Songs like Untold: Stage II: Love by Hafez Nazeri
Based on a tempo of (+/- 10%) and a similar genre
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Dariush Dowlatshahi
When the Moon Whispers, Intro
92 bpm • B Maj • 07:17 • -14db
10% Popularity • 46% Danceability • 19% Energy • 16% Liveness
74% Instrumentalness • 27% Positiveness
10% Popularity • 46% Danceability • 19% Energy • 16% Liveness
74% Instrumentalness • 27% Positiveness
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Amjad Ali Khan
Shree
92 bpm • C Maj • 06:12 • -9db
15% Popularity • 50% Danceability • 61% Energy • 29% Liveness
93% Instrumentalness • 28% Positiveness
15% Popularity • 50% Danceability • 61% Energy • 29% Liveness
93% Instrumentalness • 28% Positiveness
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Yashar Etaati
Taakht
92 bpm • D Maj • 08:03 • -17db
9% Popularity • 38% Danceability • 20% Energy • 20% Liveness
37% Instrumentalness • 22% Positiveness
9% Popularity • 38% Danceability • 20% Energy • 20% Liveness
37% Instrumentalness • 22% Positiveness
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Ali Akbar Khan
Two Lovers (Mand)
92 bpm • C Maj • 05:07 • -19.3db
25% Popularity • 46% Danceability • 9% Energy • 9% Liveness
7% Instrumentalness • 12% Positiveness
25% Popularity • 46% Danceability • 9% Energy • 9% Liveness
7% Instrumentalness • 12% Positiveness
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Charbel Rouhana
Doux Zen
92 bpm • C min • 04:57 • -25.82db
26% Popularity • 44% Danceability • 12% Energy • 10% Liveness
79% Instrumentalness • 43% Positiveness
26% Popularity • 44% Danceability • 12% Energy • 10% Liveness
79% Instrumentalness • 43% Positiveness
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Constantinople
Recercada Quinta
92 bpm • A min • 03:38 • -20.46db
27% Popularity • 40% Danceability • 15% Energy • 10% Liveness
53% Instrumentalness • 24% Positiveness
27% Popularity • 40% Danceability • 15% Energy • 10% Liveness
53% Instrumentalness • 24% Positiveness
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Hafez Nazeri
Untold: Stage II: Love
92 bpm • C min • 04:57 • -13db
13% Popularity • 59% Danceability • 46% Energy • 11% Liveness
92% Instrumentalness • 19% Positiveness
13% Popularity • 59% Danceability • 46% Energy • 11% Liveness
92% Instrumentalness • 19% Positiveness
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Abderraouf Ouertani
Mon père
92 bpm • D min • 01:46 • -13db
34% Popularity • 46% Danceability • 38% Energy • 10% Liveness
92% Instrumentalness • 62% Positiveness
34% Popularity • 46% Danceability • 38% Energy • 10% Liveness
92% Instrumentalness • 62% Positiveness
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Glen Velez
Osha
92 bpm • D# min • 07:30 • -14.14db
5% Popularity • 38% Danceability • 37% Energy • 14% Liveness
91% Instrumentalness • 23% Positiveness
5% Popularity • 38% Danceability • 37% Energy • 14% Liveness
91% Instrumentalness • 23% Positiveness
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Dhafer Youssef
Miel et cendres
92 bpm • C min • 05:16 • -14db
27% Popularity • 36% Danceability • 14% Energy • 12% Liveness
82% Instrumentalness • 12% Positiveness
27% Popularity • 36% Danceability • 14% Energy • 12% Liveness
82% Instrumentalness • 12% Positiveness
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Adnan Joubran
Beat The Dream
92 bpm • D Maj • 03:31 • -9db
24% Popularity • 59% Danceability • 59% Energy • 6% Liveness
85% Instrumentalness • 58% Positiveness
24% Popularity • 59% Danceability • 59% Energy • 6% Liveness
85% Instrumentalness • 58% Positiveness
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Hosein Behroozinia
Noor (Light)
93 bpm • F Maj • 05:08 • -15db
12% Popularity • 34% Danceability • 28% Energy • 7% Liveness
84% Instrumentalness • 25% Positiveness
12% Popularity • 34% Danceability • 28% Energy • 7% Liveness
84% Instrumentalness • 25% Positiveness
