Songs like Up jumped the devil by Earl Hines
Based on a tempo of (+/- 10%) and a similar genre
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Members Of The Glenn Miller Orchestra
Sunrise Serenade
91 bpm • F min • 02:03 • -13.3db
37% Popularity • 48% Danceability • 23% Energy • 7% Liveness
19% Instrumentalness • 46% Positiveness
37% Popularity • 48% Danceability • 23% Energy • 7% Liveness
19% Instrumentalness • 46% Positiveness
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Earl Hines
I Ain't Got Nobody
91 bpm • G Maj • 03:12 • -18.71db
24% Popularity • 63% Danceability • 10% Energy • 27% Liveness
80% Instrumentalness • 39% Positiveness
24% Popularity • 63% Danceability • 10% Energy • 27% Liveness
80% Instrumentalness • 39% Positiveness
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Slim Gaillard
8, 9 and 10
91 bpm • D Maj • 02:43 • -17.49db
30% Popularity • 81% Danceability • 16% Energy • 12% Liveness
2% Instrumentalness • 79% Positiveness
30% Popularity • 81% Danceability • 16% Energy • 12% Liveness
2% Instrumentalness • 79% Positiveness
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The Cats & The Fiddle
We Cats Will Swing for You
91 bpm • C min • 02:38 • -10.82db
24% Popularity • 78% Danceability • 47% Energy • 9% Liveness
62% Instrumentalness • 90% Positiveness
24% Popularity • 78% Danceability • 47% Energy • 9% Liveness
62% Instrumentalness • 90% Positiveness
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Johnny Dodds
Wild Man Blues
92 bpm • E min • 03:14 • -11.98db
17% Popularity • 61% Danceability • 13% Energy • 32% Liveness
78% Instrumentalness • 57% Positiveness
17% Popularity • 61% Danceability • 13% Energy • 32% Liveness
78% Instrumentalness • 57% Positiveness
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Muggsy Spanier
That Da Da Strain
92 bpm • D min • 02:30 • -13.33db
15% Popularity • 58% Danceability • 40% Energy • 31% Liveness
92% Instrumentalness • 91% Positiveness
15% Popularity • 58% Danceability • 40% Energy • 31% Liveness
92% Instrumentalness • 91% Positiveness
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Erskine Hawkins
Hawk's Boogie
92 bpm • G Maj • 02:58 • -5.07db
22% Popularity • 61% Danceability • 56% Energy • 30% Liveness
84% Instrumentalness • 80% Positiveness
22% Popularity • 61% Danceability • 56% Energy • 30% Liveness
84% Instrumentalness • 80% Positiveness
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Earl Hines
Spooks Ball
91 bpm • F# Maj • 02:58 • -18.52db
0% Popularity • 69% Danceability • 29% Energy • 56% Liveness
83% Instrumentalness • 80% Positiveness
0% Popularity • 69% Danceability • 29% Energy • 56% Liveness
83% Instrumentalness • 80% Positiveness
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Slim Gaillard
Look-A There
90 bpm • C Maj • 02:16 • -18.51db
30% Popularity • 79% Danceability • 22% Energy • 9% Liveness
51% Instrumentalness • 93% Positiveness
30% Popularity • 79% Danceability • 22% Energy • 9% Liveness
51% Instrumentalness • 93% Positiveness
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Reverent Juke
Shufflin & Rollin'
90 bpm • F Maj • 03:53 • -9.9db
20% Popularity • 58% Danceability • 50% Energy • 10% Liveness
20% Instrumentalness • 86% Positiveness
20% Popularity • 58% Danceability • 50% Energy • 10% Liveness
20% Instrumentalness • 86% Positiveness
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Louis Armstrong & His Hot Five
Cornet Chop Suey
92 bpm • E Maj • 03:07 • -20.04db
9% Popularity • 60% Danceability • 10% Energy • 10% Liveness
69% Instrumentalness • 80% Positiveness
9% Popularity • 60% Danceability • 10% Energy • 10% Liveness
69% Instrumentalness • 80% Positiveness
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Charlie Barnet & His Orchestra
Flying Home
92 bpm • F Maj • 02:55 • -5.86db
16% Popularity • 61% Danceability • 68% Energy • 32% Liveness
82% Instrumentalness • 91% Positiveness
16% Popularity • 61% Danceability • 68% Energy • 32% Liveness
82% Instrumentalness • 91% Positiveness
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Woody Herman & His Orchestra
Blues in the Night
89 bpm • C Maj • 03:11 • -11.68db
26% Popularity • 54% Danceability • 17% Energy • 55% Liveness
0% Instrumentalness • 43% Positiveness
26% Popularity • 54% Danceability • 17% Energy • 55% Liveness
