Songs like Uptown Top Ranking - Remastered 2001 by Althea And Donna
Based on a tempo of (+/- 10%) and a similar genre
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Hollie Cook
Postman
82 bpm • C# Maj • 04:11 • -10db
43% Popularity • 79% Danceability • 59% Energy • 14% Liveness
8% Instrumentalness • 71% Positiveness
43% Popularity • 79% Danceability • 59% Energy • 14% Liveness
8% Instrumentalness • 71% Positiveness
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Yellowman
Nobody Move Nobody Get Hurt
82 bpm • C Maj • 03:43 • -6db
47% Popularity • 70% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
47% Popularity • 70% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Scotty
Draw Your Brakes
82 bpm • F Maj • 02:55 • -11db
41% Popularity • 82% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
41% Popularity • 82% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
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Keith & Tex
Hypnotizing Eyes
82 bpm • D min • 02:54 • -7.77db
19% Popularity • 85% Danceability • 36% Energy • 10% Liveness
1% Instrumentalness • 64% Positiveness
19% Popularity • 85% Danceability • 36% Energy • 10% Liveness
1% Instrumentalness • 64% Positiveness
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Barry Biggs
Work All Day
82 bpm • C# min • 03:25 • -5db
31% Popularity • 57% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
31% Popularity • 57% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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Marcia Griffiths
Feel Like Jumping
82 bpm • C Maj • 03:33 • -9db
38% Popularity • 78% Danceability • 43% Energy • 7% Liveness
17% Instrumentalness • 64% Positiveness
38% Popularity • 78% Danceability • 43% Energy • 7% Liveness
17% Instrumentalness • 64% Positiveness
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Desmond Dekker & The Aces
Intensified '68
82 bpm • A# Maj • 02:45 • -6.73db
35% Popularity • 79% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
35% Popularity • 79% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Hollie Cook
Shadow Kissing
82 bpm • B Maj • 03:31 • -8db
49% Popularity • 75% Danceability • 71% Energy • 12% Liveness
3% Instrumentalness • 85% Positiveness
49% Popularity • 75% Danceability • 71% Energy • 12% Liveness
3% Instrumentalness • 85% Positiveness
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Cornell Campbell
I'll Mash You Down
82 bpm • F# min • 02:46 • -6db
34% Popularity • 69% Danceability • 68% Energy • 35% Liveness
1% Instrumentalness • 90% Positiveness
34% Popularity • 69% Danceability • 68% Energy • 35% Liveness
1% Instrumentalness • 90% Positiveness
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Ken Parker
I Can't Hide
82 bpm • C Maj • 02:25 • -10.84db
45% Popularity • 77% Danceability • 46% Energy • 5% Liveness
61% Instrumentalness • 65% Positiveness
45% Popularity • 77% Danceability • 46% Energy • 5% Liveness
61% Instrumentalness • 65% Positiveness
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Dr. Alimantado
I Killed the Barber
82 bpm • A Maj • 03:04 • -5.94db
19% Popularity • 45% Danceability • 60% Energy • 38% Liveness
0% Instrumentalness • 26% Positiveness
19% Popularity • 45% Danceability • 60% Energy • 38% Liveness
0% Instrumentalness • 26% Positiveness
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Pat Kelly
Little Boy Blue
82 bpm • A# Maj • 02:46 • -5.82db
40% Popularity • 71% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
40% Popularity • 71% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
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Wayne Smith
Under Me Sleng Teng
82 bpm • D Maj • 04:07 • -9db
44% Popularity • 83% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
44% Popularity • 83% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
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Althea And Donna
Uptown Top Ranking - Remastered 2001
82 bpm • G Maj • 03:49 • -8db
64% Popularity • 89% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
64% Popularity • 89% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
