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Une Chansonette
Songs like
Une Chansonette
by
Blu Botticelli
Based on a tempo of (+/- 10%) and a similar genre
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Blu Botticelli
Effect Politics
90 bpm • B Maj • 03:02 • -9.82db
0% Popularity • 62% Danceability • 45% Energy • 11% Liveness
93% Instrumentalness • 32% Positiveness
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Thiago Castro Correia
Antique with Edge
90 bpm • C# Maj • 02:17 • -14.08db
0% Popularity • 30% Danceability • 46% Energy • 16% Liveness
86% Instrumentalness • 41% Positiveness
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David Foster
Io Resto Qui!
88 bpm • A# min • 02:18 • -6.19db
18% Popularity • 50% Danceability • 70% Energy • 46% Liveness
3% Instrumentalness • 84% Positiveness
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Devout Cocoa
Weather with Evident
87 bpm • D min • 01:59 • -18.3db
0% Popularity • 24% Danceability • 33% Energy • 15% Liveness
73% Instrumentalness • 23% Positiveness
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Mia Archer
Pleasing Slave
87 bpm • G Maj • 02:44 • -12.27db
0% Popularity • 67% Danceability • 20% Energy • 11% Liveness
86% Instrumentalness • 34% Positiveness
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Reeta Vuorinen
Water Servitude - #8drone_04
86 bpm • D# Maj • 01:40 • -23.16db
0% Popularity • 24% Danceability • 39% Energy • 11% Liveness
94% Instrumentalness • 36% Positiveness
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Blu Botticelli
Une Chansonette
90 bpm • C min • 01:41 • -5.4db
0% Popularity • 65% Danceability • 65% Energy • 13% Liveness
74% Instrumentalness • 84% Positiveness
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Silke Theissen
Vigorous to Interpret
95 bpm • G Maj • 02:21 • -13.52db
0% Popularity • 50% Danceability • 14% Energy • 13% Liveness
83% Instrumentalness • 46% Positiveness
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David Foster
More Brillant
87 bpm • G# Maj • 02:18 • -6.11db
15% Popularity • 45% Danceability • 71% Energy • 22% Liveness
52% Instrumentalness • 92% Positiveness
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Chef Gray
Fall Spring
95 bpm • A Maj • 03:02 • -10.03db
4% Popularity • 67% Danceability • 32% Energy • 10% Liveness
92% Instrumentalness • 46% Positiveness
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Tom Kaestner
Voyage to Battery
85 bpm • G Maj • 01:44 • -14.21db
0% Popularity • 63% Danceability • 33% Energy • 17% Liveness
96% Instrumentalness • 51% Positiveness
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Dr. Drummer
Soul Cello
85 bpm • G min • 07:48 • -9.74db
4% Popularity • 59% Danceability • 53% Energy • 8% Liveness
50% Instrumentalness • 68% Positiveness
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Blu Botticelli
Spiritual on Elsewhere
90 bpm • C# Maj • 03:03 • -12.47db
0% Popularity • 58% Danceability • 50% Energy • 11% Liveness
88% Instrumentalness • 38% Positiveness
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Michael Wildman
Wind Song
95 bpm • D# Maj • 02:07 • -15.04db
0% Popularity • 78% Danceability • 34% Energy • 12% Liveness
86% Instrumentalness • 70% Positiveness
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Devi Corporaal
Favorite in the Requital
85 bpm • F Maj • 01:44 • -16.5db
0% Popularity • 62% Danceability • 35% Energy • 11% Liveness
75% Instrumentalness • 28% Positiveness
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Rachel Farrell
Organ for the Steel
96 bpm • F Maj • 02:12 • -13.62db
0% Popularity • 57% Danceability • 26% Energy • 16% Liveness
35% Instrumentalness • 38% Positiveness
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Beau Hanigan
Steady from Nervous
96 bpm • G Maj • 02:18 • -11.87db
0% Popularity • 91% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 58% Positiveness
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Dr. Drummer
Galactica Soul
85 bpm • G min • 07:45 • -11.07db
5% Popularity • 72% Danceability • 38% Energy • 26% Liveness
0% Instrumentalness • 88% Positiveness
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Blu Botticelli
Accuse Muzzle
85 bpm • G Maj • 03:19 • -8.71db
0% Popularity • 51% Danceability • 46% Energy • 10% Liveness
93% Instrumentalness • 36% Positiveness
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Alco Scholtens
Tissue for Requite
84 bpm • C Maj • 01:46 • -13.28db
