Songs like Urumulu Nimuvvalai by Rajesh, Sujatha
Based on a tempo of (+/- 10%) and a similar genre
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Rajesh, Sujatha
Urumulu Nimuvvalai
147 bpm • D Maj • 04:31 • -8.39db
46% Popularity • 70% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
46% Popularity • 70% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Sri
Jagamanta Kutumbam
146 bpm • C# min • 04:18 • -8.29db
45% Popularity • 46% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
45% Popularity • 46% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Chakri
Lunchkostava
148 bpm • F# min • 04:55 • -7.23db
50% Popularity • 81% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
50% Popularity • 81% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Sagar
Pimple Dimple
146 bpm • G Maj • 04:11 • -5.21db
53% Popularity • 76% Danceability • 92% Energy • 4% Liveness
0% Instrumentalness • 75% Positiveness
53% Popularity • 76% Danceability • 92% Energy • 4% Liveness
0% Instrumentalness • 75% Positiveness
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Vijay Prakash
Taanu Nenu
146 bpm • B Maj • 04:13 • -12.44db
47% Popularity • 50% Danceability • 36% Energy • 12% Liveness
1% Instrumentalness • 57% Positiveness
47% Popularity • 50% Danceability • 36% Energy • 12% Liveness
1% Instrumentalness • 57% Positiveness
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Sukhwinder Singh
Aata Kaavala
148 bpm • A# min • 04:35 • -11.06db
52% Popularity • 50% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
52% Popularity • 50% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 50% Positiveness
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Bharath
Kani Penchina Ma Ammake
148 bpm • A min • 04:08 • -6.74db
42% Popularity • 79% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
42% Popularity • 79% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Dhanunjay Seepana
Po Pove Yekantham
145 bpm • D# min • 03:41 • -8db
59% Popularity • 44% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
59% Popularity • 44% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Ramana Gogula
Pedhavi Daatani
145 bpm • G min • 04:36 • -5db
57% Popularity • 66% Danceability • 60% Energy • 39% Liveness
0% Instrumentalness • 65% Positiveness
57% Popularity • 66% Danceability • 60% Energy • 39% Liveness
0% Instrumentalness • 65% Positiveness
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Parthasarathy, Chitra
Alloneredu Kalla
145 bpm • D min • 04:36 • -8.01db
53% Popularity • 78% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
53% Popularity • 78% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
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Sagar
Jabilammavo
145 bpm • C# min • 04:34 • -7db
52% Popularity • 74% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 73% Positiveness
52% Popularity • 74% Danceability • 71% Energy • 20% Liveness
0% Instrumentalness • 73% Positiveness
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Tippu
Choododde Nannu
145 bpm • F min • 04:21 • -7db
56% Popularity • 81% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
56% Popularity • 81% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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S. P. Balasubrahmanyam
Ye Swapnalokala
145 bpm • D Maj • 04:45 • -6.09db
44% Popularity • 76% Danceability • 75% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
44% Popularity • 76% Danceability • 75% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
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Shakthisree Gopalan
Reppakelaa Vodhaarpu
150 bpm • F Maj • 03:59 • -7db
54% Popularity • 56% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
54% Popularity • 56% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Sid Sriram
Teliyade Teliyade
150 bpm • D min • 04:05 • -3.6db
38% Popularity • 61% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
38% Popularity • 61% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
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Unni Menon
Vaalu Kanuladaanaa
150 bpm • G min • 05:51 • -15.46db
34% Popularity • 57% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
34% Popularity • 57% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Mano
Shankerdada M.B.B.S
150 bpm • A# min • 05:44 • -7.84db
49% Popularity • 66% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
49% Popularity • 66% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Thaman S
Suguna Sundari
150 bpm • A# min • 04:14 • -7.8db
53% Popularity • 53% Danceability • 94% Energy • 9% Liveness
4% Instrumentalness • 77% Positiveness
53% Popularity • 53% Danceability • 94% Energy • 9% Liveness
4% Instrumentalness • 77% Positiveness
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Ravi Varma
O Manasa O Manasa
150 bpm • B min • 04:02 • -5.44db
53% Popularity • 72% Danceability • 90% Energy • 8% Liveness
1% Instrumentalness • 76% Positiveness
53% Popularity • 72% Danceability • 90% Energy • 8% Liveness
1% Instrumentalness • 76% Positiveness
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Harris Jayaraj
Manohara
144 bpm • B min • 05:00 • -11.32db
