Songs like Vagabond Moon by Willie Nile
Based on a tempo of (+/- 10%) and a similar genre
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Mudcrutch
Orphan of the Storm
124 bpm • G Maj • 04:06 • -10.09db
27% Popularity • 56% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
27% Popularity • 56% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
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John Hiatt & The Goners
My Baby Blue
124 bpm • A min • 04:35 • -5.36db
10% Popularity • 58% Danceability • 79% Energy • 33% Liveness
30% Instrumentalness • 66% Positiveness
10% Popularity • 58% Danceability • 79% Energy • 33% Liveness
30% Instrumentalness • 66% Positiveness
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Ray Davies
Americana
124 bpm • E Maj • 04:02 • -10.26db
16% Popularity • 53% Danceability • 57% Energy • 25% Liveness
0% Instrumentalness • 35% Positiveness
16% Popularity • 53% Danceability • 57% Energy • 25% Liveness
0% Instrumentalness • 35% Positiveness
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Peter Case
Entella Hotel
124 bpm • A# Maj • 04:58 • -9db
15% Popularity • 55% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
15% Popularity • 55% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Willie Nile
Love Minus Zero/No Limit
124 bpm • D# Maj • 03:12 • -7db
14% Popularity • 59% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
14% Popularity • 59% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 94% Positiveness
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Chuck Prophet
Ford Econoline
124 bpm • A Maj • 03:41 • -2.87db
32% Popularity • 50% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
32% Popularity • 50% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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The Jayhawks
Martin's Song
124 bpm • G Maj • 02:57 • -7.59db
15% Popularity • 60% Danceability • 73% Energy • 10% Liveness
1% Instrumentalness • 86% Positiveness
15% Popularity • 60% Danceability • 73% Energy • 10% Liveness
1% Instrumentalness • 86% Positiveness
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Pete Townshend
Misunderstood
124 bpm • E Maj • 03:01 • -20.56db
33% Popularity • 86% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
33% Popularity • 86% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Los Lobos
River of Fools
124 bpm • D Maj • 02:55 • -16.05db
18% Popularity • 67% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
18% Popularity • 67% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Jason & The Scorchers
I Really Don't Want To Know
124 bpm • E Maj • 04:30 • -3.77db
13% Popularity • 51% Danceability • 89% Energy • 39% Liveness
2% Instrumentalness • 45% Positiveness
13% Popularity • 51% Danceability • 89% Energy • 39% Liveness
2% Instrumentalness • 45% Positiveness
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Willie Nile
Vagabond Moon
124 bpm • A# Maj • 04:06 • -11db
27% Popularity • 60% Danceability • 82% Energy • 19% Liveness
0% Instrumentalness • 90% Positiveness
27% Popularity • 60% Danceability • 82% Energy • 19% Liveness
0% Instrumentalness • 90% Positiveness
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The Del Lords
Cheyenne
124 bpm • A# Maj • 03:47 • -10.39db
12% Popularity • 56% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 68% Positiveness
12% Popularity • 56% Danceability • 69% Energy • 25% Liveness
0% Instrumentalness • 68% Positiveness
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Alejandro Escovedo
Anchor
123 bpm • C Maj • 03:30 • -6db
28% Popularity • 52% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
28% Popularity • 52% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
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Little Feat
Trouble
125 bpm • G Maj • 02:17 • -8.11db
38% Popularity • 61% Danceability • 51% Energy • 37% Liveness
0% Instrumentalness • 48% Positiveness
38% Popularity • 61% Danceability • 51% Energy • 37% Liveness
0% Instrumentalness • 48% Positiveness
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Traveling Wilburys
Inside Out
123 bpm • F min • 03:35 • -5db
44% Popularity • 63% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
44% Popularity • 63% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
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Jason & The Scorchers
Shop It Around
125 bpm • E Maj • 02:58 • -3.85db
15% Popularity • 49% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
15% Popularity • 49% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
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Willie Nile
Love Is A Train
125 bpm • G# Maj • 05:28 • -5.51db
9% Popularity • 45% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
9% Popularity • 45% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
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Chuck Prophet
Tell Me Anything (Turn to Gold)
123 bpm • G min • 03:22 • -2.45db
26% Popularity • 60% Danceability • 91% Energy • 24% Liveness
0% Instrumentalness • 49% Positiveness
26% Popularity • 60% Danceability • 91% Energy • 24% Liveness
0% Instrumentalness • 49% Positiveness
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Iris DeMent
Wasteland of the Free
123 bpm • C Maj • 05:15 • -5db
29% Popularity • 68% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
