Songs like U.S. Field Artillery March by United States Army Band
Based on a tempo of (+/- 10%) and a similar genre
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*NSYNC
Better Place (Reunion)
117 bpm • E min • 02:15 • -7.1db
64% Popularity • 74% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
64% Popularity • 74% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Eugene W. Allen
A Salute to Veterans
117 bpm • A# Maj • 02:27 • -13.57db
0% Popularity • 46% Danceability • 34% Energy • 11% Liveness
84% Instrumentalness • 54% Positiveness
0% Popularity • 46% Danceability • 34% Energy • 11% Liveness
84% Instrumentalness • 54% Positiveness
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Richard M. Sherman
Chitty Chitty Bang Bang: Posh
117 bpm • F Maj • 01:41 • -14.54db
25% Popularity • 80% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
25% Popularity • 80% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
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Henry Fillmore
Miss Trombone - A Slippery Rag
117 bpm • A# Maj • 02:20 • -18.29db
1% Popularity • 74% Danceability • 30% Energy • 15% Liveness
95% Instrumentalness • 69% Positiveness
1% Popularity • 74% Danceability • 30% Energy • 15% Liveness
95% Instrumentalness • 69% Positiveness
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Phillip Glasser
A Duo
116 bpm • F Maj • 02:38 • -21db
22% Popularity • 60% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
22% Popularity • 60% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Jonathan Pryce
Be Back Soon
118 bpm • C Maj • 03:19 • -16.82db
30% Popularity • 69% Danceability • 25% Energy • 39% Liveness
0% Instrumentalness • 78% Positiveness
30% Popularity • 69% Danceability • 25% Energy • 39% Liveness
0% Instrumentalness • 78% Positiveness
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National Concert Band of America
Feurig Blut! (Firey Blood)
116 bpm • C# Maj • 02:40 • -9.79db
0% Popularity • 51% Danceability • 48% Energy • 4% Liveness
94% Instrumentalness • 84% Positiveness
0% Popularity • 51% Danceability • 48% Energy • 4% Liveness
94% Instrumentalness • 84% Positiveness
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Sherman Edwards
1776: The Lees of Old Virginia
116 bpm • F Maj • 02:35 • -9.91db
24% Popularity • 58% Danceability • 49% Energy • 31% Liveness
0% Instrumentalness • 90% Positiveness
24% Popularity • 58% Danceability • 49% Energy • 31% Liveness
0% Instrumentalness • 90% Positiveness
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Robert Browne Hall
Officer of the Day
118 bpm • G# Maj • 02:17 • -17.05db
0% Popularity • 54% Danceability • 27% Energy • 24% Liveness
90% Instrumentalness • 69% Positiveness
0% Popularity • 54% Danceability • 27% Energy • 24% Liveness
90% Instrumentalness • 69% Positiveness
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Henry Fillmore
The Footlifter
116 bpm • A# Maj • 03:07 • -12db
6% Popularity • 54% Danceability • 46% Energy • 11% Liveness
95% Instrumentalness • 57% Positiveness
6% Popularity • 54% Danceability • 46% Energy • 11% Liveness
95% Instrumentalness • 57% Positiveness
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Bernard Cribbins
Sit Down, You're Rocking The Boat
116 bpm • C min • 02:23 • -11db
15% Popularity • 64% Danceability • 43% Energy • 43% Liveness
0% Instrumentalness • 71% Positiveness
15% Popularity • 64% Danceability • 43% Energy • 43% Liveness
0% Instrumentalness • 71% Positiveness
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Hollywood Studio Symphony Orchestra
Ballad Of Rock Ridge
116 bpm • F Maj • 02:08 • -16.54db
18% Popularity • 50% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
18% Popularity • 50% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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National Concert Band of America
Viscount Nelson
116 bpm • C# Maj • 02:46 • -8.02db
1% Popularity • 67% Danceability • 61% Energy • 32% Liveness
93% Instrumentalness • 77% Positiveness
1% Popularity • 67% Danceability • 61% Energy • 32% Liveness
93% Instrumentalness • 77% Positiveness
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Richard M. Sherman
Chitty Chitty Bang Bang: Chitty Flies Ho...