45% Popularity • 69% Danceability • 39% Energy • 28% Liveness
0% Instrumentalness • 63% Positiveness
45% Popularity • 69% Danceability • 39% Energy • 28% Liveness
0% Instrumentalness • 63% Positiveness
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Gayathri
Uppongela Godavari
150 bpm • B Maj • 01:47 • -14db
35% Popularity • 54% Danceability • 39% Energy • 34% Liveness
0% Instrumentalness • 82% Positiveness
35% Popularity • 54% Danceability • 39% Energy • 34% Liveness
0% Instrumentalness • 82% Positiveness
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Kiran
Flute Music Bit
150 bpm • D Maj • 02:09 • -9.19db
46% Popularity • 71% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
46% Popularity • 71% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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M. M. Keeravani
Nunugu Misalodu
151 bpm • G# Maj • 05:02 • -11.14db
57% Popularity • 65% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
57% Popularity • 65% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Ramana Gogula, Priya
O Priyurala
143 bpm • D min • 05:08 • -6db
39% Popularity • 67% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
39% Popularity • 67% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Sumangaly
Thirumalavasa
143 bpm • C# Maj • 02:09 • -5db
31% Popularity • 71% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
31% Popularity • 71% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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Geetha Madhuri
Paravaledu Paravaledu
152 bpm • D min • 04:26 • -10.73db
39% Popularity • 78% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
39% Popularity • 78% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Harris Jayaraj
Neekem Kaavaalo Cheppu
143 bpm • E Maj • 05:11 • -6.78db
45% Popularity • 73% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
45% Popularity • 73% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Hriday Gattani
Prema Swaramulalo
142 bpm • E Maj • 04:49 • -10.64db
49% Popularity • 49% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
49% Popularity • 49% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Chinna Ponnu
Mirchi
152 bpm • E min • 01:23 • -3db
55% Popularity • 81% Danceability • 96% Energy • 6% Liveness
1% Instrumentalness • 92% Positiveness
55% Popularity • 81% Danceability • 96% Energy • 6% Liveness
1% Instrumentalness • 92% Positiveness
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Mangli
Oorantha
152 bpm • G Maj • 04:18 • -7.02db
45% Popularity • 66% Danceability • 66% Energy • 55% Liveness
0% Instrumentalness • 66% Positiveness
45% Popularity • 66% Danceability • 66% Energy • 55% Liveness
0% Instrumentalness • 66% Positiveness
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Jassie Gift
Anaganaga
142 bpm • D Maj • 03:00 • -5.77db
46% Popularity • 80% Danceability • 98% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
46% Popularity • 80% Danceability • 98% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Priya Hemesh
Diyalo Diyala
142 bpm • D Maj • 06:30 • -1.66db
46% Popularity • 63% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
46% Popularity • 63% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Udit Narayan, Usha
Why Raju
153 bpm • A min • 04:14 • -6.6db
46% Popularity • 64% Danceability • 64% Energy • 4% Liveness
0% Instrumentalness • 83% Positiveness
46% Popularity • 64% Danceability • 64% Energy • 4% Liveness
0% Instrumentalness • 83% Positiveness
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A.R. Rahman
Gunzukunnaa
153 bpm • G Maj • 04:46 • -8.42db
47% Popularity • 38% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 23% Positiveness
47% Popularity • 38% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 23% Positiveness
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Malavika
Joo Lali
141 bpm • D Maj • 02:01 • -13db
30% Popularity • 23% Danceability • 17% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
30% Popularity • 23% Danceability • 17% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
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Satya Yamini
Thanu Vethikina
154 bpm • F min • 04:11 • -4.92db
33% Popularity • 63% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
33% Popularity • 63% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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M. M. Keeravani
Dheera Dheera
154 bpm • A min • 04:50 • -7.81db
49% Popularity • 44% Danceability • 79% Energy • 13% Liveness
6% Instrumentalness • 48% Positiveness
49% Popularity • 44% Danceability • 79% Energy • 13% Liveness
6% Instrumentalness • 48% Positiveness
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Jaspreet Jasz, Suchitra
Ey Pilla Pilla
140 bpm • F Maj • 04:32 • -2db
46% Popularity • 83% Danceability • 92% Energy • 23% Liveness
0% Instrumentalness • 78% Positiveness
46% Popularity • 83% Danceability • 92% Energy • 23% Liveness
0% Instrumentalness • 78% Positiveness
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Tippu
Dhooram Dhooram
140 bpm • E min • 04:46 • -4.59db
51% Popularity • 66% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