0% Popularity • 76% Danceability • 46% Energy • 12% Liveness
87% Instrumentalness • 84% Positiveness
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Hudson Somerville
Doubtful of the Fold
84 bpm • C# Maj • 01:46 • -20.12db
0% Popularity • 81% Danceability • 46% Energy • 11% Liveness
91% Instrumentalness • 82% Positiveness
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Rachel Farrell
Tool Thunder
84 bpm • F min • 01:46 • -15.32db
1% Popularity • 78% Danceability • 45% Energy • 11% Liveness
94% Instrumentalness • 91% Positiveness
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Sebastian Howard
Deaden of the Digest
84 bpm • D Maj • 01:45 • -12.73db
0% Popularity • 78% Danceability • 38% Energy • 11% Liveness
85% Instrumentalness • 80% Positiveness
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Maisie Sanders
Adhesion by Reference
84 bpm • C# Maj • 01:45 • -13.24db
0% Popularity • 78% Danceability • 42% Energy • 12% Liveness
92% Instrumentalness • 50% Positiveness
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Blu Botticelli
Modify by Propose
95 bpm • C# min • 03:04 • -16.9db
0% Popularity • 66% Danceability • 32% Energy • 10% Liveness
70% Instrumentalness • 52% Positiveness
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Natalie De Garis
Binding Unworthy
84 bpm • C Maj • 01:46 • -16.62db
0% Popularity • 72% Danceability • 13% Energy • 13% Liveness
84% Instrumentalness • 59% Positiveness
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Beau Hanigan
Piercing as Physical
84 bpm • C min • 01:46 • -14.1db
0% Popularity • 70% Danceability • 27% Energy • 24% Liveness
79% Instrumentalness • 74% Positiveness
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Rachel Farrell
Inanimate the Lover
84 bpm • A# min • 01:43 • -15.01db
1% Popularity • 73% Danceability • 29% Energy • 10% Liveness
83% Instrumentalness • 68% Positiveness
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Sana Berg
Humility in the Entertainment - Fo-fi-02
97 bpm • C Maj • 01:55 • -19.73db
0% Popularity • 55% Danceability • 20% Energy • 12% Liveness
86% Instrumentalness • 29% Positiveness
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Chatter Watts
Need in the Glutinous
97 bpm • G Maj • 02:18 • -13.87db
0% Popularity • 68% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 49% Positiveness
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Blu Botticelli
Vesicle for the Seventy
84 bpm • D Maj • 03:22 • -11.56db
0% Popularity • 45% Danceability • 54% Energy • 12% Liveness
91% Instrumentalness • 27% Positiveness
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Alice Mason
Introduce in Blind
83 bpm • C Maj • 01:49 • -16.5db
1% Popularity • 70% Danceability • 36% Energy • 11% Liveness
89% Instrumentalness • 29% Positiveness
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Sebastian Howard
Rapidly of the Shine
83 bpm • C# min • 01:46 • -12.2db
1% Popularity • 79% Danceability • 31% Energy • 10% Liveness
93% Instrumentalness • 77% Positiveness
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Justin Hobson
Last by Perplexity
83 bpm • D Maj • 01:46 • -13.91db
0% Popularity • 51% Danceability • 41% Energy • 19% Liveness
93% Instrumentalness • 59% Positiveness
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Jürgen Freud
Pine for the Walking - Manos_02
82 bpm • E Maj • 03:10 • -18.92db
0% Popularity • 71% Danceability • 19% Energy • 10% Liveness
83% Instrumentalness • 17% Positiveness
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Manu Inberg
Coalesce from Shedding
82 bpm • D# Maj • 01:13 • -14.94db
0% Popularity • 25% Danceability • 38% Energy • 76% Liveness
46% Instrumentalness • 33% Positiveness
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Blu Botticelli
Near the Suffix
97 bpm • F min • 03:00 • -17.17db
0% Popularity • 76% Danceability • 32% Energy • 9% Liveness
84% Instrumentalness • 45% Positiveness
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Alice Mason
Enjoyment as Tortoise
82 bpm • C Maj • 02:42 • -12.78db
0% Popularity • 88% Danceability • 23% Energy • 11% Liveness
86% Instrumentalness • 26% Positiveness
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Robur Banks
Faithful in the Reality
82 bpm • A# Maj • 01:48 • -12.55db
0% Popularity • 82% Danceability • 53% Energy • 11% Liveness
89% Instrumentalness • 64% Positiveness
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Chatter Watts
Exist with Gradient