29% Popularity • 68% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Chris Hillman
Here She Comes Again
125 bpm • C Maj • 02:31 • -2.37db
25% Popularity • 56% Danceability • 76% Energy • 32% Liveness
34% Instrumentalness • 58% Positiveness
25% Popularity • 56% Danceability • 76% Energy • 32% Liveness
34% Instrumentalness • 58% Positiveness
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Mike Campbell & The Dirty Knobs
Wreckless Abandon
125 bpm • E Maj • 06:02 • -6.64db
23% Popularity • 40% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
23% Popularity • 40% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Richard Thompson
I Feel So Good
125 bpm • C Maj • 03:21 • -12db
33% Popularity • 59% Danceability • 62% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
33% Popularity • 59% Danceability • 62% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
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Willie Nile
Golden Down
125 bpm • A# Maj • 05:08 • -10.46db
8% Popularity • 54% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
8% Popularity • 54% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Marah
Round Eye Blues
123 bpm • E Maj • 04:12 • -10.97db
23% Popularity • 66% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
23% Popularity • 66% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Pete Townshend
Till The Rivers All Run Dry
123 bpm • E Maj • 03:52 • -22db
34% Popularity • 73% Danceability • 22% Energy • 6% Liveness
16% Instrumentalness • 60% Positiveness
34% Popularity • 73% Danceability • 22% Energy • 6% Liveness
16% Instrumentalness • 60% Positiveness
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Jesse Malin
Lost Forever
125 bpm • C Maj • 03:24 • -7.28db
11% Popularity • 58% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
11% Popularity • 58% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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Marshall Crenshaw
My Back Pages
123 bpm • D Maj • 03:50 • -7.75db
21% Popularity • 58% Danceability • 72% Energy • 12% Liveness
1% Instrumentalness • 65% Positiveness
21% Popularity • 58% Danceability • 72% Energy • 12% Liveness
1% Instrumentalness • 65% Positiveness
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Elliott Murphy
And general Robert E. Lee
123 bpm • A min • 04:30 • -5.86db
22% Popularity • 50% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
22% Popularity • 50% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Willie Nile
Forever Wild
125 bpm • G Maj • 03:46 • -4.28db
7% Popularity • 64% Danceability • 91% Energy • 29% Liveness
0% Instrumentalness • 82% Positiveness
7% Popularity • 64% Danceability • 91% Energy • 29% Liveness
0% Instrumentalness • 82% Positiveness
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The Jayhawks
Everybody Knows
125 bpm • F Maj • 04:10 • -6.03db
29% Popularity • 55% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
29% Popularity • 55% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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David Lindley
Petit Fleur
125 bpm • A Maj • 03:11 • -14.23db
15% Popularity • 37% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
15% Popularity • 37% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Gary U.S. Bonds
Hold On (To What You Got)
123 bpm • A Maj • 03:08 • -9.33db
7% Popularity • 63% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
7% Popularity • 63% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Mink DeVille
This Must Be The Night
125 bpm • F Maj • 02:50 • -12.48db
19% Popularity • 49% Danceability • 48% Energy • 17% Liveness
1% Instrumentalness • 89% Positiveness
19% Popularity • 49% Danceability • 48% Energy • 17% Liveness
1% Instrumentalness • 89% Positiveness
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Danny & Dusty
Song For The Dreamers
125 bpm • C Maj • 04:52 • -9.35db
9% Popularity • 64% Danceability • 91% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
9% Popularity • 64% Danceability • 91% Energy • 4% Liveness
0% Instrumentalness • 70% Positiveness
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Willie Nile
Trouble Down In Diamond Town - Live
125 bpm • C# Maj • 05:15 • -7.85db
3% Popularity • 56% Danceability • 80% Energy • 86% Liveness
0% Instrumentalness • 49% Positiveness
3% Popularity • 56% Danceability • 80% Energy • 86% Liveness
0% Instrumentalness • 49% Positiveness
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Whiskeytown
Dancing With The Women At The Bar
125 bpm • A min • 04:38 • -8db
31% Popularity • 49% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
31% Popularity • 49% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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The Jayhawks
Miss Williams' Guitar
125 bpm • G Maj • 03:06 • -5.82db
26% Popularity • 52% Danceability • 92% Energy • 12% Liveness
2% Instrumentalness • 80% Positiveness
26% Popularity • 52% Danceability • 92% Energy • 12% Liveness
2% Instrumentalness • 80% Positiveness
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Robert Gordon
Fire
123 bpm • B min • 02:37 • -14.78db
25% Popularity • 77% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
25% Popularity • 77% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Sonny Landreth