51% Popularity • 66% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Naresh Iyer
Inthalo Ennenni Vinthalo Male
140 bpm • E min • 04:20 • -10db
54% Popularity • 64% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
54% Popularity • 64% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Thoshi
Sehari Sehari
140 bpm • C min • 04:45 • -7.04db
58% Popularity • 74% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
58% Popularity • 74% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Anuj, Anjana Sowmya
Listen To My Heart
140 bpm • A min • 04:12 • -6.67db
40% Popularity • 73% Danceability • 97% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
40% Popularity • 73% Danceability • 97% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Gold Devaraj
Bujjiamma Bujjiamma
140 bpm • G# Maj • 03:22 • -6.56db
24% Popularity • 85% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
24% Popularity • 85% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
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Dhee
O Sakkanoda
140 bpm • C min • 04:11 • -5.86db
42% Popularity • 75% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
42% Popularity • 75% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 71% Positiveness
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S.V.Krishna Reddy
Andala Aparanji Bomma
140 bpm • A# Maj • 05:07 • -11.73db
30% Popularity • 71% Danceability • 47% Energy • 32% Liveness
8% Instrumentalness • 56% Positiveness
30% Popularity • 71% Danceability • 47% Energy • 32% Liveness
8% Instrumentalness • 56% Positiveness
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Chinmayi
Inthalo Ennenni Vinthalo Female
140 bpm • D min • 02:31 • -9db
40% Popularity • 63% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
40% Popularity • 63% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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Gopika Poornima
Nindu Noorella Version 2
140 bpm • D min • 03:31 • -8.58db
47% Popularity • 66% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
47% Popularity • 66% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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KK
Gurthukostunnayi
140 bpm • C Maj • 04:43 • -7.9db
32% Popularity • 66% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
32% Popularity • 66% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Kapil Kapilan
Emito Idhi
140 bpm • A min • 04:40 • -8db
40% Popularity • 61% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
40% Popularity • 61% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Swarnalatha
Yamunna Thatilo ( Sad )
140 bpm • B Maj • 01:47 • -11.77db
32% Popularity • 58% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
32% Popularity • 58% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Sukhwinder Singh
Gudu Gudu Gunjam
139 bpm • F min • 04:29 • -5.25db
29% Popularity • 85% Danceability • 97% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
29% Popularity • 85% Danceability • 97% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Devan Ekambaram
Oh Mariyaa
156 bpm • A min • 06:25 • -14.18db
17% Popularity • 69% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
17% Popularity • 69% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Sagar
Aakasam Badhalaina
139 bpm • A min • 04:08 • -5db
53% Popularity • 84% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 95% Positiveness
53% Popularity • 84% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 95% Positiveness
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Neha Bhasin
Aww Tuzo Mogh Korta
138 bpm • A min • 04:23 • -4.83db
48% Popularity • 82% Danceability • 80% Energy • 9% Liveness
7% Instrumentalness • 88% Positiveness
48% Popularity • 82% Danceability • 80% Energy • 9% Liveness
7% Instrumentalness • 88% Positiveness
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Yazin Nizar, Kareemulla
Chirunama Thana Chirunama
138 bpm • G min • 03:46 • -5.88db
47% Popularity • 74% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
47% Popularity • 74% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 93% Positiveness
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Bheems Ceciroleo
Ooru Palletooru
138 bpm • C# Maj • 04:07 • -3.06db
57% Popularity • 76% Danceability • 80% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
57% Popularity • 76% Danceability • 80% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
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Neeraj Shridhar
Om Namasthey
137 bpm • D Maj • 04:22 • -9db
45% Popularity • 92% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
45% Popularity • 92% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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S. P. Balasubrahmanyam
Aamani
137 bpm • C Maj • 04:36 • -4.94db
48% Popularity • 70% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
48% Popularity • 70% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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M.L.R. Karthikeyan
Dol Dol Dol Bhaje
156 bpm • C min • 04:32 • -4.95db
44% Popularity • 72% Danceability • 90% Energy • 12% Liveness
1% Instrumentalness • 96% Positiveness
