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Up All Night
Songs like
Up All Night
by
Deric Ruttan
Based on a tempo of (+/- 10%) and a similar genre
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Deric Ruttan
Up All Night
127 bpm • E Maj • 03:39 • -4db
23% Popularity • 52% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Brooks & Dunn
Brand New Man - Live from CMT Crossroad...
127 bpm • G Maj • 04:14 • -4.12db
28% Popularity • 39% Danceability • 83% Energy • 88% Liveness
20% Instrumentalness • 55% Positiveness
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Jason McCoy
This Used to Be Our Town
127 bpm • D Maj • 03:47 • -7.3db
15% Popularity • 71% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Doc Walker
She Hasn't Always Been This Way
126 bpm • G Maj • 03:27 • -5db
20% Popularity • 61% Danceability • 81% Energy • 35% Liveness
0% Instrumentalness • 79% Positiveness
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Jake Owen
Damn
128 bpm • F# Maj • 04:09 • -3.6db
24% Popularity • 49% Danceability • 71% Energy • 37% Liveness
0% Instrumentalness • 58% Positiveness
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Jason Blaine
On a Night Like This
128 bpm • G# Maj • 03:31 • -3.63db
15% Popularity • 63% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Deric Ruttan
Good Time (Alternate Version)
126 bpm • A# Maj • 06:16 • -4.25db
0% Popularity • 38% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
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Smith & Wesley
Hook Line & Sinker
126 bpm • D Maj • 03:31 • -4.63db
8% Popularity • 69% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Jason McCoy
Ten Million Teardrops
126 bpm • A Maj • 03:15 • -6db
13% Popularity • 72% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Chris Janson
Better I Don't
126 bpm • C Maj • 03:25 • -4.3db
38% Popularity • 68% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Dallas Smith
If It Gets You Where You Wanna Go
128 bpm • F# Maj • 03:36 • -2.41db
29% Popularity • 50% Danceability • 90% Energy • 12% Liveness
2% Instrumentalness • 65% Positiveness
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Jason Blaine
Friends of Mine
126 bpm • E Maj • 03:32 • -4.26db
12% Popularity • 65% Danceability • 83% Energy • 35% Liveness
0% Instrumentalness • 81% Positiveness
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Deric Ruttan
Good Time (With Dierks Bentley)
126 bpm • A# Maj • 03:37 • -3.57db
8% Popularity • 59% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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The Washboard Union
Feel Like That
128 bpm • A# Maj • 03:10 • -5db
25% Popularity • 55% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Charlie Major
I'm Feeling Kind Of Lucky Tonight
128 bpm • A Maj • 03:39 • -7.02db
15% Popularity • 70% Danceability • 68% Energy • 30% Liveness
0% Instrumentalness • 43% Positiveness
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Chris Cummings
I Waited
126 bpm • C Maj • 03:15 • -10.43db
15% Popularity • 53% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Neal McCoy
Tailgate
129 bpm • G min • 04:00 • -5.25db
17% Popularity • 67% Danceability • 86% Energy • 4% Liveness
0% Instrumentalness • 85% Positiveness
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The Road Hammers
A Girl Who Loves to Truck
126 bpm • G Maj • 02:30 • -5db
27% Popularity • 65% Danceability • 91% Energy • 38% Liveness
0% Instrumentalness • 57% Positiveness
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Carlton Anderson
Country Music Made Me Do It
125 bpm • D Maj • 03:37 • -2.21db
18% Popularity • 62% Danceability • 98% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Ray Fulcher
Bad Habits
125 bpm • A Maj • 03:17 • -5.03db
9% Popularity • 62% Danceability • 90% Energy • 37% Liveness
0% Instrumentalness • 73% Positiveness
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Paul Brandt
Didn't Even See The Dust
125 bpm • E Maj • 04:47 • -7db
29% Popularity • 62% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Easton Corbin
Wild Women And Whiskey
125 bpm • G# Maj • 03:32 • -3.9db
25% Popularity • 73% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 73% Positiveness
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Brooks & Dunn
Mama Don't Get Dressed Up For Nothing - ...
