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Unter den Masken
Songs like
Unter den Masken
by
Buntspecht
Based on a tempo of (+/- 10%) and a similar genre
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Faber
Vivaldi
130 bpm • G# Maj • 03:11 • -10.29db
53% Popularity • 75% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
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Mayberg
Der neue Stil meiner Generation
130 bpm • D min • 02:24 • -10.64db
54% Popularity • 61% Danceability • 56% Energy • 70% Liveness
0% Instrumentalness • 50% Positiveness
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Fräulein Luise
Carpe Diem
130 bpm • A min • 03:37 • -6.86db
31% Popularity • 92% Danceability • 58% Energy • 25% Liveness
0% Instrumentalness • 25% Positiveness
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Nun flog Dr. Bert Rabe
Vogelscheuche
130 bpm • A min • 02:06 • -11.83db
32% Popularity • 91% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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ok.danke.tschüss
Zu laut in der Disko
130 bpm • A Maj • 03:04 • -7.43db
49% Popularity • 90% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Max Richard Leßmann
Sie trinkt, sie raucht, sie riecht gut
130 bpm • G Maj • 03:08 • -5db
34% Popularity • 63% Danceability • 73% Energy • 37% Liveness
0% Instrumentalness • 66% Positiveness
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Alli Neumann
Banditen
130 bpm • C Maj • 03:37 • -8.22db
30% Popularity • 63% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Buntspecht
Unter den Masken
130 bpm • C# Maj • 03:38 • -8db
51% Popularity • 60% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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International Music
Farbiges Licht
130 bpm • E Maj • 05:08 • -10db
32% Popularity • 53% Danceability • 64% Energy • 24% Liveness
9% Instrumentalness • 43% Positiveness
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Dino Brandão
Ich liebe Dich, Sophie
130 bpm • A# Maj • 03:01 • -19db
34% Popularity • 61% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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ok.danke.tschüss
Vincent van Gogh
130 bpm • A Maj • 03:55 • -6.95db
40% Popularity • 51% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Anna Mabo
Viertel nach vier
130 bpm • D Maj • 05:18 • -9.71db
11% Popularity • 61% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Chuckamuck
Die Erde wird der schönste Platz im All
130 bpm • C Maj • 04:26 • -7.2db
28% Popularity • 60% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Die Sterne
Das bisschen besser
130 bpm • B min • 04:09 • -7db
29% Popularity • 71% Danceability • 77% Energy • 13% Liveness
2% Instrumentalness • 89% Positiveness
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Buntspecht
Der rote Pfau
130 bpm • G Maj • 02:39 • -9.2db
39% Popularity • 51% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Ton Steine Scherben
Rauch-Haus-Song
130 bpm • D Maj • 03:39 • -9.54db
43% Popularity • 68% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 91% Positiveness
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Florian Paul & Die Kapelle der letzten Hoffnung
Alles wie immer
130 bpm • C# min • 04:00 • -9.93db
27% Popularity • 64% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Isolation Berlin
Lisa
129 bpm • A Maj • 04:25 • -7.45db
20% Popularity • 68% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Chuckamuck
20.000 Meilen
129 bpm • F# Maj • 05:09 • -8.08db
31% Popularity • 67% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 93% Positiveness
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RAUM27
Frida
129 bpm • C min • 03:18 • -6.29db
50% Popularity • 68% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Buntspecht
Waschmaschinentango
129 bpm • B Maj • 03:54 • -8.55db
22% Popularity • 57% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Acht Eimer Hühnerherzen
Eisenhüttenstadt
129 bpm • C# Maj • 02:34 • -8db
36% Popularity • 61% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Florian Paul & Die Kapelle der letzten Hoffnung
Mir scheint
129 bpm • E min • 02:14 • -11db
43% Popularity • 56% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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PAULA PAULA
Digitale Augen
131 bpm • A Maj • 04:03 • -9.31db
15% Popularity • 84% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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ok.danke.tschüss
Rosie
128 bpm • A min • 03:23 • -9.97db
28% Popularity • 52% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Endless Wellness
Kinder
128 bpm • C Maj • 03:45 • -6.1db
