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Use Me
Songs like
Use Me
by
Mark Maxwell
Based on a tempo of (+/- 10%) and a similar genre
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Roberto Restuccia
Arrival
154 bpm • D# min • 04:23 • -9db
9% Popularity • 68% Danceability • 50% Energy • 11% Liveness
68% Instrumentalness • 34% Positiveness
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Mark Maxwell
Use Me
154 bpm • C Maj • 04:59 • -12.94db
30% Popularity • 74% Danceability • 40% Energy • 5% Liveness
65% Instrumentalness • 79% Positiveness
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Eric Marienthal
Babycakes
152 bpm • A# Maj • 04:39 • -6.7db
12% Popularity • 64% Danceability • 57% Energy • 9% Liveness
33% Instrumentalness • 74% Positiveness
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Russ Freeman
East River Drive
156 bpm • D min • 04:59 • -5.93db
33% Popularity • 64% Danceability • 74% Energy • 26% Liveness
57% Instrumentalness • 52% Positiveness
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Jazz Funk Soul
Connections
152 bpm • A min • 05:16 • -9.34db
21% Popularity • 70% Danceability • 56% Energy • 14% Liveness
3% Instrumentalness • 67% Positiveness
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Randy Scott
Copacetic
159 bpm • G min • 04:30 • -5.28db
6% Popularity • 51% Danceability • 72% Energy • 22% Liveness
27% Instrumentalness • 81% Positiveness
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BWB
Hip Hug Her
159 bpm • A# min • 07:27 • -7.45db
8% Popularity • 61% Danceability • 70% Energy • 5% Liveness
76% Instrumentalness • 73% Positiveness
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Mark Maxwell
Lookin' For Adventure
152 bpm • C Maj • 05:09 • -10.4db
4% Popularity • 66% Danceability • 59% Energy • 5% Liveness
67% Instrumentalness • 82% Positiveness
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Fantasy Band
All In All
160 bpm • G min • 05:09 • -14.13db
16% Popularity • 67% Danceability • 44% Energy • 15% Liveness
61% Instrumentalness • 68% Positiveness
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Gregg Karukas
Fly Away (Thinking Of You)
147 bpm • C min • 03:50 • -13db
39% Popularity • 64% Danceability • 52% Energy • 5% Liveness
77% Instrumentalness • 59% Positiveness
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Hiroshima
Have You Ever Wondered
148 bpm • G# Maj • 06:42 • -10.7db
11% Popularity • 55% Danceability • 49% Energy • 7% Liveness
3% Instrumentalness • 18% Positiveness
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Cal Harris Jr.
Ordinary Days
146 bpm • C Maj • 03:41 • -12.55db
21% Popularity • 80% Danceability • 47% Energy • 35% Liveness
78% Instrumentalness • 61% Positiveness
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BWB
Povo
162 bpm • F min • 07:27 • -9db
8% Popularity • 43% Danceability • 66% Energy • 21% Liveness
70% Instrumentalness • 68% Positiveness
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Mark Maxwell
Europa
146 bpm • E min • 05:58 • -12db
19% Popularity • 55% Danceability • 51% Energy • 11% Liveness
71% Instrumentalness • 47% Positiveness
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Keiko Matsui
Moving On
145 bpm • F min • 04:44 • -9db
26% Popularity • 66% Danceability • 72% Energy • 8% Liveness
92% Instrumentalness • 90% Positiveness
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Nelson Rangell
Grace
164 bpm • C min • 05:32 • -9.78db
35% Popularity • 53% Danceability • 50% Energy • 12% Liveness
77% Instrumentalness • 23% Positiveness
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Eric Marienthal
Compared To What
144 bpm • C min • 03:40 • -7.86db
8% Popularity • 70% Danceability • 64% Energy • 61% Liveness
76% Instrumentalness • 68% Positiveness
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Doc Powell
Love Stays
166 bpm • D Maj • 02:49 • -6.86db
25% Popularity • 55% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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BWB