Back To Bayou Teche
125 bpm • G Maj • 03:49 • -8db
20% Popularity • 74% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
20% Popularity • 74% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
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Marshall Crenshaw
Cynical Girl - Remastered
122 bpm • A Maj • 02:34 • -3.94db
22% Popularity • 64% Danceability • 87% Energy • 16% Liveness
1% Instrumentalness • 96% Positiveness
22% Popularity • 64% Danceability • 87% Energy • 16% Liveness
1% Instrumentalness • 96% Positiveness
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Willie Nile
Welcome To My Head
125 bpm • C# Maj • 03:22 • -4.25db
8% Popularity • 53% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 81% Positiveness
8% Popularity • 53% Danceability • 90% Energy • 35% Liveness
0% Instrumentalness • 81% Positiveness
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Gregg Allman
Going Going Gone
122 bpm • D min • 04:29 • -7.64db
23% Popularity • 57% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
23% Popularity • 57% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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The Smithereens
Downbound Train
122 bpm • A min • 03:43 • -9db
22% Popularity • 59% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
22% Popularity • 59% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Gillian Welch
455 Rocket - Revival Outtake
126 bpm • D Maj • 04:02 • -11.06db
16% Popularity • 65% Danceability • 84% Energy • 15% Liveness
1% Instrumentalness • 92% Positiveness
16% Popularity • 65% Danceability • 84% Energy • 15% Liveness
1% Instrumentalness • 92% Positiveness
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Alejandro Escovedo
Sister Lost Soul
122 bpm • A# Maj • 04:16 • -5db
31% Popularity • 57% Danceability • 84% Energy • 13% Liveness
3% Instrumentalness • 67% Positiveness
31% Popularity • 57% Danceability • 84% Energy • 13% Liveness
3% Instrumentalness • 67% Positiveness
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The Blasters
Border Radio
122 bpm • G Maj • 02:44 • -8.19db
21% Popularity • 84% Danceability • 68% Energy • 39% Liveness
0% Instrumentalness • 97% Positiveness
21% Popularity • 84% Danceability • 68% Energy • 39% Liveness
0% Instrumentalness • 97% Positiveness
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Peter Case
Put Down The Gun
122 bpm • A Maj • 03:41 • -7.8db
10% Popularity • 48% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
10% Popularity • 48% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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The Band
It Makes No Difference - Remastered 2000
126 bpm • A# Maj • 06:34 • -8.02db
37% Popularity • 49% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
37% Popularity • 49% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Willie Nile
One Guitar - Live
126 bpm • A Maj • 07:34 • -7.83db
3% Popularity • 56% Danceability • 90% Energy • 98% Liveness
0% Instrumentalness • 28% Positiveness
3% Popularity • 56% Danceability • 90% Energy • 98% Liveness
0% Instrumentalness • 28% Positiveness
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Jackson Browne
The Barricades of Heaven
122 bpm • G Maj • 05:40 • -8.91db
35% Popularity • 67% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
35% Popularity • 67% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Golden Smog
Until You Came Along
122 bpm • D Maj • 04:59 • -5db
30% Popularity • 44% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
30% Popularity • 44% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Chuck Prophet
Just to See Your Smile
122 bpm • A Maj • 04:23 • -6.69db
10% Popularity • 64% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
10% Popularity • 64% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Jesse Malin
When You're Young
126 bpm • D# min • 02:56 • -6.18db
11% Popularity • 56% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
11% Popularity • 56% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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Steve Forbert
You Cannot Win If You Do Not Play
122 bpm • A Maj • 04:32 • -11db
17% Popularity • 68% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
17% Popularity • 68% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
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David Lindley
Talk to the Lawyer
126 bpm • D Maj • 05:00 • -13db
18% Popularity • 71% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
18% Popularity • 71% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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The Jayhawks
Two Angels
122 bpm • G Maj • 04:09 • -7db
21% Popularity • 70% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
21% Popularity • 70% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Son Volt
Devil May Care
126 bpm • E Maj • 02:58 • -7.27db
23% Popularity • 59% Danceability • 69% Energy • 9% Liveness
63% Instrumentalness • 66% Positiveness
23% Popularity • 59% Danceability • 69% Energy • 9% Liveness
63% Instrumentalness • 66% Positiveness
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Mudcrutch
Topanga Cowgirl
122 bpm • D Maj • 03:53 • -8.38db
22% Popularity • 58% Danceability • 49% Energy • 9% Liveness
2% Instrumentalness • 65% Positiveness