82 bpm • F Maj • 01:42 • -16.42db
0% Popularity • 77% Danceability • 22% Energy • 10% Liveness
88% Instrumentalness • 46% Positiveness
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Rachel Farrell
Solemn on Inflection
82 bpm • C Maj • 01:49 • -14.45db
0% Popularity • 78% Danceability • 20% Energy • 10% Liveness
92% Instrumentalness • 60% Positiveness
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Jessica Ehrlichmann
Reclaim from Grace
82 bpm • G min • 01:50 • -13.38db
0% Popularity • 89% Danceability • 26% Energy • 10% Liveness
92% Instrumentalness • 59% Positiveness
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Sebastian Howard
Eighth as Heavenly
82 bpm • C min • 01:48 • -10.61db
0% Popularity • 73% Danceability • 38% Energy • 11% Liveness
91% Instrumentalness • 76% Positiveness
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Pimpernel Burrows
Revenge in the Narration
99 bpm • E min • 02:15 • -16.05db
0% Popularity • 68% Danceability • 22% Energy • 10% Liveness
92% Instrumentalness • 44% Positiveness
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Robur Banks
Sucker Examine
82 bpm • A min • 01:48 • -12.36db
4% Popularity • 82% Danceability • 30% Energy • 11% Liveness
89% Instrumentalness • 91% Positiveness
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Marcus Mcfarlane
Flux at Celebrate
82 bpm • A# Maj • 01:43 • -12.99db
0% Popularity • 53% Danceability • 24% Energy • 11% Liveness
85% Instrumentalness • 56% Positiveness
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Blu Botticelli
Shroud in the Bear
100 bpm • F Maj • 02:55 • -16.78db
0% Popularity • 73% Danceability • 30% Energy • 10% Liveness
81% Instrumentalness • 43% Positiveness
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Rhoda Oldbuck
Swim by Sanctuary
81 bpm • E min • 01:43 • -13.53db
3% Popularity • 84% Danceability • 34% Energy • 10% Liveness
92% Instrumentalness • 49% Positiveness
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Lena Schroeder
Apparel at Removing
81 bpm • C Maj • 01:43 • -17.6db
1% Popularity • 68% Danceability • 24% Energy • 12% Liveness
88% Instrumentalness • 69% Positiveness
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Devi Corporaal
Crisp for Axis
81 bpm • C Maj • 01:50 • -18.4db
0% Popularity • 66% Danceability • 31% Energy • 11% Liveness
85% Instrumentalness • 23% Positiveness
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Noehl Y Rubio Cordero
Dealer from System
81 bpm • A min • 01:48 • -16.07db
0% Popularity • 67% Danceability • 27% Energy • 11% Liveness
94% Instrumentalness • 58% Positiveness
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Christian Pisani
Greek of the Finishing
81 bpm • D Maj • 01:50 • -10.52db
0% Popularity • 83% Danceability • 35% Energy • 12% Liveness
90% Instrumentalness • 78% Positiveness
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Blu Botticelli
Consist as Barren
100 bpm • C# Maj • 02:55 • -17.01db
0% Popularity • 78% Danceability • 30% Energy • 14% Liveness
82% Instrumentalness • 46% Positiveness
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Carlos Larsson
Differential on Pulse
81 bpm • A Maj • 02:35 • -12.99db
0% Popularity • 53% Danceability • 11% Energy • 11% Liveness
91% Instrumentalness • 58% Positiveness
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Mark Axelsson
Innocence of the Bondage
81 bpm • A# Maj • 01:51 • -15.44db
2% Popularity • 83% Danceability • 40% Energy • 11% Liveness
95% Instrumentalness • 67% Positiveness
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Harbin Ruest
Vice with Consent
81 bpm • F min • 01:42 • -16.53db
0% Popularity • 22% Danceability • 56% Energy • 12% Liveness
94% Instrumentalness • 22% Positiveness
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Solitary Remainder
Chill in Late
101 bpm • D# Maj • 02:39 • -16.68db
0% Popularity • 31% Danceability • 33% Energy • 11% Liveness
89% Instrumentalness • 23% Positiveness
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Zachary Chester
Guard for Indefinite - Original Mix
80 bpm • F min • 01:56 • -22.26db
3% Popularity • 77% Danceability • 10% Energy • 10% Liveness
63% Instrumentalness • 39% Positiveness
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Blu Botticelli
Print in the Paint
100 bpm • F Maj • 02:55 • -17.31db
0% Popularity • 72% Danceability • 30% Energy • 9% Liveness
79% Instrumentalness • 43% Positiveness
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Mia Archer
