Songs like Until by Cassandra Wilson
Based on a tempo of (+/- 10%) and a similar genre
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Kevin Mahogany
Fix It in the Mix
101 bpm • C min • 05:17 • -16db
21% Popularity • 71% Danceability • 30% Energy • 9% Liveness
3% Instrumentalness • 51% Positiveness
21% Popularity • 71% Danceability • 30% Energy • 9% Liveness
3% Instrumentalness • 51% Positiveness
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Cassandra Wilson
Sky And Sea (Blue In Green)
101 bpm • A min • 05:24 • -16.02db
29% Popularity • 51% Danceability • 27% Energy • 11% Liveness
13% Instrumentalness • 20% Positiveness
29% Popularity • 51% Danceability • 27% Energy • 11% Liveness
13% Instrumentalness • 20% Positiveness
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Andrea Motis
If You Give Them More Than You Can
101 bpm • G# Maj • 04:05 • -12.37db
12% Popularity • 48% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
12% Popularity • 48% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Ian Shaw
How Do You Keep The Music Playing
101 bpm • D# Maj • 05:06 • -10.7db
10% Popularity • 43% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
10% Popularity • 43% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Indra Rios-Moore
From Silence
101 bpm • G Maj • 03:53 • -13.04db
13% Popularity • 41% Danceability • 13% Energy • 11% Liveness
1% Instrumentalness • 11% Positiveness
13% Popularity • 41% Danceability • 13% Energy • 11% Liveness
1% Instrumentalness • 11% Positiveness
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Kandace Springs
Angel Eyes
101 bpm • F Maj • 06:00 • -10.47db
36% Popularity • 46% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
36% Popularity • 46% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Kevin Mahogany
(Sittin' On) The Dock of the Bay
101 bpm • C Maj • 05:22 • -10db
11% Popularity • 70% Danceability • 36% Energy • 68% Liveness
0% Instrumentalness • 42% Positiveness
11% Popularity • 70% Danceability • 36% Energy • 68% Liveness
0% Instrumentalness • 42% Positiveness
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Jazzmeia Horn
Legs And Arms
102 bpm • C Maj • 07:23 • -14.19db
17% Popularity • 48% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
17% Popularity • 48% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Cassandra Wilson
Until
101 bpm • A min • 06:30 • -16.99db
19% Popularity • 69% Danceability • 18% Energy • 7% Liveness
1% Instrumentalness • 30% Positiveness
19% Popularity • 69% Danceability • 18% Energy • 7% Liveness
1% Instrumentalness • 30% Positiveness
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April Barrows
Lost In A Blue Note
100 bpm • A# Maj • 04:24 • -12.3db
29% Popularity • 43% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
29% Popularity • 43% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Ellas Kapell
Cheek to Cheek
100 bpm • G# Maj • 07:03 • -10.85db
18% Popularity • 44% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
18% Popularity • 44% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Erin Boheme
What Love Is
102 bpm • F min • 05:00 • -17db
31% Popularity • 51% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
31% Popularity • 51% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Peter Cincotti
Lovers, Secrets, Lies
102 bpm • G Maj • 03:45 • -13db
40% Popularity • 70% Danceability • 21% Energy • 33% Liveness
0% Instrumentalness • 21% Positiveness
40% Popularity • 70% Danceability • 21% Energy • 33% Liveness
0% Instrumentalness • 21% Positiveness
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Lisa Ekdahl
When Did You Leave Heaven
100 bpm • G min • 06:02 • -17.42db
30% Popularity • 62% Danceability • 5% Energy • 11% Liveness
4% Instrumentalness • 8% Positiveness
30% Popularity • 62% Danceability • 5% Energy • 11% Liveness
4% Instrumentalness • 8% Positiveness
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Cassandra Wilson
Solomon Sang
102 bpm • C# Maj • 05:56 • -17.16db
15% Popularity • 60% Danceability • 22% Energy • 7% Liveness
1% Instrumentalness • 30% Positiveness
15% Popularity • 60% Danceability • 22% Energy • 7% Liveness
1% Instrumentalness • 30% Positiveness
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Robin Mckelle
Your're No Good
100 bpm • A# min • 05:12 • -13.16db
8% Popularity • 81% Danceability • 34% Energy • 7% Liveness
14% Instrumentalness • 61% Positiveness
8% Popularity • 81% Danceability • 34% Energy • 7% Liveness
14% Instrumentalness • 61% Positiveness
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Ian Shaw
Where Are We Now?