0% Instrumentalness • 43% Positiveness
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Earl Hines
Up jumped the devil
91 bpm • C# Maj • 02:48 • -12.4db
26% Popularity • 62% Danceability • 52% Energy • 37% Liveness
92% Instrumentalness • 81% Positiveness
26% Popularity • 62% Danceability • 52% Energy • 37% Liveness
92% Instrumentalness • 81% Positiveness
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Slim Gaillard
A-Well-A-Take-Um-A-Joe
92 bpm • F Maj • 03:05 • -9.42db
18% Popularity • 73% Danceability • 48% Energy • 10% Liveness
68% Instrumentalness • 90% Positiveness
18% Popularity • 73% Danceability • 48% Energy • 10% Liveness
68% Instrumentalness • 90% Positiveness
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King Oliver
Mahogany Hall Stomp
93 bpm • C Maj • 02:39 • -10.36db
26% Popularity • 63% Danceability • 37% Energy • 6% Liveness
92% Instrumentalness • 85% Positiveness
26% Popularity • 63% Danceability • 37% Energy • 6% Liveness
92% Instrumentalness • 85% Positiveness
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Johnny Hodges & His Orchestra
Things Ain't What They Used To Be - 1995...
89 bpm • C# Maj • 03:37 • -17.04db
30% Popularity • 65% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 53% Positiveness
30% Popularity • 65% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 53% Positiveness
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Duke Ellington Orchestra
Let's Get Together
89 bpm • F Maj • 02:38 • -6.69db
11% Popularity • 62% Danceability • 59% Energy • 28% Liveness
0% Instrumentalness • 82% Positiveness
11% Popularity • 62% Danceability • 59% Energy • 28% Liveness
0% Instrumentalness • 82% Positiveness
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Bill Elliott Swing Orchestra
Hep Hop
93 bpm • A# min • 03:17 • -7.36db
11% Popularity • 68% Danceability • 54% Energy • 14% Liveness
43% Instrumentalness • 80% Positiveness
11% Popularity • 68% Danceability • 54% Energy • 14% Liveness
43% Instrumentalness • 80% Positiveness
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Earl Hines
Louise
93 bpm • D min • 03:37 • -10.8db
7% Popularity • 51% Danceability • 41% Energy • 12% Liveness
92% Instrumentalness • 70% Positiveness
7% Popularity • 51% Danceability • 41% Energy • 12% Liveness
92% Instrumentalness • 70% Positiveness
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Pee Wee Russell
Embraceable You
88 bpm • F Maj • 04:04 • -16db
8% Popularity • 46% Danceability • 13% Energy • 12% Liveness
76% Instrumentalness • 45% Positiveness
8% Popularity • 46% Danceability • 13% Energy • 12% Liveness
76% Instrumentalness • 45% Positiveness
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King Oliver
Dipper Mouth Blues
93 bpm • A min • 02:30 • -13.6db
16% Popularity • 59% Danceability • 39% Energy • 16% Liveness
93% Instrumentalness • 93% Positiveness
16% Popularity • 59% Danceability • 39% Energy • 16% Liveness
93% Instrumentalness • 93% Positiveness
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Slim Gaillard
The Flat Foot Floogie
89 bpm • F Maj • 02:51 • -17.17db
24% Popularity • 79% Danceability • 30% Energy • 13% Liveness
84% Instrumentalness • 85% Positiveness
24% Popularity • 79% Danceability • 30% Energy • 13% Liveness
84% Instrumentalness • 85% Positiveness
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Illinois Jacquet
God Bless My Solo
94 bpm • G# Maj • 04:07 • -9.39db
21% Popularity • 72% Danceability • 43% Energy • 15% Liveness
74% Instrumentalness • 74% Positiveness
21% Popularity • 72% Danceability • 43% Energy • 15% Liveness
74% Instrumentalness • 74% Positiveness
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Duke Ellington And The Jungle Band
Rockin' in Rhythm
94 bpm • C Maj • 03:03 • -8.37db
31% Popularity • 75% Danceability • 31% Energy • 17% Liveness
83% Instrumentalness • 80% Positiveness
31% Popularity • 75% Danceability • 31% Energy • 17% Liveness
83% Instrumentalness • 80% Positiveness
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Earl Hines
Straight Life
94 bpm • A# min • 02:43 • -15.78db
0% Popularity • 57% Danceability • 34% Energy • 18% Liveness
92% Instrumentalness • 68% Positiveness
0% Popularity • 57% Danceability • 34% Energy • 18% Liveness
92% Instrumentalness • 68% Positiveness
