Songs like Unholy Ghosts - Live Acoustic by David Keenan
Based on a tempo of (+/- 10%) and a similar genre
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Ondara
Milk And Honey
126 bpm • B Maj • 02:54 • -7.64db
36% Popularity • 54% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
36% Popularity • 54% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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JúnÃus Meyvant
Pearl in Sandbox
126 bpm • G# Maj • 06:43 • -21.95db
24% Popularity • 60% Danceability • 6% Energy • 10% Liveness
8% Instrumentalness • 26% Positiveness
24% Popularity • 60% Danceability • 6% Energy • 10% Liveness
8% Instrumentalness • 26% Positiveness
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Rachel Sermanni
Swallow Me
126 bpm • F# Maj • 03:40 • -15.23db
19% Popularity • 50% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
19% Popularity • 50% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
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Ida Mae
Baby I Need A Driver
126 bpm • G Maj • 04:36 • -10.95db
11% Popularity • 52% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
11% Popularity • 52% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
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Anna Mieke
Keep It Whole
126 bpm • G Maj • 04:48 • -17.58db
19% Popularity • 47% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
19% Popularity • 47% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Niamh Regan
Freeze Frame
125 bpm • C Maj • 03:26 • -10.1db
26% Popularity • 42% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
26% Popularity • 42% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Will Varley
All Those Stars
125 bpm • F# min • 03:20 • -8.12db
24% Popularity • 62% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
24% Popularity • 62% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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David Keenan
Subliminal Dublinia
125 bpm • A min • 08:04 • -7.65db
11% Popularity • 43% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
11% Popularity • 43% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Courtney Hartman
Nothing We Say
127 bpm • G# Maj • 03:31 • -14.05db
17% Popularity • 70% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
17% Popularity • 70% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Molly Parden
Who Did You Leave for Me
127 bpm • C Maj • 03:02 • -11.3db
33% Popularity • 59% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
33% Popularity • 59% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Rona Mac
Necking
125 bpm • F# Maj • 05:44 • -15.83db
9% Popularity • 49% Danceability • 16% Energy • 12% Liveness
1% Instrumentalness • 24% Positiveness
9% Popularity • 49% Danceability • 16% Energy • 12% Liveness
1% Instrumentalness • 24% Positiveness
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The Dead Tongues
Déjá Vu - Radio Edit
125 bpm • D Maj • 04:23 • -9.85db
25% Popularity • 56% Danceability • 35% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
25% Popularity • 56% Danceability • 35% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
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Will Varley
Let It Slide
125 bpm • D Maj • 04:37 • -9.8db
14% Popularity • 38% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
14% Popularity • 38% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Savannah Conley
Same Old Eyes
128 bpm • C# min • 04:01 • -9.52db
35% Popularity • 65% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
35% Popularity • 65% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
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Kirby Brown
Sweet Shame
124 bpm • G Maj • 03:02 • -10.82db
25% Popularity • 65% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
25% Popularity • 65% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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R.D. Thomas
Headlines
124 bpm • C Maj • 03:04 • -19.38db
11% Popularity • 33% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
11% Popularity • 33% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Ciaran Lavery
To Chicago
124 bpm • F Maj • 03:32 • -10.84db
30% Popularity • 74% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
30% Popularity • 74% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Sam Moss
Rust
128 bpm • F# min • 02:31 • -16.11db
39% Popularity • 38% Danceability • 29% Energy • 12% Liveness
17% Instrumentalness • 28% Positiveness
39% Popularity • 38% Danceability • 29% Energy • 12% Liveness
17% Instrumentalness • 28% Positiveness
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David Keenan
Raving towards Byzantium
128 bpm • C# Maj • 04:30 • -10.28db
5% Popularity • 47% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
5% Popularity • 47% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Rura
Mary
124 bpm • D# Maj • 04:15 • -12.21db
31% Popularity • 70% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
