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Up on the House Top (Solo Jazz Guitar)
Songs like
Up on the House Top (Solo Jazz Guitar)
by
Andrew Knox
Based on a tempo of (+/- 10%) and a similar genre
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Andrew Knox
Skunk
117 bpm • G Maj • 03:44 • -11.17db
0% Popularity • 71% Danceability • 71% Energy • 4% Liveness
35% Instrumentalness • 53% Positiveness
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boiteg
Hardly Ever Catches Worms
117 bpm • C Maj • 03:03 • -18.51db
9% Popularity • 82% Danceability • 16% Energy • 9% Liveness
12% Instrumentalness • 20% Positiveness
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Nao Matsushita
アカツキ
117 bpm • D Maj • 04:49 • -17.31db
9% Popularity • 62% Danceability • 20% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
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Phil Keaggy
Forerunner
117 bpm • C# Maj • 02:16 • -18.43db
9% Popularity • 68% Danceability • 25% Energy • 12% Liveness
20% Instrumentalness • 15% Positiveness
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Bernd Schoenhart
Chanson De Pop
117 bpm • G Maj • 02:21 • -14.63db
0% Popularity • 68% Danceability • 33% Energy • 5% Liveness
94% Instrumentalness • 74% Positiveness
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We Dream In Anime
The Legend of Ashitaka - Lofi Beat
116 bpm • G# Maj • 02:02 • -18.2db
25% Popularity • 71% Danceability • 18% Energy • 8% Liveness
21% Instrumentalness • 60% Positiveness
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Andrew Knox
Psycho Disco
117 bpm • D min • 03:23 • -10.73db
0% Popularity • 93% Danceability • 52% Energy • 5% Liveness
70% Instrumentalness • 53% Positiveness
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ConcernedApe
Fall (Ghost Synth)
116 bpm • G Maj • 02:37 • -22db
50% Popularity • 58% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 37% Positiveness
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Mr Yohan
Black Vase
116 bpm • C# min • 04:28 • -19.52db
21% Popularity • 88% Danceability • 6% Energy • 7% Liveness
88% Instrumentalness • 55% Positiveness
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Bard to the Core
Billie Jean - Medieval Style
116 bpm • F# min • 02:15 • -14.61db
33% Popularity • 76% Danceability • 16% Energy • 10% Liveness
84% Instrumentalness • 92% Positiveness
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MDP
Black Swan
116 bpm • G min • 02:33 • -17.12db
34% Popularity • 70% Danceability • 30% Energy • 37% Liveness
66% Instrumentalness • 12% Positiveness
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Lin Hai
嬉戏
116 bpm • B min • 01:48 • -11.7db
22% Popularity • 73% Danceability • 52% Energy • 34% Liveness
60% Instrumentalness • 59% Positiveness
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Ludwig Göransson
Zen - Grogu and Dust Bunnies
116 bpm • G min • 02:30 • -18.57db
32% Popularity • 32% Danceability • 11% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
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Arnaud Rebotini
Le miroir
118 bpm • C min • 01:22 • -10.05db
35% Popularity • 26% Danceability • 17% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
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Andrew Knox
Psychedelic Choir
118 bpm • A# min • 03:37 • -11.09db
0% Popularity • 48% Danceability • 56% Energy • 10% Liveness
92% Instrumentalness • 38% Positiveness
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Junichi Matsumoto
Beating hearts and running a thousand mi...