Surpass for Dullness
80 bpm • E Maj • 01:51 • -16.45db
0% Popularity • 74% Danceability • 30% Energy • 9% Liveness
78% Instrumentalness • 70% Positiveness
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Bertoldo Milani
Flush Intellectual
80 bpm • F Maj • 01:46 • -12.63db
0% Popularity • 83% Danceability • 34% Energy • 10% Liveness
93% Instrumentalness • 48% Positiveness
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Jessica Ehrlichmann
Burn as Reptile
80 bpm • G min • 01:45 • -9.97db
0% Popularity • 72% Danceability • 30% Energy • 9% Liveness
91% Instrumentalness • 59% Positiveness
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Maisie Sanders
Medical the Withhold
80 bpm • F Maj • 01:50 • -15.47db
0% Popularity • 66% Danceability • 34% Energy • 10% Liveness
87% Instrumentalness • 50% Positiveness
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Vick Gamache
Official from Lover
80 bpm • C Maj • 01:43 • -18.09db
0% Popularity • 76% Danceability • 32% Energy • 10% Liveness
93% Instrumentalness • 48% Positiveness
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Blu Botticelli
Opening to Deposit
101 bpm • F min • 02:50 • -17.24db
0% Popularity • 65% Danceability • 30% Energy • 11% Liveness
77% Instrumentalness • 55% Positiveness
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Pimpernel Burrows
Evening by Snap
80 bpm • C Maj • 01:51 • -12.87db
1% Popularity • 73% Danceability • 38% Energy • 11% Liveness
93% Instrumentalness • 48% Positiveness
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Michael Wildman
Strive with Carriage
80 bpm • C Maj • 01:51 • -13.68db
0% Popularity • 72% Danceability • 39% Energy • 12% Liveness
90% Instrumentalness • 66% Positiveness
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Sebastian Howard
Compress Pole
80 bpm • G# Maj • 01:51 • -13.86db
0% Popularity • 72% Danceability • 43% Energy • 25% Liveness
94% Instrumentalness • 66% Positiveness
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Adam Vardon
Mine in the Disciple
80 bpm • C Maj • 01:50 • -15.99db
0% Popularity • 68% Danceability • 38% Energy • 10% Liveness
89% Instrumentalness • 53% Positiveness
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Sara Shuster
Which as Plumb
80 bpm • F Maj • 01:51 • -13.97db
0% Popularity • 71% Danceability • 48% Energy • 11% Liveness
95% Instrumentalness • 61% Positiveness
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Blu Botticelli
Abandon on Follower
80 bpm • D Maj • 03:04 • -9.91db
0% Popularity • 59% Danceability • 46% Energy • 9% Liveness
94% Instrumentalness • 29% Positiveness
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Jessica Ehrlichmann
Olive Sodium
80 bpm • F Maj • 01:52 • -13.34db
0% Popularity • 79% Danceability • 42% Energy • 9% Liveness
91% Instrumentalness • 89% Positiveness
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Marcus Mcfarlane
Tame at Love
80 bpm • G Maj • 01:51 • -12.46db
0% Popularity • 84% Danceability • 42% Energy • 14% Liveness
85% Instrumentalness • 92% Positiveness
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Sana Berg
Member as Lodge
80 bpm • A# min • 01:49 • -14.43db
0% Popularity • 80% Danceability • 28% Energy • 10% Liveness
89% Instrumentalness • 60% Positiveness
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Michael Wildman
De Lune
102 bpm • D min • 01:38 • -19.69db
0% Popularity • 70% Danceability • 12% Energy • 7% Liveness
86% Instrumentalness • 53% Positiveness
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Liza Pirelli Jazztet
Not Innocent
80 bpm • F min • 01:48 • -12.44db
24% Popularity • 69% Danceability • 34% Energy • 12% Liveness
86% Instrumentalness • 64% Positiveness
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Tom Kaestner
Christ the This
102 bpm • F min • 02:54 • -15.49db
0% Popularity • 48% Danceability • 32% Energy • 11% Liveness
76% Instrumentalness • 31% Positiveness
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Booze Concussions
Expert by Look
102 bpm • F# min • 01:13 • -20.61db
0% Popularity • 31% Danceability • 44% Energy • 15% Liveness
91% Instrumentalness • 10% Positiveness
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Devi Corporaal
Rounded Dialect
102 bpm • A# Maj • 02:50 • -16.85db
0% Popularity • 79% Danceability • 21% Energy • 12% Liveness
94% Instrumentalness • 34% Positiveness
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Mason Kippax
Recording for Preface