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Charbel Rouhana
Al bint el shalabiya
92 bpm • F min • 04:50 • -15db
38% Popularity • 58% Danceability • 34% Energy • 6% Liveness
48% Instrumentalness • 70% Positiveness
38% Popularity • 58% Danceability • 34% Energy • 6% Liveness
48% Instrumentalness • 70% Positiveness
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Abderraouf Ouertani
Conte d'un luth amoureux
92 bpm • G Maj • 02:44 • -22.38db
29% Popularity • 69% Danceability • 2% Energy • 11% Liveness
56% Instrumentalness • 14% Positiveness
29% Popularity • 69% Danceability • 2% Energy • 11% Liveness
56% Instrumentalness • 14% Positiveness
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Charles Lloyd
Guman
93 bpm • A Maj • 04:13 • -31.62db
12% Popularity • 25% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
12% Popularity • 25% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Hariprasad Chaurasia
Asavari
93 bpm • A min • 05:52 • -28.95db
33% Popularity • 43% Danceability • 7% Energy • 10% Liveness
77% Instrumentalness • 14% Positiveness
33% Popularity • 43% Danceability • 7% Energy • 10% Liveness
77% Instrumentalness • 14% Positiveness
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Adnan Joubran
That Moment When
93 bpm • A min • 04:12 • -17db
31% Popularity • 38% Danceability • 12% Energy • 11% Liveness
89% Instrumentalness • 11% Positiveness
31% Popularity • 38% Danceability • 12% Energy • 11% Liveness
89% Instrumentalness • 11% Positiveness
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Hamza El Din
Ollin Arageed
91 bpm • C# Maj • 08:30 • -22db
16% Popularity • 60% Danceability • 39% Energy • 7% Liveness
93% Instrumentalness • 72% Positiveness
16% Popularity • 60% Danceability • 39% Energy • 7% Liveness
93% Instrumentalness • 72% Positiveness
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Hafez Nazeri
Existence: Life
91 bpm • A# Maj • 08:50 • -12db
35% Popularity • 31% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
35% Popularity • 31% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Munir Bashir
Taqsîm en maqâm : Hijâz kâr kurd
91 bpm • C min • 03:40 • -24db
29% Popularity • 38% Danceability • 21% Energy • 10% Liveness
69% Instrumentalness • 37% Positiveness
29% Popularity • 38% Danceability • 21% Energy • 10% Liveness
69% Instrumentalness • 37% Positiveness
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Naseer Shamma
Min adh-Dhâkira
91 bpm • G min • 08:55 • -16.27db
10% Popularity • 48% Danceability • 21% Energy • 70% Liveness
64% Instrumentalness • 16% Positiveness
10% Popularity • 48% Danceability • 21% Energy • 70% Liveness
64% Instrumentalness • 16% Positiveness
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Alam Khan
Closing
93 bpm • C Maj • 03:38 • -12.84db
23% Popularity • 51% Danceability • 22% Energy • 9% Liveness
90% Instrumentalness • 7% Positiveness
23% Popularity • 51% Danceability • 22% Energy • 9% Liveness
90% Instrumentalness • 7% Positiveness
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Shivkumar Sharma
Together On A Musical Journey
93 bpm • D Maj • 03:02 • -15.5db
13% Popularity • 39% Danceability • 47% Energy • 9% Liveness
82% Instrumentalness • 41% Positiveness
13% Popularity • 39% Danceability • 47% Energy • 9% Liveness
82% Instrumentalness • 41% Positiveness
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Ensemble Ibn Arabi
Taqsîm à l'oud
93 bpm • D min • 03:25 • -21.11db
23% Popularity • 52% Danceability • 18% Energy • 11% Liveness
37% Instrumentalness • 17% Positiveness
23% Popularity • 52% Danceability • 18% Energy • 11% Liveness
37% Instrumentalness • 17% Positiveness
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Marcel Khalifa
Tents
91 bpm • F min • 03:50 • -13.76db
15% Popularity • 54% Danceability • 24% Energy • 11% Liveness
92% Instrumentalness • 55% Positiveness
15% Popularity • 54% Danceability • 24% Energy • 11% Liveness
92% Instrumentalness • 55% Positiveness
