Songs like Undoing by Brett Garsed
Based on a tempo of (+/- 10%) and a similar genre
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Phil Buckle
Keep It Up
160 bpm • B min • 02:54 • -4.36db
14% Popularity • 62% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
14% Popularity • 62% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Shawn Lane
Peace in Mississippi
160 bpm • G Maj • 03:54 • -8db
19% Popularity • 34% Danceability • 77% Energy • 14% Liveness
91% Instrumentalness • 49% Positiveness
19% Popularity • 34% Danceability • 77% Energy • 14% Liveness
91% Instrumentalness • 49% Positiveness
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David Camilli
Courage
160 bpm • A min • 04:30 • -18.03db
12% Popularity • 55% Danceability • 33% Energy • 11% Liveness
71% Instrumentalness • 43% Positiveness
12% Popularity • 55% Danceability • 33% Energy • 11% Liveness
71% Instrumentalness • 43% Positiveness
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AM Dandy
Some Said It Was Vodou
160 bpm • A Maj • 05:26 • -6.6db
14% Popularity • 47% Danceability • 84% Energy • 34% Liveness
58% Instrumentalness • 34% Positiveness
14% Popularity • 47% Danceability • 84% Energy • 34% Liveness
58% Instrumentalness • 34% Positiveness
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Marco Sfogli
reMarcoble
160 bpm • F min • 04:13 • -4.81db
25% Popularity • 38% Danceability • 97% Energy • 21% Liveness
62% Instrumentalness • 57% Positiveness
25% Popularity • 38% Danceability • 97% Energy • 21% Liveness
62% Instrumentalness • 57% Positiveness
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Patrik Carlsson
Oriental Touch
160 bpm • E min • 04:07 • -5.39db
11% Popularity • 57% Danceability • 76% Energy • 12% Liveness
78% Instrumentalness • 85% Positiveness
11% Popularity • 57% Danceability • 76% Energy • 12% Liveness
78% Instrumentalness • 85% Positiveness
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Tony MacAlpine
Chrome Castles
160 bpm • C# Maj • 03:36 • -4.34db
34% Popularity • 42% Danceability • 97% Energy • 16% Liveness
86% Instrumentalness • 31% Positiveness
34% Popularity • 42% Danceability • 97% Energy • 16% Liveness
86% Instrumentalness • 31% Positiveness
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Nili Brosh
A Matter of Perception
160 bpm • A# Maj • 05:31 • -5.71db
23% Popularity • 40% Danceability • 86% Energy • 35% Liveness
88% Instrumentalness • 52% Positiveness
23% Popularity • 40% Danceability • 86% Energy • 35% Liveness
88% Instrumentalness • 52% Positiveness
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Kurt DIAMOND
Wild Place
159 bpm • D min • 01:15 • -5.25db
21% Popularity • 34% Danceability • 95% Energy • 82% Liveness
44% Instrumentalness • 49% Positiveness
21% Popularity • 34% Danceability • 95% Energy • 82% Liveness
44% Instrumentalness • 49% Positiveness
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Pete Thorn
Monster Movie
158 bpm • C# Maj • 03:26 • -3.56db
12% Popularity • 40% Danceability • 95% Energy • 12% Liveness
77% Instrumentalness • 23% Positiveness
12% Popularity • 40% Danceability • 95% Energy • 12% Liveness
77% Instrumentalness • 23% Positiveness
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The Aristocrats
The Kentucky Meat Shower
161 bpm • A min • 04:48 • -9db
23% Popularity • 31% Danceability • 70% Energy • 16% Liveness
79% Instrumentalness • 50% Positiveness
23% Popularity • 31% Danceability • 70% Energy • 16% Liveness
79% Instrumentalness • 50% Positiveness
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Drumworld
Thommy Grooves 3
157 bpm • A Maj • 01:51 • -17.26db
38% Popularity • 64% Danceability • 45% Energy • 27% Liveness
96% Instrumentalness • 73% Positiveness
38% Popularity • 64% Danceability • 45% Energy • 27% Liveness
96% Instrumentalness • 73% Positiveness
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Neronia