Mercy Mercy Mercy
144 bpm • F min • 06:43 • -8.39db
17% Popularity • 68% Danceability • 51% Energy • 28% Liveness
40% Instrumentalness • 42% Positiveness
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Mark Maxwell
And I Love Her
144 bpm • B min • 06:36 • -12.67db
23% Popularity • 63% Danceability • 37% Energy • 26% Liveness
90% Instrumentalness • 51% Positiveness
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Pamela Williams
Close The Door
166 bpm • F min • 04:49 • -5.8db
27% Popularity • 65% Danceability • 69% Energy • 6% Liveness
52% Instrumentalness • 75% Positiveness
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Everette Harp
Where Were You When I Needed You
166 bpm • G min • 04:42 • -9db
30% Popularity • 55% Danceability • 69% Energy • 8% Liveness
89% Instrumentalness • 76% Positiveness
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Brian Bromberg
Havana Nights (aka Havana Nagila)
142 bpm • C min • 08:34 • -9.45db
10% Popularity • 70% Danceability • 60% Energy • 14% Liveness
78% Instrumentalness • 70% Positiveness
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Kim Pensyl
When You Were Mine
142 bpm • D min • 05:14 • -11.43db
15% Popularity • 66% Danceability • 56% Energy • 31% Liveness
70% Instrumentalness • 56% Positiveness
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Bernie Williams
Ritmo De Otono - Dave Koz
140 bpm • D min • 05:42 • -7.16db
16% Popularity • 66% Danceability • 69% Energy • 12% Liveness
32% Instrumentalness • 71% Positiveness
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Mark Maxwell
My Girl
144 bpm • E Maj • 04:30 • -11.11db
26% Popularity • 63% Danceability • 38% Energy • 12% Liveness
90% Instrumentalness • 64% Positiveness
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Sammy Snider Band
Time to remember
140 bpm • F Maj • 02:02 • -12.56db
34% Popularity • 31% Danceability • 16% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
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Jarez
Room 143
140 bpm • D min • 04:15 • -7.25db
24% Popularity • 54% Danceability • 75% Energy • 49% Liveness
0% Instrumentalness • 41% Positiveness
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LeBron
Kiss and Tell
140 bpm • C Maj • 04:08 • -10.24db
22% Popularity • 69% Danceability • 52% Energy • 10% Liveness
22% Instrumentalness • 51% Positiveness
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Doc Powell
Two Hearts
140 bpm • F Maj • 03:48 • -13.85db
32% Popularity • 72% Danceability • 45% Energy • 9% Liveness
92% Instrumentalness • 58% Positiveness
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Freddie Fox
Still Lovin' You
170 bpm • C Maj • 04:13 • -11db
44% Popularity • 62% Danceability • 52% Energy • 8% Liveness
90% Instrumentalness • 78% Positiveness
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Mark Maxwell
You Are The Sunshine Of My Life
143 bpm • C Maj • 05:34 • -13.65db
6% Popularity • 52% Danceability • 31% Energy • 11% Liveness
81% Instrumentalness • 62% Positiveness
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3rd Force
Young Again
170 bpm • B min • 04:45 • -8.18db
19% Popularity • 56% Danceability • 77% Energy • 12% Liveness
50% Instrumentalness • 71% Positiveness
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Jonathan Butler
Rio
170 bpm • B min • 03:52 • -6.17db
23% Popularity • 65% Danceability • 85% Energy • 5% Liveness
71% Instrumentalness • 74% Positiveness
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Bernie Williams
Go For It - Mike Stern
170 bpm • E min • 06:55 • -7.62db
13% Popularity • 57% Danceability • 72% Energy • 10% Liveness
82% Instrumentalness • 76% Positiveness
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Gregg Karukas
Floating in Bahia
170 bpm • D min • 04:47 • -12db
30% Popularity • 62% Danceability • 44% Energy • 8% Liveness
22% Instrumentalness • 69% Positiveness
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Paul Jackson, Jr.