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G.S. Sachdev
Shudha Sarang
91 bpm • C Maj • 06:16 • -19.57db
6% Popularity • 57% Danceability • 21% Energy • 8% Liveness
92% Instrumentalness • 50% Positiveness
6% Popularity • 57% Danceability • 21% Energy • 8% Liveness
92% Instrumentalness • 50% Positiveness
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Naseer Shamma
Hilal As Sabá
93 bpm • A# min • 08:11 • -15.7db
16% Popularity • 44% Danceability • 25% Energy • 10% Liveness
86% Instrumentalness • 16% Positiveness
16% Popularity • 44% Danceability • 25% Energy • 10% Liveness
86% Instrumentalness • 16% Positiveness
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Munir Bachir
Maqam Râst
93 bpm • C min • 08:47 • -20.61db
12% Popularity • 41% Danceability • 16% Energy • 10% Liveness
73% Instrumentalness • 39% Positiveness
12% Popularity • 41% Danceability • 16% Energy • 10% Liveness
73% Instrumentalness • 39% Positiveness
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Alam Khan
Through the Dark
93 bpm • F Maj • 05:15 • -12db
12% Popularity • 52% Danceability • 45% Energy • 13% Liveness
90% Instrumentalness • 27% Positiveness
12% Popularity • 52% Danceability • 45% Energy • 13% Liveness
90% Instrumentalness • 27% Positiveness
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Omar Turkan
Oud Taksim
91 bpm • E min • 01:13 • -17.84db
22% Popularity • 48% Danceability • 18% Energy • 10% Liveness
77% Instrumentalness • 56% Positiveness
22% Popularity • 48% Danceability • 18% Energy • 10% Liveness
77% Instrumentalness • 56% Positiveness
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Adnan Joubran
Borders Behind
93 bpm • G Maj • 03:33 • -13.48db
21% Popularity • 72% Danceability • 38% Energy • 12% Liveness
78% Instrumentalness • 40% Positiveness
21% Popularity • 72% Danceability • 38% Energy • 12% Liveness
78% Instrumentalness • 40% Positiveness
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Munir Bashir
Pastâ Baghdadiyya
91 bpm • F Maj • 08:05 • -16db
22% Popularity • 44% Danceability • 25% Energy • 13% Liveness
88% Instrumentalness • 64% Positiveness
22% Popularity • 44% Danceability • 25% Energy • 13% Liveness
88% Instrumentalness • 64% Positiveness
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Naseer Shamma
Awshar
91 bpm • A# min • 06:25 • -16.38db
25% Popularity • 45% Danceability • 19% Energy • 12% Liveness
77% Instrumentalness • 13% Positiveness
25% Popularity • 45% Danceability • 19% Energy • 12% Liveness
77% Instrumentalness • 13% Positiveness
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Motreza Sa'edi
Setar
94 bpm • D min • 01:47 • -12db
28% Popularity • 61% Danceability • 37% Energy • 14% Liveness
86% Instrumentalness • 9% Positiveness
28% Popularity • 61% Danceability • 37% Energy • 14% Liveness
86% Instrumentalness • 9% Positiveness
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Murat Coskun
The Hunter
93 bpm • A# min • 04:24 • -20.08db
2% Popularity • 49% Danceability • 35% Energy • 10% Liveness
94% Instrumentalness • 8% Positiveness
2% Popularity • 49% Danceability • 35% Energy • 10% Liveness
94% Instrumentalness • 8% Positiveness
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Haydar Hamdi
Intro
90 bpm • C# Maj • 01:40 • -11.73db
28% Popularity • 32% Danceability • 39% Energy • 8% Liveness
96% Instrumentalness • 16% Positiveness
28% Popularity • 32% Danceability • 39% Energy • 8% Liveness
96% Instrumentalness • 16% Positiveness
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Sikiru Adepoju
Funky Zena
90 bpm • A# min • 04:25 • -15.18db
11% Popularity • 74% Danceability • 62% Energy • 9% Liveness
87% Instrumentalness • 26% Positiveness
11% Popularity • 74% Danceability • 62% Energy • 9% Liveness
87% Instrumentalness • 26% Positiveness
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Béla Fleck
As We Speak
90 bpm • F# min • 05:04 • -14.69db
21% Popularity • 58% Danceability • 47% Energy • 13% Liveness