119 bpm • E min • 01:52 • -16.53db
8% Popularity • 61% Danceability • 46% Energy • 13% Liveness
86% Instrumentalness • 79% Positiveness
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Musique Pour Etudier
Tout le Monde
115 bpm • G# min • 01:02 • -19.15db
16% Popularity • 70% Danceability • 23% Energy • 11% Liveness
88% Instrumentalness • 72% Positiveness
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藤澤慶昌
冒険者稼業
115 bpm • A# min • 02:03 • -9.76db
13% Popularity • 68% Danceability • 50% Energy • 9% Liveness
96% Instrumentalness • 82% Positiveness
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Thomas Newman
Theme
115 bpm • G# Maj • 02:11 • -17.68db
14% Popularity • 57% Danceability • 29% Energy • 16% Liveness
46% Instrumentalness • 15% Positiveness
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Jean-Luc Pacaud
Yakady
115 bpm • D Maj • 02:44 • -12.92db
22% Popularity • 93% Danceability • 53% Energy • 9% Liveness
89% Instrumentalness • 50% Positiveness
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Andrew S Knox
Water Works
119 bpm • D Maj • 01:34 • -11.32db
0% Popularity • 84% Danceability • 86% Energy • 16% Liveness
74% Instrumentalness • 86% Positiveness
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Njadosi
Bang
119 bpm • F min • 01:00 • -18.55db
20% Popularity • 51% Danceability • 4% Energy • 11% Liveness
82% Instrumentalness • 29% Positiveness
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Tanko Beats
City Love
119 bpm • G# Maj • 01:23 • -33.15db
12% Popularity • 28% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 10% Positiveness
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物語シリーズ
家族会議
120 bpm • A Maj • 02:34 • -18.62db
22% Popularity • 72% Danceability • 15% Energy • 10% Liveness
88% Instrumentalness • 12% Positiveness
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Nessy
Infinity
120 bpm • C Maj • 01:36 • -29.03db
18% Popularity • 46% Danceability • 4% Energy • 13% Liveness
89% Instrumentalness • 22% Positiveness
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DolceFareNiente
Harmony of Peaceful Dreams
120 bpm • F# min • 01:00 • -21.05db
18% Popularity • 88% Danceability • 28% Energy • 10% Liveness
80% Instrumentalness • 94% Positiveness
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Andrew S Knox
Fallen
120 bpm • D min • 03:03 • -13db
0% Popularity • 61% Danceability • 6% Energy • 11% Liveness
75% Instrumentalness • 9% Positiveness
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Toygar Işıklı
Sır
120 bpm • C min • 01:05 • -9.95db
20% Popularity • 53% Danceability • 44% Energy • 11% Liveness
84% Instrumentalness • 9% Positiveness
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yuu smile
cream soft
120 bpm • G Maj • 01:04 • -10.99db
12% Popularity • 85% Danceability • 48% Energy • 14% Liveness
85% Instrumentalness • 93% Positiveness
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Omar Akram
Dancing On My Own
120 bpm • D min • 03:34 • -16.63db
21% Popularity • 68% Danceability • 22% Energy • 9% Liveness
92% Instrumentalness • 20% Positiveness
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Platinummouf
Grip Heavy
120 bpm • A min • 01:52 • -19.13db
18% Popularity • 57% Danceability • 35% Energy • 17% Liveness
72% Instrumentalness • 88% Positiveness
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Jamal Green
A Warm Day's Night
120 bpm • C Maj • 03:28 • -16db
22% Popularity • 57% Danceability • 22% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
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Andrew S Knox
Minimal Art
120 bpm • C min • 01:57 • -13.83db
0% Popularity • 73% Danceability • 43% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
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2 Close
Black Obsidian
120 bpm • C# Maj • 04:24 • -14.62db
14% Popularity • 85% Danceability • 36% Energy • 11% Liveness
75% Instrumentalness • 86% Positiveness
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Bernd Schoenhart
Mountains Crumbling
120 bpm • E min • 02:01 • -5.95db
0% Popularity • 58% Danceability • 93% Energy • 11% Liveness
92% Instrumentalness • 20% Positiveness
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Angular Man
Chattahoochee
114 bpm • C Maj • 01:20 • -29.26db
24% Popularity • 56% Danceability • 6% Energy • 10% Liveness
86% Instrumentalness • 16% Positiveness
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Lindstrøm
Feel AM
120 bpm • G Maj • 05:35 • -17.24db
18% Popularity • 70% Danceability • 27% Energy • 10% Liveness
92% Instrumentalness • 29% Positiveness
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Suryadi Plenthe
Heaven
120 bpm • E Maj • 04:29 • -12.28db
14% Popularity • 95% Danceability • 40% Energy • 34% Liveness
79% Instrumentalness • 84% Positiveness
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Beijing Beats
Lantern Lit Lullabies
120 bpm • A min • 01:49 • -20.77db
11% Popularity • 73% Danceability • 29% Energy • 10% Liveness
92% Instrumentalness • 48% Positiveness
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Andrew S Knox
City Streets
120 bpm • C# Maj • 02:50 • -12.8db
0% Popularity • 82% Danceability • 60% Energy • 8% Liveness
95% Instrumentalness • 86% Positiveness
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Hang Drum Classical
Prelude No.16 in Bb- - Arr. for Hang Dru...
