Songs like Uneasy blues by Johnny Otis
Based on a tempo of (+/- 10%) and a similar genre
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Johnny Otis
Barrelhouse Blues
68 bpm • G Maj • 03:52 • -15.84db
2% Popularity • 40% Danceability • 36% Energy • 11% Liveness
81% Instrumentalness • 52% Positiveness
2% Popularity • 40% Danceability • 36% Energy • 11% Liveness
81% Instrumentalness • 52% Positiveness
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Art Neville
Zing Zing
67 bpm • G Maj • 02:01 • -9.27db
29% Popularity • 71% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 93% Positiveness
29% Popularity • 71% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 93% Positiveness
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Eddie "Cleanhead" Vinson
Clean Head's Blues
67 bpm • A# Maj • 03:27 • -13.31db
3% Popularity • 66% Danceability • 25% Energy • 13% Liveness
11% Instrumentalness • 30% Positiveness
3% Popularity • 66% Danceability • 25% Energy • 13% Liveness
11% Instrumentalness • 30% Positiveness
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Johnny Ace
Please Forgive Me
67 bpm • G# Maj • 02:23 • -11.57db
11% Popularity • 46% Danceability • 21% Energy • 29% Liveness
0% Instrumentalness • 31% Positiveness
11% Popularity • 46% Danceability • 21% Energy • 29% Liveness
0% Instrumentalness • 31% Positiveness
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Interludes
Wilted Rose Bud
67 bpm • D Maj • 02:29 • -10.91db
0% Popularity • 46% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
0% Popularity • 46% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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Lloyd Price
Stagger Lee
70 bpm • D# Maj • 02:24 • -6.86db
50% Popularity • 44% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
50% Popularity • 44% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
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Johnny Otis
If I Didn't Love You So
68 bpm • F Maj • 03:11 • -20.22db
1% Popularity • 46% Danceability • 6% Energy • 19% Liveness
9% Instrumentalness • 33% Positiveness
1% Popularity • 46% Danceability • 6% Energy • 19% Liveness
9% Instrumentalness • 33% Positiveness
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Joe Liggins
Brown Angel
70 bpm • C Maj • 03:42 • -16.5db
3% Popularity • 62% Danceability • 27% Energy • 13% Liveness
89% Instrumentalness • 45% Positiveness
3% Popularity • 62% Danceability • 27% Energy • 13% Liveness
89% Instrumentalness • 45% Positiveness
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Jimmy McCracklin
She Felt Too Good
66 bpm • D# Maj • 02:48 • -8db
13% Popularity • 67% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
13% Popularity • 67% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Roy Milton
Baby I'm Gone
70 bpm • F min • 02:32 • -7db
19% Popularity • 53% Danceability • 55% Energy • 25% Liveness
0% Instrumentalness • 72% Positiveness
19% Popularity • 53% Danceability • 55% Energy • 25% Liveness
0% Instrumentalness • 72% Positiveness
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Earl King
Those Lonely, Lonely Nights (1955)
70 bpm • A# Maj • 02:26 • -6.2db
16% Popularity • 44% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 47% Positiveness
16% Popularity • 44% Danceability • 52% Energy • 5% Liveness
0% Instrumentalness • 47% Positiveness
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Lloyd Price
The Chicken and the Bop
70 bpm • A# Maj • 02:17 • -6db
20% Popularity • 60% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
20% Popularity • 60% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
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Johnny Otis
Snake Hips
70 bpm • A# Maj • 04:22 • -11.25db
5% Popularity • 73% Danceability • 47% Energy • 20% Liveness
90% Instrumentalness • 72% Positiveness
5% Popularity • 73% Danceability • 47% Energy • 20% Liveness
90% Instrumentalness • 72% Positiveness
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Billy "The Kid" Emerson
When It Rains It Pours - Remastered 2022
70 bpm • A# Maj • 03:08 • -10.6db
6% Popularity • 47% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
6% Popularity • 47% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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The Four Deuces
W.P.L.J.
