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Us Someday
Songs like
Us Someday
by
Thomas Rhett
Based on a tempo of (+/- 10%) and a similar genre
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Laine Hardy
Memorize You
156 bpm • F# Maj • 03:17 • -4db
39% Popularity • 59% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Thomas Rhett
Us Someday
156 bpm • A# Maj • 02:23 • -6db
48% Popularity • 52% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Dalton Dover
Baby I Am
156 bpm • C# Maj • 02:54 • -6.41db
54% Popularity • 51% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Ryan Hurd
Coast
156 bpm • A# Maj • 03:50 • -6.66db
38% Popularity • 60% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
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Priscilla Block
Wish You Were The Whiskey
156 bpm • C# min • 03:08 • -2.92db
46% Popularity • 47% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Tim McGraw
7500 OBO
156 bpm • G Maj • 03:41 • -6.95db
60% Popularity • 53% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 51% Positiveness
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Dustin Lynch
Tequila On A Boat
157 bpm • A# Maj • 03:07 • -3.36db
52% Popularity • 59% Danceability • 88% Energy • 39% Liveness
0% Instrumentalness • 86% Positiveness
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Thomas Rhett
Slow Down Summer
156 bpm • B Maj • 03:37 • -5.64db
51% Popularity • 46% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Kelsea Ballerini
YOU'RE DRUNK, GO HOME
158 bpm • G# Maj • 02:55 • -3.71db
52% Popularity • 48% Danceability • 93% Energy • 95% Liveness
0% Instrumentalness • 63% Positiveness
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Dean Brody
Where'd You Learn How To Do That
158 bpm • C# Maj • 02:54 • -3.61db
38% Popularity • 53% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Lauren Alaina
Getting Over Him
154 bpm • G# Maj • 02:46 • -4.73db
48% Popularity • 56% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Niko Moon
COASTIN'
154 bpm • G# Maj • 02:51 • -7.04db
47% Popularity • 77% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Josh Ross
On A Different Night
158 bpm • C# Maj • 03:09 • -5db
65% Popularity • 53% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Tyler Braden
Brother
154 bpm • A Maj • 03:56 • -7.08db
43% Popularity • 41% Danceability • 49% Energy • 26% Liveness
0% Instrumentalness • 9% Positiveness
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Chayce Beckham
Tell Me Twice
154 bpm • A Maj • 04:26 • -4.73db
41% Popularity • 57% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
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Dustin Lynch
Where It's At
158 bpm • D# Maj • 03:24 • -5.75db
58% Popularity • 56% Danceability • 74% Energy • 31% Liveness
0% Instrumentalness • 82% Positiveness
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Ashley Cooke
Never Til Now
154 bpm • A# Maj • 02:53 • -7db
50% Popularity • 57% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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Nate Smith
Wildfire
160 bpm • F# Maj • 03:10 • -4.99db
56% Popularity • 51% Danceability • 67% Energy • 18% Liveness
0% Instrumentalness • 36% Positiveness
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Jameson Rodgers
Things That Matter
160 bpm • D# Maj • 03:13 • -9db
44% Popularity • 55% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Luke Combs
Going, Going, Gone
160 bpm • F# Maj • 02:57 • -6.03db
76% Popularity • 56% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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CHASE WRIGHT
Lying with You
160 bpm • C# Maj • 02:59 • -3db
51% Popularity • 48% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Tyler Braden
Little Red Wine
160 bpm • C Maj • 03:31 • -4.54db
50% Popularity • 49% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 63% Positiveness
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Travis Denning
ABBY
160 bpm • D# Maj • 03:15 • -4.58db
52% Popularity • 60% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Seaforth
Queen of Daytona Beach
152 bpm • G# Maj • 03:34 • -4.41db
34% Popularity • 62% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 69% Positiveness
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Tyler Rich
Real Love
160 bpm • A Maj • 03:02 • -5.57db
34% Popularity • 55% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Matt Stell
That Ain't Me No More
152 bpm • C Maj • 03:11 • -3.65db
46% Popularity • 56% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Russell Dickerson
Love You Like I Used To
152 bpm • A# Maj • 03:06 • -5db
54% Popularity • 50% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Carly Pearce
Next Girl
160 bpm • B Maj • 02:44 • -4db
59% Popularity • 58% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Chayce Beckham
Doin' It Right
152 bpm • A# Maj • 03:00 • -3.38db
46% Popularity • 50% Danceability • 97% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Old Dominion
Break Up with Him
152 bpm • G# Maj • 03:27 • -5db
63% Popularity • 62% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Luke Combs
Forever After All
152 bpm • C Maj • 03:52 • -5.2db
77% Popularity • 49% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Nate Smith
Under My Skin
152 bpm • G# Maj • 02:58 • -6db
61% Popularity • 61% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Russell Dickerson
Blue Tacoma
160 bpm • A Maj • 03:32 • -4.88db
63% Popularity • 46% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