120 bpm • F# Maj • 01:08 • -19.57db
24% Popularity • 81% Danceability • 49% Energy • 10% Liveness
96% Instrumentalness • 40% Positiveness
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Jonathan Geer
Cavelings
120 bpm • G# Maj • 02:12 • -13.76db
14% Popularity • 65% Danceability • 47% Energy • 13% Liveness
90% Instrumentalness • 22% Positiveness
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Yasuhisa Inoue
Twilight
120 bpm • E min • 01:01 • -17.45db
28% Popularity • 82% Danceability • 22% Energy • 19% Liveness
62% Instrumentalness • 45% Positiveness
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Bernd Schoenhart
Imagining End Times
120 bpm • F min • 02:26 • -14db
0% Popularity • 47% Danceability • 48% Energy • 15% Liveness
94% Instrumentalness • 13% Positiveness
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The Zame
Lacunosa Town (Lo-Fi) - Remix
120 bpm • F min • 02:19 • -10.9db
14% Popularity • 63% Danceability • 58% Energy • 13% Liveness
93% Instrumentalness • 71% Positiveness
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Andrew S Knox
Night Shuffle
120 bpm • E Maj • 03:28 • -9.96db
0% Popularity • 79% Danceability • 24% Energy • 7% Liveness
33% Instrumentalness • 84% Positiveness
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RELAX BEAT
Pale Blue
120 bpm • C Maj • 01:12 • -10.02db
13% Popularity • 82% Danceability • 73% Energy • 6% Liveness
93% Instrumentalness • 98% Positiveness
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Jonathan Geer
Main Menu E
120 bpm • C min • 02:56 • -21.68db
8% Popularity • 77% Danceability • 27% Energy • 11% Liveness
90% Instrumentalness • 91% Positiveness
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Nicholas Britell
B2
120 bpm • A Maj • 01:17 • -22.42db
28% Popularity • 76% Danceability • 38% Energy • 9% Liveness
90% Instrumentalness • 54% Positiveness
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Wuzuka
Cosmic Carousel Cadence
120 bpm • C Maj • 01:38 • -18.04db
20% Popularity • 80% Danceability • 34% Energy • 12% Liveness
95% Instrumentalness • 76% Positiveness
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Jean Michel P.s
Echo of the Waterfalls
120 bpm • C Maj • 03:25 • -16.97db
11% Popularity • 47% Danceability • 23% Energy • 14% Liveness
87% Instrumentalness • 7% Positiveness
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Andrew S Knox
Industrial
120 bpm • F# min • 02:34 • -7.06db
0% Popularity • 90% Danceability • 98% Energy • 24% Liveness
75% Instrumentalness • 88% Positiveness
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Lullatone
The Extra Opportunities of a Leap Year
120 bpm • G Maj • 03:23 • -23.39db
10% Popularity • 62% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 17% Positiveness
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Bernd Schoenhart
Born Evil
120 bpm • G Maj • 01:12 • -19.62db
5% Popularity • 55% Danceability • 34% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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ROZEN
Fi's Theme
120 bpm • D Maj • 04:08 • -13.58db
21% Popularity • 55% Danceability • 38% Energy • 16% Liveness
25% Instrumentalness • 9% Positiveness
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Focusal
Bedtime Lullaby
120 bpm • C# Maj • 01:47 • -11.45db
7% Popularity • 63% Danceability • 13% Energy • 9% Liveness
7% Instrumentalness • 4% Positiveness
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Mahuia Bridgman-Cooper
Penguins (New Zealand)
120 bpm • C# min • 01:52 • -20.31db
8% Popularity • 84% Danceability • 16% Energy • 12% Liveness
76% Instrumentalness • 75% Positiveness
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祖堅 正慶
Homestead
114 bpm • E Maj • 02:52 • -17.11db
4% Popularity • 60% Danceability • 38% Energy • 10% Liveness
61% Instrumentalness • 11% Positiveness
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River Police
Nous Sommes Bien - Instrumental Version
120 bpm • A Maj • 02:17 • -20.46db
9% Popularity • 79% Danceability • 6% Energy • 12% Liveness
80% Instrumentalness • 15% Positiveness
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Bernd Schoenhart
Different Class Of Enemy
120 bpm • E min • 02:06 • -14db
0% Popularity • 48% Danceability • 75% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
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James Newton Howard
Tracking Elise
113 bpm • D min • 01:35 • -16.64db
11% Popularity • 70% Danceability • 41% Energy • 16% Liveness
52% Instrumentalness • 11% Positiveness
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Max Richter
The Release
113 bpm • C Maj • 02:36 • -14.64db
12% Popularity • 58% Danceability • 33% Energy • 9% Liveness
90% Instrumentalness • 34% Positiveness
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SWEDISH WIFE MAFFIA
Woria Bah
113 bpm • F# Maj • 01:56 • -18.58db
23% Popularity • 63% Danceability • 27% Energy • 11% Liveness