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Mo'Kalamity
Frontline
82 bpm • B min • 04:04 • -4db
57% Popularity • 81% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
57% Popularity • 81% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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Richie Spice
Youth Dem Cold
83 bpm • G# min • 03:45 • -6.03db
53% Popularity • 62% Danceability • 72% Energy • 37% Liveness
0% Instrumentalness • 78% Positiveness
53% Popularity • 62% Danceability • 72% Energy • 37% Liveness
0% Instrumentalness • 78% Positiveness
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Junior Byles
Fade Away
82 bpm • A# min • 03:01 • -6db
40% Popularity • 77% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
40% Popularity • 77% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 65% Positiveness
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Wilburn Cole
Crying Every Night (These Eyes)
81 bpm • G Maj • 02:31 • -7.9db
39% Popularity • 87% Danceability • 68% Energy • 11% Liveness
11% Instrumentalness • 96% Positiveness
39% Popularity • 87% Danceability • 68% Energy • 11% Liveness
11% Instrumentalness • 96% Positiveness
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Sister Nancy
Coward of the Country
81 bpm • G Maj • 03:54 • -10.16db
27% Popularity • 75% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
27% Popularity • 75% Danceability • 44% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Hopeton Lewis
Express Yourself
83 bpm • A# min • 02:34 • -12.85db
41% Popularity • 74% Danceability • 48% Energy • 7% Liveness
28% Instrumentalness • 94% Positiveness
41% Popularity • 74% Danceability • 48% Energy • 7% Liveness
28% Instrumentalness • 94% Positiveness
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Willie Williams
Armagideon Time - Disco Mix Vocal
83 bpm • D# min • 02:24 • -13db
33% Popularity • 73% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
33% Popularity • 73% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
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Yellowman
Jamaica Nice/Take Me Home Country Roads
83 bpm • C Maj • 05:07 • -13.27db
32% Popularity • 78% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
32% Popularity • 78% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Keith
Stop That Train
81 bpm • F Maj • 03:20 • -19db
52% Popularity • 77% Danceability • 22% Energy • 11% Liveness
11% Instrumentalness • 73% Positiveness
52% Popularity • 77% Danceability • 22% Energy • 11% Liveness
11% Instrumentalness • 73% Positiveness
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Half Pint
Mr. Landlord
83 bpm • C# Maj • 03:08 • -15db
40% Popularity • 85% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
40% Popularity • 85% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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iNi Kamoze
Wings With Me
81 bpm • C# min • 04:57 • -7db
50% Popularity • 78% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 76% Positiveness
50% Popularity • 78% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 76% Positiveness
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Anthony B
World A Reggae Music
83 bpm • F# min • 03:44 • -7db
59% Popularity • 84% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
59% Popularity • 84% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
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The Ethiopians
Give Me Your Love
81 bpm • E min • 02:23 • -9.99db
35% Popularity • 74% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
35% Popularity • 74% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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Steely & Clevie
You Don't Love Me
81 bpm • E min • 03:32 • -11.26db
39% Popularity • 83% Danceability • 38% Energy • 30% Liveness
3% Instrumentalness • 76% Positiveness
39% Popularity • 83% Danceability • 38% Energy • 30% Liveness
3% Instrumentalness • 76% Positiveness
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Dawn Penn
You Don't Love Me (No, No, No) - Extende...