100 bpm • C Maj • 05:32 • -12.79db
8% Popularity • 43% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
8% Popularity • 43% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Michael Franks
If I Could Make September Stay
100 bpm • D min • 05:23 • -12.72db
20% Popularity • 84% Danceability • 33% Energy • 9% Liveness
7% Instrumentalness • 50% Positiveness
20% Popularity • 84% Danceability • 33% Energy • 9% Liveness
7% Instrumentalness • 50% Positiveness
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Tony DeSare
Want You
102 bpm • D# min • 04:36 • -12db
36% Popularity • 55% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
36% Popularity • 55% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Ruth Cameron
Happiness Is Just A Thing Called Joe
100 bpm • D# Maj • 05:17 • -16db
23% Popularity • 43% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
23% Popularity • 43% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Cassandra Wilson
A Day In The Life Of A Fool
100 bpm • F# Maj • 04:56 • -18.97db
29% Popularity • 60% Danceability • 19% Energy • 15% Liveness
41% Instrumentalness • 24% Positiveness
29% Popularity • 60% Danceability • 19% Energy • 15% Liveness
41% Instrumentalness • 24% Positiveness
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Jazzmeia Horn
Still Tryin’
102 bpm • A# Maj • 04:23 • -7.57db
18% Popularity • 51% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
18% Popularity • 51% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Vanessa Rubin
Our Love Is Here to Stay
102 bpm • G Maj • 03:37 • -13.14db
13% Popularity • 68% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
13% Popularity • 68% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Jacqui Naylor
Losing My Religion
102 bpm • A min • 05:07 • -12db
36% Popularity • 67% Danceability • 36% Energy • 11% Liveness
4% Instrumentalness • 43% Positiveness
36% Popularity • 67% Danceability • 36% Energy • 11% Liveness
4% Instrumentalness • 43% Positiveness
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Sara K.
Brick House
100 bpm • G Maj • 06:00 • -21.58db
16% Popularity • 69% Danceability • 19% Energy • 11% Liveness
2% Instrumentalness • 41% Positiveness
16% Popularity • 69% Danceability • 19% Energy • 11% Liveness
2% Instrumentalness • 41% Positiveness
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Jacintha
Days of Wine & Roses
100 bpm • A Maj • 05:26 • -25.71db
13% Popularity • 40% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
13% Popularity • 40% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Connie Lansberg
Everything Happens to Me
102 bpm • C Maj • 06:19 • -16.63db
39% Popularity • 55% Danceability • 15% Energy • 38% Liveness
0% Instrumentalness • 19% Positiveness
39% Popularity • 55% Danceability • 15% Energy • 38% Liveness
0% Instrumentalness • 19% Positiveness
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Javon Jackson
Country Girl
102 bpm • A Maj • 06:54 • -15.57db
4% Popularity • 50% Danceability • 12% Energy • 11% Liveness
35% Instrumentalness • 21% Positiveness
4% Popularity • 50% Danceability • 12% Energy • 11% Liveness
35% Instrumentalness • 21% Positiveness
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Ben Sidran
Don't Cry for No Hipster
100 bpm • F min • 04:57 • -13.06db
9% Popularity • 59% Danceability • 25% Energy • 9% Liveness
4% Instrumentalness • 11% Positiveness
9% Popularity • 59% Danceability • 25% Energy • 9% Liveness
4% Instrumentalness • 11% Positiveness
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Jazzmeia Horn
Reflections of My Heart Jamison Ross
103 bpm • E min • 06:32 • -12.48db
18% Popularity • 38% Danceability • 21% Energy • 20% Liveness
0% Instrumentalness • 20% Positiveness
18% Popularity • 38% Danceability • 21% Energy • 20% Liveness
0% Instrumentalness • 20% Positiveness
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Indra Rios-Moore
Love Walked In
103 bpm • D Maj • 03:40 • -15.82db
22% Popularity • 49% Danceability • 6% Energy • 10% Liveness