22% Popularity • 58% Danceability • 49% Energy • 9% Liveness
2% Instrumentalness • 65% Positiveness
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Gary U.S. Bonds
Rendezvous
126 bpm • G Maj • 02:42 • -9db
9% Popularity • 55% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
9% Popularity • 55% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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Alejandro Escovedo
Bottom Of The World
126 bpm • D Maj • 03:04 • -9db
29% Popularity • 66% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
29% Popularity • 66% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Graham Parker
Get Started. Start A Fire
126 bpm • D Maj • 05:09 • -9.22db
13% Popularity • 76% Danceability • 75% Energy • 25% Liveness
1% Instrumentalness • 93% Positiveness
13% Popularity • 76% Danceability • 75% Energy • 25% Liveness
1% Instrumentalness • 93% Positiveness
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Chuck Prophet
Bobby Fuller Died for Your Sins
122 bpm • A Maj • 03:23 • -3db
17% Popularity • 62% Danceability • 80% Energy • 7% Liveness
2% Instrumentalness • 77% Positiveness
17% Popularity • 62% Danceability • 80% Energy • 7% Liveness
2% Instrumentalness • 77% Positiveness
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David Johansen
Heart of Gold
122 bpm • B min • 03:41 • -8.1db
11% Popularity • 63% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
11% Popularity • 63% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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The Bottle Rockets
Kit Kat Clock
126 bpm • E Maj • 02:17 • -4.64db
17% Popularity • 67% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
17% Popularity • 67% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Colvin & Earle
Come What May
126 bpm • A Maj • 03:11 • -7.14db
23% Popularity • 57% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
23% Popularity • 57% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Alejandro Escovedo
Outlaw for You
122 bpm • E Maj • 03:26 • -5db
32% Popularity • 65% Danceability • 84% Energy • 30% Liveness
41% Instrumentalness • 54% Positiveness
32% Popularity • 65% Danceability • 84% Energy • 30% Liveness
41% Instrumentalness • 54% Positiveness
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Elliott Murphy
Come On Louann
121 bpm • G Maj • 04:05 • -5.1db
23% Popularity • 60% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
23% Popularity • 60% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Pete Townshend
Keep Me Turning
121 bpm • G Maj • 03:46 • -17.56db
21% Popularity • 68% Danceability • 31% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
21% Popularity • 68% Danceability • 31% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
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Mink DeVille
Savoir Faire
127 bpm • A Maj • 03:09 • -11.77db
31% Popularity • 68% Danceability • 83% Energy • 33% Liveness
20% Instrumentalness • 92% Positiveness
31% Popularity • 68% Danceability • 83% Energy • 33% Liveness
20% Instrumentalness • 92% Positiveness
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The Del Fuegos
Night on the Town
121 bpm • G Maj • 03:09 • -12.38db
9% Popularity • 60% Danceability • 64% Energy • 6% Liveness
1% Instrumentalness • 64% Positiveness
9% Popularity • 60% Danceability • 64% Energy • 6% Liveness
1% Instrumentalness • 64% Positiveness
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Brinsley Schwarz
Country Girl
127 bpm • B min • 03:09 • -9.22db
22% Popularity • 40% Danceability • 58% Energy • 8% Liveness
1% Instrumentalness • 91% Positiveness
22% Popularity • 40% Danceability • 58% Energy • 8% Liveness
1% Instrumentalness • 91% Positiveness
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Alejandro Escovedo
Always A Friend
127 bpm • C Maj • 03:35 • -6db
37% Popularity • 55% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
37% Popularity • 55% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Amazing Rhythm Aces
Dancing the Night Away - Remastered
127 bpm • A Maj • 05:40 • -13db
27% Popularity • 46% Danceability • 56% Energy • 29% Liveness
0% Instrumentalness • 57% Positiveness
27% Popularity • 46% Danceability • 56% Energy • 29% Liveness
0% Instrumentalness • 57% Positiveness
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Mudcrutch
House of Stone
121 bpm • E Maj • 03:00 • -12.04db
26% Popularity • 70% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
26% Popularity • 70% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Willie Nile
One Guitar
121 bpm • A Maj • 04:16 • -6.36db
13% Popularity • 69% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
13% Popularity • 69% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
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The Empty Hearts
Remember Days Like These
121 bpm • G Maj • 02:40 • -3.09db
9% Popularity • 57% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
9% Popularity • 57% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Jesse Malin
Backstabbers
121 bpm • F Maj • 04:00 • -7db
15% Popularity • 59% Danceability • 87% Energy • 23% Liveness
0% Instrumentalness • 59% Positiveness
15% Popularity • 59% Danceability • 87% Energy • 23% Liveness
0% Instrumentalness • 59% Positiveness
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The Long Ryders