31% Popularity • 70% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Wolf Gordon
Spanish Wine
128 bpm • D min • 02:51 • -6.8db
19% Popularity • 69% Danceability • 64% Energy • 9% Liveness
2% Instrumentalness • 58% Positiveness
19% Popularity • 69% Danceability • 64% Energy • 9% Liveness
2% Instrumentalness • 58% Positiveness
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R.D. Thomas
This Bloom
128 bpm • F# Maj • 04:45 • -12.45db
13% Popularity • 59% Danceability • 35% Energy • 10% Liveness
1% Instrumentalness • 28% Positiveness
13% Popularity • 59% Danceability • 35% Energy • 10% Liveness
1% Instrumentalness • 28% Positiveness
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Robby Hecht
I'll Keep You
128 bpm • A# Maj • 02:37 • -9.83db
38% Popularity • 51% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
38% Popularity • 51% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Keilan Creech
Honey Waits
124 bpm • B Maj • 03:32 • -11.69db
26% Popularity • 51% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
26% Popularity • 51% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Sunny War
If It Wasn’t Broken
124 bpm • D# Maj • 03:49 • -12.77db
28% Popularity • 66% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
28% Popularity • 66% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Tyler Ramsey
Firewood
128 bpm • D min • 04:32 • -8.34db
12% Popularity • 38% Danceability • 37% Energy • 16% Liveness
11% Instrumentalness • 20% Positiveness
12% Popularity • 38% Danceability • 37% Energy • 16% Liveness
11% Instrumentalness • 20% Positiveness
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David Keenan
Ears are Prickd
128 bpm • F# Maj • 03:11 • -17.49db
8% Popularity • 51% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
8% Popularity • 51% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Bess Atwell
Harvested
128 bpm • C# min • 04:50 • -13.73db
19% Popularity • 51% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
19% Popularity • 51% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Reuben And The Dark
welcome home
129 bpm • B Maj • 03:20 • -10.01db
15% Popularity • 46% Danceability • 36% Energy • 22% Liveness
0% Instrumentalness • 28% Positiveness
15% Popularity • 46% Danceability • 36% Energy • 22% Liveness
0% Instrumentalness • 28% Positiveness
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Angel Snow
Arrows - Acoustic
129 bpm • D Maj • 03:35 • -18.13db
24% Popularity • 60% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
24% Popularity • 60% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Chloe Foy
Asylum
129 bpm • G Maj • 03:51 • -9.77db
33% Popularity • 44% Danceability • 39% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
33% Popularity • 44% Danceability • 39% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
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Craig Cardiff
Lake Michigan
123 bpm • G# Maj • 04:38 • -16.8db
12% Popularity • 40% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 40% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Mary Bragg
Fixed
123 bpm • A# min • 03:07 • -9.98db
32% Popularity • 69% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
32% Popularity • 69% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Old Sea Brigade
Seen a Ghost - Acoustic
123 bpm • G Maj • 03:31 • -12.97db
33% Popularity • 77% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
33% Popularity • 77% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Hiss Golden Messenger
Everybody Needs Somebody
129 bpm • B Maj • 03:30 • -7db
36% Popularity • 62% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
36% Popularity • 62% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Anna Mieke
If
130 bpm • A# min • 05:31 • -18.45db
15% Popularity • 43% Danceability • 11% Energy • 11% Liveness
36% Instrumentalness • 8% Positiveness
15% Popularity • 43% Danceability • 11% Energy • 11% Liveness
36% Instrumentalness • 8% Positiveness
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Beta Radio
Sans Land - Acoustic
130 bpm • B Maj • 03:08 • -15.02db
17% Popularity • 45% Danceability • 17% Energy • 9% Liveness
22% Instrumentalness • 16% Positiveness
17% Popularity • 45% Danceability • 17% Energy • 9% Liveness
22% Instrumentalness • 16% Positiveness
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Niamh Regan
Nice
122 bpm • B min • 03:48 • -13.76db
12% Popularity • 64% Danceability • 23% Energy • 11% Liveness
38% Instrumentalness • 22% Positiveness
12% Popularity • 64% Danceability • 23% Energy • 11% Liveness
38% Instrumentalness • 22% Positiveness
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Darlingside
Singularity
130 bpm • D Maj • 03:42 • -10db
31% Popularity • 44% Danceability • 34% Energy • 29% Liveness
4% Instrumentalness • 18% Positiveness
31% Popularity • 44% Danceability • 34% Energy • 29% Liveness
4% Instrumentalness • 18% Positiveness
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Wesley Schultz
Boots of Spanish Leather