1% Instrumentalness • 24% Positiveness
22% Popularity • 49% Danceability • 6% Energy • 10% Liveness
1% Instrumentalness • 24% Positiveness
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Ruth Cameron
Waitin' For The Train To Come In
100 bpm • C Maj • 03:10 • -15db
31% Popularity • 62% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
31% Popularity • 62% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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k.d. lang
Love for Sale - 2010 Remaster
103 bpm • B min • 05:26 • -8.88db
30% Popularity • 54% Danceability • 40% Energy • 23% Liveness
0% Instrumentalness • 23% Positiveness
30% Popularity • 54% Danceability • 40% Energy • 23% Liveness
0% Instrumentalness • 23% Positiveness
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Rebecca Ferguson
Blue Moon
99 bpm • C Maj • 02:50 • -10.43db
33% Popularity • 42% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
33% Popularity • 42% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Roberta Gambarini
So In Love
103 bpm • D Maj • 03:04 • -17.31db
32% Popularity • 38% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
32% Popularity • 38% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Sarah McKenzie
In The Name Of Love
103 bpm • A# min • 04:17 • -10.13db
14% Popularity • 66% Danceability • 46% Energy • 11% Liveness
1% Instrumentalness • 57% Positiveness
14% Popularity • 66% Danceability • 46% Energy • 11% Liveness
1% Instrumentalness • 57% Positiveness
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Kandace Springs
Soul Eyes
99 bpm • F min • 03:22 • -9.94db
39% Popularity • 37% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
39% Popularity • 37% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Ruth Cameron
Bird Alone - Live
103 bpm • C Maj • 03:26 • -19.26db
9% Popularity • 42% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
9% Popularity • 42% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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New Air
Achtud El Buod (Children's Song)
99 bpm • G# Maj • 06:32 • -18.32db
0% Popularity • 54% Danceability • 25% Energy • 12% Liveness
87% Instrumentalness • 70% Positiveness
0% Popularity • 54% Danceability • 25% Energy • 12% Liveness
87% Instrumentalness • 70% Positiveness
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Gabrielle Stravelli
Dream Dancing
99 bpm • F Maj • 03:50 • -12db
19% Popularity • 48% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
19% Popularity • 48% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Cassandra Wilson
Throw It Away
98 bpm • G# Maj • 04:34 • -15.52db
9% Popularity • 56% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
9% Popularity • 56% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Michael Franks
Time Together
98 bpm • A# Maj • 03:37 • -12.8db
17% Popularity • 68% Danceability • 18% Energy • 10% Liveness
1% Instrumentalness • 8% Positiveness
17% Popularity • 68% Danceability • 18% Energy • 10% Liveness
1% Instrumentalness • 8% Positiveness
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Indra Rios-Moore
Carry My Heart
98 bpm • G Maj • 03:15 • -11.91db
17% Popularity • 33% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
17% Popularity • 33% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Michael Brecker
The Nearness Of You
98 bpm • A# Maj • 04:37 • -15.86db
28% Popularity • 52% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
28% Popularity • 52% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Somi
Wallflower Blues
98 bpm • C# Maj • 04:55 • -14.43db
10% Popularity • 75% Danceability • 53% Energy • 12% Liveness
44% Instrumentalness • 43% Positiveness
10% Popularity • 75% Danceability • 53% Energy • 12% Liveness
44% Instrumentalness • 43% Positiveness
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Ellen Andersson
Blackbird
104 bpm • E Maj • 03:59 • -16.01db
30% Popularity • 59% Danceability • 20% Energy • 10% Liveness
