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Based on a tempo of (+/- 10%) and a similar genre
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Four Year Strong
Talking Myself in Circles
101 bpm • A# Maj • 03:41 • -2.68db
39% Popularity • 56% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Unwritten
101 bpm • F min • 03:26 • -3.16db
35% Popularity • 47% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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The Bottom Line
Happy
101 bpm • C# Maj • 03:31 • -5.81db
12% Popularity • 52% Danceability • 91% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
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In Her Own Words
Alone with You
101 bpm • D Maj • 04:25 • -5db
38% Popularity • 52% Danceability • 93% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
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FELICITY
Pendulum
100 bpm • A# min • 03:37 • -3.33db
16% Popularity • 56% Danceability • 97% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
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Make Way for Man
Fireflies
100 bpm • C min • 03:25 • -1.9db
38% Popularity • 46% Danceability • 99% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
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Brooklane
Breakaway
100 bpm • C# Maj • 03:14 • -1.96db
14% Popularity • 52% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Jenna Tools
101 bpm • G# Maj • 03:22 • -2.29db
14% Popularity • 57% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 67% Positiveness
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When the Sun Sets
Hope
100 bpm • D Maj • 03:13 • -4.72db
9% Popularity • 49% Danceability • 93% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
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WSTR
Gives You Hell
100 bpm • E Maj • 03:30 • -6db
28% Popularity • 70% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness
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Lonely Avenue
Caffeine Dreams
100 bpm • G Maj • 03:22 • -5.84db
15% Popularity • 45% Danceability • 93% Energy • 32% Liveness
0% Instrumentalness • 46% Positiveness
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Story Of The Year
2005
100 bpm • B Maj • 02:51 • -5db
51% Popularity • 60% Danceability • 90% Energy • 38% Liveness
0% Instrumentalness • 80% Positiveness
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Youth Fountain
Deadlocked
100 bpm • G Maj • 03:17 • -2.62db
35% Popularity • 57% Danceability • 97% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Two Trains Left
Not Ok
100 bpm • C Maj • 03:26 • -6.84db
17% Popularity • 43% Danceability • 93% Energy • 34% Liveness
0% Instrumentalness • 30% Positiveness
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SoSo
The Henry Lawson Jive
100 bpm • F# Maj • 03:17 • -1.54db
30% Popularity • 51% Danceability • 96% Energy • 35% Liveness
0% Instrumentalness • 64% Positiveness
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Summer Wars
Place in Time
100 bpm • C# Maj • 03:21 • -3.35db
35% Popularity • 42% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 56% Positiveness
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Lonely Avenue
All My Friends Are Lost at Sea
100 bpm • C Maj • 03:17 • -4.1db
17% Popularity • 52% Danceability • 99% Energy • 39% Liveness
0% Instrumentalness • 16% Positiveness
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All Time Low
Melancholy Kaleidoscope
102 bpm • D Maj • 02:54 • -2.82db
30% Popularity • 64% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Boys of Fall
Amnesia
102 bpm • D Maj • 04:07 • -4.19db
34% Popularity • 52% Danceability • 94% Energy • 53% Liveness
0% Instrumentalness • 38% Positiveness
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First and Forever
A Violet Ending
100 bpm • C# min • 03:30 • -3.62db
26% Popularity • 50% Danceability • 92% Energy • 50% Liveness
0% Instrumentalness • 29% Positiveness
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Val Pivchenko
Galway Girl
100 bpm • A Maj • 02:46 • -5.6db
11% Popularity • 52% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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We Were Sharks
Drop The Act
102 bpm • D Maj • 03:07 • -3db
27% Popularity • 53% Danceability • 97% Energy • 35% Liveness
0% Instrumentalness • 45% Positiveness
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408
Drop Out
100 bpm • F Maj • 02:55 • -3db
31% Popularity • 46% Danceability • 94% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
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Dead Bundy
Get over It (Psycho)
100 bpm • F# min • 03:16 • -2.44db
12% Popularity • 51% Danceability • 98% Energy • 39% Liveness
0% Instrumentalness • 34% Positiveness
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Crooked Teeth
Beg
100 bpm • C# Maj • 02:31 • -3db
40% Popularity • 48% Danceability • 80% Energy • 6% Liveness
9% Instrumentalness • 46% Positiveness
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Telltale
Bouquet
100 bpm • G# Maj • 03:25 • -4db
35% Popularity • 40% Danceability • 92% Energy • 23% Liveness
0% Instrumentalness • 45% Positiveness
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Brooklane
Sucker
100 bpm • D Maj • 03:30 • -0.46db
10% Popularity • 41% Danceability • 99% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Lonely Avenue
I'm Not Sorry
103 bpm • G# Maj • 03:36 • -3.04db
22% Popularity • 56% Danceability • 97% Energy • 41% Liveness
0% Instrumentalness • 49% Positiveness
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Home to Leave
Something Just Like This
103 bpm • D min • 03:19 • -3.3db
15% Popularity • 51% Danceability • 94% Energy • 11% Liveness
12% Instrumentalness • 38% Positiveness
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We Were Sharks
How to Lose Your Cool
103 bpm • G# Maj • 02:04 • -3.48db
44% Popularity • 48% Danceability • 95% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
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Off & On
103 bpm • C# Maj • 03:32 • -6.79db
31% Popularity • 56% Danceability • 94% Energy • 11% Liveness
29% Instrumentalness • 57% Positiveness
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First and Forever
i've got a bad feeling about this...