130 bpm • B Maj • 04:53 • -16.72db
17% Popularity • 53% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
17% Popularity • 53% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Will Varley
I Think of You Sometimes
122 bpm • A Maj • 04:44 • -11.61db
20% Popularity • 57% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
20% Popularity • 57% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Blanco White
Papillon
130 bpm • E min • 03:59 • -15.9db
43% Popularity • 37% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
43% Popularity • 37% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
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Our Man In The Field
Thin ( I Used To Be Bullet Proof)
122 bpm • G# Maj • 04:36 • -17.46db
11% Popularity • 58% Danceability • 25% Energy • 13% Liveness
9% Instrumentalness • 36% Positiveness
11% Popularity • 58% Danceability • 25% Energy • 13% Liveness
9% Instrumentalness • 36% Positiveness
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David Keenan
Good Old Days
130 bpm • A# min • 05:18 • -8.59db
18% Popularity • 48% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
18% Popularity • 48% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Foy Vance
Bangor Town
122 bpm • F# Maj • 04:26 • -12.36db
33% Popularity • 50% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
33% Popularity • 50% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Angie McMahon
Tea, Milk & Honey
121 bpm • B Maj • 05:04 • -13.33db
36% Popularity • 42% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
36% Popularity • 42% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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William Crighton
Night for a Dream
131 bpm • F# Maj • 02:31 • -12.27db
11% Popularity • 41% Danceability • 27% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
11% Popularity • 41% Danceability • 27% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
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Ondara
Lockdown On Date Night Tuesday
121 bpm • E Maj • 05:03 • -8.58db
35% Popularity • 49% Danceability • 34% Energy • 26% Liveness
0% Instrumentalness • 14% Positiveness
35% Popularity • 49% Danceability • 34% Energy • 26% Liveness
0% Instrumentalness • 14% Positiveness
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Hush Kids
All My Love
132 bpm • C Maj • 03:43 • -12db
33% Popularity • 58% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
33% Popularity • 58% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Erin Rae
Wild Blue Wind
121 bpm • C# Maj • 03:28 • -9.82db
34% Popularity • 63% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
34% Popularity • 63% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Molly Parden
Weather
132 bpm • B Maj • 05:00 • -8db
40% Popularity • 47% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
40% Popularity • 47% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Savannah Conley
Surprise, Surprise
120 bpm • C# Maj • 03:56 • -17db
35% Popularity • 48% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
35% Popularity • 48% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Bear's Den
Crow
120 bpm • A Maj • 04:56 • -9.08db
44% Popularity • 52% Danceability • 37% Energy • 5% Liveness
70% Instrumentalness • 14% Positiveness
44% Popularity • 52% Danceability • 37% Energy • 5% Liveness
70% Instrumentalness • 14% Positiveness
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Anna Mieke
Aurillac
132 bpm • D# Maj • 04:34 • -11.51db
29% Popularity • 44% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
29% Popularity • 44% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Austin Basham
New House
120 bpm • E min • 03:33 • -6db
40% Popularity • 51% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
40% Popularity • 51% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Robby Hecht
A Night Together
132 bpm • D# Maj • 02:46 • -8db
33% Popularity • 54% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
33% Popularity • 54% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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The Milk Carton Kids
I Meant Every Word I Said
120 bpm • D Maj • 04:14 • -13.96db
20% Popularity • 57% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
20% Popularity • 57% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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The Brother Brothers
Tugboats
120 bpm • D Maj • 03:47 • -6.84db
33% Popularity • 50% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
33% Popularity • 50% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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David Keenan
Unholy Ghosts
120 bpm • B Maj • 04:33 • -7db
19% Popularity • 54% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
19% Popularity • 54% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Beta Radio
Gone for a While
133 bpm • C# Maj • 03:48 • -12.76db
25% Popularity • 46% Danceability • 23% Energy • 10% Liveness
6% Instrumentalness • 24% Positiveness