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Gabby Barrett
Footprints On The Moon
152 bpm • G# min • 03:10 • -4.98db
45% Popularity • 51% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 37% Positiveness
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Restless Road
On My Way
152 bpm • D Maj • 02:56 • -5.86db
37% Popularity • 51% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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David Nail
Whatever She's Got
160 bpm • C# Maj • 03:56 • -6.13db
61% Popularity • 53% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
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Dan + Shay
From the Ground Up
152 bpm • A Maj • 04:13 • -5.97db
66% Popularity • 28% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Eli Young Band
Crazy Girl
151 bpm • E Maj • 03:20 • -3.84db
68% Popularity • 37% Danceability • 65% Energy • 27% Liveness
1% Instrumentalness • 26% Positiveness
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Nate Smith
Better Boy
162 bpm • G Maj • 02:55 • -6db
52% Popularity • 39% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Darius Rucker
My Masterpiece
162 bpm • F# Maj • 03:30 • -4.7db
45% Popularity • 52% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Restless Road
Headlights
150 bpm • G min • 02:54 • -4.15db
45% Popularity • 45% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
► Preview
Tenille Arts
Over You is You
162 bpm • D Maj • 03:04 • -3.87db
37% Popularity • 45% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Matt Stell
Boyfriend Season
150 bpm • A Maj • 03:09 • -3.35db
33% Popularity • 54% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Dierks Bentley
Gone
150 bpm • F# Maj • 03:25 • -6db
57% Popularity • 52% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Chris Lane
Big, Big Plans
150 bpm • G Maj • 03:07 • -6.09db
64% Popularity • 57% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Priscilla Block
Just About Over You
150 bpm • E Maj • 02:59 • -6db
56% Popularity • 50% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Austin Burke
Let It Burn
164 bpm • G Maj • 03:26 • -7.1db
45% Popularity • 51% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Adam Doleac
Somewhere Cool With You
164 bpm • D# Maj • 02:48 • -5.14db
38% Popularity • 52% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
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Matt Stell
Everywhere But On
150 bpm • F# Maj • 03:12 • -3.97db
52% Popularity • 56% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Erin Kinsey
I Got You
164 bpm • E Maj • 02:57 • -4db
35% Popularity • 49% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Kameron Marlowe
Girl On Fire
164 bpm • D Maj • 02:53 • -5.79db
63% Popularity • 54% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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Parmalee
Take My Name
164 bpm • G Maj • 02:37 • -4.14db
68% Popularity • 56% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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Noah Hicks
I Can Tell You're Small Town
164 bpm • F# Maj • 03:02 • -4db
50% Popularity • 54% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Walker Hayes
Y'all Life
164 bpm • D Maj • 03:12 • -6.78db
54% Popularity • 61% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Dean Brody
You Got The Wrong Guy
148 bpm • E Maj • 03:00 • -3.77db
37% Popularity • 54% Danceability • 93% Energy • 21% Liveness
0% Instrumentalness • 77% Positiveness
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Bailey Zimmerman
Never Leave
148 bpm • A Maj • 03:27 • -6.49db
64% Popularity • 50% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 32% Positiveness
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Hailey Whitters
Fillin' My Cup
148 bpm • B Maj • 03:11 • -6.44db
48% Popularity • 56% Danceability • 74% Energy • 37% Liveness
0% Instrumentalness • 81% Positiveness
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Ryan Hurd
Diamonds or Twine
148 bpm • D Maj • 03:31 • -8.8db
46% Popularity • 62% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Tyler Braden
Secret
148 bpm • G Maj • 03:54 • -7.82db
44% Popularity • 52% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Larry Fleet
Different Shade of Red
148 bpm • C# Maj • 03:07 • -5db
44% Popularity • 52% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Morgan Evans
Dance with Me
148 bpm • C# Maj • 03:19 • -9.85db
48% Popularity • 61% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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James Barker Band
New Old Trucks
148 bpm • G Maj • 03:11 • -3.74db
38% Popularity • 59% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Jameson Rodgers
Cold Beer Calling My Name
148 bpm • G Maj • 03:30 • -4db
65% Popularity • 58% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Thomas Rhett
Country Again
148 bpm • D Maj • 03:41 • -7db
56% Popularity • 47% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Brantley Gilbert
The Worst Country Song Of All Time
147 bpm • G Maj • 03:19 • -5db
49% Popularity • 51% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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Larry Fleet
Stack of Records
148 bpm • C Maj • 03:38 • -6db
45% Popularity • 59% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
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Logan Mize
Who Didn't
148 bpm • A# Maj • 02:57 • -4db
37% Popularity • 55% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
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Niko Moon