31% Popularity • 61% Danceability • 60% Energy • 25% Liveness
0% Instrumentalness • 62% Positiveness
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Buntspecht
Briefbomben
128 bpm • F Maj • 03:40 • -6.81db
25% Popularity • 57% Danceability • 68% Energy • 12% Liveness
3% Instrumentalness • 84% Positiveness
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Rosalie und Wanda
Lulu
132 bpm • D min • 02:53 • -8db
19% Popularity • 68% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Kapa Tult
Menschen (denen es gut geht)
132 bpm • C Maj • 03:07 • -8.48db
29% Popularity • 82% Danceability • 48% Energy • 33% Liveness
0% Instrumentalness • 73% Positiveness
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Uta Köbernick
Scheitern
132 bpm • F Maj • 02:33 • -9.68db
34% Popularity • 83% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Blond
Thorsten
132 bpm • G Maj • 03:14 • -5.76db
31% Popularity • 81% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 73% Positiveness
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Florian Paul & Die Kapelle der letzten Hoffnung
Endlich Wien
132 bpm • G min • 03:34 • -7.1db
32% Popularity • 66% Danceability • 82% Energy • 23% Liveness
0% Instrumentalness • 73% Positiveness
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Ami Warning
Untertauchen
132 bpm • A min • 03:45 • -13.04db
27% Popularity • 80% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Acht Eimer Hühnerherzen
Straße der Gewalt
132 bpm • B min • 03:04 • -7db
27% Popularity • 62% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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RAR
Kannst du bei mir bleiben?
128 bpm • C# min • 02:12 • -7.36db
42% Popularity • 82% Danceability • 72% Energy • 12% Liveness
60% Instrumentalness • 22% Positiveness
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Isolation Berlin
Aquarium
132 bpm • F# Maj • 03:51 • -6db
25% Popularity • 68% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Blond
Spinaci
128 bpm • F min • 04:00 • -8.84db
34% Popularity • 89% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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The Screenshots
Die Welt geht noch nicht unter
132 bpm • C# Maj • 02:51 • -5.08db
18% Popularity • 65% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Ami Warning
kurz vorm Ende der Welt
128 bpm • B min • 02:33 • -9.7db
23% Popularity • 68% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Hotel Rimini
Gefallen
132 bpm • D Maj • 03:21 • -8.12db
26% Popularity • 70% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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Nun flog Dr. Bert Rabe
Papierfliegerfrau
128 bpm • G min • 02:31 • -11.4db
36% Popularity • 69% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Olli Schulz
Schrecklich schöne Welt
133 bpm • F# Maj • 02:42 • -7.59db
36% Popularity • 72% Danceability • 44% Energy • 11% Liveness
1% Instrumentalness • 75% Positiveness
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Endless Wellness
Hand im Gesicht
133 bpm • B Maj • 03:18 • -6.54db
37% Popularity • 41% Danceability • 71% Energy • 38% Liveness
0% Instrumentalness • 38% Positiveness
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Blond
Sims 3
133 bpm • E min • 03:36 • -12.11db
32% Popularity • 70% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Faber
Top
133 bpm • F min • 03:29 • -10.53db
48% Popularity • 69% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Hotel Rimini
Hapag & Lloyd
128 bpm • F# min • 03:12 • -9.36db
32% Popularity • 72% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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Nun flog Dr. Bert Rabe
Altes Haus
133 bpm • F# min • 04:42 • -11.99db
20% Popularity • 72% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Ton Steine Scherben
Komm schlaf bei mir
134 bpm • A Maj • 04:01 • -13db
27% Popularity • 48% Danceability • 24% Energy • 14% Liveness
2% Instrumentalness • 14% Positiveness
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Buntspecht
Zehn Zehen
127 bpm • A# min • 03:21 • -8.6db
15% Popularity • 71% Danceability • 50% Energy • 11% Liveness
1% Instrumentalness • 31% Positiveness
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Granada
Wien wort auf di
126 bpm • A# Maj • 03:29 • -7db
32% Popularity • 41% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Das Paradies
Die Dinge, die wir uns heute sagten
126 bpm • C# min • 03:00 • -7.35db
29% Popularity • 68% Danceability • 78% Energy • 23% Liveness
0% Instrumentalness • 78% Positiveness
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SALÃ’
ICH GLAUBE NICHT AN DINOSAURIER
134 bpm • C Maj • 03:09 • -8.28db