25% Popularity • 46% Danceability • 23% Energy • 10% Liveness
6% Instrumentalness • 24% Positiveness
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Our Man In The Field
Easy Going Smile
133 bpm • G# Maj • 03:25 • -18db
17% Popularity • 57% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
17% Popularity • 57% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Bowerbirds
Thrift Store
119 bpm • G# Maj • 03:22 • -4.72db
34% Popularity • 50% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
34% Popularity • 50% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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Amble
Lonely Island
119 bpm • E Maj • 03:58 • -10.93db
56% Popularity • 50% Danceability • 26% Energy • 11% Liveness
2% Instrumentalness • 32% Positiveness
56% Popularity • 50% Danceability • 26% Energy • 11% Liveness
2% Instrumentalness • 32% Positiveness
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Birdtalker
Alright
134 bpm • A# Maj • 03:39 • -10.07db
31% Popularity • 43% Danceability • 40% Energy • 10% Liveness
10% Instrumentalness • 12% Positiveness
31% Popularity • 43% Danceability • 40% Energy • 10% Liveness
10% Instrumentalness • 12% Positiveness
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David Keenan
Origin Of The World - Mahogany Sessions
134 bpm • D Maj • 04:29 • -8.98db
10% Popularity • 54% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
10% Popularity • 54% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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The Milk Carton Kids
Nothing Is Real
119 bpm • G Maj • 02:44 • -12.26db
21% Popularity • 56% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
21% Popularity • 56% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Jeffrey Martin
Billy Burroughs
134 bpm • G# min • 03:55 • -11db
24% Popularity • 63% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
24% Popularity • 63% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Leif Vollebekk
Change
118 bpm • F Maj • 04:54 • -12.3db
29% Popularity • 61% Danceability • 27% Energy • 9% Liveness
2% Instrumentalness • 21% Positiveness
29% Popularity • 61% Danceability • 27% Energy • 9% Liveness
2% Instrumentalness • 21% Positiveness
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Harrison Whitford
Take a Walk
134 bpm • G Maj • 04:37 • -7.82db
14% Popularity • 56% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
14% Popularity • 56% Danceability • 36% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
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Darlingside
Bright as the Day
118 bpm • D Maj • 03:04 • -11.01db
17% Popularity • 30% Danceability • 21% Energy • 9% Liveness
4% Instrumentalness • 30% Positiveness
17% Popularity • 30% Danceability • 21% Energy • 9% Liveness
4% Instrumentalness • 30% Positiveness
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David Keenan
Rise Up
134 bpm • B Maj • 04:49 • -15.9db
7% Popularity • 53% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
7% Popularity • 53% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Rosie Carney
Thousand
118 bpm • C# Maj • 03:26 • -14db
53% Popularity • 68% Danceability • 20% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
53% Popularity • 68% Danceability • 20% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
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Nathaniel Rateliff
We Never Win
118 bpm • B min • 02:35 • -14db
36% Popularity • 62% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
36% Popularity • 62% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Sons Of The East
Nothing Comes Easy (Unplugged)
118 bpm • C Maj • 03:29 • -8.09db
33% Popularity • 71% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
33% Popularity • 71% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Anna Mieke
Arbour
118 bpm • D# Maj • 04:23 • -12.31db
16% Popularity • 47% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
16% Popularity • 47% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Joshua Burnside
Far Away the Hills Are Green
135 bpm • G Maj • 04:00 • -14db
24% Popularity • 47% Danceability • 11% Energy • 29% Liveness
0% Instrumentalness • 24% Positiveness
24% Popularity • 47% Danceability • 11% Energy • 29% Liveness
0% Instrumentalness • 24% Positiveness
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David Keenan
Origin of the World
118 bpm • B min • 07:16 • -9.87db
8% Popularity • 38% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
8% Popularity • 38% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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Johnny Flynn
Home and Dry
135 bpm • A Maj • 03:20 • -11.47db
36% Popularity • 52% Danceability • 21% Energy • 37% Liveness
0% Instrumentalness • 32% Positiveness
36% Popularity • 52% Danceability • 21% Energy • 37% Liveness
0% Instrumentalness • 32% Positiveness
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Rachel Sermanni
Lay My Heart
135 bpm • B Maj • 06:35 • -16.26db