81 bpm • G Maj • 04:37 • -11db
70% Popularity • 81% Danceability • 43% Energy • 34% Liveness
32% Instrumentalness • 65% Positiveness
70% Popularity • 81% Danceability • 43% Energy • 34% Liveness
32% Instrumentalness • 65% Positiveness
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Augustus Pablo
Marabi
81 bpm • G# min • 03:27 • -4db
29% Popularity • 75% Danceability • 73% Energy • 10% Liveness
55% Instrumentalness • 76% Positiveness
29% Popularity • 75% Danceability • 73% Energy • 10% Liveness
55% Instrumentalness • 76% Positiveness
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U-Roy
Natty Rebel - Remaster 1990
83 bpm • C Maj • 03:31 • -12db
48% Popularity • 81% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
48% Popularity • 81% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Bunny Wailer
Mellow Mood
81 bpm • C Maj • 03:51 • -13db
54% Popularity • 73% Danceability • 56% Energy • 5% Liveness
5% Instrumentalness • 69% Positiveness
54% Popularity • 73% Danceability • 56% Energy • 5% Liveness
5% Instrumentalness • 69% Positiveness
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Joya Landis
Moonlight Lover
81 bpm • F Maj • 02:23 • -11db
34% Popularity • 72% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
34% Popularity • 72% Danceability • 50% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
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Althea And Donna
Uptown Top Ranking
81 bpm • G Maj • 03:49 • -7db
43% Popularity • 82% Danceability • 55% Energy • 7% Liveness
6% Instrumentalness • 72% Positiveness
43% Popularity • 82% Danceability • 55% Energy • 7% Liveness
6% Instrumentalness • 72% Positiveness
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Phyllis Dillon
Picture On the Wall
81 bpm • D Maj • 02:44 • -11.38db
39% Popularity • 69% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
39% Popularity • 69% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
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Wayne Smith
Under Mi Sleng Teng
81 bpm • D Maj • 03:19 • -4.52db
1% Popularity • 79% Danceability • 74% Energy • 7% Liveness
1% Instrumentalness • 76% Positiveness
1% Popularity • 79% Danceability • 74% Energy • 7% Liveness
1% Instrumentalness • 76% Positiveness
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Mighty Two
Calico Suit
81 bpm • G Maj • 03:45 • -10db
11% Popularity • 88% Danceability • 53% Energy • 34% Liveness
66% Instrumentalness • 94% Positiveness
11% Popularity • 88% Danceability • 53% Energy • 34% Liveness
66% Instrumentalness • 94% Positiveness
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Niney The Observer
Blood and Fire
83 bpm • G Maj • 03:08 • -16db
42% Popularity • 85% Danceability • 27% Energy • 4% Liveness
1% Instrumentalness • 82% Positiveness
42% Popularity • 85% Danceability • 27% Energy • 4% Liveness
1% Instrumentalness • 82% Positiveness
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Lacksley Castell
Morning Glory
81 bpm • F min • 03:08 • -11db
37% Popularity • 83% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
37% Popularity • 83% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Althea And Donna
Uptown Top Ranking - Extended Edited Ver...
81 bpm • G Maj • 05:29 • -3.2db
17% Popularity • 88% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
17% Popularity • 88% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
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Hortense Ellis
I Am Still in Love
83 bpm • G Maj • 04:32 • -15.16db
42% Popularity • 75% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
42% Popularity • 75% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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10 Ft. Ganja Plant
Shake Up The Place
81 bpm • A# min • 04:31 • -10.99db
59% Popularity • 75% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
59% Popularity • 75% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Chronixx
Here Comes Trouble
83 bpm • E min • 03:54 • -5db
62% Popularity • 76% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
62% Popularity • 76% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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The Frightnrs
Dispute
80 bpm • G# Maj • 03:13 • -9db
45% Popularity • 72% Danceability • 46% Energy • 40% Liveness
0% Instrumentalness • 43% Positiveness
45% Popularity • 72% Danceability • 46% Energy • 40% Liveness
0% Instrumentalness • 43% Positiveness
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Desmond Dekker & The Aces
Fu Man Chu
84 bpm • A min • 03:17 • -12.43db
51% Popularity • 75% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
51% Popularity • 75% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
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Big Youth
Cool Breeze
84 bpm • G# Maj • 03:23 • -6db
58% Popularity • 82% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
58% Popularity • 82% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Tenor Saw
Pumpkin Belly
80 bpm • D Maj • 03:06 • -9.18db
29% Popularity • 78% Danceability • 41% Energy • 8% Liveness
23% Instrumentalness • 55% Positiveness
29% Popularity • 78% Danceability • 41% Energy • 8% Liveness
23% Instrumentalness • 55% Positiveness
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Dawn Penn
No,no,no - You Don't Love Me- No, No, No
84 bpm • G Maj • 03:44 • -21.28db
45% Popularity • 78% Danceability • 12% Energy • 28% Liveness