89% Instrumentalness • 93% Positiveness
21% Popularity • 58% Danceability • 47% Energy • 13% Liveness
89% Instrumentalness • 93% Positiveness
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Naseer Shamma
Qissat hubb sharkiyya
93 bpm • C Maj • 07:50 • -18.1db
8% Popularity • 41% Danceability • 19% Energy • 68% Liveness
81% Instrumentalness • 7% Positiveness
8% Popularity • 41% Danceability • 19% Energy • 68% Liveness
81% Instrumentalness • 7% Positiveness
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Constantinople
Vers isfahan
94 bpm • F min • 03:28 • -13.22db
41% Popularity • 43% Danceability • 50% Energy • 8% Liveness
97% Instrumentalness • 75% Positiveness
41% Popularity • 43% Danceability • 50% Energy • 8% Liveness
97% Instrumentalness • 75% Positiveness
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Sainkho Namtchylak
Badjirgal's Wish
94 bpm • E Maj • 03:04 • -18.69db
25% Popularity • 66% Danceability • 42% Energy • 9% Liveness
76% Instrumentalness • 81% Positiveness
25% Popularity • 66% Danceability • 42% Energy • 9% Liveness
76% Instrumentalness • 81% Positiveness
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Simon Shaheen
Taqasim On Nay
90 bpm • A# Maj • 01:13 • -24.93db
34% Popularity • 26% Danceability • 5% Energy • 7% Liveness
77% Instrumentalness • 64% Positiveness
34% Popularity • 26% Danceability • 5% Energy • 7% Liveness
77% Instrumentalness • 64% Positiveness
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Alan Shavarsh Bardezbanian Middle Eastern Ensemble
Voch Me Dzaleeg (There is No Flower)
90 bpm • A min • 03:10 • -7db
22% Popularity • 67% Danceability • 61% Energy • 10% Liveness
82% Instrumentalness • 62% Positiveness
22% Popularity • 67% Danceability • 61% Energy • 10% Liveness
82% Instrumentalness • 62% Positiveness
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Omar Bashir
Taqsîm Maqâm Hijâz Kâr Kurd, pt. 2
89 bpm • C min • 05:37 • -14db
19% Popularity • 46% Danceability • 22% Energy • 13% Liveness
47% Instrumentalness • 34% Positiveness
19% Popularity • 46% Danceability • 22% Energy • 13% Liveness
47% Instrumentalness • 34% Positiveness
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Naseer Shamma
Luz Del Alma
91 bpm • G min • 11:16 • -14db
26% Popularity • 49% Danceability • 24% Energy • 11% Liveness
85% Instrumentalness • 17% Positiveness
26% Popularity • 49% Danceability • 24% Energy • 11% Liveness
85% Instrumentalness • 17% Positiveness
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Mohammad Reza Lotfi
Daramad Mahur
95 bpm • C# Maj • 02:18 • -32.66db
18% Popularity • 47% Danceability • 2% Energy • 13% Liveness
54% Instrumentalness • 18% Positiveness
18% Popularity • 47% Danceability • 2% Energy • 13% Liveness
54% Instrumentalness • 18% Positiveness
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Siamak Jahangiry
Farewelling the Moon
95 bpm • G Maj • 05:36 • -10.3db
10% Popularity • 40% Danceability • 19% Energy • 10% Liveness
76% Instrumentalness • 16% Positiveness
10% Popularity • 40% Danceability • 19% Energy • 10% Liveness
76% Instrumentalness • 16% Positiveness
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Constantinople
Poisson au fond de l'ocean
89 bpm • A min • 05:04 • -14db
35% Popularity • 34% Danceability • 34% Energy • 11% Liveness
94% Instrumentalness • 61% Positiveness
35% Popularity • 34% Danceability • 34% Energy • 11% Liveness
94% Instrumentalness • 61% Positiveness
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Dhafer Youssef
Dance Layan Dance
95 bpm • C# min • 04:36 • -10db
39% Popularity • 72% Danceability • 49% Energy • 8% Liveness
85% Instrumentalness • 87% Positiveness
39% Popularity • 72% Danceability • 49% Energy • 8% Liveness
85% Instrumentalness • 87% Positiveness
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Saíd Chraibi
Pensées andalouses
95 bpm • F Maj • 05:24 • -14.65db
18% Popularity • 44% Danceability • 32% Energy • 12% Liveness