Out of the Shadows
158 bpm • C Maj • 06:12 • -5.61db
25% Popularity • 48% Danceability • 93% Energy • 26% Liveness
1% Instrumentalness • 20% Positiveness
25% Popularity • 48% Danceability • 93% Energy • 26% Liveness
1% Instrumentalness • 20% Positiveness
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Stuart Roberts
Attribute
157 bpm • F# min • 04:30 • -10.1db
9% Popularity • 52% Danceability • 73% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
9% Popularity • 52% Danceability • 73% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
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![Free (Remastered) [feat. Brett Garsed, Lale Larson & Bas Cornelissen] cover art](https://i.scdn.co/image/ab67616d00001e0201d387a2e19d037c61ff8c07)
Richard Hallebeek
Free (Remastered)
155 bpm • C min • 06:44 • -14.33db
0% Popularity • 30% Danceability • 40% Energy • 8% Liveness
8% Instrumentalness • 19% Positiveness
0% Popularity • 30% Danceability • 40% Energy • 8% Liveness
8% Instrumentalness • 19% Positiveness
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Pete Thorn
Paid By The Note
164 bpm • G min • 03:39 • -3.63db
13% Popularity • 38% Danceability • 98% Energy • 25% Liveness
88% Instrumentalness • 58% Positiveness
13% Popularity • 38% Danceability • 98% Energy • 25% Liveness
88% Instrumentalness • 58% Positiveness
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The Aristocrats
Mr. Kempinski (Live)
163 bpm • C Maj • 07:15 • -9db
11% Popularity • 39% Danceability • 72% Energy • 37% Liveness
11% Instrumentalness • 54% Positiveness
11% Popularity • 39% Danceability • 72% Energy • 37% Liveness
11% Instrumentalness • 54% Positiveness
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Ben Rauch
I'm Still Standing
165 bpm • A# min • 03:19 • -7.34db
1% Popularity • 60% Danceability • 80% Energy • 8% Liveness
1% Instrumentalness • 64% Positiveness
1% Popularity • 60% Danceability • 80% Energy • 8% Liveness
1% Instrumentalness • 64% Positiveness
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Tony MacAlpine
Shundor Prithibi
155 bpm • G# Maj • 05:19 • -5.52db
12% Popularity • 48% Danceability • 95% Energy • 8% Liveness
84% Instrumentalness • 23% Positiveness
12% Popularity • 48% Danceability • 95% Energy • 8% Liveness
84% Instrumentalness • 23% Positiveness
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Scott Henderson
Tore Down House
166 bpm • F# min • 07:37 • -6.57db
27% Popularity • 32% Danceability • 55% Energy • 10% Liveness
7% Instrumentalness • 36% Positiveness
27% Popularity • 32% Danceability • 55% Energy • 10% Liveness
7% Instrumentalness • 36% Positiveness
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Purpendicular
No One's Getting Out Alive
166 bpm • D min • 03:41 • -7.61db
10% Popularity • 46% Danceability • 88% Energy • 35% Liveness
0% Instrumentalness • 58% Positiveness
10% Popularity • 46% Danceability • 88% Energy • 35% Liveness
0% Instrumentalness • 58% Positiveness
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Neil Zaza
In My Dreams
154 bpm • C# min • 03:51 • -6.58db
25% Popularity • 30% Danceability • 72% Energy • 20% Liveness
89% Instrumentalness • 9% Positiveness
25% Popularity • 30% Danceability • 72% Energy • 20% Liveness
89% Instrumentalness • 9% Positiveness
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The Aristocrats
Furtive Jack (Live)
166 bpm • B min • 07:47 • -9.63db
9% Popularity • 48% Danceability • 56% Energy • 69% Liveness
34% Instrumentalness • 61% Positiveness
9% Popularity • 48% Danceability • 56% Energy • 69% Liveness
34% Instrumentalness • 61% Positiveness
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Michael Lee Firkins
Deja Blues
153 bpm • A Maj • 06:27 • -15.21db
15% Popularity • 36% Danceability • 45% Energy • 12% Liveness
12% Instrumentalness • 25% Positiveness
15% Popularity • 36% Danceability • 45% Energy • 12% Liveness