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Members Of The Glenn Miller Orchestra
Moonlight Cocktail
88 bpm • C min • 01:47 • -21.82db
37% Popularity • 45% Danceability • 12% Energy • 25% Liveness
35% Instrumentalness • 58% Positiveness
37% Popularity • 45% Danceability • 12% Energy • 25% Liveness
35% Instrumentalness • 58% Positiveness
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King Oliver
Canal Street Blues
94 bpm • F Maj • 02:28 • -9.99db
19% Popularity • 66% Danceability • 44% Energy • 14% Liveness
47% Instrumentalness • 89% Positiveness
19% Popularity • 66% Danceability • 44% Energy • 14% Liveness
47% Instrumentalness • 89% Positiveness
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Bix Beiderbecke
I Like That
88 bpm • D# Maj • 03:02 • -15.06db
37% Popularity • 70% Danceability • 26% Energy • 10% Liveness
91% Instrumentalness • 88% Positiveness
37% Popularity • 70% Danceability • 26% Energy • 10% Liveness
91% Instrumentalness • 88% Positiveness
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Fletcher Henderson
Sing You Sinners
94 bpm • C# Maj • 02:39 • -8.16db
32% Popularity • 76% Danceability • 50% Energy • 26% Liveness
93% Instrumentalness • 94% Positiveness
32% Popularity • 76% Danceability • 50% Energy • 26% Liveness
93% Instrumentalness • 94% Positiveness
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Mills Blue Rhythm Band
Mr. Ghost Goes to Town
95 bpm • D# Maj • 03:24 • -14.05db
11% Popularity • 75% Danceability • 31% Energy • 16% Liveness
54% Instrumentalness • 88% Positiveness
11% Popularity • 75% Danceability • 31% Energy • 16% Liveness
54% Instrumentalness • 88% Positiveness
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Earl Hines
Frankie and Johnnie
88 bpm • D min • 02:31 • -10db
27% Popularity • 52% Danceability • 56% Energy • 20% Liveness
25% Instrumentalness • 81% Positiveness
27% Popularity • 52% Danceability • 56% Energy • 20% Liveness
25% Instrumentalness • 81% Positiveness
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Rex Stewart
Shake It and Break It
95 bpm • G# Maj • 01:51 • -11.41db
20% Popularity • 73% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
20% Popularity • 73% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Brooks Prumo Orchestra
Benny's Bugle
95 bpm • G# Maj • 03:44 • -9db
17% Popularity • 64% Danceability • 42% Energy • 7% Liveness
19% Instrumentalness • 70% Positiveness
17% Popularity • 64% Danceability • 42% Energy • 7% Liveness
19% Instrumentalness • 70% Positiveness
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King Oliver
Dipper Mouth Blues, Pt. 1
95 bpm • C Maj • 02:30 • -12.05db
20% Popularity • 57% Danceability • 38% Energy • 6% Liveness
92% Instrumentalness • 86% Positiveness
20% Popularity • 57% Danceability • 38% Energy • 6% Liveness
92% Instrumentalness • 86% Positiveness
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James P. Johnson
My Fate Is In Your Hands
95 bpm • G# Maj • 02:55 • -19.98db
29% Popularity • 77% Danceability • 9% Energy • 15% Liveness
84% Instrumentalness • 37% Positiveness
29% Popularity • 77% Danceability • 9% Energy • 15% Liveness
84% Instrumentalness • 37% Positiveness
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Members Of The Glenn Miller Orchestra
Swingin' At the Ritz
87 bpm • G# Maj • 02:53 • -18.23db
21% Popularity • 58% Danceability • 26% Energy • 8% Liveness
5% Instrumentalness • 59% Positiveness
21% Popularity • 58% Danceability • 26% Energy • 8% Liveness
5% Instrumentalness • 59% Positiveness
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Earl Hines
Margie
88 bpm • A Maj • 02:38 • -19.02db
0% Popularity • 45% Danceability • 22% Energy • 64% Liveness
95% Instrumentalness • 38% Positiveness
0% Popularity • 45% Danceability • 22% Energy • 64% Liveness
95% Instrumentalness • 38% Positiveness
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Cootie Williams
Juice Head Baby
87 bpm • C min • 03:09 • -10db
23% Popularity • 52% Danceability • 32% Energy • 23% Liveness
0% Instrumentalness • 64% Positiveness
23% Popularity • 52% Danceability • 32% Energy • 23% Liveness
0% Instrumentalness • 64% Positiveness
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Louis Armstrong & His Hot Five
Struttin' with Some Barbecue - 78 rpm Ve...