Bayshore Drive
170 bpm • C min • 03:52 • -8.49db
20% Popularity • 54% Danceability • 55% Energy • 13% Liveness
92% Instrumentalness • 59% Positiveness
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Mark Maxwell
Frequency Of Knowing
170 bpm • F Maj • 06:07 • -10.5db
28% Popularity • 65% Danceability • 46% Energy • 10% Liveness
77% Instrumentalness • 60% Positiveness
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3rd Force
Under Your Spell
170 bpm • F Maj • 05:28 • -10.52db
10% Popularity • 60% Danceability • 72% Energy • 7% Liveness
65% Instrumentalness • 68% Positiveness
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Tim Cunningham
Crusin'
139 bpm • G# Maj • 05:03 • -6.04db
14% Popularity • 58% Danceability • 57% Energy • 14% Liveness
9% Instrumentalness • 38% Positiveness
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Acoustic Alchemy
Ernie
138 bpm • D Maj • 06:37 • -10.29db
16% Popularity • 79% Danceability • 61% Energy • 19% Liveness
91% Instrumentalness • 67% Positiveness
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Everette Harp
I Just Can't Let Go
172 bpm • F Maj • 04:40 • -8db
39% Popularity • 58% Danceability • 56% Energy • 10% Liveness
9% Instrumentalness • 74% Positiveness
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Gregg Karukas
Wildwood
138 bpm • C min • 05:27 • -8.63db
13% Popularity • 73% Danceability • 69% Energy • 8% Liveness
77% Instrumentalness • 75% Positiveness
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Mark Maxwell
Savannah
170 bpm • F Maj • 05:02 • -9.62db
19% Popularity • 56% Danceability • 66% Energy • 11% Liveness
80% Instrumentalness • 92% Positiveness
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Earl Klugh
Bye Ya
172 bpm • C# Maj • 03:59 • -14.45db
18% Popularity • 63% Danceability • 46% Energy • 14% Liveness
68% Instrumentalness • 83% Positiveness
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Brian Tarquin
Midnight Blue
172 bpm • G min • 04:49 • -11.28db
35% Popularity • 60% Danceability • 51% Energy • 17% Liveness
69% Instrumentalness • 18% Positiveness
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Keiko Matsui
Top Secret
172 bpm • C Maj • 05:46 • -10.62db
15% Popularity • 60% Danceability • 57% Energy • 15% Liveness
47% Instrumentalness • 73% Positiveness
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Bona Fide
El Dorado
172 bpm • F min • 04:15 • -10db
22% Popularity • 61% Danceability • 47% Energy • 18% Liveness
84% Instrumentalness • 60% Positiveness
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Greg Adams
Didn't Wanna Do It (Urban Remix)
172 bpm • D min • 05:07 • -10.11db
18% Popularity • 69% Danceability • 66% Energy • 41% Liveness
92% Instrumentalness • 55% Positiveness
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Mark Maxwell
Lovers, from a Distance
139 bpm • G# Maj • 04:42 • -12.05db
5% Popularity • 54% Danceability • 41% Energy • 11% Liveness
92% Instrumentalness • 26% Positiveness
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Count Basic
M.L. In The Sunshine
172 bpm • F min • 04:35 • -10.65db
34% Popularity • 54% Danceability • 68% Energy • 9% Liveness
87% Instrumentalness • 94% Positiveness
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BWB
A Woman's Worth
138 bpm • E min • 05:45 • -8.25db
33% Popularity • 62% Danceability • 54% Energy • 10% Liveness
51% Instrumentalness • 41% Positiveness
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Acoustic Alchemy
Jamaica Heartbeat
172 bpm • C Maj • 05:33 • -10.74db
32% Popularity • 65% Danceability • 58% Energy • 7% Liveness
62% Instrumentalness • 85% Positiveness
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Michael Paulo
My Heart and Soul
172 bpm • G min • 04:31 • -11db
22% Popularity • 31% Danceability • 32% Energy • 11% Liveness
64% Instrumentalness • 22% Positiveness
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Urban Knights
My Boo
173 bpm • D min • 04:16 • -6.81db
33% Popularity • 57% Danceability • 63% Energy • 12% Liveness
4% Instrumentalness • 80% Positiveness
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Brian Hughes
Shakin Not Stirred
137 bpm • A# min • 05:04 • -8db
27% Popularity • 68% Danceability • 74% Energy • 9% Liveness
87% Instrumentalness • 87% Positiveness
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Jaared
One More Time
174 bpm • G Maj • 03:52 • -4.66db
24% Popularity • 59% Danceability • 91% Energy • 24% Liveness
79% Instrumentalness • 84% Positiveness
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Mark Maxwell
Kundalini
174 bpm • D min • 05:00 • -12.83db
5% Popularity • 55% Danceability • 39% Energy • 13% Liveness
24% Instrumentalness • 70% Positiveness
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Rocco Ventrella
A Night In Tunisia
174 bpm • A# min • 03:24 • -11.37db
13% Popularity • 72% Danceability • 46% Energy • 11% Liveness
90% Instrumentalness • 40% Positiveness