27% Popularity • 82% Danceability • 54% Energy • 10% Liveness
1% Instrumentalness • 99% Positiveness
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Tropikel Ltd
Achtung Fragile
134 bpm • G min • 02:27 • -6.78db
39% Popularity • 85% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Florian Paul & Die Kapelle der letzten Hoffnung
Stirn an Stirn
126 bpm • F# min • 03:37 • -7.35db
31% Popularity • 67% Danceability • 70% Energy • 66% Liveness
0% Instrumentalness • 25% Positiveness
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Buntspecht
Der Mann von nebenan
134 bpm • C# min • 03:04 • -9db
32% Popularity • 66% Danceability • 63% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
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MOLA
Wenn Du Springst
126 bpm • D Maj • 02:57 • -4db
41% Popularity • 65% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
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Tigermilch
Im Bett
126 bpm • C min • 02:08 • -9.44db
28% Popularity • 76% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Der Fall Böse
Mathilda
126 bpm • A# min • 03:37 • -6db
35% Popularity • 83% Danceability • 52% Energy • 22% Liveness
0% Instrumentalness • 68% Positiveness
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Kapa Tult
Priority Lane
126 bpm • A min • 03:38 • -8.14db
16% Popularity • 74% Danceability • 44% Energy • 25% Liveness
0% Instrumentalness • 24% Positiveness
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Isolation Berlin
Antimaterie
134 bpm • G Maj • 04:04 • -9db
17% Popularity • 56% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Buntspecht
Kind
126 bpm • G# Maj • 04:08 • -8db
28% Popularity • 74% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Wanda
Die Sterne von Alterlaa
135 bpm • C Maj • 03:14 • -5.57db
42% Popularity • 73% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Faber
Sag mir wie du heisst - Pt.1
126 bpm • C Maj • 03:06 • -10.39db
41% Popularity • 53% Danceability • 61% Energy • 13% Liveness
12% Instrumentalness • 41% Positiveness
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Garish
Pandoras Box & ein Getränk
135 bpm • C# Maj • 03:08 • -7.1db
30% Popularity • 72% Danceability • 68% Energy • 10% Liveness
2% Instrumentalness • 42% Positiveness
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Schorl3
Gegenverkehr
135 bpm • C Maj • 02:30 • -8.91db
49% Popularity • 80% Danceability • 63% Energy • 17% Liveness
1% Instrumentalness • 92% Positiveness
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Maeckes
Immer wenn - Demo
125 bpm • G Maj • 02:20 • -14db
31% Popularity • 73% Danceability • 26% Energy • 18% Liveness
1% Instrumentalness • 52% Positiveness
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Buntspecht
Abrakadabra
135 bpm • C# min • 03:00 • -4.29db
31% Popularity • 56% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Blond
Kälberregen
125 bpm • F Maj • 03:13 • -6.51db
28% Popularity • 75% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
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Faber
Generation YouPorn
135 bpm • A min • 03:01 • -8.86db
47% Popularity • 44% Danceability • 58% Energy • 30% Liveness
0% Instrumentalness • 44% Positiveness
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Fortuna Ehrenfeld
Heiliges Fernweh
125 bpm • C Maj • 02:51 • -18db
40% Popularity • 64% Danceability • 25% Energy • 13% Liveness
59% Instrumentalness • 37% Positiveness
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Ami Warning
schöne Stunden
125 bpm • B Maj • 03:08 • -11.49db
31% Popularity • 72% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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OK KID
Es regnet Hirn
125 bpm • C Maj • 03:21 • -7.17db
44% Popularity • 80% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 32% Positiveness
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Nun flog Dr. Bert Rabe
Klebeband
125 bpm • G min • 03:32 • -12.32db
25% Popularity • 72% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 23% Positiveness
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Future Franz
Die Realität - Gerät Durcheinander
125 bpm • D# Maj • 02:59 • -9.81db
33% Popularity • 65% Danceability • 59% Energy • 16% Liveness
15% Instrumentalness • 68% Positiveness
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Hotel Rimini
Arbeit und Struktur
135 bpm • B min • 04:08 • -9.98db
31% Popularity • 60% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
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MOLA
Alles gelogen
136 bpm • F Maj • 03:43 • -6.22db
34% Popularity • 46% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Alicia Edelweiss
Dreck
135 bpm • D min • 02:51 • -7.32db