90% Instrumentalness • 76% Positiveness
18% Popularity • 44% Danceability • 32% Energy • 12% Liveness
90% Instrumentalness • 76% Positiveness
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Naseer Shamma
Discurso Del Alma
95 bpm • A# Maj • 07:39 • -16.19db
12% Popularity • 50% Danceability • 29% Energy • 12% Liveness
86% Instrumentalness • 26% Positiveness
12% Popularity • 50% Danceability • 29% Energy • 12% Liveness
86% Instrumentalness • 26% Positiveness
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Yasamin Shahhosseini
First Gāh
95 bpm • C Maj • 08:00 • -13.61db
13% Popularity • 48% Danceability • 16% Energy • 10% Liveness
83% Instrumentalness • 16% Positiveness
13% Popularity • 48% Danceability • 16% Energy • 10% Liveness
83% Instrumentalness • 16% Positiveness
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Khyam Allami
Naghmat Tahrir
89 bpm • C min • 08:08 • -12db
8% Popularity • 46% Danceability • 25% Energy • 16% Liveness
86% Instrumentalness • 37% Positiveness
8% Popularity • 46% Danceability • 25% Energy • 16% Liveness
86% Instrumentalness • 37% Positiveness
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Munir Bachir
Maqam Al-asîl
95 bpm • G min • 04:43 • -21.31db
17% Popularity • 44% Danceability • 7% Energy • 11% Liveness
56% Instrumentalness • 31% Positiveness
17% Popularity • 44% Danceability • 7% Energy • 11% Liveness
56% Instrumentalness • 31% Positiveness
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Marcel Khalifa
Popular Cafe
89 bpm • G min • 07:09 • -10.26db
11% Popularity • 37% Danceability • 60% Energy • 12% Liveness
84% Instrumentalness • 55% Positiveness
11% Popularity • 37% Danceability • 60% Energy • 12% Liveness
84% Instrumentalness • 55% Positiveness
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The Gurdjieff Ensemble
Armenian Song
89 bpm • A Maj • 02:32 • -24.45db
12% Popularity • 24% Danceability • 4% Energy • 8% Liveness
16% Instrumentalness • 18% Positiveness
12% Popularity • 24% Danceability • 4% Energy • 8% Liveness
16% Instrumentalness • 18% Positiveness
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Yashar Etaati
Afar
89 bpm • C Maj • 03:35 • -18.92db
13% Popularity • 41% Danceability • 28% Energy • 11% Liveness
92% Instrumentalness • 75% Positiveness
13% Popularity • 41% Danceability • 28% Energy • 11% Liveness
92% Instrumentalness • 75% Positiveness
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Masoud Shaari
Presence
89 bpm • A# Maj • 10:43 • -18db
10% Popularity • 38% Danceability • 30% Energy • 9% Liveness
40% Instrumentalness • 28% Positiveness
10% Popularity • 38% Danceability • 30% Energy • 9% Liveness
40% Instrumentalness • 28% Positiveness
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Hooshyar Khayam
In Road
89 bpm • F min • 03:58 • -15db
10% Popularity • 43% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 19% Positiveness
10% Popularity • 43% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 19% Positiveness
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Khaled Mouzanar
Deuil de Nassim
88 bpm • F min • 02:25 • -22db
38% Popularity • 35% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 10% Positiveness
38% Popularity • 35% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 10% Positiveness
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Soheil Mokhberi
Ordibehesht
96 bpm • G min • 05:52 • -18.12db
18% Popularity • 64% Danceability • 8% Energy • 7% Liveness
32% Instrumentalness • 28% Positiveness
18% Popularity • 64% Danceability • 8% Energy • 7% Liveness
32% Instrumentalness • 28% Positiveness
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Hariprasad Chaurasia
Abhogi
96 bpm • E Maj • 03:02 • -26.93db
38% Popularity • 49% Danceability • 17% Energy • 7% Liveness
37% Instrumentalness • 23% Positiveness
38% Popularity • 49% Danceability • 17% Energy • 7% Liveness
37% Instrumentalness • 23% Positiveness