118 bpm • C Maj • 02:47 • -12.29db
21% Popularity • 64% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
21% Popularity • 64% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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David Glover
The Merry Old Land of Oz
118 bpm • G# Maj • 05:08 • -13.66db
16% Popularity • 47% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
16% Popularity • 47% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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Margery MacKay
Maria - Film Version
118 bpm • A Maj • 03:17 • -15.19db
16% Popularity • 59% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
16% Popularity • 59% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
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Allan Sherman
Camp Granada (Hello Muddah, Hello Fadduh...
116 bpm • A Maj • 02:54 • -12.89db
35% Popularity • 62% Danceability • 41% Energy • 64% Liveness
0% Instrumentalness • 63% Positiveness
35% Popularity • 62% Danceability • 41% Energy • 64% Liveness
0% Instrumentalness • 63% Positiveness
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United States Coast Guard Band
Independentia
116 bpm • C min • 03:28 • -15.13db
5% Popularity • 60% Danceability • 55% Energy • 3% Liveness
52% Instrumentalness • 56% Positiveness
5% Popularity • 60% Danceability • 55% Energy • 3% Liveness
52% Instrumentalness • 56% Positiveness
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Robert Browne Hall
Gardes du corps
119 bpm • C# Maj • 02:59 • -13.48db
0% Popularity • 69% Danceability • 41% Energy • 20% Liveness
83% Instrumentalness • 52% Positiveness
0% Popularity • 69% Danceability • 41% Energy • 20% Liveness
83% Instrumentalness • 52% Positiveness
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United States Air Force Heritage of America Band
Armed Services Medley
116 bpm • A# Maj • 03:40 • -13db
19% Popularity • 58% Danceability • 59% Energy • 31% Liveness
96% Instrumentalness • 57% Positiveness
19% Popularity • 58% Danceability • 59% Energy • 31% Liveness
96% Instrumentalness • 57% Positiveness
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Karl King
Gallant Marines (Arr. J. Swearingen) - L...
115 bpm • A# Maj • 02:34 • -23.01db
6% Popularity • 50% Danceability • 19% Energy • 69% Liveness
94% Instrumentalness • 73% Positiveness
6% Popularity • 50% Danceability • 19% Energy • 69% Liveness
94% Instrumentalness • 73% Positiveness
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Broadway Cast Recording
Brush Up Your Shakespeare
115 bpm • C Maj • 04:51 • -11.16db
20% Popularity • 79% Danceability • 45% Energy • 35% Liveness
0% Instrumentalness • 89% Positiveness
20% Popularity • 79% Danceability • 45% Energy • 35% Liveness
0% Instrumentalness • 89% Positiveness
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Josie de Guzman
Follow the Fold
119 bpm • C Maj • 01:16 • -16.46db
27% Popularity • 76% Danceability • 16% Energy • 39% Liveness
0% Instrumentalness • 96% Positiveness
27% Popularity • 76% Danceability • 16% Energy • 39% Liveness
0% Instrumentalness • 96% Positiveness
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Kyle Harrington
The Gingerbread House Song
115 bpm • C Maj • 02:34 • -13.17db
25% Popularity • 83% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
25% Popularity • 83% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Joseph Shirley
Hustle Dimension
115 bpm • C# min • 02:01 • -6.64db
61% Popularity • 60% Danceability • 80% Energy • 13% Liveness
3% Instrumentalness • 46% Positiveness
61% Popularity • 60% Danceability • 80% Energy • 13% Liveness
3% Instrumentalness • 46% Positiveness
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![Susanna (Oh! Susanna) [arr. J.W. Jenkins] cover art](https://i.scdn.co/image/ab67616d00001e022660eb470faae86a270f7017)
Stephen Foster
Susanna (Oh! Susanna) [arr. J.W. Jenkins...