103 bpm • F Maj • 02:59 • -2.73db
46% Popularity • 56% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Ruthcrest
If You Were Here
103 bpm • C# Maj • 03:20 • -3.24db
13% Popularity • 57% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Hot Milk
June Gloom
103 bpm • D Maj • 03:06 • -2.59db
33% Popularity • 60% Danceability • 93% Energy • 2% Liveness
0% Instrumentalness • 47% Positiveness
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Goalkeeper
Chances
104 bpm • A Maj • 03:04 • -3.94db
31% Popularity • 58% Danceability • 95% Energy • 17% Liveness
0% Instrumentalness • 27% Positiveness
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Calling All Captains
Disconnected
99 bpm • F Maj • 03:40 • -5db
25% Popularity • 42% Danceability • 90% Energy • 6% Liveness
9% Instrumentalness • 60% Positiveness
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No Ragrets
103 bpm • E Maj • 02:28 • -6.5db
40% Popularity • 51% Danceability • 95% Energy • 30% Liveness
13% Instrumentalness • 63% Positiveness
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Those Without
The Thin Line Between Hope & Despair
104 bpm • A# min • 03:52 • -5.16db
25% Popularity • 57% Danceability • 93% Energy • 33% Liveness
0% Instrumentalness • 46% Positiveness
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Four Year Strong
Learn to Love the Lie
104 bpm • A# Maj • 03:44 • -2.3db
38% Popularity • 61% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Dead Bundy
She Fucks Me
98 bpm • G Maj • 03:07 • -3.3db
14% Popularity • 65% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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A Day To Remember
High Diving
98 bpm • C Maj • 03:27 • -4.43db
42% Popularity • 58% Danceability • 93% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
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Your Broken Hero
Red Light Kisser
98 bpm • B min • 02:50 • -7.99db
45% Popularity • 62% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Worst Intentions (You Had 'em)
104 bpm • F# Maj • 03:32 • -3.55db
19% Popularity • 44% Danceability • 95% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
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Seaway
Closer
98 bpm • G# Maj • 04:12 • -7db
37% Popularity • 61% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Sundressed
Postcard
98 bpm • F# Maj • 03:23 • -2.29db
20% Popularity • 70% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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FELICITY
Tough Luck
98 bpm • C# Maj • 03:39 • -4db
23% Popularity • 36% Danceability • 96% Energy • 52% Liveness
0% Instrumentalness • 34% Positiveness
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Millington
Misery
98 bpm • G Maj • 02:59 • -4.7db
14% Popularity • 63% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Thief Club
My Heavy
98 bpm • D Maj • 03:41 • -4.74db
21% Popularity • 49% Danceability • 90% Energy • 34% Liveness
0% Instrumentalness • 39% Positiveness
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Keep Your Chin up and Your Expectations ...
