Good Morning
Mollyduker
124 bpm • E Maj • 02:49 • -12.07db
11% Popularity • 58% Danceability • 73% Energy • 11% Liveness
90% Instrumentalness • 55% Positiveness
11% Popularity • 58% Danceability • 73% Energy • 11% Liveness
90% Instrumentalness • 55% Positiveness
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strongboi
cold
137 bpm • E min • 04:31 • -10.33db
39% Popularity • 76% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
39% Popularity • 76% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Crumb
Balloon
123 bpm • C# min • 03:05 • -7.56db
55% Popularity • 46% Danceability • 65% Energy • 30% Liveness
59% Instrumentalness • 35% Positiveness
55% Popularity • 46% Danceability • 65% Energy • 30% Liveness
59% Instrumentalness • 35% Positiveness
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Snowy Band
Call It A Day
123 bpm • C Maj • 04:40 • -11db
12% Popularity • 68% Danceability • 52% Energy • 18% Liveness
37% Instrumentalness • 53% Positiveness
12% Popularity • 68% Danceability • 52% Energy • 18% Liveness
37% Instrumentalness • 53% Positiveness
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TOPS
Waiting
124 bpm • F# min • 03:13 • -13.32db
29% Popularity • 77% Danceability • 47% Energy • 13% Liveness
43% Instrumentalness • 80% Positiveness
29% Popularity • 77% Danceability • 47% Energy • 13% Liveness
43% Instrumentalness • 80% Positiveness
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Klangkuenstler
Man on the Moon - Umami Remix
123 bpm • C min • 06:00 • -8.72db
2% Popularity • 86% Danceability • 69% Energy • 5% Liveness
70% Instrumentalness • 68% Positiveness
2% Popularity • 86% Danceability • 69% Energy • 5% Liveness
70% Instrumentalness • 68% Positiveness
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Snail Mail
Madonna
123 bpm • A# min • 02:53 • -6.89db
37% Popularity • 71% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 61% Positiveness
37% Popularity • 71% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 61% Positiveness
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Renata Zeiguer
Evergreen
123 bpm • B Maj • 03:07 • -7.66db
20% Popularity • 70% Danceability • 64% Energy • 19% Liveness
72% Instrumentalness • 63% Positiveness
20% Popularity • 70% Danceability • 64% Energy • 19% Liveness
72% Instrumentalness • 63% Positiveness
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Haley Blais
On a Weekend
123 bpm • C Maj • 02:41 • -6.63db
28% Popularity • 64% Danceability • 66% Energy • 15% Liveness
8% Instrumentalness • 64% Positiveness
28% Popularity • 64% Danceability • 66% Energy • 15% Liveness
8% Instrumentalness • 64% Positiveness
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Coco
Last of the Loving
123 bpm • C# Maj • 02:52 • -8db
47% Popularity • 74% Danceability • 65% Energy • 12% Liveness
1% Instrumentalness • 51% Positiveness
47% Popularity • 74% Danceability • 65% Energy • 12% Liveness
1% Instrumentalness • 51% Positiveness
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Mia Joy
See Us
138 bpm • A# Maj • 02:10 • -14.29db
51% Popularity • 61% Danceability • 35% Energy • 14% Liveness
93% Instrumentalness • 44% Positiveness
51% Popularity • 61% Danceability • 35% Energy • 14% Liveness
93% Instrumentalness • 44% Positiveness
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Grace Ives
Babyyy
138 bpm • C# Maj • 01:46 • -16.97db
54% Popularity • 77% Danceability • 39% Energy • 10% Liveness
91% Instrumentalness • 59% Positiveness
54% Popularity • 77% Danceability • 39% Energy • 10% Liveness
91% Instrumentalness • 59% Positiveness
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Macie Stewart
Garter Snake
122 bpm • D Maj • 03:35 • -11db
33% Popularity • 54% Danceability • 32% Energy • 11% Liveness
3% Instrumentalness • 12% Positiveness
33% Popularity • 54% Danceability • 32% Energy • 11% Liveness
3% Instrumentalness • 12% Positiveness
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Dora Jar
Multiply
122 bpm • D Maj • 02:16 • -13db
44% Popularity • 70% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
44% Popularity • 70% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Mamalarky
You Make Me Smile
138 bpm • G Maj • 03:36 • -10db
34% Popularity • 57% Danceability • 45% Energy • 11% Liveness
24% Instrumentalness • 44% Positiveness
34% Popularity • 57% Danceability • 45% Energy • 11% Liveness
24% Instrumentalness • 44% Positiveness
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TOPS
Outside
122 bpm • B min • 03:34 • -9.09db
43% Popularity • 57% Danceability • 46% Energy • 9% Liveness
80% Instrumentalness • 5% Positiveness
43% Popularity • 57% Danceability • 46% Energy • 9% Liveness
80% Instrumentalness • 5% Positiveness
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SASAMI
Call Me Home
139 bpm • C# Maj • 03:45 • -7.16db
34% Popularity • 49% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
34% Popularity • 49% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Alice Phoebe Lou
Shake
139 bpm • A Maj • 03:20 • -6.91db
27% Popularity • 66% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
27% Popularity • 66% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Katy J Pearson
Hey You