96 bpm • G# Maj • 03:03 • -8.71db
21% Popularity • 74% Danceability • 32% Energy • 5% Liveness
87% Instrumentalness • 89% Positiveness
21% Popularity • 74% Danceability • 32% Energy • 5% Liveness
87% Instrumentalness • 89% Positiveness
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Erskine Hawkins
Shipyard Ramble
96 bpm • C min • 03:26 • -8.75db
15% Popularity • 66% Danceability • 54% Energy • 14% Liveness
92% Instrumentalness • 67% Positiveness
15% Popularity • 66% Danceability • 54% Energy • 14% Liveness
92% Instrumentalness • 67% Positiveness
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The Cats & The Fiddle
Gangbusters
96 bpm • D min • 03:06 • -11.03db
19% Popularity • 82% Danceability • 39% Energy • 7% Liveness
44% Instrumentalness • 76% Positiveness
19% Popularity • 82% Danceability • 39% Energy • 7% Liveness
44% Instrumentalness • 76% Positiveness
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Johnny Dodds
47Th Street Stomp
86 bpm • C Maj • 03:10 • -8.98db
14% Popularity • 65% Danceability • 46% Energy • 47% Liveness
31% Instrumentalness • 96% Positiveness
14% Popularity • 65% Danceability • 46% Energy • 47% Liveness
31% Instrumentalness • 96% Positiveness
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Earl Hines
Tishomingo Blues
87 bpm • G Maj • 03:56 • -9db
13% Popularity • 64% Danceability • 24% Energy • 23% Liveness
80% Instrumentalness • 47% Positiveness
13% Popularity • 64% Danceability • 24% Energy • 23% Liveness
80% Instrumentalness • 47% Positiveness
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Charlie Barnet & His Orchestra
Pompton Turnpike
86 bpm • F min • 03:02 • -13.67db
19% Popularity • 43% Danceability • 22% Energy • 9% Liveness
28% Instrumentalness • 27% Positiveness
19% Popularity • 43% Danceability • 22% Energy • 9% Liveness
28% Instrumentalness • 27% Positiveness
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Muggsy Spanier
Relaxin' At the Touro
86 bpm • C Maj • 03:14 • -11db
21% Popularity • 69% Danceability • 20% Energy • 10% Liveness
94% Instrumentalness • 43% Positiveness
21% Popularity • 69% Danceability • 20% Energy • 10% Liveness
94% Instrumentalness • 43% Positiveness
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Bix Beiderbecke
Ostrich Walk
97 bpm • D# Maj • 03:09 • -11.79db
25% Popularity • 58% Danceability • 44% Energy • 13% Liveness
92% Instrumentalness • 96% Positiveness
25% Popularity • 58% Danceability • 44% Energy • 13% Liveness
92% Instrumentalness • 96% Positiveness
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Andy Kirk
I'se A Muggin'
97 bpm • F Maj • 02:47 • -14.32db
12% Popularity • 83% Danceability • 21% Energy • 13% Liveness
5% Instrumentalness • 87% Positiveness
12% Popularity • 83% Danceability • 21% Energy • 13% Liveness
5% Instrumentalness • 87% Positiveness
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Illinois Jacquet
Bottom's Up
97 bpm • C# Maj • 05:17 • -10.83db
14% Popularity • 59% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
14% Popularity • 59% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Earl Hines
Trick-A-Trick
95 bpm • F min • 02:58 • -19.45db
0% Popularity • 60% Danceability • 34% Energy • 16% Liveness
86% Instrumentalness • 64% Positiveness
0% Popularity • 60% Danceability • 34% Energy • 16% Liveness
86% Instrumentalness • 64% Positiveness
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Woody Herman & His Orchestra
Blowin' up a Storm
97 bpm • A# Maj • 03:22 • -9.35db
14% Popularity • 72% Danceability • 31% Energy • 10% Liveness
11% Instrumentalness • 87% Positiveness
14% Popularity • 72% Danceability • 31% Energy • 10% Liveness
11% Instrumentalness • 87% Positiveness
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Kid Ory
Sheik of Araby