66 bpm • D min • 02:39 • -7.96db
11% Popularity • 63% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
11% Popularity • 63% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Floyd Dixon
450 Pound Woman
70 bpm • C Maj • 02:19 • -5db
32% Popularity • 64% Danceability • 65% Energy • 17% Liveness
1% Instrumentalness • 88% Positiveness
32% Popularity • 64% Danceability • 65% Energy • 17% Liveness
1% Instrumentalness • 88% Positiveness
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Lee Dorsey
Ya Ya
70 bpm • F Maj • 02:26 • -10.11db
36% Popularity • 76% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 86% Positiveness
36% Popularity • 76% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 86% Positiveness
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Varetta Dillard
Mama Don't Want What Papa Don't Want
72 bpm • G min • 02:10 • -8db
21% Popularity • 62% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
21% Popularity • 62% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Johnny Otis
Love Will Break Your Heart
70 bpm • C Maj • 02:55 • -9.19db
0% Popularity • 58% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 41% Positiveness
0% Popularity • 58% Danceability • 32% Energy • 19% Liveness
0% Instrumentalness • 41% Positiveness
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Richard Berry
Bewildered
72 bpm • F Maj • 02:48 • -14.01db
7% Popularity • 36% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
7% Popularity • 36% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Little Willie John
Fever
63 bpm • F min • 02:44 • -7db
41% Popularity • 69% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
41% Popularity • 69% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Amos Milburn
Bad, Bad Whiskey
63 bpm • F# Maj • 02:30 • -13.53db
1% Popularity • 69% Danceability • 32% Energy • 11% Liveness
51% Instrumentalness • 27% Positiveness
1% Popularity • 69% Danceability • 32% Energy • 11% Liveness
51% Instrumentalness • 27% Positiveness
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The Robins
Double Crossing Blues
74 bpm • A# Maj • 02:48 • -15db
13% Popularity • 53% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
13% Popularity • 53% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Lee Dorsey
Do-Re-Mi
75 bpm • F Maj • 02:13 • -12db
24% Popularity • 71% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
24% Popularity • 71% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
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Johnny Otis
Earth Angel - Remastered
70 bpm • F min • 02:57 • -5.62db
0% Popularity • 55% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
0% Popularity • 55% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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Frankie Ford
Sea Cruise
76 bpm • C Maj • 02:42 • -7db
32% Popularity • 44% Danceability • 86% Energy • 55% Liveness
0% Instrumentalness • 93% Positiveness
32% Popularity • 44% Danceability • 86% Energy • 55% Liveness
0% Instrumentalness • 93% Positiveness
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Gary U.S. Bonds
School Is Out
76 bpm • A# Maj • 02:31 • -9.85db
14% Popularity • 53% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
14% Popularity • 53% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
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Jimmy McCracklin
The Walk
77 bpm • F Maj • 02:41 • -12db
29% Popularity • 62% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
29% Popularity • 62% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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The Robins
Whadaya Want
75 bpm • C# Maj • 02:28 • -7db
9% Popularity • 71% Danceability • 46% Energy • 25% Liveness
0% Instrumentalness • 77% Positiveness
9% Popularity • 71% Danceability • 46% Energy • 25% Liveness
0% Instrumentalness • 77% Positiveness
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Bill Justis
Raunchy
76 bpm • D Maj • 02:20 • -6db
36% Popularity • 51% Danceability • 70% Energy • 41% Liveness
84% Instrumentalness • 72% Positiveness
36% Popularity • 51% Danceability • 70% Energy • 41% Liveness
84% Instrumentalness • 72% Positiveness
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Johnny Otis
Harlem Nocturne
71 bpm • A min • 03:32 • -14.63db
1% Popularity • 49% Danceability • 14% Energy • 10% Liveness
84% Instrumentalness • 36% Positiveness
1% Popularity • 49% Danceability • 14% Energy • 10% Liveness
84% Instrumentalness • 36% Positiveness
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Nappy Brown
Skidy Woe
77 bpm • D min • 02:57 • -7.4db
11% Popularity • 54% Danceability • 70% Energy • 23% Liveness
0% Instrumentalness • 87% Positiveness
11% Popularity • 54% Danceability • 70% Energy • 23% Liveness
0% Instrumentalness • 87% Positiveness
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The Cadets
I Want You - Remastered
77 bpm • G# Maj • 02:49 • -9db
30% Popularity • 75% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 95% Positiveness
30% Popularity • 75% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 95% Positiveness
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Jimmy McCracklin
The Walk
78 bpm • C Maj • 02:50 • -10.33db
14% Popularity • 72% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
14% Popularity • 72% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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Warren Smith
Red Cadillac & A Black Moustache - Alter...