0% Instrumentalness • 65% Positiveness
45% Popularity • 78% Danceability • 12% Energy • 28% Liveness
0% Instrumentalness • 65% Positiveness
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SHY FX
Soon Come
80 bpm • C Maj • 03:05 • -6.88db
50% Popularity • 81% Danceability • 67% Energy • 24% Liveness
10% Instrumentalness • 80% Positiveness
50% Popularity • 81% Danceability • 67% Energy • 24% Liveness
10% Instrumentalness • 80% Positiveness
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The Gladiators
Soul Rebel - 1990 Digital Remaster
84 bpm • C Maj • 03:57 • -13db
53% Popularity • 82% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
53% Popularity • 82% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Desmond Dekker & The Aces
Beautiful and Dangerous
80 bpm • G# min • 02:49 • -11.6db
38% Popularity • 85% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
38% Popularity • 85% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Dave & Ansell Collins
Double Barrel
80 bpm • D# Maj • 02:45 • -3.87db
37% Popularity • 84% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
37% Popularity • 84% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Slim Smith
My Conversation
85 bpm • C# Maj • 03:27 • -12db
20% Popularity • 65% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
20% Popularity • 65% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Althea And Donna
No More Fighting - Remastered 2001
80 bpm • G Maj • 03:37 • -9.18db
49% Popularity • 78% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
49% Popularity • 78% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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The Ethiopians
Come On Now
79 bpm • C Maj • 03:15 • -11.84db
29% Popularity • 81% Danceability • 37% Energy • 46% Liveness
1% Instrumentalness • 60% Positiveness
29% Popularity • 81% Danceability • 37% Energy • 46% Liveness
1% Instrumentalness • 60% Positiveness
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Sister Nancy
Bang Belly
79 bpm • C# Maj • 03:03 • -6.71db
31% Popularity • 87% Danceability • 64% Energy • 36% Liveness
0% Instrumentalness • 89% Positiveness
31% Popularity • 87% Danceability • 64% Energy • 36% Liveness
0% Instrumentalness • 89% Positiveness
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The Untouchables
Tighten Up
79 bpm • C Maj • 02:39 • -6.72db
39% Popularity • 76% Danceability • 73% Energy • 10% Liveness
26% Instrumentalness • 88% Positiveness
39% Popularity • 76% Danceability • 73% Energy • 10% Liveness
26% Instrumentalness • 88% Positiveness
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Barrington Levy
Black Roses
85 bpm • C# Maj • 03:07 • -7.04db
64% Popularity • 82% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
64% Popularity • 82% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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Damian Marley
Medication
85 bpm • A# min • 03:42 • -6.81db
70% Popularity • 86% Danceability • 56% Energy • 25% Liveness
0% Instrumentalness • 81% Positiveness
70% Popularity • 86% Danceability • 56% Energy • 25% Liveness
0% Instrumentalness • 81% Positiveness
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The Uniques
My Conversation
85 bpm • C# Maj • 03:27 • -14db
37% Popularity • 65% Danceability • 35% Energy • 43% Liveness
1% Instrumentalness • 51% Positiveness
37% Popularity • 65% Danceability • 35% Energy • 43% Liveness
1% Instrumentalness • 51% Positiveness
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The Ethiopians
The Whip
85 bpm • A# Maj • 03:01 • -8.75db
31% Popularity • 75% Danceability • 51% Energy • 9% Liveness
83% Instrumentalness • 90% Positiveness
31% Popularity • 75% Danceability • 51% Energy • 9% Liveness
83% Instrumentalness • 90% Positiveness
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The Techniques
Travelling Man
85 bpm • E min • 02:29 • -11.44db
28% Popularity • 74% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
28% Popularity • 74% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Tenor Saw
Ring The Alarm
85 bpm • A# min • 03:07 • -5.23db
46% Popularity • 71% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
46% Popularity • 71% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Aswad
Not Satisfied
85 bpm • A Maj • 05:03 • -10.86db
21% Popularity • 69% Danceability • 60% Energy • 93% Liveness
0% Instrumentalness • 80% Positiveness
21% Popularity • 69% Danceability • 60% Energy • 93% Liveness
0% Instrumentalness • 80% Positiveness
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Bob Marley & The Wailers
Waiting In Vain
79 bpm • G# Maj • 04:16 • -11.49db
73% Popularity • 77% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
73% Popularity • 77% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Third World
Reggae Ambassador
79 bpm • F Maj • 03:10 • -14db
49% Popularity • 81% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
49% Popularity • 81% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
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Jr Thomas & The Volcanos
Sunk In The Mist
79 bpm • G# min • 02:30 • -9.74db
57% Popularity • 77% Danceability • 58% Energy • 12% Liveness
73% Instrumentalness • 94% Positiveness
57% Popularity • 77% Danceability • 58% Energy • 12% Liveness
73% Instrumentalness • 94% Positiveness
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iNi Kamoze
World a Reggae (Out in the Street They C...