97 bpm • A# Maj • 04:50 • -10.97db
12% Popularity • 55% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
12% Popularity • 55% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Charlie Barnet
Rockin' In Rhythm (06-19-40)
97 bpm • G# Maj • 03:11 • -9.94db
14% Popularity • 59% Danceability • 46% Energy • 10% Liveness
37% Instrumentalness • 96% Positiveness
14% Popularity • 59% Danceability • 46% Energy • 10% Liveness
37% Instrumentalness • 96% Positiveness
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THE SCHWINGS BAND
Jorbita
97 bpm • G# Maj • 03:15 • -11.84db
16% Popularity • 75% Danceability • 49% Energy • 10% Liveness
82% Instrumentalness • 85% Positiveness
16% Popularity • 75% Danceability • 49% Energy • 10% Liveness
82% Instrumentalness • 85% Positiveness
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Casa Loma Orchestra
Whoa Babe
97 bpm • F Maj • 03:00 • -12.81db
12% Popularity • 76% Danceability • 35% Energy • 46% Liveness
10% Instrumentalness • 94% Positiveness
12% Popularity • 76% Danceability • 35% Energy • 46% Liveness
10% Instrumentalness • 94% Positiveness
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Earl Hines
Easy Rhythm
95 bpm • A# Maj • 02:53 • -8.2db
3% Popularity • 67% Danceability • 54% Energy • 8% Liveness
89% Instrumentalness • 72% Positiveness
3% Popularity • 67% Danceability • 54% Energy • 8% Liveness
89% Instrumentalness • 72% Positiveness
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Stockholm Swing All Stars
All Star Theme
97 bpm • A min • 02:10 • -11.29db
16% Popularity • 69% Danceability • 38% Energy • 18% Liveness
77% Instrumentalness • 85% Positiveness
16% Popularity • 69% Danceability • 38% Energy • 18% Liveness
77% Instrumentalness • 85% Positiveness
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Mills Blue Rhythm Band
Callin' Your Bluff
98 bpm • F Maj • 03:00 • -10.38db
10% Popularity • 72% Danceability • 37% Energy • 12% Liveness
72% Instrumentalness • 82% Positiveness
10% Popularity • 72% Danceability • 37% Energy • 12% Liveness
72% Instrumentalness • 82% Positiveness
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Henry "Red" Allen
You're Gonna Lose Your Gal
98 bpm • F# Maj • 02:53 • -9.8db
21% Popularity • 81% Danceability • 40% Energy • 8% Liveness
12% Instrumentalness • 75% Positiveness
21% Popularity • 81% Danceability • 40% Energy • 8% Liveness
12% Instrumentalness • 75% Positiveness
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THE SCHWINGS BAND
Lithuanian Artillery
98 bpm • C Maj • 03:18 • -15.11db
19% Popularity • 79% Danceability • 31% Energy • 16% Liveness
71% Instrumentalness • 70% Positiveness
19% Popularity • 79% Danceability • 31% Energy • 16% Liveness
71% Instrumentalness • 70% Positiveness
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Le Dancing Pepa Swing Band
Lulu Swing
98 bpm • A Maj • 03:22 • -6.96db
18% Popularity • 73% Danceability • 60% Energy • 12% Liveness
9% Instrumentalness • 58% Positiveness
18% Popularity • 73% Danceability • 60% Energy • 12% Liveness
9% Instrumentalness • 58% Positiveness
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Earl Hines
Moonglow
95 bpm • F min • 04:10 • -12.47db
8% Popularity • 78% Danceability • 12% Energy • 12% Liveness
32% Instrumentalness • 22% Positiveness
8% Popularity • 78% Danceability • 12% Energy • 12% Liveness
32% Instrumentalness • 22% Positiveness
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Johnny Dodds
Wild Man Blues (Alternate Take)
85 bpm • F# min • 03:13 • -11db
18% Popularity • 74% Danceability • 30% Energy • 8% Liveness
62% Instrumentalness • 73% Positiveness
18% Popularity • 74% Danceability • 30% Energy • 8% Liveness
62% Instrumentalness • 73% Positiveness
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King Oliver
King Porter Stomp