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Glen Velez
Rise of the Phoenix
96 bpm • D Maj • 07:14 • -16.01db
8% Popularity • 72% Danceability • 55% Energy • 4% Liveness
65% Instrumentalness • 69% Positiveness
8% Popularity • 72% Danceability • 55% Energy • 4% Liveness
65% Instrumentalness • 69% Positiveness
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Toufic Farroukh
Callipyge - Intro
96 bpm • C min • 00:58 • -16.5db
40% Popularity • 51% Danceability • 16% Energy • 13% Liveness
81% Instrumentalness • 27% Positiveness
40% Popularity • 51% Danceability • 16% Energy • 13% Liveness
81% Instrumentalness • 27% Positiveness
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Constantinople
Lountang
96 bpm • G# Maj • 07:01 • -9.7db
31% Popularity • 62% Danceability • 49% Energy • 7% Liveness
50% Instrumentalness • 48% Positiveness
31% Popularity • 62% Danceability • 49% Energy • 7% Liveness
50% Instrumentalness • 48% Positiveness
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Hamza El Din
Fegir Nedan (Call To Worship)
88 bpm • B Maj • 05:30 • -23db
14% Popularity • 44% Danceability • 7% Energy • 11% Liveness
81% Instrumentalness • 37% Positiveness
14% Popularity • 44% Danceability • 7% Energy • 11% Liveness
81% Instrumentalness • 37% Positiveness
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Aarif Jaman
A'Ajem
88 bpm • A# Maj • 03:36 • -14db
23% Popularity • 45% Danceability • 30% Energy • 12% Liveness
73% Instrumentalness • 50% Positiveness
23% Popularity • 45% Danceability • 30% Energy • 12% Liveness
73% Instrumentalness • 50% Positiveness
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Behdad Babaj
Santur solo - Version 3
88 bpm • A min • 02:35 • -20.71db
14% Popularity • 23% Danceability • 22% Energy • 12% Liveness
94% Instrumentalness • 27% Positiveness
14% Popularity • 23% Danceability • 22% Energy • 12% Liveness
94% Instrumentalness • 27% Positiveness
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Charbel Rouhana
Retour
88 bpm • F min • 07:12 • -23.58db
22% Popularity • 39% Danceability • 18% Energy • 8% Liveness
81% Instrumentalness • 36% Positiveness
22% Popularity • 39% Danceability • 18% Energy • 8% Liveness
81% Instrumentalness • 36% Positiveness
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Rabih Abou-Khalil
Dreams Of A Dying City
88 bpm • G Maj • 05:34 • -16.89db
27% Popularity • 53% Danceability • 13% Energy • 11% Liveness
94% Instrumentalness • 25% Positiveness
27% Popularity • 53% Danceability • 13% Energy • 11% Liveness
94% Instrumentalness • 25% Positiveness
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Dhafer Youssef
Al Wadood
97 bpm • A min • 07:00 • -12.04db
21% Popularity • 50% Danceability • 35% Energy • 15% Liveness
83% Instrumentalness • 40% Positiveness
21% Popularity • 50% Danceability • 35% Energy • 15% Liveness
83% Instrumentalness • 40% Positiveness
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Djivan Gasparyan
Armenian Romances
87 bpm • D min • 03:07 • -18.05db
17% Popularity • 20% Danceability • 5% Energy • 15% Liveness
14% Instrumentalness • 24% Positiveness
17% Popularity • 20% Danceability • 5% Energy • 15% Liveness
14% Instrumentalness • 24% Positiveness
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Negâr Boubân
Pause
87 bpm • G Maj • 04:46 • -15.72db
10% Popularity • 43% Danceability • 14% Energy • 8% Liveness
86% Instrumentalness • 20% Positiveness
10% Popularity • 43% Danceability • 14% Energy • 8% Liveness
86% Instrumentalness • 20% Positiveness
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Munir Bashir
Taqsîm en maqâm : Awj
97 bpm • C Maj • 03:06 • -19.22db
21% Popularity • 44% Danceability • 18% Energy • 8% Liveness
40% Instrumentalness • 36% Positiveness
21% Popularity • 44% Danceability • 18% Energy • 8% Liveness
40% Instrumentalness • 36% Positiveness
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Naseer Shamma
El Camino a Shaqlawa. The Path to Shaqla...