115 bpm • D Maj • 01:21 • -18.58db
0% Popularity • 52% Danceability • 47% Energy • 25% Liveness
0% Instrumentalness • 45% Positiveness
0% Popularity • 52% Danceability • 47% Energy • 25% Liveness
0% Instrumentalness • 45% Positiveness
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Stanley Holloway
Get Me to the Church on Time
115 bpm • D Maj • 02:44 • -10.17db
28% Popularity • 57% Danceability • 43% Energy • 23% Liveness
0% Instrumentalness • 81% Positiveness
28% Popularity • 57% Danceability • 43% Energy • 23% Liveness
0% Instrumentalness • 81% Positiveness
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The United States Military Academy Band
America The Beautiful
119 bpm • C Maj • 03:37 • -18.2db
1% Popularity • 44% Danceability • 21% Energy • 10% Liveness
8% Instrumentalness • 25% Positiveness
1% Popularity • 44% Danceability • 21% Energy • 10% Liveness
8% Instrumentalness • 25% Positiveness
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National Concert Band of America
The Shriner’s Parade
115 bpm • F min • 02:41 • -8.76db
0% Popularity • 47% Danceability • 60% Energy • 8% Liveness
92% Instrumentalness • 74% Positiveness
0% Popularity • 47% Danceability • 60% Energy • 8% Liveness
92% Instrumentalness • 74% Positiveness
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United States Navy Band
Motu
119 bpm • F min • 04:18 • -21.9db
2% Popularity • 45% Danceability • 12% Energy • 47% Liveness
66% Instrumentalness • 7% Positiveness
2% Popularity • 45% Danceability • 12% Energy • 47% Liveness
66% Instrumentalness • 7% Positiveness
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United States Coast Guard Band
Bravura
115 bpm • G min • 03:00 • -15.95db
6% Popularity • 45% Danceability • 41% Energy • 6% Liveness
91% Instrumentalness • 49% Positiveness
6% Popularity • 45% Danceability • 41% Energy • 6% Liveness
91% Instrumentalness • 49% Positiveness
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Stephen Foster
Gwine to run all night (de Camptown Race...
115 bpm • A# min • 01:36 • -17.69db
0% Popularity • 39% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 33% Positiveness
0% Popularity • 39% Danceability • 50% Energy • 27% Liveness
0% Instrumentalness • 33% Positiveness
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Kenneth J. Alford
Colonel Bogey March
115 bpm • C# Maj • 03:29 • -18.11db
4% Popularity • 60% Danceability • 17% Energy • 12% Liveness
94% Instrumentalness • 56% Positiveness
4% Popularity • 60% Danceability • 17% Energy • 12% Liveness
94% Instrumentalness • 56% Positiveness
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Robert Mandell; Robert Mandell Orchestra; Robert Mandell Chorus
Medley: It's a Long Way to Tipperary / P...
119 bpm • F Maj • 03:16 • -17db
22% Popularity • 73% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
22% Popularity • 73% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Robert Browne Hall
March "R.L.I.B."