12% Instrumentalness • 25% Positiveness
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Jeff Kollman
The Mystery
153 bpm • F# min • 03:34 • -12db
13% Popularity • 55% Danceability • 54% Energy • 6% Liveness
89% Instrumentalness • 60% Positiveness
13% Popularity • 55% Danceability • 54% Energy • 6% Liveness
89% Instrumentalness • 60% Positiveness
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Cosmosquad
Stretchhog
152 bpm • B Maj • 05:57 • -13db
12% Popularity • 52% Danceability • 81% Energy • 11% Liveness
82% Instrumentalness • 48% Positiveness
12% Popularity • 52% Danceability • 81% Energy • 11% Liveness
82% Instrumentalness • 48% Positiveness
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Prashant Aswani
Crispy
168 bpm • A min • 04:18 • -4.17db
21% Popularity • 37% Danceability • 83% Energy • 32% Liveness
82% Instrumentalness • 50% Positiveness
21% Popularity • 37% Danceability • 83% Energy • 32% Liveness
82% Instrumentalness • 50% Positiveness
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Carlos Osnaya
Belive
152 bpm • G Maj • 01:53 • -11.13db
19% Popularity • 36% Danceability • 55% Energy • 10% Liveness
92% Instrumentalness • 53% Positiveness
19% Popularity • 36% Danceability • 55% Energy • 10% Liveness
92% Instrumentalness • 53% Positiveness
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Pete Thorn
Big Mistake
151 bpm • E min • 05:08 • -6.09db
9% Popularity • 22% Danceability • 76% Energy • 10% Liveness
65% Instrumentalness • 20% Positiveness
9% Popularity • 22% Danceability • 76% Energy • 10% Liveness
65% Instrumentalness • 20% Positiveness
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Marco Sfogli
Spread the Disease
170 bpm • G Maj • 04:07 • -4.52db
29% Popularity • 33% Danceability • 84% Energy • 11% Liveness
26% Instrumentalness • 66% Positiveness
29% Popularity • 33% Danceability • 84% Energy • 11% Liveness
26% Instrumentalness • 66% Positiveness
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In Sylva
She - Single Edit
170 bpm • A Maj • 04:21 • -8.78db
14% Popularity • 47% Danceability • 82% Energy • 10% Liveness
3% Instrumentalness • 50% Positiveness
14% Popularity • 47% Danceability • 82% Energy • 10% Liveness
3% Instrumentalness • 50% Positiveness
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Nili Brosh
Double Entendre
170 bpm • A min • 05:04 • -7.1db
22% Popularity • 45% Danceability • 89% Energy • 33% Liveness
88% Instrumentalness • 54% Positiveness
22% Popularity • 45% Danceability • 89% Energy • 33% Liveness
88% Instrumentalness • 54% Positiveness
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Salven
Whiney Child
151 bpm • E min • 05:24 • -4.82db
18% Popularity • 48% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
18% Popularity • 48% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Anbaric
The Man With Two Faces
170 bpm • A# min • 03:36 • -8.5db
7% Popularity • 51% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
7% Popularity • 51% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Virgil Donati
Pinprick
150 bpm • C# min • 04:01 • -6.64db
19% Popularity • 30% Danceability • 91% Energy • 31% Liveness
57% Instrumentalness • 41% Positiveness
19% Popularity • 30% Danceability • 91% Energy • 31% Liveness
57% Instrumentalness • 41% Positiveness
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Jim Ledford
Eyes in a Far Away Dream
150 bpm • G Maj • 03:51 • -13.29db
0% Popularity • 36% Danceability • 44% Energy • 12% Liveness
76% Instrumentalness • 31% Positiveness
0% Popularity • 36% Danceability • 44% Energy • 12% Liveness
76% Instrumentalness • 31% Positiveness
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Char
GOJIMADE MATENAI
150 bpm • D Maj • 02:48 • -8.21db
19% Popularity • 63% Danceability • 82% Energy • 6% Liveness
88% Instrumentalness • 87% Positiveness
19% Popularity • 63% Danceability • 82% Energy • 6% Liveness