104 bpm • F Maj • 03:17 • -6db
37% Popularity • 50% Danceability • 96% Energy • 59% Liveness
18% Instrumentalness • 52% Positiveness
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Abandoned By Bears
I Want You Back
105 bpm • C Maj • 02:49 • -2.74db
36% Popularity • 35% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 51% Positiveness
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Telltale
Dazy
105 bpm • F# Maj • 03:13 • -4.83db
33% Popularity • 50% Danceability • 95% Energy • 40% Liveness
0% Instrumentalness • 70% Positiveness
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Cold Weather Kids
Stolen Summer
105 bpm • E Maj • 03:29 • -6.43db
30% Popularity • 56% Danceability • 88% Energy • 44% Liveness
0% Instrumentalness • 71% Positiveness
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Summer Wars
Something to Call My Own
97 bpm • C# Maj • 03:44 • -5.5db
28% Popularity • 19% Danceability • 94% Energy • 21% Liveness
0% Instrumentalness • 24% Positiveness
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Seaway
Something Wonderful - Alternate Version
105 bpm • D# Maj • 03:17 • -4.58db
24% Popularity • 65% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Underachiever of the Year
104 bpm • D# Maj • 03:37 • -4.36db
21% Popularity • 49% Danceability • 97% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Hot Milk
Are You Feeling Alive?
105 bpm • F# Maj • 03:03 • -3.56db
34% Popularity • 65% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Grayscale
In Violet
105 bpm • C# min • 02:57 • -4.49db
44% Popularity • 61% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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New Found Glory
This Is Me
105 bpm • C# Maj • 03:28 • -4.64db
44% Popularity • 57% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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Sorry Ghost
Nosedive
105 bpm • G Maj • 02:38 • -4.18db
18% Popularity • 54% Danceability • 91% Energy • 59% Liveness
0% Instrumentalness • 83% Positiveness
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State Champs
Everybody but You
105 bpm • G# Maj • 03:47 • -3.91db
49% Popularity • 66% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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If Loose Lips Sink Ships, Then You're th...
97 bpm • C# Maj • 03:41 • -4.59db
28% Popularity • 33% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Chief State
Reprise
105 bpm • G Maj • 03:01 • -2.27db
23% Popularity • 47% Danceability • 99% Energy • 32% Liveness
0% Instrumentalness • 50% Positiveness
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Grayscale
Dirty Bombs
105 bpm • E Maj • 03:05 • -3.11db
39% Popularity • 55% Danceability • 89% Energy • 37% Liveness
0% Instrumentalness • 61% Positiveness
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Those Without
Good Thyme
105 bpm • D Maj • 03:15 • -5.57db
18% Popularity • 56% Danceability • 95% Energy • 34% Liveness
0% Instrumentalness • 41% Positiveness
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Brigades
China Doll
105 bpm • F# Maj • 03:04 • -5.39db
40% Popularity • 58% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 33% Positiveness
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Games We Play
St. Girlfriend
97 bpm • G# Maj • 02:27 • -4db
37% Popularity • 54% Danceability • 93% Energy • 34% Liveness
0% Instrumentalness • 48% Positiveness
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Poster Boys for Bad Luck
105 bpm • C# Maj • 03:03 • -4.23db
24% Popularity • 41% Danceability • 95% Energy • 37% Liveness
0% Instrumentalness • 37% Positiveness
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First and Forever
Chicago
97 bpm • G# Maj • 03:19 • -1.79db
41% Popularity • 51% Danceability • 98% Energy • 25% Liveness
0% Instrumentalness • 48% Positiveness
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Grayscale
YOUNG
105 bpm • G Maj • 03:12 • -5.78db
33% Popularity • 70% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Glass Tides
Everywhere
97 bpm • C# Maj • 03:15 • -4.86db
33% Popularity • 49% Danceability • 96% Energy • 12% Liveness
7% Instrumentalness • 49% Positiveness
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Faber Drive
Mr Good for Nothin'
97 bpm • A Maj • 02:59 • -4.67db
21% Popularity • 57% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Chunk! No, Captain Chunk!
Blame It On This Song
105 bpm • A# Maj • 03:30 • -6.25db
36% Popularity • 52% Danceability • 96% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
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Dead Man Stalking
97 bpm • F min • 04:27 • -6db
22% Popularity • 45% Danceability • 95% Energy • 36% Liveness
30% Instrumentalness • 48% Positiveness
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Those Without
Voodoo Doll
97 bpm • D Maj • 03:17 • -5.58db
15% Popularity • 52% Danceability • 91% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
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Hands Like Houses
Torn
97 bpm • E Maj • 03:45 • -5.35db
51% Popularity • 50% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
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Dave Days
Pop Punk Emo Mashup
97 bpm • C Maj • 03:00 • -5.92db
35% Popularity • 53% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Hot Milk
Candy Coated Lie$ - Mark Hoppus + Mitchy...