78 bpm • D Maj • 02:16 • -10db
31% Popularity • 63% Danceability • 69% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
31% Popularity • 63% Danceability • 69% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
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Wynona Carr
Weather Man
78 bpm • A# Maj • 02:35 • -8.82db
15% Popularity • 58% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
15% Popularity • 58% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 86% Positiveness
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Johnny Otis
Helpless
65 bpm • A# Maj • 03:04 • -19.27db
1% Popularity • 53% Danceability • 10% Energy • 22% Liveness
1% Instrumentalness • 38% Positiveness
1% Popularity • 53% Danceability • 10% Energy • 22% Liveness
1% Instrumentalness • 38% Positiveness
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Lloyd Price
Where Were You (On Our Wedding Day?)
78 bpm • C min • 02:43 • -8db
34% Popularity • 49% Danceability • 66% Energy • 40% Liveness
0% Instrumentalness • 75% Positiveness
34% Popularity • 49% Danceability • 66% Energy • 40% Liveness
0% Instrumentalness • 75% Positiveness
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Big Mama Thornton
They Call Me Big Mama
78 bpm • D# Maj • 02:04 • -12.3db
23% Popularity • 62% Danceability • 43% Energy • 26% Liveness
0% Instrumentalness • 92% Positiveness
23% Popularity • 62% Danceability • 43% Energy • 26% Liveness
0% Instrumentalness • 92% Positiveness
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Hank Ballard
Hoochie Coochie Coo
78 bpm • D min • 02:34 • -8.79db
10% Popularity • 56% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
10% Popularity • 56% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
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Hank Ballard & The Midnighters
The Twist
79 bpm • A Maj • 02:35 • -3db
28% Popularity • 50% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 95% Positiveness
28% Popularity • 50% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 95% Positiveness
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The Clovers
Fool Fool Fool
79 bpm • G# Maj • 02:33 • -14.65db
15% Popularity • 52% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
15% Popularity • 52% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Johnny Otis
Bad Luck Shadow
71 bpm • C Maj • 03:31 • -16.54db
4% Popularity • 64% Danceability • 29% Energy • 12% Liveness
49% Instrumentalness • 54% Positiveness
4% Popularity • 64% Danceability • 29% Energy • 12% Liveness
49% Instrumentalness • 54% Positiveness
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Glen Glenn
Everybody's Movin'
79 bpm • C# min • 02:42 • -6db
34% Popularity • 70% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
34% Popularity • 70% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
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Lil Greenwood
Grandpa Can Boogie Too
79 bpm • F min • 02:50 • -4.11db
29% Popularity • 70% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
29% Popularity • 70% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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Hank Ballard
The Twist
79 bpm • A Maj • 02:36 • -8db
28% Popularity • 63% Danceability • 63% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 63% Danceability • 63% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
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Wynona Carr
Touch And Go
79 bpm • F min • 02:12 • -10.44db
19% Popularity • 60% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
19% Popularity • 60% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Roy Brown
Rockin at Midnight
79 bpm • A min • 02:46 • -9.57db
20% Popularity • 65% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 81% Positiveness
20% Popularity • 65% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 81% Positiveness
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Johnny Otis
Please Don't Leave Me
64 bpm • D Maj • 02:27 • -6.95db
0% Popularity • 58% Danceability • 38% Energy • 26% Liveness
0% Instrumentalness • 46% Positiveness
0% Popularity • 58% Danceability • 38% Energy • 26% Liveness
0% Instrumentalness • 46% Positiveness
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The Du Droppers