98 bpm • F min • 02:33 • -9.27db
11% Popularity • 70% Danceability • 33% Energy • 18% Liveness
92% Instrumentalness • 90% Positiveness
11% Popularity • 70% Danceability • 33% Energy • 18% Liveness
92% Instrumentalness • 90% Positiveness
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Kid Ory's Creole Jazz Band
Blues for Jimmy Noone
84 bpm • A# Maj • 03:10 • -11.44db
12% Popularity • 51% Danceability • 24% Energy • 25% Liveness
91% Instrumentalness • 28% Positiveness
12% Popularity • 51% Danceability • 24% Energy • 25% Liveness
91% Instrumentalness • 28% Positiveness
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Eddie Condon
It's Right Here For You, Pt. 1
98 bpm • C Maj • 03:04 • -20.42db
16% Popularity • 67% Danceability • 13% Energy • 43% Liveness
91% Instrumentalness • 71% Positiveness
16% Popularity • 67% Danceability • 13% Energy • 43% Liveness
91% Instrumentalness • 71% Positiveness
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THE SCHWINGS BAND
Swing Paradise
99 bpm • C Maj • 03:05 • -10.32db
17% Popularity • 81% Danceability • 58% Energy • 19% Liveness
82% Instrumentalness • 81% Positiveness
17% Popularity • 81% Danceability • 58% Energy • 19% Liveness
82% Instrumentalness • 81% Positiveness
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Earl Hines
Throwin' The Switch
96 bpm • F# Maj • 03:05 • -17.85db
0% Popularity • 68% Danceability • 26% Energy • 7% Liveness
94% Instrumentalness • 55% Positiveness
0% Popularity • 68% Danceability • 26% Energy • 7% Liveness
94% Instrumentalness • 55% Positiveness
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Turk Murphy
By and By
99 bpm • F Maj • 03:00 • -13.9db
26% Popularity • 80% Danceability • 46% Energy • 16% Liveness
91% Instrumentalness • 94% Positiveness
26% Popularity • 80% Danceability • 46% Energy • 16% Liveness
91% Instrumentalness • 94% Positiveness
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Erskine Hawkins
Soft Winds
84 bpm • C# Maj • 03:35 • -8db
10% Popularity • 59% Danceability • 33% Energy • 14% Liveness
84% Instrumentalness • 88% Positiveness
10% Popularity • 59% Danceability • 33% Energy • 14% Liveness
84% Instrumentalness • 88% Positiveness
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Dean Mora & Rusty's Rhythm Rascals
24 Robbers
99 bpm • C Maj • 02:51 • -17.17db
18% Popularity • 74% Danceability • 28% Energy • 17% Liveness
77% Instrumentalness • 94% Positiveness
18% Popularity • 74% Danceability • 28% Energy • 17% Liveness
77% Instrumentalness • 94% Positiveness
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Eddie Condon
I'm Gonna Stomp, Mr Henry Lee
99 bpm • C# Maj • 03:37 • -12.74db
10% Popularity • 70% Danceability • 40% Energy • 20% Liveness
49% Instrumentalness • 74% Positiveness
10% Popularity • 70% Danceability • 40% Energy • 20% Liveness
49% Instrumentalness • 74% Positiveness
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Johnny Dodds
Melancholy - 21/01/1938
100 bpm • C Maj • 02:43 • -12.71db
33% Popularity • 82% Danceability • 40% Energy • 6% Liveness
92% Instrumentalness • 87% Positiveness
33% Popularity • 82% Danceability • 40% Energy • 6% Liveness
92% Instrumentalness • 87% Positiveness
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Earl Hines
Blue Keys
86 bpm • F min • 02:50 • -19.69db
0% Popularity • 45% Danceability • 20% Energy • 72% Liveness
90% Instrumentalness • 53% Positiveness
0% Popularity • 45% Danceability • 20% Energy • 72% Liveness
90% Instrumentalness • 53% Positiveness
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Members Of The Glenn Miller Orchestra
Pennsylvania 6-5000
83 bpm • G# Maj • 02:55 • -12.21db
29% Popularity • 46% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 76% Positiveness