125 bpm • D Maj • 04:12 • -4.05db
38% Popularity • 60% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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David Lee Murphy
I Won't Be Sorry
125 bpm • F# Maj • 04:15 • -3.54db
21% Popularity • 48% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 31% Positiveness
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Sam Riggs
High on a Country Song
125 bpm • A min • 03:43 • -5db
25% Popularity • 70% Danceability • 75% Energy • 33% Liveness
0% Instrumentalness • 75% Positiveness
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Toby Keith
God Love Her
125 bpm • A# Maj • 03:37 • -6.13db
31% Popularity • 57% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Jason Blaine
Drink Too Much
125 bpm • G Maj • 03:05 • -4.27db
11% Popularity • 70% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Deric Ruttan
Sunshine (Hey Little Girl)
125 bpm • F# Maj • 03:35 • -3.11db
4% Popularity • 51% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 71% Positiveness
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Chris Cummings
That'll Teach Her
125 bpm • E Maj • 02:32 • -4.12db
17% Popularity • 63% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Trent Tomlinson
Drunker Than Me
124 bpm • G Maj • 03:11 • -3db
36% Popularity • 66% Danceability • 92% Energy • 37% Liveness
0% Instrumentalness • 83% Positiveness
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Jon Pardi
Fightin' The Fool
130 bpm • E min • 03:52 • -4.59db
38% Popularity • 61% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
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Paul Brandt
Alberta Bound
124 bpm • E Maj • 03:48 • -8.97db
44% Popularity • 55% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Gary Allan
She's So California
130 bpm • G Maj • 03:21 • -3.57db
33% Popularity • 54% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
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Deric Ruttan
We're All Alright
124 bpm • B Maj • 03:53 • -3.02db
1% Popularity • 57% Danceability • 96% Energy • 39% Liveness
0% Instrumentalness • 76% Positiveness
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Chris Janson
Bein' a Dad
130 bpm • A# Maj • 03:45 • -9db
25% Popularity • 68% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Eric Church
Leave My Willie Alone
124 bpm • D min • 03:36 • -5.03db
29% Popularity • 68% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 54% Positiveness
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David Lee Murphy
Every Time I Get Around You
131 bpm • D Maj • 03:26 • -11db
36% Popularity • 75% Danceability • 59% Energy • 3% Liveness
0% Instrumentalness • 84% Positiveness
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Hot Country Knights
Kings Of Neon
123 bpm • D Maj • 03:10 • -2.92db
12% Popularity • 66% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Big & Rich
We Came to Rawk
123 bpm • E Maj • 02:40 • -3.41db
17% Popularity • 66% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Deric Ruttan
First Time in a Long Time
123 bpm • F Maj • 04:19 • -4.05db
13% Popularity • 58% Danceability • 88% Energy • 41% Liveness
2% Instrumentalness • 45% Positiveness
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Emerson Drive
Waitin' On Me
123 bpm • G Maj • 02:54 • -4.69db
9% Popularity • 67% Danceability • 83% Energy • 33% Liveness
0% Instrumentalness • 58% Positiveness
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Six Sanchez
Dance in the Rain
123 bpm • D Maj • 03:25 • -4.17db
13% Popularity • 57% Danceability • 91% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Jason McCoy
Learnin' a Lot About Love
131 bpm • F# Maj • 03:37 • -8.08db
13% Popularity • 65% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 63% Positiveness
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Paul Brandt
What I Want To Be Remembered For
132 bpm • G Maj • 03:57 • -7.57db
13% Popularity • 54% Danceability • 73% Energy • 21% Liveness
0% Instrumentalness • 67% Positiveness
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Big & Rich
The Long Way Home
123 bpm • C Maj • 03:36 • -4.07db
10% Popularity • 58% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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The Road Hammers
Goodbye Dust
132 bpm • E Maj • 04:27 • -3.67db
7% Popularity • 46% Danceability • 93% Energy • 5% Liveness
0% Instrumentalness • 30% Positiveness
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Doc Walker
The Show Is Free
132 bpm • E Maj • 03:35 • -8.77db
16% Popularity • 62% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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Blake Shelton
Got the T-Shirt
132 bpm • D# Maj • 03:11 • -6.79db
26% Popularity • 57% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Jason McCoy
I'd Still Have Everything