44% Popularity • 72% Danceability • 90% Energy • 12% Liveness
1% Instrumentalness • 96% Positiveness
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Udit Narayan
Kaikaluru
137 bpm • D Maj • 04:26 • -4.7db
44% Popularity • 59% Danceability • 90% Energy • 26% Liveness
0% Instrumentalness • 66% Positiveness
44% Popularity • 59% Danceability • 90% Energy • 26% Liveness
0% Instrumentalness • 66% Positiveness
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M. M. Keeravani
Telugammayi
136 bpm • C Maj • 04:03 • -11db
46% Popularity • 73% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 71% Positiveness
46% Popularity • 73% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 71% Positiveness
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Bombay Jayashri
Theeya Theeyani Kalalu
160 bpm • G Maj • 03:44 • -4.52db
34% Popularity • 64% Danceability • 85% Energy • 6% Liveness
2% Instrumentalness • 81% Positiveness
34% Popularity • 64% Danceability • 85% Energy • 6% Liveness
2% Instrumentalness • 81% Positiveness
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Narendra Doddapaneni
Melikalu
160 bpm • D Maj • 04:22 • -3.44db
50% Popularity • 80% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
50% Popularity • 80% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Ramya NSK
Poovai Poovai
135 bpm • F Maj • 04:17 • -9.65db
51% Popularity • 80% Danceability • 65% Energy • 13% Liveness
86% Instrumentalness • 92% Positiveness
51% Popularity • 80% Danceability • 65% Energy • 13% Liveness
86% Instrumentalness • 92% Positiveness
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Vijay Prakash
Chirunavve Visirave
135 bpm • A min • 04:04 • -6.42db
47% Popularity • 75% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
47% Popularity • 75% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Aravind Srinivas, Renuka
Edo Jarugutondi
135 bpm • C Maj • 05:04 • -4.65db
47% Popularity • 63% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
47% Popularity • 63% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Shravan Bharadwaj
MalliRaava
160 bpm • C Maj • 03:05 • -8.43db
45% Popularity • 42% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
45% Popularity • 42% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Rajesh, Sujatha
Seethakoka
135 bpm • A# min • 04:34 • -6.83db
20% Popularity • 74% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
20% Popularity • 74% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Ranjith Govind
Ye Cheekati
135 bpm • C min • 04:44 • -10.25db
42% Popularity • 70% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 92% Positiveness
42% Popularity • 70% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 92% Positiveness
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Pradeep Vijay, Kalyani Nair
Edho Edho
135 bpm • G min • 04:30 • -7.85db
39% Popularity • 77% Danceability • 89% Energy • 27% Liveness
0% Instrumentalness • 72% Positiveness
39% Popularity • 77% Danceability • 89% Energy • 27% Liveness
0% Instrumentalness • 72% Positiveness
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S. P. Balasubrahmanyam
O Priiyatama
135 bpm • G min • 05:14 • -8.94db
46% Popularity • 76% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
46% Popularity • 76% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Hemachandra Vedala
Aidhurojula Pelli
135 bpm • G Maj • 08:42 • -7.62db
32% Popularity • 50% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
32% Popularity • 50% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Silambarasan TR
Diamond Girl
135 bpm • F# min • 03:58 • -7.87db
43% Popularity • 84% Danceability • 67% Energy • 6% Liveness
1% Instrumentalness • 87% Positiveness
43% Popularity • 84% Danceability • 67% Energy • 6% Liveness
1% Instrumentalness • 87% Positiveness
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Rahul
O Lailaa
135 bpm • F min • 04:22 • -6db
28% Popularity • 64% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
28% Popularity • 64% Danceability • 95% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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Mickey J. Meyer
Nenani Neevani
135 bpm • E Maj • 05:09 • -11db
52% Popularity • 67% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
52% Popularity • 67% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Chinmayi
Manasulone Nilichipoke
135 bpm • G# Maj • 03:31 • -10db
35% Popularity • 68% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
35% Popularity • 68% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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M. M. Keeravani
Gundu Sudhi
135 bpm • E Maj • 04:16 • -7db
58% Popularity • 67% Danceability • 70% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
58% Popularity • 67% Danceability • 70% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
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Yazin Nizar
Meghaalu Lekunna
135 bpm • C Maj • 04:59 • -6db
62% Popularity • 74% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
62% Popularity • 74% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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Daler Mehndi
Rabbaru Gagulu