29% Popularity • 46% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 76% Positiveness
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Erskine Hawkins
Gin Mill Special
99 bpm • A# min • 03:19 • -10db
10% Popularity • 63% Danceability • 44% Energy • 64% Liveness
9% Instrumentalness • 85% Positiveness
10% Popularity • 63% Danceability • 44% Energy • 64% Liveness
9% Instrumentalness • 85% Positiveness
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The Solomon Douglas Swingtet
Bizet Has His Day
83 bpm • F min • 03:43 • -9.12db
18% Popularity • 68% Danceability • 33% Energy • 5% Liveness
31% Instrumentalness • 52% Positiveness
18% Popularity • 68% Danceability • 33% Energy • 5% Liveness
31% Instrumentalness • 52% Positiveness
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James P. Johnson
Riffs
100 bpm • A# Maj • 03:09 • -18.32db
28% Popularity • 77% Danceability • 26% Energy • 9% Liveness
90% Instrumentalness • 69% Positiveness
28% Popularity • 77% Danceability • 26% Energy • 9% Liveness
90% Instrumentalness • 69% Positiveness
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Harlem Kiddies
Do You Wanna Jump Children?
100 bpm • A# Maj • 03:20 • -14db
8% Popularity • 68% Danceability • 37% Energy • 10% Liveness
85% Instrumentalness • 88% Positiveness
8% Popularity • 68% Danceability • 37% Energy • 10% Liveness
85% Instrumentalness • 88% Positiveness
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Earl Hines
Do You Know What It Means To Miss New Or...
85 bpm • A# Maj • 06:59 • -11.2db
11% Popularity • 57% Danceability • 19% Energy • 12% Liveness
42% Instrumentalness • 31% Positiveness
11% Popularity • 57% Danceability • 19% Energy • 12% Liveness
42% Instrumentalness • 31% Positiveness
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Johnny Hodges & His Orchestra
Jeep's Blues
83 bpm • A# Maj • 02:56 • -14.01db
39% Popularity • 56% Danceability • 21% Energy • 18% Liveness
84% Instrumentalness • 62% Positiveness
39% Popularity • 56% Danceability • 21% Energy • 18% Liveness
84% Instrumentalness • 62% Positiveness
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Erskine Hawkins
Knock Me a Kiss
100 bpm • F min • 02:47 • -9.46db
12% Popularity • 46% Danceability • 24% Energy • 25% Liveness
0% Instrumentalness • 51% Positiveness
12% Popularity • 46% Danceability • 24% Energy • 25% Liveness
0% Instrumentalness • 51% Positiveness
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Members Of The Glenn Miller Orchestra
I Know Why
82 bpm • F# min • 02:47 • -16db
19% Popularity • 38% Danceability • 23% Energy • 10% Liveness
37% Instrumentalness • 27% Positiveness
19% Popularity • 38% Danceability • 23% Energy • 10% Liveness
37% Instrumentalness • 27% Positiveness
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James P. Johnson
A Porter's Love Song To A Cham
101 bpm • F min • 02:45 • -20.34db
37% Popularity • 84% Danceability • 10% Energy • 12% Liveness
78% Instrumentalness • 78% Positiveness
37% Popularity • 84% Danceability • 10% Energy • 12% Liveness
78% Instrumentalness • 78% Positiveness
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Charlie Barnet
I Like to Riff
82 bpm • C# Maj • 02:54 • -8.05db
18% Popularity • 72% Danceability • 52% Energy • 27% Liveness
1% Instrumentalness • 65% Positiveness
18% Popularity • 72% Danceability • 52% Energy • 27% Liveness
1% Instrumentalness • 65% Positiveness
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Earl Hines
Comin' in Home
98 bpm • A min • 02:47 • -8.21db
3% Popularity • 64% Danceability • 61% Energy • 15% Liveness
3% Instrumentalness • 75% Positiveness
3% Popularity • 64% Danceability • 61% Energy • 15% Liveness
3% Instrumentalness • 75% Positiveness
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Fletcher Henderson & His Orchestra
Sugar Foot Stomp