NO SAD SONGS
147 bpm • B Maj • 02:52 • -6db
51% Popularity • 75% Danceability • 79% Energy • 35% Liveness
0% Instrumentalness • 73% Positiveness
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Muscadine Bloodline
See You Tomorrow
166 bpm • B Maj • 02:56 • -11db
54% Popularity • 52% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Spencer Crandall
My Person
166 bpm • G Maj • 02:57 • -5.29db
59% Popularity • 57% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Clay Walker
Catching Up With An Ol' Memory
166 bpm • B Maj • 03:24 • -5.76db
36% Popularity • 47% Danceability • 71% Energy • 23% Liveness
0% Instrumentalness • 43% Positiveness
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Thomas Rhett
Die A Happy Man
166 bpm • D Maj • 03:47 • -9.25db
75% Popularity • 60% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Old Dominion
Song for Another Time
166 bpm • B Maj • 03:11 • -4db
61% Popularity • 50% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Luke Combs
Tomorrow Me
146 bpm • G Maj • 03:28 • -4.48db
56% Popularity • 54% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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Chris Lane
Fill Them Boots
146 bpm • C# Maj • 02:42 • -5.12db
41% Popularity • 61% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 77% Positiveness
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BRELAND
For What It’s Worth
146 bpm • C# Maj • 02:55 • -4.85db
43% Popularity • 66% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Clay Walker
You Look Good
146 bpm • F# Maj • 02:55 • -6.15db
39% Popularity • 55% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Dierks Bentley
Beers On Me
146 bpm • E Maj • 02:54 • -4.25db
70% Popularity • 59% Danceability • 85% Energy • 53% Liveness
0% Instrumentalness • 73% Positiveness
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Maddie & Tae
Wish You The Best
146 bpm • C Maj • 02:59 • -4.64db
37% Popularity • 60% Danceability • 78% Energy • 24% Liveness
0% Instrumentalness • 75% Positiveness
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Tyler Rich
11:11
146 bpm • A# Maj • 03:15 • -4.62db
40% Popularity • 52% Danceability • 76% Energy • 25% Liveness
0% Instrumentalness • 72% Positiveness
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Sam Hunt
Breaking Up Was Easy In The 90's
146 bpm • A Maj • 03:35 • -5.4db
61% Popularity • 56% Danceability • 65% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
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Ian Munsick
More Than Me
146 bpm • A# Maj • 03:31 • -5.57db
54% Popularity • 50% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Priscilla Block
Like A Boy
146 bpm • G# Maj • 03:43 • -5.45db
45% Popularity • 57% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Ryan Hurd
What Are You Drinking
146 bpm • C Maj • 03:24 • -6.22db
37% Popularity • 49% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Thomas Rhett
Simple As A Song
168 bpm • B Maj • 03:21 • -5.07db
33% Popularity • 52% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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BRELAND
Told You I Could Drink
168 bpm • G# Maj • 03:56 • -4.43db
32% Popularity • 54% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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RaeLynn
Judgin' To Jesus
168 bpm • F Maj • 02:43 • -2.98db
39% Popularity • 49% Danceability • 84% Energy • 84% Liveness
0% Instrumentalness • 78% Positiveness
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Parmalee
Better With You
168 bpm • B Maj • 02:41 • -3.43db
38% Popularity • 57% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
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Drew Green
Good Ol' Man
168 bpm • F# Maj • 03:22 • -7.09db
55% Popularity • 59% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Derek Austin
The Bullet
145 bpm • B Maj • 03:21 • -8.04db
39% Popularity • 56% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Dustin Lynch
Wood On The Fire
144 bpm • E Maj • 03:27 • -4.15db
39% Popularity • 54% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
► Preview
Kelsea Ballerini
IF YOU GO DOWN (I'M GOIN' DOWN TOO)
144 bpm • B Maj • 02:46 • -4db
70% Popularity • 68% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Drew Baldridge
That's You
144 bpm • G# Maj • 03:24 • -4db
36% Popularity • 56% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 63% Positiveness
► Preview
CHASE WRIGHT
Drive
144 bpm • A# min • 03:34 • -5db
46% Popularity • 60% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
► Preview
Sean Stemaly
Hello, You Up
144 bpm • A Maj • 03:26 • -5db
40% Popularity • 51% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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David J
Because of You
144 bpm • B Maj • 03:05 • -6db
47% Popularity • 51% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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HIXTAPE
My Kinda Livin’ (HARDY Hunter Phelps, ...
144 bpm • B Maj • 03:19 • -5.88db
58% Popularity • 57% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Brett Eldredge
Wanna Be That Song
144 bpm • A Maj • 03:56 • -4.91db
59% Popularity • 52% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Carly Pearce
Should’ve Known Better
144 bpm • C Maj • 03:01 • -6db
56% Popularity • 66% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Jon Langston
Try Missing You
144 bpm • F# Maj • 03:26 • -5.92db
44% Popularity • 53% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Us Someday