88% Instrumentalness • 87% Positiveness
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Michael Lee Firkins
Runaway Train
150 bpm • F min • 03:08 • -13.73db
18% Popularity • 40% Danceability • 84% Energy • 29% Liveness
26% Instrumentalness • 18% Positiveness
18% Popularity • 40% Danceability • 84% Energy • 29% Liveness
26% Instrumentalness • 18% Positiveness
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Wile Lile
Still Got It
150 bpm • F# min • 04:20 • -10.57db
12% Popularity • 63% Danceability • 82% Energy • 36% Liveness
89% Instrumentalness • 78% Positiveness
12% Popularity • 63% Danceability • 82% Energy • 36% Liveness
89% Instrumentalness • 78% Positiveness
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Big Note
Stares at Me
150 bpm • G# Maj • 03:39 • -8db
18% Popularity • 28% Danceability • 86% Energy • 70% Liveness
37% Instrumentalness • 57% Positiveness
18% Popularity • 28% Danceability • 86% Energy • 70% Liveness
37% Instrumentalness • 57% Positiveness
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Loida Liuzzi
What Really Matters
172 bpm • B min • 04:22 • -8.1db
20% Popularity • 36% Danceability • 62% Energy • 20% Liveness
88% Instrumentalness • 72% Positiveness
20% Popularity • 36% Danceability • 62% Energy • 20% Liveness
88% Instrumentalness • 72% Positiveness
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Daniele Gottardo
Marrakech Market
148 bpm • G min • 04:30 • -4.56db
26% Popularity • 27% Danceability • 69% Energy • 40% Liveness
61% Instrumentalness • 42% Positiveness
26% Popularity • 27% Danceability • 69% Energy • 40% Liveness
61% Instrumentalness • 42% Positiveness
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Paolo Pizzi
Half Time
148 bpm • C Maj • 03:52 • -13.19db
25% Popularity • 68% Danceability • 42% Energy • 16% Liveness
89% Instrumentalness • 79% Positiveness
25% Popularity • 68% Danceability • 42% Energy • 16% Liveness
89% Instrumentalness • 79% Positiveness
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Virgil Donati
If There Were None
174 bpm • C Maj • 05:36 • -9.66db
19% Popularity • 31% Danceability • 61% Energy • 7% Liveness
84% Instrumentalness • 19% Positiveness
19% Popularity • 31% Danceability • 61% Energy • 7% Liveness
84% Instrumentalness • 19% Positiveness
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Mr. Fastfinger
Beach at Night (1985)
148 bpm • G# Maj • 03:48 • -7.86db
25% Popularity • 66% Danceability • 63% Energy • 23% Liveness
81% Instrumentalness • 66% Positiveness
25% Popularity • 66% Danceability • 63% Energy • 23% Liveness
81% Instrumentalness • 66% Positiveness
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Jeff Young
The Art of Conversation
174 bpm • F Maj • 05:31 • -7.58db
8% Popularity • 45% Danceability • 47% Energy • 25% Liveness
0% Instrumentalness • 26% Positiveness
8% Popularity • 45% Danceability • 47% Energy • 25% Liveness
0% Instrumentalness • 26% Positiveness
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Neil Zaza
Melodia 2012
175 bpm • E Maj • 03:08 • -2.57db
26% Popularity • 10% Danceability • 97% Energy • 34% Liveness
84% Instrumentalness • 39% Positiveness
26% Popularity • 10% Danceability • 97% Energy • 34% Liveness
84% Instrumentalness • 39% Positiveness
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Golden State Mariachi Ministry
The Fall from Grace
175 bpm • G Maj • 01:03 • -18.4db
0% Popularity • 46% Danceability • 32% Energy • 82% Liveness
0% Instrumentalness • 39% Positiveness
0% Popularity • 46% Danceability • 32% Energy • 82% Liveness
0% Instrumentalness • 39% Positiveness
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Nili Brosh
Exit Strategy
147 bpm • F min • 05:10 • -6.47db
17% Popularity • 48% Danceability • 86% Energy • 38% Liveness
78% Instrumentalness • 63% Positiveness
17% Popularity • 48% Danceability • 86% Energy • 38% Liveness
78% Instrumentalness • 63% Positiveness