132 bpm • F# Maj • 03:40 • -5.02db
10% Popularity • 60% Danceability • 56% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
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Lee Brice
Upper Middle Class White Trash
122 bpm • D Maj • 03:36 • -3.39db
27% Popularity • 65% Danceability • 87% Energy • 28% Liveness
0% Instrumentalness • 65% Positiveness
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Dallas Smith
The Song That's In My Head
132 bpm • D Maj • 03:18 • -2.26db
16% Popularity • 50% Danceability • 96% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Luke Bryan
Drinking Again
122 bpm • E Maj • 03:45 • -3.03db
36% Popularity • 68% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
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Toby Keith
The Size I Wear
122 bpm • A Maj • 03:01 • -6.36db
30% Popularity • 71% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Deric Ruttan
California Plates
122 bpm • G# Maj • 03:50 • -4.47db
4% Popularity • 62% Danceability • 85% Energy • 29% Liveness
1% Instrumentalness • 57% Positiveness
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Blue County
Good Little Girls
122 bpm • D Maj • 03:01 • -5db
17% Popularity • 67% Danceability • 81% Energy • 3% Liveness
0% Instrumentalness • 78% Positiveness
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Jason Blaine
Cool
122 bpm • A Maj • 03:08 • -3.89db
21% Popularity • 62% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
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Jason McCoy
I'm Gonna Make Her Mine
133 bpm • G Maj • 03:18 • -7.11db
16% Popularity • 66% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
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George Strait
Everybody Wants To Go To Heaven
132 bpm • A# Maj • 03:25 • -6.07db
17% Popularity • 70% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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Chancey Williams
Let Love Do It's Thing
133 bpm • A Maj • 03:06 • -4.64db
16% Popularity • 59% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Randy Houser
Whole Lotta Quit
121 bpm • A Maj • 04:25 • -3.99db
30% Popularity • 69% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Blake Shelton
Doing It to Country Songs
133 bpm • G Maj • 03:00 • -5.44db
31% Popularity • 66% Danceability • 79% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
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Rodney Atkins
Doin' It Right
121 bpm • B Maj • 03:45 • -4.5db
25% Popularity • 65% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Josh Thompson
Hillbilly Limo
121 bpm • D Maj • 02:47 • -4.74db
18% Popularity • 75% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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Easton Corbin
A Lot To Learn About Livin'
121 bpm • G# Maj • 03:46 • -9db
40% Popularity • 82% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
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Doc Walker
Driving With The Brakes On
134 bpm • C# Maj • 04:00 • -8.04db
24% Popularity • 62% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Joe Diffie
John Deere Green (Re-Recorded)
134 bpm • G Maj • 04:28 • -6.14db
19% Popularity • 67% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
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Deric Ruttan
Lovin' you Is Killin' me
134 bpm • D Maj • 03:10 • -4.6db
2% Popularity • 53% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Jerrod Niemann
Zero to Crazy
120 bpm • F Maj • 03:00 • -5.69db
18% Popularity • 71% Danceability • 85% Energy • 86% Liveness
0% Instrumentalness • 96% Positiveness
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Emerson Drive
That Kind of Beautiful
120 bpm • C Maj • 03:08 • -4db
29% Popularity • 73% Danceability • 80% Energy • 27% Liveness
0% Instrumentalness • 81% Positiveness
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Adam Gregory
The World Could Use A Cowboy
120 bpm • G Maj • 03:48 • -5.21db
11% Popularity • 63% Danceability • 91% Energy • 30% Liveness
0% Instrumentalness • 87% Positiveness
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Dan Davidson
Church
120 bpm • C# Maj • 02:58 • -5.75db
27% Popularity • 58% Danceability • 89% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
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High Valley
Roads We've Never Taken
120 bpm • F min • 03:17 • -4.94db
17% Popularity • 63% Danceability • 96% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
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Aaron Lines
The Lights Of My Hometown
120 bpm • C# Maj • 03:31 • -5.48db
13% Popularity • 66% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Jojo Mason
Edge Of The Night
120 bpm • E Maj • 02:58 • -3.65db
22% Popularity • 58% Danceability • 94% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