Can't Do Sixty No More
80 bpm • G# Maj • 02:53 • -9.83db
8% Popularity • 56% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
8% Popularity • 56% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
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The Silhouettes
Get a Job
80 bpm • G Maj • 02:49 • -10db
38% Popularity • 62% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
38% Popularity • 62% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Bobby Day
Over and Over
80 bpm • C Maj • 02:23 • -13.08db
27% Popularity • 64% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
27% Popularity • 64% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Warren Smith
Ubangi Stomp
82 bpm • A Maj • 01:59 • -6.61db
34% Popularity • 57% Danceability • 92% Energy • 21% Liveness
0% Instrumentalness • 84% Positiveness
34% Popularity • 57% Danceability • 92% Energy • 21% Liveness
0% Instrumentalness • 84% Positiveness
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Amos Milburn
Bewildered
83 bpm • E min • 03:54 • -17.4db
0% Popularity • 61% Danceability • 22% Energy • 9% Liveness
83% Instrumentalness • 36% Positiveness
0% Popularity • 61% Danceability • 22% Energy • 9% Liveness
83% Instrumentalness • 36% Positiveness
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Johnny Otis
Bad Luck Shadow
73 bpm • G# min • 03:23 • -10.81db
3% Popularity • 62% Danceability • 51% Energy • 5% Liveness
8% Instrumentalness • 88% Positiveness
3% Popularity • 62% Danceability • 51% Energy • 5% Liveness
8% Instrumentalness • 88% Positiveness
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Big Mama Thornton
Yes, Baby
83 bpm • G min • 02:52 • -6.89db
9% Popularity • 44% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
9% Popularity • 44% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
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Mickey Baker
Hit Git and Split
83 bpm • G Maj • 02:29 • -3.85db
19% Popularity • 61% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
19% Popularity • 61% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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The Olympics
Dance by the Light of the Moon
83 bpm • D Maj • 02:15 • -7.99db
12% Popularity • 54% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
12% Popularity • 54% Danceability • 84% Energy • 30% Liveness
0% Instrumentalness • 96% Positiveness
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Clyde McPhatter
A Lover's Question
83 bpm • C Maj • 02:30 • -12db
38% Popularity • 67% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
38% Popularity • 67% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
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Smiley Lewis
I Hear You Knocking
83 bpm • D# Maj • 02:45 • -11db
37% Popularity • 35% Danceability • 46% Energy • 20% Liveness
3% Instrumentalness • 86% Positiveness
37% Popularity • 35% Danceability • 46% Energy • 20% Liveness
3% Instrumentalness • 86% Positiveness
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Johnny Otis
Three Girls Named Molly
74 bpm • G Maj • 02:33 • -12.81db
0% Popularity • 66% Danceability • 57% Energy • 54% Liveness
0% Instrumentalness • 89% Positiveness
0% Popularity • 66% Danceability • 57% Energy • 54% Liveness
0% Instrumentalness • 89% Positiveness
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Jimmy Liggins and His Drops Of Joy
Cadillac Boogie
84 bpm • F# Maj • 02:36 • -12.8db
28% Popularity • 62% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
28% Popularity • 62% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
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Clarence "Frogman" Henry
Ain't Got No Home - Remastered
85 bpm • C Maj • 02:18 • -8db
36% Popularity • 45% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 56% Positiveness
36% Popularity • 45% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 56% Positiveness
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Amos Milburn
Baby, Baby All the Time
85 bpm • F Maj • 03:47 • -14.77db
0% Popularity • 56% Danceability • 29% Energy • 12% Liveness
41% Instrumentalness • 36% Positiveness
0% Popularity • 56% Danceability • 29% Energy • 12% Liveness
41% Instrumentalness • 36% Positiveness
