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Unholy Assault
Songs like
Unholy Assault
by
Danny Baranowsky
Based on a tempo of (+/- 10%) and a similar genre
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Danny Baranowsky
Dr. Fetus' Castle (Ch 5 Dark World)
145 bpm • A# min • 03:02 • -6.61db
27% Popularity • 44% Danceability • 96% Energy • 31% Liveness
74% Instrumentalness • 49% Positiveness
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flashygoodness
Moonlight Inferno
145 bpm • E min • 01:58 • -5.93db
28% Popularity • 38% Danceability • 100% Energy • 8% Liveness
53% Instrumentalness • 37% Positiveness
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Sascha Dikiciyan
Smoking Out the Bunker
145 bpm • E Maj • 01:40 • -16.92db
15% Popularity • 51% Danceability • 52% Energy • 9% Liveness
95% Instrumentalness • 20% Positiveness
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Malcolm Robinson
Boss Battle 2
145 bpm • F min • 02:32 • -8db
27% Popularity • 47% Danceability • 77% Energy • 24% Liveness
79% Instrumentalness • 48% Positiveness
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Cris Velasco
Crater Lake
145 bpm • D Maj • 02:26 • -17.68db
1% Popularity • 49% Danceability • 73% Energy • 15% Liveness
85% Instrumentalness • 15% Positiveness
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SEGA SOUND TEAM
CRYSTAL CAVE
145 bpm • E min • 04:23 • -9.82db
19% Popularity • 34% Danceability • 70% Energy • 31% Liveness
80% Instrumentalness • 42% Positiveness
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Danny Baranowsky
Heart of the Crypt
145 bpm • D# min • 02:41 • -8.15db
27% Popularity • 46% Danceability • 98% Energy • 16% Liveness
91% Instrumentalness • 82% Positiveness
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Christopher Larkin
Sisters of Battle
145 bpm • A# min • 01:51 • -9.73db
44% Popularity • 40% Danceability • 56% Energy • 16% Liveness
33% Instrumentalness • 49% Positiveness
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Tettix
Rogue Legacy (Main Theme)
145 bpm • A# min • 01:52 • -8.82db
19% Popularity • 25% Danceability • 62% Energy • 12% Liveness
76% Instrumentalness • 15% Positiveness
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Hideaki Kobayashi
vs. Nega-Wisp Armor - Phase 1
145 bpm • C# Maj • 04:19 • -9db
23% Popularity • 19% Danceability • 72% Energy • 41% Liveness
93% Instrumentalness • 14% Positiveness
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Takeshi Miura
Ride on Sea
146 bpm • A# Maj • 03:09 • -12.36db
14% Popularity • 45% Danceability • 82% Energy • 42% Liveness
95% Instrumentalness • 50% Positiveness
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Clark Aboud
Facing the Elite
144 bpm • B Maj • 01:12 • -13.83db
24% Popularity • 38% Danceability • 23% Energy • 13% Liveness
42% Instrumentalness • 6% Positiveness
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Danny Baranowsky
Crusade
145 bpm • B min • 02:24 • -9.28db
21% Popularity • 48% Danceability • 87% Energy • 18% Liveness
91% Instrumentalness • 23% Positiveness
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Stuart Chatwood
Town in Chaos
144 bpm • A Maj • 06:08 • -10db
39% Popularity • 51% Danceability • 99% Energy • 34% Liveness
75% Instrumentalness • 23% Positiveness
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SEGA SOUND TEAM
Radical Train -The Abandoned Mine-
146 bpm • B min • 02:43 • -9.17db
21% Popularity • 51% Danceability • 95% Energy • 11% Liveness
67% Instrumentalness • 90% Positiveness
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Keith Power
Red Broth
147 bpm • C# Maj • 03:05 • -11.51db
21% Popularity • 55% Danceability • 82% Energy • 31% Liveness
87% Instrumentalness • 38% Positiveness
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Motoi Sakuraba
Departure
143 bpm • C Maj • 04:14 • -19.86db
18% Popularity • 13% Danceability • 12% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
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Akiyuki Morimoto
Roars Across the Hinterlands: The Chase
148 bpm • D min • 02:18 • -10.52db
19% Popularity • 44% Danceability • 53% Energy • 16% Liveness
80% Instrumentalness • 21% Positiveness
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Danny Baranowsky
Burning Ambush
145 bpm • F Maj • 02:23 • -9.26db
22% Popularity • 44% Danceability • 82% Energy • 69% Liveness
90% Instrumentalness • 40% Positiveness
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Mudeth
Ultimort (Chest)
142 bpm • G Maj • 03:38 • -8.27db
21% Popularity • 47% Danceability • 90% Energy • 56% Liveness
84% Instrumentalness • 22% Positiveness
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SeZon
Phazon Mines
148 bpm • D Maj • 03:36 • -9.1db
17% Popularity • 61% Danceability • 88% Energy • 30% Liveness