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Brothers Osborne
Arms Of Fire
120 bpm • D Maj • 03:58 • -5.42db
33% Popularity • 69% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 62% Positiveness
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Paul Brandt
Thank You, Thank You
120 bpm • E Maj • 03:59 • -5.12db
7% Popularity • 55% Danceability • 88% Energy • 37% Liveness
0% Instrumentalness • 37% Positiveness
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Granger Smith
We Bleed Maroon
120 bpm • F Maj • 05:50 • -9db
28% Popularity • 60% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Marty Heddin
Hammered
120 bpm • A Maj • 03:17 • -6.01db
16% Popularity • 69% Danceability • 84% Energy • 29% Liveness
0% Instrumentalness • 67% Positiveness
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BlackHawk
Any Man With a Heartbeat
120 bpm • F Maj • 03:22 • -8.21db
19% Popularity • 77% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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James Barker Band
Living The Dream
135 bpm • F Maj • 03:27 • -6.6db
37% Popularity • 72% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Chris Cummings
Sure Enough
135 bpm • D# Maj • 03:14 • -5.69db
22% Popularity • 56% Danceability • 93% Energy • 29% Liveness
0% Instrumentalness • 61% Positiveness
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Dan Davidson
Cinderella
135 bpm • D Maj • 03:00 • -4.6db
26% Popularity • 56% Danceability • 89% Energy • 19% Liveness
0% Instrumentalness • 61% Positiveness
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Bobby Wills
Crazy Enough
135 bpm • A min • 03:50 • -5.34db
26% Popularity • 61% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 75% Positiveness
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Big & Rich
Brand New Buzz
119 bpm • B Maj • 03:22 • -3.84db
25% Popularity • 64% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Emerson Drive
Countrified Soul
119 bpm • D Maj • 03:00 • -5.5db
24% Popularity • 69% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Kip Moore
Good Thing
119 bpm • E Maj • 02:50 • -5.42db
33% Popularity • 81% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
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Chris Cummings
The Kind of Heart That Breaks
119 bpm • D Maj • 02:37 • -5.51db
19% Popularity • 65% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 88% Positiveness
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Boy Howdy
They Don't Make Them Like That Anymore
119 bpm • A Maj • 03:26 • -6.13db
25% Popularity • 69% Danceability • 69% Energy • 27% Liveness
0% Instrumentalness • 63% Positiveness
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Deric Ruttan
What a Memory
136 bpm • D# Maj • 02:35 • -8.08db
1% Popularity • 57% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Justin Moore
Middle Class Money
136 bpm • D Maj • 03:42 • -6.28db
28% Popularity • 57% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Brooks & Dunn
That's What It's All About
118 bpm • A Maj • 03:59 • -3.06db
34% Popularity • 52% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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Keith Anderson
C'MON!
137 bpm • D Maj • 03:33 • -2.8db
2% Popularity • 56% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Clay Walker
What's It To You - 2014 Version
118 bpm • D Maj • 02:48 • -4.73db
14% Popularity • 70% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
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Dallas Smith
Somebody Somewhere
118 bpm • B Maj • 03:30 • -2.78db
31% Popularity • 56% Danceability • 91% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Deric Ruttan
That Guy
136 bpm • G# Maj • 03:27 • -4.44db
1% Popularity • 57% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Tyler Farr
Love by the Moon
118 bpm • A Maj • 02:41 • -3db
30% Popularity • 70% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Brooks & Dunn
Lost and Found - with Tyler Booth
118 bpm • E Maj • 03:55 • -5.17db
38% Popularity • 62% Danceability • 84% Energy • 29% Liveness
0% Instrumentalness • 68% Positiveness
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William Michael Morgan
Beer Drinker
137 bpm • B Maj • 03:02 • -5.13db
25% Popularity • 54% Danceability • 85% Energy • 26% Liveness
0% Instrumentalness • 71% Positiveness
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Doc Walker
Put It into Drive
137 bpm • C# Maj • 03:49 • -7.46db
10% Popularity • 55% Danceability • 77% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
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Emerson Drive
She's My Kind of Crazy
137 bpm • F Maj • 03:23 • -4.96db
37% Popularity • 56% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
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Up All Night