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Clyde McPhatter
Lover Please
84 bpm • A Maj • 01:56 • -5db
36% Popularity • 71% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
36% Popularity • 71% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
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Ruth Brown
Mambo Baby
86 bpm • G# Maj • 02:43 • -14db
28% Popularity • 75% Danceability • 32% Energy • 9% Liveness
3% Instrumentalness • 76% Positiveness
28% Popularity • 75% Danceability • 32% Energy • 9% Liveness
3% Instrumentalness • 76% Positiveness
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Johnny Otis
Misery
74 bpm • D Maj • 02:46 • -12.55db
5% Popularity • 55% Danceability • 19% Energy • 23% Liveness
0% Instrumentalness • 28% Positiveness
5% Popularity • 55% Danceability • 19% Energy • 23% Liveness
0% Instrumentalness • 28% Positiveness
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Louis Jordan & His Tympany Five
Choo Choo Ch' Boogie
86 bpm • D min • 02:44 • -6.07db
32% Popularity • 74% Danceability • 81% Energy • 3% Liveness
0% Instrumentalness • 71% Positiveness
32% Popularity • 74% Danceability • 81% Energy • 3% Liveness
0% Instrumentalness • 71% Positiveness
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Clarence "Frogman" Henry
Ain't Got No Home
84 bpm • C Maj • 02:21 • -0.47db
30% Popularity • 59% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
30% Popularity • 59% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Rufus Thomas
Bear Cat - Remastered 2022
86 bpm • D# min • 02:50 • -8.73db
25% Popularity • 57% Danceability • 44% Energy • 42% Liveness
0% Instrumentalness • 84% Positiveness
25% Popularity • 57% Danceability • 44% Energy • 42% Liveness
0% Instrumentalness • 84% Positiveness
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The "5" Royales
Baby, Don't Do It
86 bpm • A min • 02:45 • -8db
16% Popularity • 41% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
16% Popularity • 41% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Johnny Burnette & The Rock 'N' Roll Trio
Lonesome Train (On A Lonesome Track)
86 bpm • F min • 02:06 • -8.08db
36% Popularity • 64% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
36% Popularity • 64% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Johnny Otis
Mistrustin' blues (02-27-50)
75 bpm • G# Maj • 03:03 • -12.38db
2% Popularity • 45% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
2% Popularity • 45% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Eddie Cochran
Jeanie, Jeanie, Jeanie
86 bpm • F# Maj • 02:23 • -6.73db
36% Popularity • 46% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
36% Popularity • 46% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Wynona Carr
Hurt Me
86 bpm • D# Maj • 02:18 • -10.89db
14% Popularity • 42% Danceability • 48% Energy • 59% Liveness
0% Instrumentalness • 64% Positiveness
14% Popularity • 42% Danceability • 48% Energy • 59% Liveness
0% Instrumentalness • 64% Positiveness
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Ruth Brown
As Long as I'm Moving
86 bpm • F# Maj • 02:45 • -12.68db
31% Popularity • 76% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
31% Popularity • 76% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Joe Liggins
Whiskey, Women & Loaded Dice
88 bpm • C Maj • 02:43 • -11db
25% Popularity • 81% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
25% Popularity • 81% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
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Jimmy Preston
Rock the Joint
89 bpm • F Maj • 02:35 • -9.61db
23% Popularity • 39% Danceability • 70% Energy • 28% Liveness
76% Instrumentalness • 87% Positiveness
23% Popularity • 39% Danceability • 70% Energy • 28% Liveness
76% Instrumentalness • 87% Positiveness
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Johnny Otis
Can't You Hear Me Callin'
78 bpm • C# Maj • 02:30 • -12.77db
8% Popularity • 63% Danceability • 57% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
8% Popularity • 63% Danceability • 57% Energy • 26% Liveness
0% Instrumentalness • 89% Positiveness
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Bobby Day
The Bluebird, the Buzzard & the Oriole -...