79% Instrumentalness • 37% Positiveness
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Keith Power
Consume Us
148 bpm • D Maj • 03:11 • -9.97db
18% Popularity • 45% Danceability • 80% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Nobuko Toda
Raging Raven
148 bpm • G Maj • 02:35 • -13.05db
13% Popularity • 52% Danceability • 70% Energy • 23% Liveness
88% Instrumentalness • 28% Positiveness
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Akiyuki Morimoto
Roars Across the Hinterlands
148 bpm • F# min • 04:16 • -9.73db
27% Popularity • 40% Danceability • 67% Energy • 36% Liveness
87% Instrumentalness • 41% Positiveness
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Zhenlan Kang
Mournful Pursuit
148 bpm • C# Maj • 03:58 • -8.96db
19% Popularity • 18% Danceability • 54% Energy • 13% Liveness
96% Instrumentalness • 12% Positiveness
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Danny Baranowsky
Divine Combat
145 bpm • B min • 02:27 • -11.9db
29% Popularity • 50% Danceability • 85% Energy • 13% Liveness
76% Instrumentalness • 25% Positiveness
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Curtis Schweitzer
Impact Event
148 bpm • C# min • 06:55 • -14.58db
14% Popularity • 23% Danceability • 86% Energy • 11% Liveness
94% Instrumentalness • 12% Positiveness
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Cris Velasco
Hyperion
142 bpm • C# min • 03:23 • -16.86db
1% Popularity • 63% Danceability • 65% Energy • 10% Liveness
52% Instrumentalness • 68% Positiveness
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YUKO KOMIYAMA
Savage of the Ancient Forest
150 bpm • G# Maj • 03:50 • -10db
29% Popularity • 59% Danceability • 72% Energy • 16% Liveness
91% Instrumentalness • 52% Positiveness
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Clark Aboud
The Guardian Emerges
150 bpm • G# Maj • 02:23 • -13db
29% Popularity • 30% Danceability • 37% Energy • 13% Liveness
85% Instrumentalness • 7% Positiveness
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Zhenlan Kang
Expansion
150 bpm • C# Maj • 03:17 • -13db
20% Popularity • 43% Danceability • 86% Energy • 16% Liveness
78% Instrumentalness • 28% Positiveness
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Christopher Larkin
White Defender
150 bpm • A min • 03:39 • -9db
39% Popularity • 41% Danceability • 45% Energy • 8% Liveness
84% Instrumentalness • 26% Positiveness
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Danny Baranowsky
Unholy Assault
145 bpm • E min • 02:53 • -9.59db
21% Popularity • 44% Danceability • 84% Energy • 24% Liveness
90% Instrumentalness • 14% Positiveness
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Jake Kaufman
In the Halls of the Usurper (Pridemoor K...
150 bpm • C# min • 03:34 • -3db
31% Popularity • 47% Danceability • 100% Energy • 29% Liveness
93% Instrumentalness • 75% Positiveness
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Hyperduck Soundworks
Deities
150 bpm • D# min • 03:13 • -11.09db
9% Popularity • 43% Danceability • 94% Energy • 14% Liveness
89% Instrumentalness • 59% Positiveness
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Nobuko Toda
Haven Troopers
150 bpm • D Maj • 03:40 • -13db
17% Popularity • 58% Danceability • 68% Energy • 11% Liveness
80% Instrumentalness • 25% Positiveness
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Akihiko Narita
Red Glare in the Darkness - Nargacuga: T...
150 bpm • F min • 02:39 • -17db
19% Popularity • 63% Danceability • 53% Energy • 38% Liveness
90% Instrumentalness • 83% Positiveness
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Christopher Larkin
Dung Defender
150 bpm • D Maj • 02:07 • -9.03db
47% Popularity • 70% Danceability • 35% Energy • 17% Liveness
78% Instrumentalness • 56% Positiveness
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Danny Baranowsky
Hereafter
143 bpm • F Maj • 01:30 • -28.57db
25% Popularity • 22% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 27% Positiveness
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Jake Kaufman
High Above the Land (The Flying Machine)
150 bpm • B min • 04:01 • -2db
29% Popularity • 45% Danceability • 100% Energy • 6% Liveness
95% Instrumentalness • 70% Positiveness
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Miwako Chinone
Red Glare in the Darkness - Nargacuga
150 bpm • A min • 04:00 • -17db
24% Popularity • 48% Danceability • 40% Energy • 11% Liveness
84% Instrumentalness • 39% Positiveness
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Mudeth
Tandava (Boss)
150 bpm • C# Maj • 04:08 • -4.79db
24% Popularity • 42% Danceability • 95% Energy • 19% Liveness
90% Instrumentalness • 29% Positiveness
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Akihiko Narita
Red Glare in the Darkness - Nargacuga: W...