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Wayne Krantz
Can't Stand to Rock
175 bpm • G Maj • 03:38 • -10.74db
12% Popularity • 41% Danceability • 79% Energy • 13% Liveness
42% Instrumentalness • 87% Positiveness
12% Popularity • 41% Danceability • 79% Energy • 13% Liveness
42% Instrumentalness • 87% Positiveness
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Love to Bleed
Stand or Fall
146 bpm • A Maj • 03:32 • -7.1db
16% Popularity • 36% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 57% Positiveness
16% Popularity • 36% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 57% Positiveness
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Alexander Quinn
Grounded, Pt. 1
146 bpm • A Maj • 04:39 • -5.66db
12% Popularity • 45% Danceability • 97% Energy • 59% Liveness
84% Instrumentalness • 32% Positiveness
12% Popularity • 45% Danceability • 97% Energy • 59% Liveness
84% Instrumentalness • 32% Positiveness
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Buckethead
Skizzy's Hot Rod
146 bpm • C# Maj • 05:41 • -5.53db
8% Popularity • 77% Danceability • 84% Energy • 20% Liveness
81% Instrumentalness • 66% Positiveness
8% Popularity • 77% Danceability • 84% Energy • 20% Liveness
81% Instrumentalness • 66% Positiveness
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Pete Thorn
Homage
146 bpm • E Maj • 03:12 • -4.46db
22% Popularity • 45% Danceability • 89% Energy • 10% Liveness
74% Instrumentalness • 46% Positiveness
22% Popularity • 45% Danceability • 89% Energy • 10% Liveness
74% Instrumentalness • 46% Positiveness
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Tony MacAlpine
Death of Roses
146 bpm • D Maj • 04:07 • -3.85db
33% Popularity • 42% Danceability • 90% Energy • 29% Liveness
88% Instrumentalness • 36% Positiveness
33% Popularity • 42% Danceability • 90% Energy • 29% Liveness
88% Instrumentalness • 36% Positiveness
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Steve Morse
La Villa Strangiato
145 bpm • C Maj • 09:28 • -8.83db
24% Popularity • 31% Danceability • 73% Energy • 6% Liveness
68% Instrumentalness • 22% Positiveness
24% Popularity • 31% Danceability • 73% Energy • 6% Liveness
68% Instrumentalness • 22% Positiveness
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Sapphire Sun
Plight Club
176 bpm • F# min • 05:12 • -5.95db
14% Popularity • 32% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
14% Popularity • 32% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Wojtek Pilichowski
Awariat
145 bpm • B min • 05:36 • -4.11db
7% Popularity • 60% Danceability • 88% Energy • 5% Liveness
38% Instrumentalness • 88% Positiveness
7% Popularity • 60% Danceability • 88% Energy • 5% Liveness
38% Instrumentalness • 88% Positiveness
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Brett Garsed
Colliding Chimps
145 bpm • D Maj • 06:16 • -6db
14% Popularity • 54% Danceability • 84% Energy • 25% Liveness
38% Instrumentalness • 73% Positiveness
14% Popularity • 54% Danceability • 84% Energy • 25% Liveness
38% Instrumentalness • 73% Positiveness
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Jeff Kollman
Homage to King Edward
178 bpm • E min • 01:13 • -11.71db
37% Popularity • 35% Danceability • 26% Energy • 16% Liveness
95% Instrumentalness • 29% Positiveness
37% Popularity • 35% Danceability • 26% Energy • 16% Liveness
95% Instrumentalness • 29% Positiveness
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Daniele Gottardo
Guitar Sbrego
177 bpm • A min • 04:19 • -6.91db
34% Popularity • 24% Danceability • 70% Energy • 26% Liveness
16% Instrumentalness • 37% Positiveness
34% Popularity • 24% Danceability • 70% Energy • 26% Liveness
16% Instrumentalness • 37% Positiveness
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Pete Thorn
Velvet Fist
144 bpm • C Maj • 03:41 • -4.11db
13% Popularity • 42% Danceability • 88% Energy • 18% Liveness