21% Popularity • 52% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Buntspecht
Hinterkammerl
136 bpm • E min • 04:46 • -6.76db
27% Popularity • 69% Danceability • 42% Energy • 39% Liveness
0% Instrumentalness • 52% Positiveness
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Faber
So soll es sein
136 bpm • E Maj • 03:02 • -6.45db
46% Popularity • 46% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
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International Music
Du Hund
124 bpm • D Maj • 04:02 • -10db
20% Popularity • 60% Danceability • 54% Energy • 7% Liveness
1% Instrumentalness • 31% Positiveness
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Florian Paul & Die Kapelle der letzten Hoffnung
Aber trotzdem
124 bpm • G min • 03:34 • -11.66db
38% Popularity • 78% Danceability • 43% Energy • 60% Liveness
0% Instrumentalness • 51% Positiveness
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BIBIZA
Eine Ode an Wien
124 bpm • E min • 03:06 • -3.44db
46% Popularity • 74% Danceability • 87% Energy • 24% Liveness
0% Instrumentalness • 91% Positiveness
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Acht Eimer Hühnerherzen
Zement
137 bpm • F min • 02:49 • -6.89db
25% Popularity • 51% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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PeterLicht
Wettentspannen
137 bpm • C Maj • 02:08 • -7db
34% Popularity • 47% Danceability • 91% Energy • 50% Liveness
1% Instrumentalness • 65% Positiveness
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Felix Kramer
Nix zu spürn
137 bpm • D# min • 03:12 • -11.16db
28% Popularity • 83% Danceability • 55% Energy • 13% Liveness
34% Instrumentalness • 90% Positiveness
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Ernst Molden
Ganz Wien
123 bpm • D min • 02:50 • -9.35db
35% Popularity • 69% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Buntspecht
Glut
123 bpm • G# Maj • 03:46 • -6.19db
24% Popularity • 76% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
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Moritz Krämer
Der kleine Spatz
137 bpm • G# Maj • 04:53 • -9.39db
17% Popularity • 50% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Tigermilch
Wenn du mich fragst
123 bpm • C Maj • 03:48 • -9.52db
35% Popularity • 90% Danceability • 48% Energy • 70% Liveness
0% Instrumentalness • 59% Positiveness
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Dino Brandão
Wäge dem
123 bpm • A Maj • 03:31 • -17.89db
43% Popularity • 80% Danceability • 12% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
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Paula Carolina
Beide
138 bpm • A# Maj • 03:17 • -10.76db
28% Popularity • 63% Danceability • 44% Energy • 44% Liveness
0% Instrumentalness • 34% Positiveness
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Anda Morts
Adidas Für Mama
138 bpm • A Maj • 03:23 • -11.68db
42% Popularity • 83% Danceability • 49% Energy • 10% Liveness
9% Instrumentalness • 96% Positiveness
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Konny
Wie Wir Beide Weitergehen
122 bpm • F Maj • 03:20 • -9.7db
24% Popularity • 58% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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fiio
Sofia
138 bpm • C# Maj • 02:24 • -4.09db
31% Popularity • 74% Danceability • 95% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
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Kapa Tult
1/2 Cappuccino
122 bpm • A# Maj • 02:43 • -5.72db
42% Popularity • 79% Danceability • 69% Energy • 14% Liveness
5% Instrumentalness • 65% Positiveness
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Marco Kleebauer
Never Be Yours (Dub)
122 bpm • E min • 03:17 • -5.41db
45% Popularity • 89% Danceability • 77% Energy • 43% Liveness
0% Instrumentalness • 94% Positiveness
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Fortuna Ehrenfeld
Ich schreib meine Gedanken
139 bpm • C# Maj • 02:21 • -18.13db
37% Popularity • 45% Danceability • 26% Energy • 11% Liveness
38% Instrumentalness • 10% Positiveness
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Maeckes
Swimmingpoolaugen
122 bpm • D# min • 04:15 • -8.64db
35% Popularity • 55% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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ok.danke.tschüss
Gold
139 bpm • C# Maj • 03:20 • -11.55db
29% Popularity • 63% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Mayberg
Mitte Zwanzig
139 bpm • A min • 03:05 • -12db
37% Popularity • 71% Danceability • 49% Energy • 37% Liveness
0% Instrumentalness • 13% Positiveness
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Unter den Masken