150 bpm • A min • 04:56 • -9db
30% Popularity • 51% Danceability • 73% Energy • 34% Liveness
93% Instrumentalness • 50% Positiveness
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Foreign Gnomes
The Final Battle
150 bpm • E Maj • 02:36 • -5.69db
26% Popularity • 27% Danceability • 94% Energy • 34% Liveness
94% Instrumentalness • 49% Positiveness
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Christopher Larkin
Truth, Beauty and Hatred
150 bpm • G# Maj • 01:58 • -12db
43% Popularity • 42% Danceability • 62% Energy • 18% Liveness
84% Instrumentalness • 63% Positiveness
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Jake Kaufman
Flowers of Antimony (The Explodatorium)
150 bpm • F min • 03:36 • -3db
27% Popularity • 46% Danceability • 96% Energy • 8% Liveness
92% Instrumentalness • 85% Positiveness
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Big Giant Circles
The Clubbing of Isaac (Big Giant Circles...
150 bpm • E min • 03:53 • -10db
29% Popularity • 48% Danceability • 94% Energy • 13% Liveness
82% Instrumentalness • 74% Positiveness
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Ridiculon
Ambush
150 bpm • G Maj • 04:19 • -7.11db
17% Popularity • 52% Danceability • 96% Energy • 29% Liveness
67% Instrumentalness • 32% Positiveness
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Stuart Chatwood
Combat in the Ruins
150 bpm • G Maj • 03:36 • -8.29db
41% Popularity • 53% Danceability • 93% Energy • 14% Liveness
81% Instrumentalness • 26% Positiveness
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Danny Baranowsky
Portabellohead
150 bpm • B min • 02:50 • -8.64db
29% Popularity • 60% Danceability • 68% Energy • 13% Liveness
90% Instrumentalness • 51% Positiveness
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Curtis Schweitzer
Gravitational Collapse
150 bpm • G Maj • 04:32 • -19db
15% Popularity • 54% Danceability • 46% Energy • 12% Liveness
78% Instrumentalness • 20% Positiveness
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Jake Kaufman
Of Devious Machinations (Clockwork Tower...
150 bpm • C# Maj • 03:41 • -4db
24% Popularity • 38% Danceability • 99% Energy • 15% Liveness
96% Instrumentalness • 98% Positiveness
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SEGA SOUND TEAM
SHROUDED FOREST
150 bpm • A min • 04:06 • -8.89db
16% Popularity • 47% Danceability • 94% Energy • 9% Liveness
92% Instrumentalness • 91% Positiveness
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Foreign Gnomes
Vampires Invading Heaven
150 bpm • C# Maj • 02:36 • -6db
24% Popularity • 61% Danceability • 85% Energy • 30% Liveness
86% Instrumentalness • 87% Positiveness
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Tettix
Stereo Blindness (Bonus)
140 bpm • G# Maj • 03:12 • -9.84db
10% Popularity • 48% Danceability • 76% Energy • 10% Liveness
90% Instrumentalness • 17% Positiveness
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Christopher Larkin
False Knight
150 bpm • D min • 03:04 • -8.14db
48% Popularity • 52% Danceability • 89% Energy • 20% Liveness
90% Instrumentalness • 59% Positiveness
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Curtis Schweitzer
Arctic Battle 2
150 bpm • G# Maj • 01:55 • -13db
12% Popularity • 49% Danceability • 66% Energy • 12% Liveness
87% Instrumentalness • 12% Positiveness
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SIE Sound Team
Blood-starved Beast
150 bpm • A min • 04:41 • -11db
41% Popularity • 46% Danceability • 71% Energy • 27% Liveness
90% Instrumentalness • 9% Positiveness
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Jake Kaufman
Main Theme
150 bpm • F Maj • 02:43 • -2db
29% Popularity • 36% Danceability • 98% Energy • 19% Liveness
88% Instrumentalness • 85% Positiveness
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Malcolm Robinson
Undersea Palace
140 bpm • A# Maj • 03:20 • -7.27db
24% Popularity • 46% Danceability • 54% Energy • 12% Liveness
72% Instrumentalness • 34% Positiveness
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Stuart Chatwood
All Things Must Come
140 bpm • G# Maj • 03:48 • -11db
32% Popularity • 45% Danceability • 80% Energy • 42% Liveness
89% Instrumentalness • 36% Positiveness
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Hyperduck Soundworks
Beneath Hollow Grounds
140 bpm • C Maj • 03:54 • -20.6db
9% Popularity • 50% Danceability • 30% Energy • 12% Liveness
89% Instrumentalness • 9% Positiveness
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flashygoodness
Fighter Select Final
150 bpm • F# min • 01:36 • -4.54db
24% Popularity • 33% Danceability • 97% Energy • 30% Liveness