97 bpm • D Maj • 08:23 • -12.02db
18% Popularity • 37% Danceability • 53% Energy • 10% Liveness
90% Instrumentalness • 21% Positiveness
18% Popularity • 37% Danceability • 53% Energy • 10% Liveness
90% Instrumentalness • 21% Positiveness
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Ali Hassan
Maqam Tour Reefy Mohammadawiy
87 bpm • D# min • 03:22 • -15.99db
20% Popularity • 44% Danceability • 11% Energy • 10% Liveness
79% Instrumentalness • 10% Positiveness
20% Popularity • 44% Danceability • 11% Energy • 10% Liveness
79% Instrumentalness • 10% Positiveness
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Abderraouf Ouertani
De Tunis à Kélibia
97 bpm • C Maj • 03:19 • -18.58db
34% Popularity • 55% Danceability • 18% Energy • 12% Liveness
86% Instrumentalness • 22% Positiveness
34% Popularity • 55% Danceability • 18% Energy • 12% Liveness
86% Instrumentalness • 22% Positiveness
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Constantinople
Fleuve - Fleuve Saint Louis
97 bpm • D min • 04:59 • -11db
34% Popularity • 39% Danceability • 56% Energy • 10% Liveness
94% Instrumentalness • 54% Positiveness
34% Popularity • 39% Danceability • 56% Energy • 10% Liveness
94% Instrumentalness • 54% Positiveness
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Yasamin Shahhosseini
Fourth Gāh, Pt. 2
87 bpm • D Maj • 04:40 • -15.2db
8% Popularity • 52% Danceability • 20% Energy • 12% Liveness
90% Instrumentalness • 21% Positiveness
8% Popularity • 52% Danceability • 20% Energy • 12% Liveness
90% Instrumentalness • 21% Positiveness
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Sultan Khan
Rajasthani Folk Song
87 bpm • B Maj • 08:00 • -30.21db
17% Popularity • 45% Danceability • 3% Energy • 78% Liveness
0% Instrumentalness • 24% Positiveness
17% Popularity • 45% Danceability • 3% Energy • 78% Liveness
0% Instrumentalness • 24% Positiveness
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Naseer Shamma
Estado de Pasión
87 bpm • F min • 04:36 • -13.8db
12% Popularity • 62% Danceability • 27% Energy • 8% Liveness
85% Instrumentalness • 40% Positiveness
12% Popularity • 62% Danceability • 27% Energy • 8% Liveness
85% Instrumentalness • 40% Positiveness
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Hamza El Din
Samai Husaini
98 bpm • G min • 06:45 • -16.9db
10% Popularity • 64% Danceability • 16% Energy • 12% Liveness
90% Instrumentalness • 50% Positiveness
10% Popularity • 64% Danceability • 16% Energy • 12% Liveness
90% Instrumentalness • 50% Positiveness
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Glen Velez
Fruits of Labor
98 bpm • C Maj • 07:21 • -18db
13% Popularity • 73% Danceability • 38% Energy • 8% Liveness
90% Instrumentalness • 38% Positiveness
13% Popularity • 73% Danceability • 38% Energy • 8% Liveness
90% Instrumentalness • 38% Positiveness
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Vahid Tehrani Azad
Darāmad 2
86 bpm • D min • 01:55 • -16.57db
14% Popularity • 27% Danceability • 18% Energy • 8% Liveness
88% Instrumentalness • 11% Positiveness
14% Popularity • 27% Danceability • 18% Energy • 8% Liveness
88% Instrumentalness • 11% Positiveness
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Aarif Jaman
Hijaz
86 bpm • C Maj • 03:18 • -17.79db
35% Popularity • 34% Danceability • 33% Energy • 11% Liveness
94% Instrumentalness • 30% Positiveness
35% Popularity • 34% Danceability • 33% Energy • 11% Liveness
94% Instrumentalness • 30% Positiveness
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Rabih Abou-Khalil
The Return 2
98 bpm • C# Maj • 04:21 • -19.56db
12% Popularity • 48% Danceability • 31% Energy • 6% Liveness
94% Instrumentalness • 77% Positiveness
12% Popularity • 48% Danceability • 31% Energy • 6% Liveness
94% Instrumentalness • 77% Positiveness
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Naseer Shamma
Halat Wayd / In A State Of Passion / Est...