134 bpm • F Maj • 05:18 • -7.46db
49% Popularity • 76% Danceability • 91% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
49% Popularity • 76% Danceability • 91% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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KK
Oka Chinni
134 bpm • G min • 05:11 • -6.04db
32% Popularity • 90% Danceability • 94% Energy • 59% Liveness
1% Instrumentalness • 80% Positiveness
32% Popularity • 90% Danceability • 94% Energy • 59% Liveness
1% Instrumentalness • 80% Positiveness
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Adnan Sami
Ye Jilla
134 bpm • G# Maj • 05:01 • -9db
48% Popularity • 84% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
48% Popularity • 84% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Ranjith Govind
Ayyo Paapam
134 bpm • D min • 04:41 • -5.2db
45% Popularity • 83% Danceability • 94% Energy • 16% Liveness
1% Instrumentalness • 91% Positiveness
45% Popularity • 83% Danceability • 94% Energy • 16% Liveness
1% Instrumentalness • 91% Positiveness
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M. M. Keeravani
Nannedo Syeeamaku
134 bpm • F Maj • 05:01 • -8db
40% Popularity • 87% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
40% Popularity • 87% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Deva
Thirupathi Elumalai Venkatesa
134 bpm • A Maj • 05:27 • -8.26db
48% Popularity • 82% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
48% Popularity • 82% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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Anurag Kulkarni
Nee Chitram Choosi
134 bpm • B Maj • 04:23 • -5.75db
57% Popularity • 56% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
57% Popularity • 56% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Chakri
Nuvvakkadunte
134 bpm • C# min • 05:16 • -8db
41% Popularity • 78% Danceability • 45% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
41% Popularity • 78% Danceability • 45% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
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Sagar
Sailaja Sailaja
162 bpm • A# min • 03:53 • -4.9db
51% Popularity • 79% Danceability • 92% Energy • 3% Liveness
0% Instrumentalness • 92% Positiveness
51% Popularity • 79% Danceability • 92% Energy • 3% Liveness
0% Instrumentalness • 92% Positiveness
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Sid Sriram
Kalyanam
162 bpm • F# min • 03:01 • -7.02db
38% Popularity • 64% Danceability • 74% Energy • 56% Liveness
0% Instrumentalness • 90% Positiveness
38% Popularity • 64% Danceability • 74% Energy • 56% Liveness
0% Instrumentalness • 90% Positiveness
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Ranjith Govind
Ninne Pelladu
133 bpm • F min • 05:28 • -9.78db
36% Popularity • 86% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
36% Popularity • 86% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Devan Ekambaram
Gili Giligas
133 bpm • C# Maj • 04:30 • -7db
54% Popularity • 77% Danceability • 93% Energy • 56% Liveness
1% Instrumentalness • 86% Positiveness
54% Popularity • 77% Danceability • 93% Energy • 56% Liveness
1% Instrumentalness • 86% Positiveness
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Anurag Kulkarni
Aagi Aagi
133 bpm • G Maj • 06:48 • -8.25db
54% Popularity • 59% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
54% Popularity • 59% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Mani Sharma
Sahasam
132 bpm • C# Maj • 05:03 • -11db
44% Popularity • 62% Danceability • 76% Energy • 21% Liveness
43% Instrumentalness • 19% Positiveness
44% Popularity • 62% Danceability • 76% Energy • 21% Liveness
43% Instrumentalness • 19% Positiveness
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NTR Jr
Olammi Tikkareginda
132 bpm • F min • 04:11 • -8db
44% Popularity • 76% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
44% Popularity • 76% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Sooraj Santhosh
Nuvvu Nenu
132 bpm • A# min • 03:27 • -7.42db
22% Popularity • 91% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
22% Popularity • 91% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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KK
Thalachi Thalachi(Male)
132 bpm • B min • 05:16 • -12.41db
46% Popularity • 67% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
46% Popularity • 67% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Rajesh
Nenu Puttindemo
132 bpm • F min • 04:43 • -7db
47% Popularity • 83% Danceability • 84% Energy • 1% Liveness
0% Instrumentalness • 59% Positiveness
47% Popularity • 83% Danceability • 84% Energy • 1% Liveness
0% Instrumentalness • 59% Positiveness
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Harris Jayaraj
Manasuna Edho Raagam
132 bpm • E Maj • 03:54 • -6.2db
45% Popularity • 72% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
45% Popularity • 72% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Haricharan, Suchitra
Padipoya
164 bpm • E min • 02:40 • -4.84db
44% Popularity • 64% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
44% Popularity • 64% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