84% Instrumentalness • 56% Positiveness
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Victor Wooten
The Vision
121 bpm • A min • 05:36 • -20.01db
27% Popularity • 49% Danceability • 20% Energy • 11% Liveness
93% Instrumentalness • 9% Positiveness
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王谷雨
The Smart Cookie
122 bpm • G min • 01:02 • -12.06db
9% Popularity • 86% Danceability • 40% Energy • 7% Liveness
96% Instrumentalness • 84% Positiveness
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Bernd Schoenhart
French Kiss
121 bpm • E min • 01:53 • -11.75db
13% Popularity • 34% Danceability • 38% Energy • 44% Liveness
84% Instrumentalness • 34% Positiveness
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Vanguard Sound
Adaptative Algorithm
122 bpm • C Maj • 02:39 • -13.12db
19% Popularity • 49% Danceability • 53% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
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Planetarium
March of the Sardaukar
122 bpm • D Maj • 02:34 • -11.56db
10% Popularity • 66% Danceability • 55% Energy • 10% Liveness
86% Instrumentalness • 44% Positiveness
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石濱 翔
学園都市
112 bpm • G min • 02:06 • -15.77db
11% Popularity • 78% Danceability • 47% Energy • 9% Liveness
92% Instrumentalness • 55% Positiveness
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David Vanacore
Rebate
112 bpm • D Maj • 01:15 • -15.86db
10% Popularity • 80% Danceability • 39% Energy • 10% Liveness
86% Instrumentalness • 46% Positiveness
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The Magic Breeze
Relief
112 bpm • F Maj • 01:47 • -10.6db
16% Popularity • 33% Danceability • 63% Energy • 27% Liveness
0% Instrumentalness • 14% Positiveness
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Bernd Schoenhart
Club Neon
122 bpm • F# Maj • 02:58 • -6.16db
5% Popularity • 50% Danceability • 94% Energy • 19% Liveness
90% Instrumentalness • 55% Positiveness
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Cia Mangat
She Strikes The Ball Like a Match
112 bpm • F min • 01:48 • -15.22db
8% Popularity • 82% Danceability • 31% Energy • 21% Liveness
4% Instrumentalness • 72% Positiveness
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Adriel Fair
Oscillation
112 bpm • F min • 02:26 • -10.41db
13% Popularity • 49% Danceability • 44% Energy • 12% Liveness
84% Instrumentalness • 11% Positiveness
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Kevin Sport
Long Leans
112 bpm • B min • 01:00 • -9.16db
12% Popularity • 79% Danceability • 42% Energy • 9% Liveness
90% Instrumentalness • 19% Positiveness
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Girls in Airports
Kabul
112 bpm • C# Maj • 04:42 • -19.13db
20% Popularity • 55% Danceability • 34% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
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Tindersticks
Planting Holes
123 bpm • C Maj • 02:02 • -33.62db
12% Popularity • 23% Danceability • 6% Energy • 28% Liveness
73% Instrumentalness • 11% Positiveness
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Bernd Schoenhart
Tango D'Amour
123 bpm • A min • 02:18 • -12db
9% Popularity • 54% Danceability • 41% Energy • 24% Liveness
4% Instrumentalness • 68% Positiveness
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Toshifumi Hinata
Ballet in Blue
111 bpm • A min • 04:14 • -15.22db
10% Popularity • 64% Danceability • 52% Energy • 15% Liveness
90% Instrumentalness • 57% Positiveness
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Giovanni Venosta
Five, Sweet Five
123 bpm • C Maj • 02:08 • -15.52db
15% Popularity • 48% Danceability • 42% Energy • 11% Liveness
87% Instrumentalness • 8% Positiveness
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HOYO-MiX
Gion3
124 bpm • G# Maj • 01:56 • -18.95db
23% Popularity • 59% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 22% Positiveness
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The Greatest Bits
Midna In Distress
124 bpm • A min • 02:55 • -17.53db
10% Popularity • 37% Danceability • 7% Energy • 10% Liveness
65% Instrumentalness • 15% Positiveness
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Tom Winter
Final Fantasy X - Mt. Gagazet
124 bpm • A# min • 04:13 • -12.68db
13% Popularity • 63% Danceability • 43% Energy • 10% Liveness
81% Instrumentalness • 8% Positiveness
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Andrew S Knox
Earth Sounds
124 bpm • D Maj • 02:28 • -13.72db
0% Popularity • 59% Danceability • 29% Energy • 41% Liveness
5% Instrumentalness • 4% Positiveness
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James Newton Howard
Captain Boun
124 bpm • C# Maj • 01:02 • -17.51db
32% Popularity • 78% Danceability • 52% Energy • 5% Liveness
66% Instrumentalness • 87% Positiveness
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Rodrigo Sanchez
Tamacun (arr. B. Bacanu, V. Petrov, C. S...