Walls
121 bpm • E Maj • 04:39 • -4.6db
10% Popularity • 55% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
10% Popularity • 55% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Alejandro Escovedo
One More Time
127 bpm • A Maj • 03:49 • -5.74db
18% Popularity • 62% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
18% Popularity • 62% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Graham Parker & The Rumour
Thunder And Rain
127 bpm • C Maj • 03:15 • -9.68db
14% Popularity • 51% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 69% Positiveness
14% Popularity • 51% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 69% Positiveness
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Willie Nile
Rainy Day Women #12 & 35
127 bpm • B Maj • 03:23 • -4.74db
11% Popularity • 54% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
11% Popularity • 54% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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Peter Wolf
Homework
127 bpm • D Maj • 02:39 • -9.6db
12% Popularity • 76% Danceability • 51% Energy • 3% Liveness
0% Instrumentalness • 71% Positiveness
12% Popularity • 76% Danceability • 51% Energy • 3% Liveness
0% Instrumentalness • 71% Positiveness
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Jackson Browne
The Birds Of St. Marks
121 bpm • D Maj • 04:22 • -9db
22% Popularity • 52% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
22% Popularity • 52% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Van Morrison
Redwood Tree
120 bpm • D Maj • 03:05 • -9db
43% Popularity • 60% Danceability • 58% Energy • 23% Liveness
0% Instrumentalness • 86% Positiveness
43% Popularity • 60% Danceability • 58% Energy • 23% Liveness
0% Instrumentalness • 86% Positiveness
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Alejandro Escovedo
Broken Bottle
128 bpm • G Maj • 03:52 • -12.81db
19% Popularity • 56% Danceability • 17% Energy • 55% Liveness
0% Instrumentalness • 26% Positiveness
19% Popularity • 56% Danceability • 17% Energy • 55% Liveness
0% Instrumentalness • 26% Positiveness
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Graham Parker
That's What They All Say
128 bpm • G Maj • 03:46 • -9db
15% Popularity • 55% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
15% Popularity • 55% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Kathleen Edwards
Six O'Clock News
121 bpm • C Maj • 04:36 • -5db
33% Popularity • 52% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
33% Popularity • 52% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
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Robert Plant
Too Much Alike
120 bpm • F# Maj • 02:31 • -13.03db
21% Popularity • 66% Danceability • 48% Energy • 16% Liveness
3% Instrumentalness • 93% Positiveness
21% Popularity • 66% Danceability • 48% Energy • 16% Liveness
3% Instrumentalness • 93% Positiveness
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The Jayhawks
Bad Time
128 bpm • C Maj • 03:26 • -6.84db
32% Popularity • 64% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
32% Popularity • 64% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Mudcrutch
Dreams of Flying
128 bpm • A min • 03:58 • -3.5db
26% Popularity • 55% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
26% Popularity • 55% Danceability • 79% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
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James McMurtry
Painting By Numbers
120 bpm • B Maj • 04:47 • -12.57db
25% Popularity • 71% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
25% Popularity • 71% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Steve Forbert
Goin' Down to Laurel
120 bpm • D Maj • 05:00 • -13db
28% Popularity • 64% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
28% Popularity • 64% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Graham Parker
Stupefaction
120 bpm • B Maj • 02:56 • -6.79db
14% Popularity • 73% Danceability • 84% Energy • 64% Liveness
2% Instrumentalness • 88% Positiveness
14% Popularity • 73% Danceability • 84% Energy • 64% Liveness
2% Instrumentalness • 88% Positiveness
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Mott The Hoople
Sweet Jane
128 bpm • A min • 04:21 • -7.4db
36% Popularity • 58% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
36% Popularity • 58% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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The Jayhawks
Clouds
120 bpm • G Maj • 04:51 • -6.85db
16% Popularity • 67% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
16% Popularity • 67% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
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Wilko Johnson
Turned 21
128 bpm • A Maj • 03:06 • -6.37db
15% Popularity • 47% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
15% Popularity • 47% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Mudcrutch
Trailer
128 bpm • G Maj • 03:17 • -4.4db
30% Popularity • 56% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
30% Popularity • 56% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Jesse Malin
Shining Down
128 bpm • F# Maj • 03:14 • -5.88db
13% Popularity • 49% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
13% Popularity • 49% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