79 bpm • F# min • 03:57 • -6.44db
62% Popularity • 87% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
62% Popularity • 87% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Tenor Saw
Golden Hen
86 bpm • A Maj • 03:45 • -5.82db
33% Popularity • 75% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
33% Popularity • 75% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Phyllis Dillon
One Life to Live, One Life to Give (aka ...
86 bpm • F Maj • 02:33 • -11.02db
36% Popularity • 77% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
36% Popularity • 77% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Sister Nancy
Ain't No Stopping Nancy
78 bpm • G# Maj • 03:19 • -8.02db
37% Popularity • 76% Danceability • 53% Energy • 8% Liveness
1% Instrumentalness • 60% Positiveness
37% Popularity • 76% Danceability • 53% Energy • 8% Liveness
1% Instrumentalness • 60% Positiveness
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10 Ft. Ganja Plant
Collect The Trophy
78 bpm • A Maj • 03:37 • -8.01db
56% Popularity • 81% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
56% Popularity • 81% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
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Hollie Cook
Milk & Honey
78 bpm • D Maj • 03:39 • -7db
62% Popularity • 75% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
62% Popularity • 75% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Prince Jazzbo
Crab Walking
78 bpm • G Maj • 03:12 • -4db
16% Popularity • 62% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
16% Popularity • 62% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Delroy Wilson
It's a Shame
86 bpm • A# min • 02:27 • -9db
24% Popularity • 76% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
24% Popularity • 76% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Prince Buster
Rough Rider
86 bpm • D min • 03:11 • -11db
28% Popularity • 88% Danceability • 48% Energy • 8% Liveness
44% Instrumentalness • 82% Positiveness
28% Popularity • 88% Danceability • 48% Energy • 8% Liveness
44% Instrumentalness • 82% Positiveness
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Sister Nancy
Transport Connection
78 bpm • A min • 03:45 • -6.81db
41% Popularity • 59% Danceability • 59% Energy • 36% Liveness
0% Instrumentalness • 87% Positiveness
41% Popularity • 59% Danceability • 59% Energy • 36% Liveness
0% Instrumentalness • 87% Positiveness
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Lacksley Castell
Million Miles
78 bpm • F# min • 04:36 • -8.26db
20% Popularity • 76% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
20% Popularity • 76% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Eek-A-Mouse
Wa-Do-Dem
78 bpm • C Maj • 03:55 • -7db
59% Popularity • 86% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 81% Positiveness
59% Popularity • 86% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 81% Positiveness
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Pluto Shervington
Dat
87 bpm • D Maj • 03:56 • -13db
29% Popularity • 88% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
29% Popularity • 88% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
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The Ethiopians
Engine 54
77 bpm • A# Maj • 02:39 • -10.91db
44% Popularity • 85% Danceability • 37% Energy • 28% Liveness
0% Instrumentalness • 60% Positiveness
44% Popularity • 85% Danceability • 37% Energy • 28% Liveness
0% Instrumentalness • 60% Positiveness
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Capleton
Prophet Rides Again
87 bpm • F# min • 03:22 • -5.52db
57% Popularity • 77% Danceability • 63% Energy • 24% Liveness
0% Instrumentalness • 71% Positiveness
57% Popularity • 77% Danceability • 63% Energy • 24% Liveness
0% Instrumentalness • 71% Positiveness
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The Frightnrs
Gotta Find a Way
77 bpm • F Maj • 03:49 • -8db
48% Popularity • 78% Danceability • 38% Energy • 9% Liveness
2% Instrumentalness • 84% Positiveness
48% Popularity • 78% Danceability • 38% Energy • 9% Liveness
2% Instrumentalness • 84% Positiveness
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Yellowman