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Everette Harp
I Just Can't Stop Thinking About You
176 bpm • C min • 05:20 • -8.68db
38% Popularity • 56% Danceability • 64% Energy • 10% Liveness
86% Instrumentalness • 94% Positiveness
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Soundscape UK
Cascade
174 bpm • F min • 04:29 • -10.46db
20% Popularity • 55% Danceability • 70% Energy • 9% Liveness
93% Instrumentalness • 52% Positiveness
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Earl Klugh
Ocean Blue
135 bpm • A Maj • 05:10 • -14.37db
32% Popularity • 77% Danceability • 48% Energy • 19% Liveness
85% Instrumentalness • 77% Positiveness
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3rd Force
I Believe In You
176 bpm • A min • 05:31 • -10.2db
24% Popularity • 61% Danceability • 69% Energy • 10% Liveness
79% Instrumentalness • 45% Positiveness
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Gary Honor
Island Pearl
134 bpm • F min • 05:23 • -8.37db
6% Popularity • 70% Danceability • 47% Energy • 37% Liveness
58% Instrumentalness • 59% Positiveness
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Rocco Ventrella
Feel Like Making Love
177 bpm • F min • 05:07 • -11.59db
19% Popularity • 64% Danceability • 47% Energy • 8% Liveness
84% Instrumentalness • 59% Positiveness
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Oli Silk
Get out Claws
132 bpm • A# min • 03:29 • -8.84db
35% Popularity • 78% Danceability • 47% Energy • 10% Liveness
81% Instrumentalness • 68% Positiveness
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Everette Harp
All Jazzed Up (And Nowhere To Go)
176 bpm • F Maj • 05:07 • -8db
44% Popularity • 67% Danceability • 57% Energy • 13% Liveness
66% Instrumentalness • 50% Positiveness
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John Novello
Good to Go
133 bpm • F Maj • 03:54 • -7db
32% Popularity • 75% Danceability • 70% Energy • 10% Liveness
79% Instrumentalness • 96% Positiveness
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Chuck Loeb (For Jim Hall)
Double Life
132 bpm • C# min • 04:46 • -8.91db
13% Popularity • 80% Danceability • 40% Energy • 9% Liveness
27% Instrumentalness • 60% Positiveness
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Paul Jackson, Jr.
Easy, Like Sunday Morning
132 bpm • A min • 04:42 • -7.97db
33% Popularity • 70% Danceability • 62% Energy • 11% Liveness
65% Instrumentalness • 47% Positiveness
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Elan Trotman
Heaven In Your Eyes Brian Simpson
180 bpm • F Maj • 04:06 • -5.67db
21% Popularity • 47% Danceability • 76% Energy • 26% Liveness
86% Instrumentalness • 44% Positiveness
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Ronny Jordan
Vanston Place (00 Am)
180 bpm • A Maj • 05:43 • -16.05db
17% Popularity • 48% Danceability • 11% Energy • 7% Liveness
2% Instrumentalness • 31% Positiveness
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Eric Marienthal
New York State Of Mind
132 bpm • F Maj • 05:15 • -9.85db
21% Popularity • 56% Danceability • 41% Energy • 8% Liveness
48% Instrumentalness • 16% Positiveness
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Phil Casagrande
Missing You
180 bpm • D min • 03:14 • -8.17db
43% Popularity • 70% Danceability • 34% Energy • 9% Liveness
85% Instrumentalness • 66% Positiveness
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Mark Maxwell
Let's Get It On
182 bpm • F Maj • 05:35 • -9.4db
24% Popularity • 39% Danceability • 58% Energy • 9% Liveness
28% Instrumentalness • 55% Positiveness
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Everette Harp
What's Going On
186 bpm • C# min • 05:46 • -6.85db
23% Popularity • 46% Danceability • 92% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
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Harmonica Blues Band
Puddy Tat
182 bpm • G Maj • 05:17 • -9.67db
19% Popularity • 33% Danceability • 37% Energy • 15% Liveness
61% Instrumentalness • 23% Positiveness
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Pamela Williams
Elixir
202 bpm • F min • 04:49 • -7.58db
18% Popularity • 49% Danceability • 61% Energy • 10% Liveness
80% Instrumentalness • 30% Positiveness
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Paul Jackson, Jr.
It's A Shame
206 bpm • F# Maj • 04:12 • -8.46db
38% Popularity • 49% Danceability • 71% Energy • 21% Liveness
81% Instrumentalness • 77% Positiveness
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Everette Harp
Don't Look Any Further
190 bpm • A# min • 05:18 • -8.44db
33% Popularity • 70% Danceability • 75% Energy • 7% Liveness
76% Instrumentalness • 75% Positiveness
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Everette Harp
Just As You Are
204 bpm • C# Maj • 04:30 • -7.55db
29% Popularity • 58% Danceability • 68% Energy • 18% Liveness
14% Instrumentalness • 55% Positiveness
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Use Me