110 bpm • A min • 04:36 • -10.59db
14% Popularity • 48% Danceability • 55% Energy • 10% Liveness
85% Instrumentalness • 29% Positiveness
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C418
Flake
124 bpm • C min • 02:50 • -20.89db
55% Popularity • 63% Danceability • 16% Energy • 7% Liveness
66% Instrumentalness • 3% Positiveness
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Junior Mesa
Buta Fly
124 bpm • F Maj • 02:40 • -13.33db
7% Popularity • 30% Danceability • 36% Energy • 16% Liveness
90% Instrumentalness • 8% Positiveness
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Maheya
Putumayo
110 bpm • A min • 06:55 • -13.61db
8% Popularity • 42% Danceability • 30% Energy • 72% Liveness
82% Instrumentalness • 23% Positiveness
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Andrew Knox
World Funk
110 bpm • F Maj • 03:06 • -13.73db
0% Popularity • 76% Danceability • 56% Energy • 6% Liveness
88% Instrumentalness • 46% Positiveness
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KANG MIN GOO
The Long-Awaited Reply From Her
110 bpm • C min • 01:46 • -19.18db
8% Popularity • 92% Danceability • 17% Energy • 10% Liveness
56% Instrumentalness • 38% Positiveness
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Yae Joon
No Cry
110 bpm • C Maj • 03:00 • -14.01db
13% Popularity • 70% Danceability • 45% Energy • 7% Liveness
92% Instrumentalness • 50% Positiveness
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Mahababa
Sansula Garden
110 bpm • A min • 04:44 • -16.88db
17% Popularity • 78% Danceability • 24% Energy • 9% Liveness
52% Instrumentalness • 22% Positiveness
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Milkoi
Crystal Forest
110 bpm • C# Maj • 01:16 • -15.26db
22% Popularity • 60% Danceability • 56% Energy • 12% Liveness
64% Instrumentalness • 75% Positiveness
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Jett Black
A Lost Sanctuary (Mysidia Theme Imagined...
110 bpm • F min • 01:15 • -13.32db
17% Popularity • 44% Danceability • 54% Energy • 12% Liveness
92% Instrumentalness • 42% Positiveness
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The Young Gods
In C: , Pt. 4
110 bpm • D Maj • 04:28 • -25.1db
9% Popularity • 64% Danceability • 11% Energy • 9% Liveness
91% Instrumentalness • 18% Positiveness
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MIK's Reaction
Flying Fish
110 bpm • F Maj • 05:16 • -32.78db
8% Popularity • 62% Danceability • 10% Energy • 11% Liveness
89% Instrumentalness • 59% Positiveness
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Minino Garay
Chacueca
110 bpm • C Maj • 03:28 • -17db
14% Popularity • 59% Danceability • 21% Energy • 9% Liveness
85% Instrumentalness • 35% Positiveness
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Les Hommes
Espírito Santo
110 bpm • F# Maj • 02:37 • -10.4db
12% Popularity • 71% Danceability • 67% Energy • 9% Liveness
96% Instrumentalness • 96% Positiveness
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FHORTE
Konlior
110 bpm • C min • 01:53 • -24.97db
18% Popularity • 76% Danceability • 7% Energy • 10% Liveness
90% Instrumentalness • 69% Positiveness
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Up on the House Top (Solo Jazz Guitar)