Natty Sat Upon The Rock
77 bpm • B Maj • 03:25 • -7.41db
38% Popularity • 85% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
38% Popularity • 85% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Althea And Donna
Uptown Top Ranking - Ben Snow Remix
87 bpm • D Maj • 04:52 • -0.08db
3% Popularity • 88% Danceability • 85% Energy • 28% Liveness
0% Instrumentalness • 45% Positiveness
3% Popularity • 88% Danceability • 85% Energy • 28% Liveness
0% Instrumentalness • 45% Positiveness
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Bob Andy
The Sun Shines for Me
77 bpm • C Maj • 02:08 • -10.3db
41% Popularity • 82% Danceability • 57% Energy • 11% Liveness
23% Instrumentalness • 97% Positiveness
41% Popularity • 82% Danceability • 57% Energy • 11% Liveness
23% Instrumentalness • 97% Positiveness
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Augustus Pablo
Java
77 bpm • A min • 02:44 • -5db
41% Popularity • 81% Danceability • 74% Energy • 8% Liveness
28% Instrumentalness • 94% Positiveness
41% Popularity • 81% Danceability • 74% Energy • 8% Liveness
28% Instrumentalness • 94% Positiveness
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Amy Winehouse
Cupid - Deluxe Edition Version
87 bpm • G Maj • 03:48 • -4.6db
59% Popularity • 64% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
59% Popularity • 64% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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The Techniques
You Don't Care
87 bpm • D# Maj • 02:06 • -8.95db
32% Popularity • 82% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
32% Popularity • 82% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Yellowman
Two To Six Super Mix
77 bpm • F min • 04:17 • -7db
33% Popularity • 81% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
33% Popularity • 81% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Sly Dunbar
Inner City Blues
87 bpm • C# Maj • 04:11 • -10db
41% Popularity • 72% Danceability • 48% Energy • 13% Liveness
6% Instrumentalness • 59% Positiveness
41% Popularity • 72% Danceability • 48% Energy • 13% Liveness
6% Instrumentalness • 59% Positiveness
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iNi Kamoze
Call a Taxi
77 bpm • G# Maj • 04:07 • -11.91db
39% Popularity • 75% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
39% Popularity • 75% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
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Sister Nancy
Gwan a School
77 bpm • A Maj • 03:19 • -6.46db
30% Popularity • 74% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
30% Popularity • 74% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Cornell Campbell
Girl Of My Dreams
77 bpm • C Maj • 03:18 • -9.58db
41% Popularity • 53% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
41% Popularity • 53% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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The Techniques
Queen Majesty
88 bpm • C# Maj • 03:12 • -15.29db
28% Popularity • 68% Danceability • 23% Energy • 11% Liveness
61% Instrumentalness • 53% Positiveness
28% Popularity • 68% Danceability • 23% Energy • 11% Liveness
61% Instrumentalness • 53% Positiveness
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Nora Dean
Barbwire
88 bpm • D# Maj • 02:19 • -8.19db
35% Popularity • 72% Danceability • 26% Energy • 11% Liveness
2% Instrumentalness • 75% Positiveness
35% Popularity • 72% Danceability • 26% Energy • 11% Liveness
2% Instrumentalness • 75% Positiveness
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The Aggrovators
So Jah Sey Dub
77 bpm • A Maj • 04:20 • -11.13db
39% Popularity • 73% Danceability • 42% Energy • 8% Liveness
6% Instrumentalness • 57% Positiveness
39% Popularity • 73% Danceability • 42% Energy • 8% Liveness
6% Instrumentalness • 57% Positiveness
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Damian Marley
Welcome To Jamrock
77 bpm • G min • 03:33 • -6.5db
74% Popularity • 84% Danceability • 66% Energy • 45% Liveness
0% Instrumentalness • 75% Positiveness
74% Popularity • 84% Danceability • 66% Energy • 45% Liveness
0% Instrumentalness • 75% Positiveness