115 bpm • G# Maj • 02:26 • -11.16db
0% Popularity • 50% Danceability • 39% Energy • 15% Liveness
94% Instrumentalness • 75% Positiveness
0% Popularity • 50% Danceability • 39% Energy • 15% Liveness
94% Instrumentalness • 75% Positiveness
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Richard M. Sherman
Chitty Chitty Bang Bang: Chu-Chi Face
115 bpm • F# min • 02:37 • -17.55db
22% Popularity • 55% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
22% Popularity • 55% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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United States Coast Guard Band
Semper Paratus Always Ready
119 bpm • G# Maj • 01:49 • -15.47db
20% Popularity • 55% Danceability • 46% Energy • 31% Liveness
90% Instrumentalness • 57% Positiveness
20% Popularity • 55% Danceability • 46% Energy • 31% Liveness
90% Instrumentalness • 57% Positiveness
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Traditional
Shenandoah (Arr. A. Smith)
115 bpm • F Maj • 03:39 • -16.55db
0% Popularity • 17% Danceability • 23% Energy • 34% Liveness
52% Instrumentalness • 12% Positiveness
0% Popularity • 17% Danceability • 23% Energy • 34% Liveness
52% Instrumentalness • 12% Positiveness
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Kenneth J. Alford
Colonel Bogey
115 bpm • C# Maj • 03:30 • -18.6db
2% Popularity • 69% Danceability • 8% Energy • 9% Liveness
88% Instrumentalness • 52% Positiveness
2% Popularity • 69% Danceability • 8% Energy • 9% Liveness
88% Instrumentalness • 52% Positiveness
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National Concert Band of America
In Treue fest (Faithful and Steadfast)
115 bpm • C# Maj • 04:06 • -8.78db
1% Popularity • 63% Danceability • 59% Energy • 5% Liveness
95% Instrumentalness • 68% Positiveness
1% Popularity • 63% Danceability • 59% Energy • 5% Liveness
95% Instrumentalness • 68% Positiveness
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Tom Lehrer
Be Prepared
119 bpm • C Maj • 01:43 • -16.21db
8% Popularity • 61% Danceability • 36% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
8% Popularity • 61% Danceability • 36% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
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Richard M. Sherman
Chitty Chitty Bang Bang: Opening (The Pa...
120 bpm • G# Maj • 04:26 • -14.31db
20% Popularity • 52% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
20% Popularity • 52% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
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Robert MacArthur Crawford
The Air Force Song
119 bpm • F min • 01:01 • -12.38db
26% Popularity • 58% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
26% Popularity • 58% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 28% Positiveness
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US Air Force Tactical Air Command Band
Emblems of Freedom
120 bpm • G# Maj • 02:34 • -23.16db
0% Popularity • 55% Danceability • 31% Energy • 34% Liveness
92% Instrumentalness • 70% Positiveness
0% Popularity • 55% Danceability • 31% Energy • 34% Liveness
92% Instrumentalness • 70% Positiveness
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Kenneth J. Alford
Colonel Bogey
114 bpm • A# Maj • 04:36 • -14.1db
3% Popularity • 38% Danceability • 48% Energy • 10% Liveness
88% Instrumentalness • 23% Positiveness
3% Popularity • 38% Danceability • 48% Energy • 10% Liveness
88% Instrumentalness • 23% Positiveness
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Daniel Miller
Are You the Bayou?
120 bpm • G Maj • 04:08 • -12.72db
32% Popularity • 45% Danceability • 39% Energy • 93% Liveness
1% Instrumentalness • 44% Positiveness
32% Popularity • 45% Danceability • 39% Energy • 93% Liveness
1% Instrumentalness • 44% Positiveness
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Henry Janzen
Cheeky Elves Staying Cheeky
120 bpm • A min • 01:05 • -35.06db
33% Popularity • 49% Danceability • 5% Energy • 18% Liveness
91% Instrumentalness • 62% Positiveness
33% Popularity • 49% Danceability • 5% Energy • 18% Liveness
91% Instrumentalness • 62% Positiveness
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Ian Calvin
Prologue: Valjean Arrested / Valjean For...
114 bpm • C Maj • 01:44 • -15.74db
37% Popularity • 51% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
37% Popularity • 51% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
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Justin Timberlake
Perfect
114 bpm • B min • 02:32 • -5.43db
70% Popularity • 79% Danceability • 81% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
70% Popularity • 79% Danceability • 81% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
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Gordon Macrae
The Farmer And The Cowman
120 bpm • C Maj • 03:52 • -13.1db
28% Popularity • 74% Danceability • 33% Energy • 61% Liveness
0% Instrumentalness • 88% Positiveness
28% Popularity • 74% Danceability • 33% Energy • 61% Liveness
0% Instrumentalness • 88% Positiveness
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National Concert Band of America
Unter dem Gardestern (Under the Star of ...