24% Popularity • 39% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
24% Popularity • 39% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Gregory Alan Isakov
That Sea, the Gambler
118 bpm • B min • 04:46 • -9.7db
35% Popularity • 38% Danceability • 37% Energy • 10% Liveness
1% Instrumentalness • 11% Positiveness
35% Popularity • 38% Danceability • 37% Energy • 10% Liveness
1% Instrumentalness • 11% Positiveness
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Will Varley
From Halcyon
135 bpm • D# Maj • 04:49 • -13.25db
18% Popularity • 54% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
18% Popularity • 54% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Participant
Coast
135 bpm • A Maj • 03:57 • -17.13db
9% Popularity • 56% Danceability • 12% Energy • 11% Liveness
14% Instrumentalness • 23% Positiveness
9% Popularity • 56% Danceability • 12% Energy • 11% Liveness
14% Instrumentalness • 23% Positiveness
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David Keenan
God is a Magpie
135 bpm • D# min • 02:42 • -17.29db
9% Popularity • 34% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 34% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Johnny Flynn
Ferryman
118 bpm • C Maj • 04:57 • -12.62db
24% Popularity • 60% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
24% Popularity • 60% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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Humbird
Lincoln, Nebraska
135 bpm • D Maj • 02:23 • -9.75db
33% Popularity • 70% Danceability • 20% Energy • 27% Liveness
0% Instrumentalness • 32% Positiveness
33% Popularity • 70% Danceability • 20% Energy • 27% Liveness
0% Instrumentalness • 32% Positiveness
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Courtney Hartman
Wayside
117 bpm • A# Maj • 02:37 • -12.6db
33% Popularity • 63% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
33% Popularity • 63% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Dan Mangan
Just Fear
136 bpm • C Maj • 03:52 • -9.62db
22% Popularity • 69% Danceability • 38% Energy • 13% Liveness
4% Instrumentalness • 30% Positiveness
22% Popularity • 69% Danceability • 38% Energy • 13% Liveness
4% Instrumentalness • 30% Positiveness
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Rachel Baiman
I Could've Been Your Lover Too
136 bpm • B min • 03:09 • -10.78db
30% Popularity • 78% Danceability • 21% Energy • 39% Liveness
0% Instrumentalness • 36% Positiveness
30% Popularity • 78% Danceability • 21% Energy • 39% Liveness
0% Instrumentalness • 36% Positiveness
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David Keenan
On Michael Street
117 bpm • F# Maj • 04:03 • -15.54db
6% Popularity • 64% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
6% Popularity • 64% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Beta Radio
Take My Photograph
117 bpm • A min • 03:31 • -12.02db
43% Popularity • 53% Danceability • 47% Energy • 11% Liveness
53% Instrumentalness • 12% Positiveness
43% Popularity • 53% Danceability • 47% Energy • 11% Liveness
53% Instrumentalness • 12% Positiveness
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Saint Sister
The Mater
136 bpm • G# Maj • 04:23 • -14.43db
12% Popularity • 43% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
12% Popularity • 43% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Loah
Unveiled
136 bpm • E min • 04:12 • -11.63db
37% Popularity • 63% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
37% Popularity • 63% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Lula Wiles
If I Don't Go
117 bpm • A# Maj • 04:12 • -11.82db
15% Popularity • 59% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
15% Popularity • 59% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Will Varley
Where the Wild Wind Blows
117 bpm • D Maj • 02:33 • -5.69db
26% Popularity • 44% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
26% Popularity • 44% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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David Keenan
Bless the Mad Ones - Live at the Olympia...
135 bpm • G Maj • 06:12 • -6.96db
8% Popularity • 34% Danceability • 69% Energy • 83% Liveness
0% Instrumentalness • 53% Positiveness
8% Popularity • 34% Danceability • 69% Energy • 83% Liveness
0% Instrumentalness • 53% Positiveness
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The Northern Folk
Fourteen Days
136 bpm • E Maj • 02:21 • -10.67db
12% Popularity • 36% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
12% Popularity • 36% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Becca Mancari
Golden
136 bpm • D# Maj • 05:13 • -11.53db
35% Popularity • 35% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
35% Popularity • 35% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Hiss Golden Messenger
Caledonia, My Love
117 bpm • F Maj • 03:00 • -16.86db
50% Popularity • 56% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
50% Popularity • 56% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