42% Instrumentalness • 53% Positiveness
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Christopher Larkin
Broken Vessel
140 bpm • G# Maj • 01:59 • -11.16db
46% Popularity • 53% Danceability • 47% Energy • 16% Liveness
94% Instrumentalness • 78% Positiveness
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Jake Kaufman
The Defender (Black Knight Battle)
150 bpm • A# Maj • 03:16 • -3db
22% Popularity • 43% Danceability • 100% Energy • 27% Liveness
90% Instrumentalness • 71% Positiveness
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Ridiculon
Periculum (The Cellar)
140 bpm • A# Maj • 03:50 • -8.12db
23% Popularity • 52% Danceability • 87% Energy • 16% Liveness
80% Instrumentalness • 32% Positiveness
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Stuart Chatwood
Bloodletting of the Crimson Court
140 bpm • D Maj • 05:44 • -10db
28% Popularity • 47% Danceability • 82% Energy • 10% Liveness
80% Instrumentalness • 21% Positiveness
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Curtis Schweitzer
Ocean Battle 1
140 bpm • A Maj • 01:22 • -12.71db
12% Popularity • 59% Danceability • 81% Energy • 20% Liveness
80% Instrumentalness • 75% Positiveness
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Cris Velasco
Ascent
140 bpm • C# Maj • 04:17 • -19db
1% Popularity • 44% Danceability • 60% Energy • 9% Liveness
82% Instrumentalness • 4% Positiveness
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Christopher Larkin
Decisive Battle
140 bpm • A Maj • 02:05 • -8.47db
44% Popularity • 62% Danceability • 80% Energy • 11% Liveness
88% Instrumentalness • 65% Positiveness
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Jake Kaufman
The Decadent Dandy (King Knight Battle)
150 bpm • C# Maj • 02:56 • -2db
23% Popularity • 48% Danceability • 100% Energy • 8% Liveness
84% Instrumentalness • 94% Positiveness
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Keith Power
The Witches Lair
140 bpm • C Maj • 03:10 • -15.4db
22% Popularity • 65% Danceability • 70% Energy • 26% Liveness
91% Instrumentalness • 53% Positiveness
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Stuart Chatwood
The Chloroplast of Cosmarium
140 bpm • C# Maj • 03:49 • -12.12db
28% Popularity • 44% Danceability • 79% Energy • 9% Liveness
90% Instrumentalness • 24% Positiveness
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Curtis Schweitzer
Arctic Battle 3
140 bpm • A Maj • 01:39 • -9.75db
14% Popularity • 51% Danceability • 76% Energy • 16% Liveness
58% Instrumentalness • 89% Positiveness
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Danny Baranowsky
Momentum Mori
140 bpm • C# Maj • 02:49 • -10.61db
29% Popularity • 49% Danceability • 66% Energy • 10% Liveness
87% Instrumentalness • 62% Positiveness
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Christopher Larkin
Nosk
140 bpm • F min • 01:50 • -11.05db
45% Popularity • 65% Danceability • 77% Energy • 16% Liveness
64% Instrumentalness • 17% Positiveness
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Cris Velasco
Lynchwood Sheriff Combat
140 bpm • A# Maj • 03:52 • -16db
2% Popularity • 55% Danceability • 86% Energy • 20% Liveness
85% Instrumentalness • 40% Positiveness
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Keith Power
The Creeping Dark
140 bpm • G Maj • 03:01 • -13.03db
21% Popularity • 50% Danceability • 88% Energy • 12% Liveness
62% Instrumentalness • 33% Positiveness
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Sascha Dikiciyan
Warrior Boss - Original OST
140 bpm • C# min • 03:11 • -13db
16% Popularity • 51% Danceability • 87% Energy • 26% Liveness
91% Instrumentalness • 12% Positiveness
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Curtis Schweitzer
Arctic Battle 1
140 bpm • A min • 02:24 • -12db
14% Popularity • 53% Danceability • 68% Energy • 31% Liveness
1% Instrumentalness • 48% Positiveness
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Danny Baranowsky
Grave Throbbing
140 bpm • F# min • 02:50 • -9.43db
28% Popularity • 58% Danceability • 53% Energy • 7% Liveness
60% Instrumentalness • 29% Positiveness
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Harry Callaghan
Live Fire Exercise
140 bpm • A Maj • 01:56 • -10.42db
16% Popularity • 71% Danceability • 58% Energy • 7% Liveness
72% Instrumentalness • 41% Positiveness
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Doseone
Hulk Destruct Button
140 bpm • C# Maj • 02:34 • -5.78db
10% Popularity • 55% Danceability • 96% Energy • 30% Liveness
93% Instrumentalness • 75% Positiveness
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Nobuo Uematsu
FFVII REMAKE: 壱番魔晄炉 Battle Edi...