114 bpm • C# Maj • 03:52 • -9.32db
0% Popularity • 55% Danceability • 69% Energy • 8% Liveness
93% Instrumentalness • 66% Positiveness
0% Popularity • 55% Danceability • 69% Energy • 8% Liveness
93% Instrumentalness • 66% Positiveness
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U.S. Army Band
The Army Goes Rolling Along - Songs of t...
120 bpm • A# Maj • 01:05 • -14.18db
24% Popularity • 66% Danceability • 40% Energy • 55% Liveness
0% Instrumentalness • 92% Positiveness
24% Popularity • 66% Danceability • 40% Energy • 55% Liveness
0% Instrumentalness • 92% Positiveness
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Per Egland
Sånger å de Osjungnas Vägnar: I. Öpp...
120 bpm • C Maj • 01:36 • -15.88db
32% Popularity • 35% Danceability • 23% Energy • 26% Liveness
89% Instrumentalness • 6% Positiveness
32% Popularity • 35% Danceability • 23% Energy • 26% Liveness
89% Instrumentalness • 6% Positiveness
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![Armed Forces Salute (Arr. M. Brown for Narrator & Band) [Live] cover art](https://i.scdn.co/image/ab67616d00001e02718a76cb59e814523f2f1a5d)
United States Army Band
Armed Forces Salute (Arr. M. Brown for N...
121 bpm • A# Maj • 03:35 • -18.41db
0% Popularity • 59% Danceability • 46% Energy • 96% Liveness
5% Instrumentalness • 61% Positiveness
0% Popularity • 59% Danceability • 46% Energy • 96% Liveness
5% Instrumentalness • 61% Positiveness
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The United States Military Academy Band
Dixie's land
113 bpm • C min • 01:14 • -14.33db
29% Popularity • 79% Danceability • 43% Energy • 9% Liveness
95% Instrumentalness • 86% Positiveness
29% Popularity • 79% Danceability • 43% Energy • 9% Liveness
95% Instrumentalness • 86% Positiveness
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MGM Studio Orchestra
Ding-Dong! Emerald City - Alternate Vers...
121 bpm • C Maj • 01:06 • -17.81db
19% Popularity • 87% Danceability • 61% Energy • 8% Liveness
54% Instrumentalness • 81% Positiveness
19% Popularity • 87% Danceability • 61% Energy • 8% Liveness
54% Instrumentalness • 81% Positiveness
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National Concert Band of America
Deutschlands Waffenehre, Op. 58 (Germany...
114 bpm • C# Maj • 03:24 • -10.12db
1% Popularity • 46% Danceability • 49% Energy • 13% Liveness
91% Instrumentalness • 83% Positiveness
1% Popularity • 46% Danceability • 49% Energy • 13% Liveness
91% Instrumentalness • 83% Positiveness
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The Broadway All Star Ensemble & Orchestra
16 Going On 17
121 bpm • F Maj • 02:23 • -18.76db
16% Popularity • 73% Danceability • 6% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
16% Popularity • 73% Danceability • 6% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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Philip Sparke
Sunrise at Angel's Gate
121 bpm • C Maj • 08:33 • -18.65db
1% Popularity • 21% Danceability • 13% Energy • 92% Liveness
81% Instrumentalness • 4% Positiveness
1% Popularity • 21% Danceability • 13% Energy • 92% Liveness
81% Instrumentalness • 4% Positiveness
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Heather Bambrick
Santa's on His Way
121 bpm • G min • 02:44 • -5.46db
7% Popularity • 61% Danceability • 44% Energy • 25% Liveness
0% Instrumentalness • 50% Positiveness
7% Popularity • 61% Danceability • 44% Energy • 25% Liveness
0% Instrumentalness • 50% Positiveness
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The United States Military Academy Band
When Johnny Comes Marching Home
113 bpm • F min • 02:11 • -17db
34% Popularity • 67% Danceability • 36% Energy • 6% Liveness
24% Instrumentalness • 50% Positiveness
34% Popularity • 67% Danceability • 36% Energy • 6% Liveness