9% Instrumentalness • 55% Positiveness
30% Popularity • 59% Danceability • 20% Energy • 10% Liveness
9% Instrumentalness • 55% Positiveness
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Susie Arioli
By The Time I Get To Pheonix
98 bpm • G Maj • 03:40 • -16.09db
22% Popularity • 72% Danceability • 18% Energy • 12% Liveness
6% Instrumentalness • 49% Positiveness
22% Popularity • 72% Danceability • 18% Energy • 12% Liveness
6% Instrumentalness • 49% Positiveness
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The Roots
One Shine
98 bpm • A# min • 05:40 • -10.69db
25% Popularity • 63% Danceability • 46% Energy • 5% Liveness
34% Instrumentalness • 65% Positiveness
25% Popularity • 63% Danceability • 46% Energy • 5% Liveness
34% Instrumentalness • 65% Positiveness
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Silje Nergaard
Every Time We Say Goodbye
98 bpm • A# Maj • 05:18 • -12.07db
23% Popularity • 30% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
23% Popularity • 30% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Jacqui Naylor
Summertime
98 bpm • A min • 03:23 • -9.15db
13% Popularity • 65% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 53% Positiveness
13% Popularity • 65% Danceability • 58% Energy • 21% Liveness
0% Instrumentalness • 53% Positiveness
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Yellowjackets
Summer Song
98 bpm • C min • 06:37 • -17.37db
31% Popularity • 36% Danceability • 28% Energy • 8% Liveness
2% Instrumentalness • 36% Positiveness
31% Popularity • 36% Danceability • 28% Energy • 8% Liveness
2% Instrumentalness • 36% Positiveness
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Ida Sand
One for My Baby
98 bpm • F# Maj • 03:49 • -9.68db
39% Popularity • 68% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 53% Positiveness
39% Popularity • 68% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 53% Positiveness
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Ann Hampton Callaway
Slow
105 bpm • A min • 05:09 • -15.72db
33% Popularity • 51% Danceability • 24% Energy • 10% Liveness
40% Instrumentalness • 32% Positiveness
33% Popularity • 51% Danceability • 24% Energy • 10% Liveness
40% Instrumentalness • 32% Positiveness
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Macy Gray
Annabelle
105 bpm • C Maj • 05:11 • -18db
27% Popularity • 55% Danceability • 19% Energy • 5% Liveness
0% Instrumentalness • 42% Positiveness
27% Popularity • 55% Danceability • 19% Energy • 5% Liveness
0% Instrumentalness • 42% Positiveness
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Jazzmeia Horn
No More
105 bpm • C# Maj • 03:47 • -8.92db
28% Popularity • 72% Danceability • 46% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
28% Popularity • 72% Danceability • 46% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
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Karen Rosenberg
All You Are
97 bpm • D# Maj • 06:35 • -18db
21% Popularity • 36% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
21% Popularity • 36% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Somi
Brown Round Things
105 bpm • A# min • 04:30 • -10.98db
15% Popularity • 45% Danceability • 25% Energy • 12% Liveness
7% Instrumentalness • 31% Positiveness
15% Popularity • 45% Danceability • 25% Energy • 12% Liveness
7% Instrumentalness • 31% Positiveness
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Cassandra Wilson
Traveling Miles
97 bpm • C min • 04:52 • -14.55db
14% Popularity • 43% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
14% Popularity • 43% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Charles Lloyd
What's Going On
97 bpm • E Maj • 05:07 • -17db
16% Popularity • 45% Danceability • 29% Energy • 11% Liveness
88% Instrumentalness • 63% Positiveness
16% Popularity • 45% Danceability • 29% Energy • 11% Liveness
88% Instrumentalness • 63% Positiveness
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Roberta Gambarini
Medley From "Cinema Paradiso": Main Them...