121 bpm • D Maj • 04:39 • -5.9db
22% Popularity • 68% Danceability • 78% Energy • 6% Liveness
58% Instrumentalness • 34% Positiveness
22% Popularity • 68% Danceability • 78% Energy • 6% Liveness
58% Instrumentalness • 34% Positiveness
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The Harmaleighs
Don't Panic
121 bpm • A# Maj • 02:57 • -9db
47% Popularity • 54% Danceability • 57% Energy • 19% Liveness
7% Instrumentalness • 47% Positiveness
47% Popularity • 54% Danceability • 57% Energy • 19% Liveness
7% Instrumentalness • 47% Positiveness
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Drug Store Romeos
What's On Your Mind
121 bpm • B Maj • 04:17 • -10.28db
26% Popularity • 38% Danceability • 65% Energy • 11% Liveness
88% Instrumentalness • 28% Positiveness
26% Popularity • 38% Danceability • 65% Energy • 11% Liveness
88% Instrumentalness • 28% Positiveness
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Sofie Royer
Asleep
121 bpm • B min • 02:52 • -6.31db
20% Popularity • 94% Danceability • 32% Energy • 10% Liveness
21% Instrumentalness • 82% Positiveness
20% Popularity • 94% Danceability • 32% Energy • 10% Liveness
21% Instrumentalness • 82% Positiveness
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Good Morning
Depends On What I Know
121 bpm • D Maj • 02:52 • -9.21db
11% Popularity • 77% Danceability • 40% Energy • 13% Liveness
86% Instrumentalness • 97% Positiveness
11% Popularity • 77% Danceability • 40% Energy • 13% Liveness
86% Instrumentalness • 97% Positiveness
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Oracle Sisters
RBH
140 bpm • D Maj • 04:16 • -13db
40% Popularity • 67% Danceability • 57% Energy • 28% Liveness
28% Instrumentalness • 65% Positiveness
40% Popularity • 67% Danceability • 57% Energy • 28% Liveness
28% Instrumentalness • 65% Positiveness
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John Andrews & The Yawns
River of Doubt
121 bpm • G Maj • 04:16 • -10.1db
30% Popularity • 46% Danceability • 53% Energy • 39% Liveness
0% Instrumentalness • 62% Positiveness
30% Popularity • 46% Danceability • 53% Energy • 39% Liveness
0% Instrumentalness • 62% Positiveness
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Astronauts, etc.
Cherry Plum
140 bpm • E min • 02:54 • -10.26db
34% Popularity • 67% Danceability • 66% Energy • 14% Liveness
25% Instrumentalness • 83% Positiveness
34% Popularity • 67% Danceability • 66% Energy • 14% Liveness
25% Instrumentalness • 83% Positiveness
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Luna Li
Cherry Pit
121 bpm • A Maj • 04:50 • -7db
35% Popularity • 70% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
35% Popularity • 70% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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Ada Lea
partner
140 bpm • D Maj • 03:45 • -9.32db
21% Popularity • 57% Danceability • 57% Energy • 13% Liveness
89% Instrumentalness • 51% Positiveness
21% Popularity • 57% Danceability • 57% Energy • 13% Liveness
89% Instrumentalness • 51% Positiveness
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Faux Real
Come Thru
140 bpm • F min • 03:36 • -8db
23% Popularity • 71% Danceability • 62% Energy • 23% Liveness
26% Instrumentalness • 73% Positiveness
23% Popularity • 71% Danceability • 62% Energy • 23% Liveness
26% Instrumentalness • 73% Positiveness
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La Luz
In the Country
140 bpm • F Maj • 03:20 • -7db
32% Popularity • 32% Danceability • 61% Energy • 38% Liveness
2% Instrumentalness • 35% Positiveness
32% Popularity • 32% Danceability • 61% Energy • 38% Liveness
2% Instrumentalness • 35% Positiveness
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Midnight Sister
Foxes
140 bpm • D Maj • 02:56 • -5db
20% Popularity • 48% Danceability • 72% Energy • 7% Liveness
1% Instrumentalness • 63% Positiveness
20% Popularity • 48% Danceability • 72% Energy • 7% Liveness
1% Instrumentalness • 63% Positiveness
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Oracle Sisters
Tramp Like You
140 bpm • E Maj • 05:24 • -14db
43% Popularity • 60% Danceability • 19% Energy • 5% Liveness
59% Instrumentalness • 8% Positiveness
43% Popularity • 60% Danceability • 19% Energy • 5% Liveness
59% Instrumentalness • 8% Positiveness
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Alice Phoebe Lou
My Outside
140 bpm • G# min • 03:09 • -5.48db
33% Popularity • 66% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
33% Popularity • 66% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 61% Positiveness
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Babeheaven
The Hours
140 bpm • C# min • 03:58 • -7.72db
31% Popularity • 58% Danceability • 73% Energy • 14% Liveness
64% Instrumentalness • 40% Positiveness
31% Popularity • 58% Danceability • 73% Energy • 14% Liveness
64% Instrumentalness • 40% Positiveness
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Soko
Replaceable Heads
140 bpm • F# Maj • 04:42 • -9.77db
36% Popularity • 58% Danceability • 51% Energy • 11% Liveness
4% Instrumentalness • 54% Positiveness
36% Popularity • 58% Danceability • 51% Energy • 11% Liveness
4% Instrumentalness • 54% Positiveness