24% Instrumentalness • 50% Positiveness
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Robert Browne Hall
Greetings to Bangor
121 bpm • F Maj • 02:51 • -11.04db
0% Popularity • 69% Danceability • 37% Energy • 41% Liveness
91% Instrumentalness • 84% Positiveness
0% Popularity • 69% Danceability • 37% Energy • 41% Liveness
91% Instrumentalness • 84% Positiveness
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David Tomlinson
With A Flair
121 bpm • A min • 02:34 • -8.89db
27% Popularity • 53% Danceability • 61% Energy • 30% Liveness
0% Instrumentalness • 64% Positiveness
27% Popularity • 53% Danceability • 61% Energy • 30% Liveness
0% Instrumentalness • 64% Positiveness
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Debbie Reynolds
He's My Friend
113 bpm • F Maj • 06:13 • -13.63db
11% Popularity • 54% Danceability • 57% Energy • 29% Liveness
0% Instrumentalness • 57% Positiveness
11% Popularity • 54% Danceability • 57% Energy • 29% Liveness
0% Instrumentalness • 57% Positiveness
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United States Coast Guard Band
The Invincible Eagle
121 bpm • A# Maj • 03:42 • -20.18db
7% Popularity • 48% Danceability • 22% Energy • 17% Liveness
88% Instrumentalness • 53% Positiveness
7% Popularity • 48% Danceability • 22% Energy • 17% Liveness
88% Instrumentalness • 53% Positiveness
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Florida State University Marching Chiefs
Ain't No Mountain High Enough (arr. J. B...
121 bpm • D min • 02:19 • -15.15db
19% Popularity • 47% Danceability • 51% Energy • 10% Liveness
96% Instrumentalness • 40% Positiveness
19% Popularity • 47% Danceability • 51% Energy • 10% Liveness
96% Instrumentalness • 40% Positiveness
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The United States Military Academy Band
The Corps
113 bpm • A Maj • 02:38 • -16.95db
3% Popularity • 45% Danceability • 5% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
3% Popularity • 45% Danceability • 5% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
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Richard M. Sherman
Chitty Chitty Bang Bang: Teamwork
121 bpm • A min • 03:09 • -15db
18% Popularity • 49% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
18% Popularity • 49% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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David Ogden Stiers
Mine, Mine, Mine
113 bpm • C Maj • 03:33 • -14.7db
23% Popularity • 50% Danceability • 25% Energy • 36% Liveness
0% Instrumentalness • 48% Positiveness
23% Popularity • 50% Danceability • 25% Energy • 36% Liveness
0% Instrumentalness • 48% Positiveness
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Robert Browne Hall
Death or Glory
121 bpm • F Maj • 02:47 • -10.18db
0% Popularity • 63% Danceability • 46% Energy • 12% Liveness
87% Instrumentalness • 80% Positiveness
0% Popularity • 63% Danceability • 46% Energy • 12% Liveness
87% Instrumentalness • 80% Positiveness
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Kenneth J. Alford
Colonel Bogey
113 bpm • C# Maj • 03:38 • -15.72db
5% Popularity • 61% Danceability • 14% Energy • 6% Liveness
92% Instrumentalness • 61% Positiveness
5% Popularity • 61% Danceability • 14% Energy • 6% Liveness
92% Instrumentalness • 61% Positiveness
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National Concert Band of America
Sonntag ist’s (It is Sunday)
113 bpm • C# Maj • 03:14 • -10.31db
0% Popularity • 55% Danceability • 53% Energy • 18% Liveness
83% Instrumentalness • 65% Positiveness
0% Popularity • 55% Danceability • 53% Energy • 18% Liveness
83% Instrumentalness • 65% Positiveness
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Miles Anderson
My Name!