87 bpm • F min • 07:50 • -9.22db
8% Popularity • 58% Danceability • 34% Energy • 8% Liveness
59% Instrumentalness • 42% Positiveness
8% Popularity • 58% Danceability • 34% Energy • 8% Liveness
59% Instrumentalness • 42% Positiveness
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Mohammad Reza Lotfi
Kereshmeh
98 bpm • G# Maj • 01:13 • -30.47db
22% Popularity • 37% Danceability • 7% Energy • 10% Liveness
85% Instrumentalness • 47% Positiveness
22% Popularity • 37% Danceability • 7% Energy • 10% Liveness
85% Instrumentalness • 47% Positiveness
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Peyman Yazdanian
Days and Days
98 bpm • A min • 06:19 • -19db
21% Popularity • 60% Danceability • 13% Energy • 8% Liveness
11% Instrumentalness • 24% Positiveness
21% Popularity • 60% Danceability • 13% Energy • 8% Liveness
11% Instrumentalness • 24% Positiveness
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Axiom Of Choice
Kashmir
98 bpm • B min • 02:28 • -13.02db
13% Popularity • 46% Danceability • 16% Energy • 9% Liveness
93% Instrumentalness • 13% Positiveness
13% Popularity • 46% Danceability • 16% Energy • 9% Liveness
93% Instrumentalness • 13% Positiveness
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Glen Velez
Mirrors
98 bpm • D Maj • 07:09 • -19.38db
12% Popularity • 65% Danceability • 50% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
12% Popularity • 65% Danceability • 50% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
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Zakir Hussain
Balinese Fantasy
98 bpm • D Maj • 03:52 • -18.4db
22% Popularity • 71% Danceability • 46% Energy • 9% Liveness
88% Instrumentalness • 86% Positiveness
22% Popularity • 71% Danceability • 46% Energy • 9% Liveness
88% Instrumentalness • 86% Positiveness
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Ahmad Pejman
Memories
86 bpm • G# Maj • 02:45 • -15.62db
18% Popularity • 17% Danceability • 19% Energy • 11% Liveness
44% Instrumentalness • 4% Positiveness
18% Popularity • 17% Danceability • 19% Energy • 11% Liveness
44% Instrumentalness • 4% Positiveness
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Amjad Ali Khan
Raga Rageshwari Fast Gat in Tintal
99 bpm • D# Maj • 04:03 • -21.46db
9% Popularity • 34% Danceability • 30% Energy • 70% Liveness
96% Instrumentalness • 22% Positiveness
9% Popularity • 34% Danceability • 30% Energy • 70% Liveness
96% Instrumentalness • 22% Positiveness
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Ali Ghamsari
Remoteness
99 bpm • F min • 06:53 • -15.18db
16% Popularity • 42% Danceability • 17% Energy • 16% Liveness
85% Instrumentalness • 6% Positiveness
16% Popularity • 42% Danceability • 17% Energy • 16% Liveness
85% Instrumentalness • 6% Positiveness
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Marcel Khalifa
Flamenco
99 bpm • C Maj • 00:59 • -14.83db
35% Popularity • 45% Danceability • 25% Energy • 12% Liveness
90% Instrumentalness • 8% Positiveness
35% Popularity • 45% Danceability • 25% Energy • 12% Liveness
90% Instrumentalness • 8% Positiveness
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Glen Velez
Coba
98 bpm • C min • 03:38 • -14.42db
3% Popularity • 74% Danceability • 65% Energy • 8% Liveness
95% Instrumentalness • 57% Positiveness
3% Popularity • 74% Danceability • 65% Energy • 8% Liveness
95% Instrumentalness • 57% Positiveness
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Zakir Hussain
Sandstorm
86 bpm • D Maj • 05:37 • -31.07db
8% Popularity • 13% Danceability • 65% Energy • 37% Liveness
92% Instrumentalness • 2% Positiveness
8% Popularity • 13% Danceability • 65% Energy • 37% Liveness
92% Instrumentalness • 2% Positiveness