90 bpm • C# Maj • 02:21 • -6.8db
20% Popularity • 70% Danceability • 77% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
20% Popularity • 70% Danceability • 77% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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Clarence "Frogman" Henry
On Bended Knees
90 bpm • G# Maj • 01:51 • 0.85db
13% Popularity • 61% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
13% Popularity • 61% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Jimmy McCracklin
Let's Do It (The Chicken Scratch)
90 bpm • F Maj • 02:42 • -7db
11% Popularity • 68% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
11% Popularity • 68% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
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Joe Liggins
Rhythm In The Barnyard
88 bpm • C min • 04:46 • -12.1db
18% Popularity • 70% Danceability • 41% Energy • 12% Liveness
2% Instrumentalness • 71% Positiveness
18% Popularity • 70% Danceability • 41% Energy • 12% Liveness
2% Instrumentalness • 71% Positiveness
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Johnny Ace
Anymore - Edit
90 bpm • C Maj • 03:05 • -11.52db
5% Popularity • 37% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
5% Popularity • 37% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Johnny Otis
Get Together Blues
82 bpm • A min • 02:36 • -11.05db
0% Popularity • 58% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
0% Popularity • 58% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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The Del-Vikings
Cool Shake
90 bpm • G Maj • 02:13 • -11.11db
13% Popularity • 58% Danceability • 53% Energy • 30% Liveness
0% Instrumentalness • 88% Positiveness
13% Popularity • 58% Danceability • 53% Energy • 30% Liveness
0% Instrumentalness • 88% Positiveness
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Buddy Knox
Party Doll
90 bpm • B min • 02:15 • -8db
44% Popularity • 66% Danceability • 73% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
44% Popularity • 66% Danceability • 73% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
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Johnny Burnette & The Rock 'N' Roll Trio
Rock Billy Boogie
90 bpm • G Maj • 02:36 • -7db
37% Popularity • 72% Danceability • 89% Energy • 16% Liveness
0% Instrumentalness • 95% Positiveness
37% Popularity • 72% Danceability • 89% Energy • 16% Liveness
0% Instrumentalness • 95% Positiveness
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Joe Liggins
The Honeydripper (Part 1)
91 bpm • G Maj • 02:59 • -13.75db
2% Popularity • 84% Danceability • 41% Energy • 10% Liveness
91% Instrumentalness • 67% Positiveness
2% Popularity • 84% Danceability • 41% Energy • 10% Liveness
91% Instrumentalness • 67% Positiveness
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Larry Williams
She Said Yeah
91 bpm • F Maj • 01:51 • -11db
30% Popularity • 68% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
30% Popularity • 68% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
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Johnny Otis
Only You - Remastered
83 bpm • G min • 02:31 • -6.81db
0% Popularity • 55% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
0% Popularity • 55% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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Champion Jack Dupree
Nasty Boogie
91 bpm • C Maj • 03:10 • -17db
28% Popularity • 59% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
28% Popularity • 59% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
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Clarence "Frogman" Henry
It Wont Be Long
91 bpm • D Maj • 02:12 • 1.32db
12% Popularity • 72% Danceability • 96% Energy • 3% Liveness
0% Instrumentalness • 92% Positiveness
12% Popularity • 72% Danceability • 96% Energy • 3% Liveness
0% Instrumentalness • 92% Positiveness
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Smiley Lewis
Blue Monday
91 bpm • G# Maj • 02:41 • -7db
19% Popularity • 60% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
19% Popularity • 60% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Joe Liggins
The Honeydripper (Part 2)
91 bpm • D Maj • 03:05 • -13.67db
1% Popularity • 71% Danceability • 43% Energy • 9% Liveness
92% Instrumentalness • 75% Positiveness
1% Popularity • 71% Danceability • 43% Energy • 9% Liveness
92% Instrumentalness • 75% Positiveness
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Billy Lee Riley
Baby Please Don't Go
92 bpm • G# Maj • 02:05 • -11.52db
28% Popularity • 65% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
28% Popularity • 65% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
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Johnny Otis
Baby, I've Got News for You
89 bpm • A# min • 02:39 • -13.57db
1% Popularity • 72% Danceability • 52% Energy • 10% Liveness
65% Instrumentalness • 77% Positiveness
1% Popularity • 72% Danceability • 52% Energy • 10% Liveness
65% Instrumentalness • 77% Positiveness
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Roy Brown
Let The Four Winds Blow
91 bpm • F min • 02:03 • -12.5db
24% Popularity • 80% Danceability • 50% Energy • 8% Liveness
3% Instrumentalness • 95% Positiveness
24% Popularity • 80% Danceability • 50% Energy • 8% Liveness
3% Instrumentalness • 95% Positiveness