105 bpm • C# Maj • 06:37 • -17.79db
9% Popularity • 35% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
9% Popularity • 35% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Tok Tok Tok
50 Ways To Leave Your Lover*
106 bpm • G# Maj • 03:40 • -20db
31% Popularity • 82% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
31% Popularity • 82% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Holly Cole
Jersey Girl
106 bpm • B min • 03:45 • -14.25db
20% Popularity • 74% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
20% Popularity • 74% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Peter Cincotti
Comes Love
106 bpm • G min • 04:17 • -12db
44% Popularity • 63% Danceability • 25% Energy • 10% Liveness
1% Instrumentalness • 19% Positiveness
44% Popularity • 63% Danceability • 25% Energy • 10% Liveness
1% Instrumentalness • 19% Positiveness
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Cassandra Wilson
Tupelo Honey/Angel
105 bpm • A Maj • 05:37 • -11db
14% Popularity • 66% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
14% Popularity • 66% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Gladys Knight
Stormy Weather
106 bpm • G min • 04:26 • -8.67db
29% Popularity • 55% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 55% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
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Hailey Tuck
Don't Think Twice
106 bpm • G min • 03:27 • -8db
52% Popularity • 75% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
52% Popularity • 75% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Indra Rios-Moore
Money
106 bpm • F# min • 04:09 • -11.26db
25% Popularity • 61% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
25% Popularity • 61% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Fay Claassen
One Trick Pony
96 bpm • G Maj • 03:35 • -9.88db
14% Popularity • 70% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
14% Popularity • 70% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Sarah Jane Morris
Comfort Zone
96 bpm • E min • 04:24 • -16.61db
11% Popularity • 75% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
11% Popularity • 75% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Peter Cincotti
I Changed The Rules
96 bpm • C Maj • 05:14 • -9.71db
25% Popularity • 55% Danceability • 42% Energy • 11% Liveness
1% Instrumentalness • 50% Positiveness
25% Popularity • 55% Danceability • 42% Energy • 11% Liveness
1% Instrumentalness • 50% Positiveness
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Charles Lloyd
Ballad Of The Sad Young Men
107 bpm • C Maj • 06:17 • -17.76db
25% Popularity • 47% Danceability • 11% Energy • 11% Liveness
87% Instrumentalness • 12% Positiveness
25% Popularity • 47% Danceability • 11% Energy • 11% Liveness
87% Instrumentalness • 12% Positiveness
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Macy Gray
Slowly
96 bpm • F Maj • 05:17 • -18.71db
27% Popularity • 70% Danceability • 21% Energy • 9% Liveness
1% Instrumentalness • 51% Positiveness
27% Popularity • 70% Danceability • 21% Energy • 9% Liveness
1% Instrumentalness • 51% Positiveness
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Laverne Butler
Please Send Me Someone to Love
96 bpm • C min • 04:29 • -13db
11% Popularity • 56% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
11% Popularity • 56% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Lauren Henderson
Dindi
96 bpm • C Maj • 03:43 • -15db
34% Popularity • 73% Danceability • 25% Energy • 11% Liveness
5% Instrumentalness • 33% Positiveness
34% Popularity • 73% Danceability • 25% Energy • 11% Liveness
5% Instrumentalness • 33% Positiveness
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Jasmine
Malaguena
107 bpm • D Maj • 05:03 • -11.55db
0% Popularity • 43% Danceability • 47% Energy • 7% Liveness
21% Instrumentalness • 29% Positiveness
0% Popularity • 43% Danceability • 47% Energy • 7% Liveness
21% Instrumentalness • 29% Positiveness
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Holly Cole
Take Me Home
96 bpm • F Maj • 02:28 • -21.15db
12% Popularity • 35% Danceability • 8% Energy • 10% Liveness
14% Instrumentalness • 20% Positiveness
12% Popularity • 35% Danceability • 8% Energy • 10% Liveness
14% Instrumentalness • 20% Positiveness
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New Air
Side Step
95 bpm • D# Maj • 07:07 • -18.48db
0% Popularity • 48% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
0% Popularity • 48% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Wolfgang Haffner
Piano Man
95 bpm • D min • 05:04 • -16.96db
17% Popularity • 69% Danceability • 12% Energy • 9% Liveness
3% Instrumentalness • 17% Positiveness
17% Popularity • 69% Danceability • 12% Energy • 9% Liveness
3% Instrumentalness • 17% Positiveness
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Freddy Cole
They Didn’t Believe Me
95 bpm • D# Maj • 04:32 • -17.73db
12% Popularity • 55% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
12% Popularity • 55% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Van Morrison
Miss Otis Regrets
95 bpm • F min • 05:15 • -12.29db