102 bpm • C min • 02:55 • -13.16db
0% Popularity • 74% Danceability • 27% Energy • 9% Liveness
92% Instrumentalness • 50% Positiveness
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Zac Crick
Heavy by Famous
102 bpm • A# Maj • 02:57 • -12.64db
0% Popularity • 88% Danceability • 19% Energy • 11% Liveness
86% Instrumentalness • 63% Positiveness
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Gabriella Lascelles
Commercial with Severe
102 bpm • A# Maj • 02:52 • -17.33db
0% Popularity • 66% Danceability • 13% Energy • 11% Liveness
93% Instrumentalness • 36% Positiveness
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Justin Hobson
Excellent Contraction
102 bpm • C Maj • 02:55 • -14.73db
1% Popularity • 58% Danceability • 37% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
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Pimpernel Burrows
Boiled to Inform
102 bpm • A Maj • 02:40 • -16.08db
4% Popularity • 48% Danceability • 37% Energy • 11% Liveness
89% Instrumentalness • 35% Positiveness
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Maisie Sanders
Acute of the Practice
79 bpm • G# Maj • 01:51 • -13.19db
0% Popularity • 74% Danceability • 50% Energy • 10% Liveness
90% Instrumentalness • 76% Positiveness
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Rachel Farrell
Craft of the Motion
79 bpm • E min • 01:53 • -11.75db
0% Popularity • 70% Danceability • 32% Energy • 12% Liveness
84% Instrumentalness • 67% Positiveness
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Mason Kippax
Request as Flight
79 bpm • A# Maj • 01:53 • -15.32db
0% Popularity • 67% Danceability • 24% Energy • 10% Liveness
91% Instrumentalness • 60% Positiveness
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Devi Corporaal
Provide by Divided
79 bpm • G Maj • 01:52 • -16.52db
0% Popularity • 63% Danceability • 24% Energy • 11% Liveness
91% Instrumentalness • 40% Positiveness
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Booze Concussions
Differential in Quadrate
103 bpm • B min • 01:40 • -16.73db
0% Popularity • 23% Danceability • 56% Energy • 16% Liveness
85% Instrumentalness • 4% Positiveness
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Herma van Ieperen
Recovery for the Left
104 bpm • G Maj • 02:09 • -16.5db
1% Popularity • 78% Danceability • 29% Energy • 11% Liveness
91% Instrumentalness • 78% Positiveness
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Riley Higgins
Ideal Tender
78 bpm • D# Maj • 01:48 • -19.92db
0% Popularity • 67% Danceability • 22% Energy • 11% Liveness
94% Instrumentalness • 53% Positiveness
► Preview
Märtha Jansson
Saffron at Youth
104 bpm • D Maj • 02:52 • -14.59db
1% Popularity • 63% Danceability • 30% Energy • 14% Liveness
90% Instrumentalness • 38% Positiveness
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Robur Banks
Tract Gauge
78 bpm • D min • 01:53 • -15.46db
0% Popularity • 81% Danceability • 34% Energy • 10% Liveness
92% Instrumentalness • 68% Positiveness
► Preview
Devi Corporaal
Violet to Cask
78 bpm • D min • 01:55 • -16.7db
0% Popularity • 71% Danceability • 19% Energy • 10% Liveness
92% Instrumentalness • 30% Positiveness
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Bertoldo Milani
Been as Punch
104 bpm • C Maj • 02:41 • -11.49db
0% Popularity • 84% Danceability • 22% Energy • 11% Liveness
87% Instrumentalness • 85% Positiveness
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Sana Berg
Fineness in the Duty
104 bpm • A min • 02:47 • -11.17db
0% Popularity • 79% Danceability • 48% Energy • 10% Liveness
91% Instrumentalness • 30% Positiveness
► Preview
Maisie Sanders
Eleven on Slope
104 bpm • A# min • 02:49 • -14.16db
1% Popularity • 78% Danceability • 20% Energy • 11% Liveness
90% Instrumentalness • 20% Positiveness
► Preview
Sebastian Howard
Mill in the Anxiety
104 bpm • D# Maj • 02:49 • -16.1db
0% Popularity • 77% Danceability • 12% Energy • 20% Liveness
90% Instrumentalness • 28% Positiveness
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Blu Botticelli
Exterior in the Ignorant
77 bpm • G Maj • 03:25 • -10.23db
0% Popularity • 43% Danceability • 53% Energy • 11% Liveness
88% Instrumentalness • 35% Positiveness
► Preview
Devi Corporaal
Senate of the Mitigate
78 bpm • G Maj • 01:55 • -15.78db
0% Popularity • 75% Danceability • 28% Energy • 10% Liveness
90% Instrumentalness • 56% Positiveness
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Une Chansonette