93% Instrumentalness • 77% Positiveness
13% Popularity • 42% Danceability • 88% Energy • 18% Liveness
93% Instrumentalness • 77% Positiveness
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Paul Gilbert
I Own A Building
144 bpm • F# min • 04:52 • -9db
24% Popularity • 35% Danceability • 62% Energy • 9% Liveness
95% Instrumentalness • 55% Positiveness
24% Popularity • 35% Danceability • 62% Energy • 9% Liveness
95% Instrumentalness • 55% Positiveness
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Steve Morse Band
Heightened Awareness
143 bpm • D Maj • 04:18 • -6.54db
20% Popularity • 53% Danceability • 82% Energy • 31% Liveness
87% Instrumentalness • 56% Positiveness
20% Popularity • 53% Danceability • 82% Energy • 31% Liveness
87% Instrumentalness • 56% Positiveness
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Nick Johnston
Atomic Mind
179 bpm • A# min • 04:37 • -5.44db
29% Popularity • 13% Danceability • 74% Energy • 10% Liveness
86% Instrumentalness • 20% Positiveness
29% Popularity • 13% Danceability • 74% Energy • 10% Liveness
86% Instrumentalness • 20% Positiveness
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Jeff Kollman
Silence in the Corridor
178 bpm • G min • 06:29 • -10.84db
9% Popularity • 35% Danceability • 54% Energy • 17% Liveness
82% Instrumentalness • 35% Positiveness
9% Popularity • 35% Danceability • 54% Energy • 17% Liveness
82% Instrumentalness • 35% Positiveness
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AM Dandy
I Couldn't
179 bpm • F Maj • 02:48 • -11.05db
13% Popularity • 47% Danceability • 33% Energy • 14% Liveness
73% Instrumentalness • 23% Positiveness
13% Popularity • 47% Danceability • 33% Energy • 14% Liveness
73% Instrumentalness • 23% Positiveness
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The Aristocrats
Culture Clash
180 bpm • A Maj • 06:59 • -9db
19% Popularity • 40% Danceability • 61% Energy • 10% Liveness
80% Instrumentalness • 54% Positiveness
19% Popularity • 40% Danceability • 61% Energy • 10% Liveness
80% Instrumentalness • 54% Positiveness
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Paul Gilbert
Blues For Rabbit
144 bpm • D Maj • 05:18 • -7db
22% Popularity • 39% Danceability • 86% Energy • 7% Liveness
84% Instrumentalness • 70% Positiveness
22% Popularity • 39% Danceability • 86% Energy • 7% Liveness
84% Instrumentalness • 70% Positiveness
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Richard Peck
Shadow
142 bpm • D min • 05:24 • -13.3db
25% Popularity • 52% Danceability • 44% Energy • 15% Liveness
1% Instrumentalness • 30% Positiveness
25% Popularity • 52% Danceability • 44% Energy • 15% Liveness
1% Instrumentalness • 30% Positiveness
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Luca Mantovanelli
Insomnia
180 bpm • G Maj • 05:02 • -8.67db
20% Popularity • 36% Danceability • 85% Energy • 52% Liveness
27% Instrumentalness • 30% Positiveness
20% Popularity • 36% Danceability • 85% Energy • 52% Liveness
27% Instrumentalness • 30% Positiveness
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Peer Gynt
Dirty Shoes
180 bpm • D Maj • 03:15 • -4.42db
9% Popularity • 14% Danceability • 89% Energy • 20% Liveness
2% Instrumentalness • 46% Positiveness
9% Popularity • 14% Danceability • 89% Energy • 20% Liveness
2% Instrumentalness • 46% Positiveness
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Neil Zaza
United We Stand
142 bpm • A Maj • 02:44 • -6.13db
20% Popularity • 40% Danceability • 95% Energy • 13% Liveness
95% Instrumentalness • 32% Positiveness
20% Popularity • 40% Danceability • 95% Energy • 13% Liveness
95% Instrumentalness • 32% Positiveness
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Jan Cyrka
Eliminator
180 bpm • F Maj • 02:12 • -9.05db
29% Popularity • 63% Danceability • 56% Energy • 11% Liveness
81% Instrumentalness • 51% Positiveness
29% Popularity • 63% Danceability • 56% Energy • 11% Liveness