106 bpm • F Maj • 03:05 • -2.91db
28% Popularity • 53% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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The Bottom Line
In Your Memory
106 bpm • G# Maj • 03:08 • -6.03db
17% Popularity • 53% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
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Qwerty
106 bpm • C# Maj • 03:09 • -2.6db
16% Popularity • 54% Danceability • 93% Energy • 92% Liveness
0% Instrumentalness • 62% Positiveness
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High Wire
Good Enough
106 bpm • D Maj • 03:13 • -3db
38% Popularity • 53% Danceability • 98% Energy • 28% Liveness
0% Instrumentalness • 65% Positiveness
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UNWELL
Tightrope
106 bpm • C# min • 03:14 • -3db
30% Popularity • 57% Danceability • 97% Energy • 27% Liveness
4% Instrumentalness • 39% Positiveness
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Carousel Kings
Empty Clouds
106 bpm • F# Maj • 03:11 • -2.23db
26% Popularity • 46% Danceability • 95% Energy • 31% Liveness
0% Instrumentalness • 45% Positiveness
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Hot Milk
I Think I Hate Myself
96 bpm • D Maj • 03:34 • -3db
42% Popularity • 58% Danceability • 88% Energy • 33% Liveness
0% Instrumentalness • 41% Positiveness
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Those Without
Took Your Chance
96 bpm • G Maj • 02:37 • -4.43db
29% Popularity • 55% Danceability • 90% Energy • 33% Liveness
0% Instrumentalness • 44% Positiveness
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Pathetic
106 bpm • B Maj • 02:26 • -1.55db
17% Popularity • 52% Danceability • 97% Energy • 78% Liveness
0% Instrumentalness • 69% Positiveness
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Neck Deep
Torn
96 bpm • G# Maj • 04:04 • -7.22db
53% Popularity • 55% Danceability • 89% Energy • 27% Liveness
4% Instrumentalness • 45% Positiveness
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State Champs
Just Sound
96 bpm • E Maj • 03:22 • -4db
36% Popularity • 38% Danceability • 98% Energy • 36% Liveness
0% Instrumentalness • 65% Positiveness
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We Were Sharks
Without You
96 bpm • D Maj • 02:59 • -3.65db
24% Popularity • 44% Danceability • 98% Energy • 30% Liveness
5% Instrumentalness • 54% Positiveness
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Aim Lower
Good As Hell
96 bpm • F min • 02:43 • -6.08db
12% Popularity • 58% Danceability • 83% Energy • 40% Liveness
0% Instrumentalness • 78% Positiveness
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World War Me
Fire and Flames
106 bpm • C Maj • 02:25 • -3.11db
30% Popularity • 70% Danceability • 88% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
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How to Screw up Your Future and Disappoi...
96 bpm • C# Maj • 04:11 • -4db
36% Popularity • 52% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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In Her Own Words
Out of Focus
107 bpm • E min • 04:03 • -5.47db
27% Popularity • 47% Danceability • 96% Energy • 33% Liveness
0% Instrumentalness • 34% Positiveness
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Ready Steady Steroids
Here with Me
107 bpm • D Maj • 02:29 • -6.7db
30% Popularity • 65% Danceability • 83% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
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We Were Sharks
Bridge Burner
96 bpm • D Maj • 03:33 • -4.01db
41% Popularity • 48% Danceability • 95% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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The Bottom Line
Reasons
107 bpm • G# Maj • 03:15 • -4.27db
27% Popularity • 51% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Midfield
Nothing Changes
107 bpm • C# Maj • 03:42 • -2db
29% Popularity • 32% Danceability • 95% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Settle Your Scores
Meant for Misery
96 bpm • D# Maj • 03:16 • -2.5db
22% Popularity • 56% Danceability • 97% Energy • 31% Liveness
1% Instrumentalness • 58% Positiveness
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Seaway
Still Blue
95 bpm • F Maj • 03:11 • -4.07db
26% Popularity • 46% Danceability • 96% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
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Bilmuri
fuck, i'm lonely
95 bpm • A Maj • 03:37 • -3.87db
48% Popularity • 67% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Stuck Out
Split in Two
95 bpm • F Maj • 03:32 • -3db
14% Popularity • 50% Danceability • 99% Energy • 66% Liveness
0% Instrumentalness • 20% Positiveness
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Unwritten