113 bpm • D Maj • 02:44 • -16.23db
24% Popularity • 58% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
24% Popularity • 58% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Karl King
Coast Guards (arr. J. Swearingen)
122 bpm • D# Maj • 02:45 • -19.67db
4% Popularity • 69% Danceability • 24% Energy • 71% Liveness
62% Instrumentalness • 76% Positiveness
4% Popularity • 69% Danceability • 24% Energy • 71% Liveness
62% Instrumentalness • 76% Positiveness
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Keegan-Michael Key
Hi-Diddle-Dee-Dee (An Actor's Life For M...
122 bpm • D# Maj • 01:08 • -7.28db
26% Popularity • 62% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
26% Popularity • 62% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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Robert Browne Hall
Death Or Glory (Arr. by Gosling Mol)
113 bpm • F Maj • 03:39 • -13.55db
0% Popularity • 46% Danceability • 40% Energy • 7% Liveness
20% Instrumentalness • 79% Positiveness
0% Popularity • 46% Danceability • 40% Energy • 7% Liveness
20% Instrumentalness • 79% Positiveness
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Kenneth J. Alford
Colonel Bogey
113 bpm • C# Maj • 03:34 • -12.84db
3% Popularity • 64% Danceability • 20% Energy • 7% Liveness
74% Instrumentalness • 30% Positiveness
3% Popularity • 64% Danceability • 20% Energy • 7% Liveness
74% Instrumentalness • 30% Positiveness
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Walt Disney
Walt Disney and the Sherman Brothers Sin...
122 bpm • C Maj • 01:10 • -9.99db
32% Popularity • 69% Danceability • 38% Energy • 69% Liveness
0% Instrumentalness • 83% Positiveness
32% Popularity • 69% Danceability • 38% Energy • 69% Liveness
0% Instrumentalness • 83% Positiveness
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Harvie June Van
Natividad
112 bpm • A# Maj • 02:27 • -8db
8% Popularity • 61% Danceability • 45% Energy • 31% Liveness
0% Instrumentalness • 84% Positiveness
8% Popularity • 61% Danceability • 45% Energy • 31% Liveness
0% Instrumentalness • 84% Positiveness
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Yusuf Bütünley
Merry Chirstmas
122 bpm • C Maj • 00:55 • -19.73db
14% Popularity • 73% Danceability • 38% Energy • 46% Liveness
99% Instrumentalness • 97% Positiveness
14% Popularity • 73% Danceability • 38% Energy • 46% Liveness
99% Instrumentalness • 97% Positiveness
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Henry Janzen
The Fireplace Is as Cozy as a Warm Blank...
112 bpm • F# min • 01:24 • -31.26db
30% Popularity • 49% Danceability • 16% Energy • 17% Liveness
95% Instrumentalness • 57% Positiveness
30% Popularity • 49% Danceability • 16% Energy • 17% Liveness
95% Instrumentalness • 57% Positiveness
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Robert Preston
Ya Got Trouble
122 bpm • G# Maj • 04:00 • -12db
31% Popularity • 65% Danceability • 68% Energy • 37% Liveness
0% Instrumentalness • 79% Positiveness
31% Popularity • 65% Danceability • 68% Energy • 37% Liveness
0% Instrumentalness • 79% Positiveness
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Kenneth J. Alford
Voice of the Guns
122 bpm • F min • 02:39 • -16.19db
1% Popularity • 53% Danceability • 29% Energy • 22% Liveness
92% Instrumentalness • 51% Positiveness
1% Popularity • 53% Danceability • 29% Energy • 22% Liveness
92% Instrumentalness • 51% Positiveness
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Wilfrid Hyde-White
Why Can't the English? - Voice
122 bpm • F Maj • 02:34 • -14.47db
24% Popularity • 60% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
24% Popularity • 60% Danceability • 42% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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Jubilate
Calypso Carol
122 bpm • B min • 03:19 • -8db
13% Popularity • 74% Danceability • 82% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
13% Popularity • 74% Danceability • 82% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Postyr