102 bpm • A# Maj • 02:46 • -12.66db
27% Popularity • 78% Danceability • 24% Energy • 8% Liveness
7% Instrumentalness • 84% Positiveness
27% Popularity • 78% Danceability • 24% Energy • 8% Liveness
7% Instrumentalness • 84% Positiveness
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King Oliver
Chimes Blues
81 bpm • C Maj • 02:51 • -10db
18% Popularity • 56% Danceability • 30% Energy • 19% Liveness
92% Instrumentalness • 79% Positiveness
18% Popularity • 56% Danceability • 30% Energy • 19% Liveness
92% Instrumentalness • 79% Positiveness
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Bunk Johnson
Panama
103 bpm • F min • 02:38 • -15db
15% Popularity • 82% Danceability • 32% Energy • 36% Liveness
88% Instrumentalness • 97% Positiveness
15% Popularity • 82% Danceability • 32% Energy • 36% Liveness
88% Instrumentalness • 97% Positiveness
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James P. Johnson
Blue Turning Gray Over You
102 bpm • C# Maj • 02:45 • -18db
26% Popularity • 83% Danceability • 19% Energy • 9% Liveness
76% Instrumentalness • 56% Positiveness
26% Popularity • 83% Danceability • 19% Energy • 9% Liveness
76% Instrumentalness • 56% Positiveness
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THE SCHWINGS BAND
Swing Paradise (Slow Version)
81 bpm • C Maj • 02:47 • -12.01db
23% Popularity • 73% Danceability • 37% Energy • 21% Liveness
95% Instrumentalness • 82% Positiveness
23% Popularity • 73% Danceability • 37% Energy • 21% Liveness
95% Instrumentalness • 82% Positiveness
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Earl Hines
Bamby
99 bpm • F# min • 02:52 • -20.21db
0% Popularity • 66% Danceability • 29% Energy • 29% Liveness
98% Instrumentalness • 75% Positiveness
0% Popularity • 66% Danceability • 29% Energy • 29% Liveness
98% Instrumentalness • 75% Positiveness
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Cab Calloway & His Orchestra
Who's Yehoodi?
103 bpm • A# min • 03:09 • -13.41db
2% Popularity • 66% Danceability • 28% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
2% Popularity • 66% Danceability • 28% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
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King Oliver
New Orleans Shout
102 bpm • F Maj • 02:43 • -12db
18% Popularity • 85% Danceability • 40% Energy • 20% Liveness
92% Instrumentalness • 97% Positiveness
18% Popularity • 85% Danceability • 40% Energy • 20% Liveness
92% Instrumentalness • 97% Positiveness
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Eddie Condon
Diane
103 bpm • F min • 03:06 • -15db
17% Popularity • 57% Danceability • 11% Energy • 11% Liveness
89% Instrumentalness • 66% Positiveness
17% Popularity • 57% Danceability • 11% Energy • 11% Liveness
89% Instrumentalness • 66% Positiveness
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James P. Johnson
Carolina Shout
102 bpm • C Maj • 02:47 • -17db
21% Popularity • 43% Danceability • 34% Energy • 13% Liveness
83% Instrumentalness • 78% Positiveness
21% Popularity • 43% Danceability • 34% Energy • 13% Liveness
83% Instrumentalness • 78% Positiveness
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Johnny Hodges & His Orchestra
Squaty Roo - Remastered - 1995
103 bpm • A# min • 02:23 • -14db
29% Popularity • 68% Danceability • 34% Energy • 11% Liveness
92% Instrumentalness • 72% Positiveness
29% Popularity • 68% Danceability • 34% Energy • 11% Liveness
92% Instrumentalness • 72% Positiveness
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Earl Hines
Blues In Thirds
83 bpm • F Maj • 02:57 • -20.43db
17% Popularity • 64% Danceability • 8% Energy • 11% Liveness
24% Instrumentalness • 61% Positiveness
17% Popularity • 64% Danceability • 8% Energy • 11% Liveness
24% Instrumentalness • 61% Positiveness