140 bpm • A# min • 03:53 • -8.7db
39% Popularity • 56% Danceability • 93% Energy • 9% Liveness
95% Instrumentalness • 46% Positiveness
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Akiyuki Morimoto
From the Rumblings Come a Song
150 bpm • D Maj • 04:34 • -11db
23% Popularity • 18% Danceability • 65% Energy • 9% Liveness
64% Instrumentalness • 5% Positiveness
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Stuart Chatwood
The Senescence
140 bpm • C# Maj • 03:48 • -11db
29% Popularity • 56% Danceability • 76% Energy • 22% Liveness
89% Instrumentalness • 67% Positiveness
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Syusaku Uchiyama
Run, Kathy, Run
140 bpm • F Maj • 05:01 • -13.84db
15% Popularity • 33% Danceability • 66% Energy • 16% Liveness
85% Instrumentalness • 19% Positiveness
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Mudeth
Invictus (Boss Fight)
140 bpm • C# Maj • 04:16 • -7.44db
23% Popularity • 43% Danceability • 92% Energy • 22% Liveness
91% Instrumentalness • 33% Positiveness
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Jose Pavli
Danger Bound
140 bpm • F# min • 03:23 • -11.84db
22% Popularity • 47% Danceability • 89% Energy • 14% Liveness
89% Instrumentalness • 41% Positiveness
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Motoi Sakuraba
Iron Golem
140 bpm • C min • 02:51 • -8.09db
23% Popularity • 49% Danceability • 65% Energy • 44% Liveness
83% Instrumentalness • 16% Positiveness
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Ridiculon
Diptera Sonata
140 bpm • D Maj • 04:10 • -7.69db
27% Popularity • 52% Danceability • 74% Energy • 11% Liveness
72% Instrumentalness • 35% Positiveness
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Stuart Chatwood
Dark Mitochondria
140 bpm • F min • 03:46 • -10db
36% Popularity • 56% Danceability • 79% Energy • 48% Liveness
95% Instrumentalness • 54% Positiveness
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Simon Chylinski
Rock It!
140 bpm • C# min • 01:06 • -10db
35% Popularity • 54% Danceability • 100% Energy • 14% Liveness
73% Instrumentalness • 4% Positiveness
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堀諭史
Golden Mane - Rajang
140 bpm • C Maj • 03:45 • -17.79db
24% Popularity • 45% Danceability • 35% Energy • 16% Liveness
92% Instrumentalness • 5% Positiveness
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Danny Baranowsky
End Credits
140 bpm • G# Maj • 01:38 • -6.07db
19% Popularity • 47% Danceability • 86% Energy • 34% Liveness
96% Instrumentalness • 52% Positiveness
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Motoi Sakuraba
Fume Knight
140 bpm • G Maj • 04:27 • -10.34db
20% Popularity • 30% Danceability • 86% Energy • 6% Liveness
97% Instrumentalness • 3% Positiveness
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David Fenn
The Gravedigger's Request
140 bpm • E min • 03:04 • -9.32db
21% Popularity • 40% Danceability • 61% Energy • 16% Liveness
98% Instrumentalness • 46% Positiveness
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Lucas Pope
Loose Cargo
140 bpm • C Maj • 01:41 • -16.79db
32% Popularity • 43% Danceability • 18% Energy • 13% Liveness
90% Instrumentalness • 44% Positiveness
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Sam Dillard
Orphan
140 bpm • F Maj • 03:35 • -15.94db
9% Popularity • 18% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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堀諭史
Domain of Dust and Desolation
140 bpm • F Maj • 04:14 • -11.8db
29% Popularity • 46% Danceability • 38% Energy • 30% Liveness
33% Instrumentalness • 36% Positiveness
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Unholy Assault