Share the Love
122 bpm • D# Maj • 03:31 • -7.43db
10% Popularity • 50% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
10% Popularity • 50% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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The United States Military Academy Band
French National Defile
122 bpm • A# Maj • 04:13 • -12.9db
1% Popularity • 57% Danceability • 61% Energy • 12% Liveness
94% Instrumentalness • 61% Positiveness
1% Popularity • 57% Danceability • 61% Energy • 12% Liveness
94% Instrumentalness • 61% Positiveness
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Henry Fillmore
Men of Ohio
112 bpm • F Maj • 02:25 • -12.66db
0% Popularity • 70% Danceability • 48% Energy • 23% Liveness
81% Instrumentalness • 81% Positiveness
0% Popularity • 70% Danceability • 48% Energy • 23% Liveness
81% Instrumentalness • 81% Positiveness
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Ship's Chorus
Fathoms Below
112 bpm • C Maj • 01:41 • -16db
41% Popularity • 36% Danceability • 19% Energy • 14% Liveness
1% Instrumentalness • 41% Positiveness
41% Popularity • 36% Danceability • 19% Energy • 14% Liveness
1% Instrumentalness • 41% Positiveness
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John Philip Sousa
La flor de Sevilla (Live)
122 bpm • A# Maj • 02:43 • -25.76db
0% Popularity • 63% Danceability • 17% Energy • 69% Liveness
90% Instrumentalness • 78% Positiveness
0% Popularity • 63% Danceability • 17% Energy • 69% Liveness
90% Instrumentalness • 78% Positiveness
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Kenneth J. Alford
Colonel Bogey
122 bpm • C# Maj • 03:18 • -20.8db
5% Popularity • 62% Danceability • 16% Energy • 8% Liveness
98% Instrumentalness • 90% Positiveness
5% Popularity • 62% Danceability • 16% Energy • 8% Liveness
98% Instrumentalness • 90% Positiveness
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Doc Pearson
Obama Got Run over by a Reindeer
112 bpm • E Maj • 03:23 • -7.62db
12% Popularity • 80% Danceability • 64% Energy • 4% Liveness
0% Instrumentalness • 83% Positiveness
12% Popularity • 80% Danceability • 64% Energy • 4% Liveness
0% Instrumentalness • 83% Positiveness
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Steven P. Greenberg
Funkytown - Christmas
122 bpm • C Maj • 02:25 • -6.44db
9% Popularity • 64% Danceability • 60% Energy • 28% Liveness
0% Instrumentalness • 47% Positiveness
9% Popularity • 64% Danceability • 60% Energy • 28% Liveness
0% Instrumentalness • 47% Positiveness
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Michael Feinstein
Lydia, The Tattooed Lady
112 bpm • C Maj • 03:10 • -13.37db
12% Popularity • 66% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
12% Popularity • 66% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Amick Byram
If You've Only Got A Moustache
122 bpm • B Maj • 01:31 • -10db
37% Popularity • 84% Danceability • 41% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
37% Popularity • 84% Danceability • 41% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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Tom Lehrer
Be Prepared
123 bpm • C Maj • 01:34 • -10.32db
0% Popularity • 61% Danceability • 40% Energy • 76% Liveness
1% Instrumentalness • 86% Positiveness
0% Popularity • 61% Danceability • 40% Energy • 76% Liveness
1% Instrumentalness • 86% Positiveness
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United States Air Force Heritage of America Band
American Patrol
112 bpm • D# Maj • 04:18 • -17.09db
17% Popularity • 57% Danceability • 26% Energy • 5% Liveness
91% Instrumentalness • 51% Positiveness
17% Popularity • 57% Danceability • 26% Energy • 5% Liveness
91% Instrumentalness • 51% Positiveness
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Michael McLean
Homeless
123 bpm • A Maj • 03:57 • -17.45db
11% Popularity • 61% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
11% Popularity • 61% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