22% Popularity • 44% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 27% Positiveness
22% Popularity • 44% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 27% Positiveness
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Norah Jones
Once I Had A Laugh
108 bpm • C Maj • 03:12 • -11.93db
29% Popularity • 47% Danceability • 16% Energy • 10% Liveness
64% Instrumentalness • 42% Positiveness
29% Popularity • 47% Danceability • 16% Energy • 10% Liveness
64% Instrumentalness • 42% Positiveness
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Vanessa Rubin
It's Probably Me
95 bpm • A min • 05:10 • -14db
24% Popularity • 53% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
24% Popularity • 53% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Cassandra Wilson
Lay Lady Lay
94 bpm • F Maj • 05:08 • -11.57db
16% Popularity • 81% Danceability • 53% Energy • 6% Liveness
17% Instrumentalness • 50% Positiveness
16% Popularity • 81% Danceability • 53% Energy • 6% Liveness
17% Instrumentalness • 50% Positiveness
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Hailey Tuck
Close to You
108 bpm • G Maj • 04:35 • -10.42db
52% Popularity • 55% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
52% Popularity • 55% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Tierney Sutton
Footprints / My Favorite Things
108 bpm • G# Maj • 05:10 • -13.7db
11% Popularity • 44% Danceability • 43% Energy • 32% Liveness
0% Instrumentalness • 50% Positiveness
11% Popularity • 44% Danceability • 43% Energy • 32% Liveness
0% Instrumentalness • 50% Positiveness
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Indra Rios-Moore
Blue Railroad Train
108 bpm • A Maj • 04:34 • -10.85db
16% Popularity • 68% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
16% Popularity • 68% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Kevin Mahogany
Old Men Sing the Blues
108 bpm • G min • 07:22 • -11.67db
8% Popularity • 58% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
8% Popularity • 58% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Laverne Butler
Go Away Little Boy
94 bpm • G Maj • 05:12 • -17db
10% Popularity • 45% Danceability • 26% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
10% Popularity • 45% Danceability • 26% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
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New Air
Salute To The Enema Bandit
94 bpm • C# min • 07:25 • -22.32db
0% Popularity • 63% Danceability • 17% Energy • 7% Liveness
91% Instrumentalness • 55% Positiveness
0% Popularity • 63% Danceability • 17% Energy • 7% Liveness
91% Instrumentalness • 55% Positiveness
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Lisa Bassenge
Still Crazy After All These Years
94 bpm • G Maj • 03:37 • -11.47db
46% Popularity • 46% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
46% Popularity • 46% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Tierney Sutton
Estate
108 bpm • G Maj • 05:19 • -19.91db
13% Popularity • 57% Danceability • 12% Energy • 12% Liveness
9% Instrumentalness • 14% Positiveness
13% Popularity • 57% Danceability • 12% Energy • 12% Liveness
9% Instrumentalness • 14% Positiveness
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Susie Arioli
Can't Say No
109 bpm • B Maj • 03:24 • -11.61db
18% Popularity • 78% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
18% Popularity • 78% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Erin Boheme
Give Me One Reason
109 bpm • A# min • 04:35 • -15db
18% Popularity • 69% Danceability • 28% Energy • 12% Liveness
9% Instrumentalness • 32% Positiveness
18% Popularity • 69% Danceability • 28% Energy • 12% Liveness
9% Instrumentalness • 32% Positiveness
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Nicki Parrott
It Ain't Necessarily So
109 bpm • F min • 04:28 • -5.8db
27% Popularity • 69% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
27% Popularity • 69% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Shelby Lynne
Just A Little Lovin'
94 bpm • A# min • 05:19 • -15db
46% Popularity • 80% Danceability • 10% Energy • 18% Liveness
2% Instrumentalness • 14% Positiveness
46% Popularity • 80% Danceability • 10% Energy • 18% Liveness
2% Instrumentalness • 14% Positiveness
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Cécile Verny Quartet
The Bitter And The Sweet
93 bpm • C min • 05:51 • -8.85db
18% Popularity • 68% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
18% Popularity • 68% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Charlie Haden Quartet West
A Love Like This
109 bpm • A Maj • 05:13 • -12.76db
7% Popularity • 25% Danceability • 23% Energy • 12% Liveness
8% Instrumentalness • 12% Positiveness
7% Popularity • 25% Danceability • 23% Energy • 12% Liveness
8% Instrumentalness • 12% Positiveness
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Jacky Terrasson
Tennessee Waltz
93 bpm • C Maj • 04:47 • -26.54db
16% Popularity • 61% Danceability • 2% Energy • 11% Liveness
26% Instrumentalness • 27% Positiveness
16% Popularity • 61% Danceability • 2% Energy • 11% Liveness
26% Instrumentalness • 27% Positiveness