81% Instrumentalness • 51% Positiveness
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Sergio Buss
Psycho Cocks
142 bpm • C# Maj • 03:15 • -11.39db
8% Popularity • 52% Danceability • 74% Energy • 24% Liveness
90% Instrumentalness • 48% Positiveness
8% Popularity • 52% Danceability • 74% Energy • 24% Liveness
90% Instrumentalness • 48% Positiveness
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Lars Eric Mattsson
Not Foolin' Me
142 bpm • D# min • 03:04 • -7.68db
8% Popularity • 36% Danceability • 84% Energy • 26% Liveness
4% Instrumentalness • 39% Positiveness
8% Popularity • 36% Danceability • 84% Energy • 26% Liveness
4% Instrumentalness • 39% Positiveness
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Daniele Gottardo
Scarecrow's Dance
180 bpm • F Maj • 00:57 • -5.29db
34% Popularity • 35% Danceability • 85% Energy • 8% Liveness
1% Instrumentalness • 59% Positiveness
34% Popularity • 35% Danceability • 85% Energy • 8% Liveness
1% Instrumentalness • 59% Positiveness
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Michael Lee Firkins
Still Alive and Well
180 bpm • G# Maj • 03:40 • -3.94db
19% Popularity • 38% Danceability • 92% Energy • 35% Liveness
39% Instrumentalness • 88% Positiveness
19% Popularity • 38% Danceability • 92% Energy • 35% Liveness
39% Instrumentalness • 88% Positiveness
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Neal Schon
What Has Become
141 bpm • E min • 01:49 • -10db
33% Popularity • 36% Danceability • 59% Energy • 43% Liveness
90% Instrumentalness • 49% Positiveness
33% Popularity • 36% Danceability • 59% Energy • 43% Liveness
90% Instrumentalness • 49% Positiveness
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Frank Gambale
Up In Beachwood
142 bpm • D Maj • 06:55 • -10db
23% Popularity • 58% Danceability • 55% Energy • 27% Liveness
27% Instrumentalness • 65% Positiveness
23% Popularity • 58% Danceability • 55% Energy • 27% Liveness
27% Instrumentalness • 65% Positiveness
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Chris Hasler
Scoop
140 bpm • A min • 05:19 • -4.56db
8% Popularity • 15% Danceability • 91% Energy • 23% Liveness
88% Instrumentalness • 38% Positiveness
8% Popularity • 15% Danceability • 91% Energy • 23% Liveness
88% Instrumentalness • 38% Positiveness
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Nili Brosh
Through the Looking Glass
140 bpm • A Maj • 05:32 • -5.89db
14% Popularity • 24% Danceability • 81% Energy • 9% Liveness
86% Instrumentalness • 30% Positiveness
14% Popularity • 24% Danceability • 81% Energy • 9% Liveness
86% Instrumentalness • 30% Positiveness
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Calumet
I Made It (2006)
140 bpm • E min • 04:22 • -7.35db
11% Popularity • 49% Danceability • 54% Energy • 31% Liveness
0% Instrumentalness • 37% Positiveness
11% Popularity • 49% Danceability • 54% Energy • 31% Liveness
0% Instrumentalness • 37% Positiveness
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Scott Henderson
Bilge Rat
140 bpm • E min • 08:03 • -11.74db
20% Popularity • 58% Danceability • 60% Energy • 6% Liveness
69% Instrumentalness • 52% Positiveness
20% Popularity • 58% Danceability • 60% Energy • 6% Liveness
69% Instrumentalness • 52% Positiveness
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Jane Getter Premonition
Compass
140 bpm • C Maj • 05:37 • -4.76db
10% Popularity • 52% Danceability • 97% Energy • 4% Liveness
84% Instrumentalness • 67% Positiveness
10% Popularity • 52% Danceability • 97% Energy • 4% Liveness
84% Instrumentalness • 67% Positiveness
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Greg Howe
Landslide
140 bpm • D Maj • 06:22 • -5.98db
15% Popularity • 60% Danceability • 83% Energy • 22% Liveness
90% Instrumentalness • 62% Positiveness
15% Popularity • 60% Danceability • 83% Energy • 22% Liveness
90% Instrumentalness • 62% Positiveness
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Sandeep Chowta
Every Night Is a Lonely Night
140 bpm • F min • 07:36 • -9.72db
0% Popularity • 62% Danceability • 50% Energy • 33% Liveness
60% Instrumentalness • 42% Positiveness
0% Popularity • 62% Danceability • 50% Energy • 33% Liveness
60% Instrumentalness • 42% Positiveness
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Pete Thorn
Perplexed
140 bpm • A Maj • 03:33 • -5.02db
17% Popularity • 43% Danceability • 97% Energy • 33% Liveness
93% Instrumentalness • 57% Positiveness
17% Popularity • 43% Danceability • 97% Energy • 33% Liveness
93% Instrumentalness • 57% Positiveness
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Daniele Gottardo
Frenzy of Ecstasy
140 bpm • F Maj • 05:21 • -5.99db
18% Popularity • 38% Danceability • 65% Energy • 21% Liveness
40% Instrumentalness • 26% Positiveness
18% Popularity • 38% Danceability • 65% Energy • 21% Liveness
40% Instrumentalness • 26% Positiveness
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Scott Henderson
Haunted Ballroom
140 bpm • G min • 06:58 • -7.85db
25% Popularity • 50% Danceability • 82% Energy • 9% Liveness
37% Instrumentalness • 59% Positiveness
25% Popularity • 50% Danceability • 82% Energy • 9% Liveness
37% Instrumentalness • 59% Positiveness
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Stel Andre
Melodic Blues Solo in Em
140 bpm • E min • 03:39 • -7.24db
11% Popularity • 55% Danceability • 79% Energy • 11% Liveness
50% Instrumentalness • 76% Positiveness
11% Popularity • 55% Danceability • 79% Energy • 11% Liveness
50% Instrumentalness • 76% Positiveness
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Thiago E. Santo
Miró
139 bpm • G Maj • 04:58 • -9.97db
10% Popularity • 62% Danceability • 60% Energy • 11% Liveness
58% Instrumentalness • 14% Positiveness
10% Popularity • 62% Danceability • 60% Energy • 11% Liveness
58% Instrumentalness • 14% Positiveness
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The Schneider Ross Band
In My Sleep
139 bpm • A min • 03:49 • -7.03db
12% Popularity • 42% Danceability • 93% Energy • 27% Liveness
0% Instrumentalness • 53% Positiveness
12% Popularity • 42% Danceability • 93% Energy • 27% Liveness
0% Instrumentalness • 53% Positiveness
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Paul Gilbert
Everywhere That Mary Went
139 bpm • A min • 04:53 • -7.84db
12% Popularity • 34% Danceability • 80% Energy • 11% Liveness
87% Instrumentalness • 67% Positiveness
12% Popularity • 34% Danceability • 80% Energy • 11% Liveness
87% Instrumentalness • 67% Positiveness
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Eric Peterson
Contrary to Dancing
184 bpm • G# Maj • 03:21 • -9.53db
8% Popularity • 57% Danceability • 57% Energy • 12% Liveness
83% Instrumentalness • 54% Positiveness
8% Popularity • 57% Danceability • 57% Energy • 12% Liveness
83% Instrumentalness • 54% Positiveness
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Neil Zaza
Violet Twilight
138 bpm • G# min • 04:18 • -2.52db
22% Popularity • 34% Danceability • 90% Energy • 10% Liveness
71% Instrumentalness • 40% Positiveness
22% Popularity • 34% Danceability • 90% Energy • 10% Liveness
71% Instrumentalness • 40% Positiveness
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Nili Brosh
The Spring Tune
139 bpm • A min • 04:09 • -6.02db
24% Popularity • 23% Danceability • 75% Energy • 11% Liveness
86% Instrumentalness • 38% Positiveness
24% Popularity • 23% Danceability • 75% Energy • 11% Liveness
86% Instrumentalness • 38% Positiveness
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Jeff Kollman
The Mass Exodus
138 bpm • D min • 06:35 • -7.18db
8% Popularity • 47% Danceability • 81% Energy • 42% Liveness
20% Instrumentalness • 30% Positiveness
8% Popularity • 47% Danceability • 81% Energy • 42% Liveness
20% Instrumentalness • 30% Positiveness
