Songs like Valarntha Kalai by P. B. Sreenivas
Based on a tempo of (+/- 10%) and a similar genre
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P. Susheela
Unnai Ondru, Pt. 1
141 bpm • F# min • 03:28 • -13.53db
22% Popularity • 41% Danceability • 30% Energy • 32% Liveness
51% Instrumentalness • 91% Positiveness
22% Popularity • 41% Danceability • 30% Energy • 32% Liveness
51% Instrumentalness • 91% Positiveness
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A. M. Rajah
Raavoyi Chanamama Chandamma
142 bpm • F# min • 02:56 • -9.03db
19% Popularity • 64% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
19% Popularity • 64% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Uma Ramanan
Dhaham
140 bpm • A min • 03:39 • -6.91db
34% Popularity • 70% Danceability • 45% Energy • 11% Liveness
69% Instrumentalness • 61% Positiveness
34% Popularity • 70% Danceability • 45% Energy • 11% Liveness
69% Instrumentalness • 61% Positiveness
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Malaysia Vasudevan
Kakki Sattai Potta Machan
141 bpm • A Maj • 04:32 • -11.89db
44% Popularity • 78% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
44% Popularity • 78% Danceability • 42% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
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S. N. Surendar
Maamarathu Poo
140 bpm • A Maj • 04:48 • -14db
22% Popularity • 39% Danceability • 45% Energy • 61% Liveness
82% Instrumentalness • 38% Positiveness
22% Popularity • 39% Danceability • 45% Energy • 61% Liveness
82% Instrumentalness • 38% Positiveness
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Kamukara Purushothaman
Panchavarana Thathapole
140 bpm • G# min • 05:39 • -10.66db
7% Popularity • 42% Danceability • 45% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
7% Popularity • 42% Danceability • 45% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
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P. Susheela
Naanamo
142 bpm • F# min • 04:40 • -5.11db
25% Popularity • 56% Danceability • 54% Energy • 20% Liveness
1% Instrumentalness • 87% Positiveness
25% Popularity • 56% Danceability • 54% Energy • 20% Liveness
1% Instrumentalness • 87% Positiveness
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Yesudas
Chandanam Manakkunna - Male Version
143 bpm • A# Maj • 05:25 • -9.34db
30% Popularity • 62% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
30% Popularity • 62% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Vadivelu
Santhana Malligaiyil - Reprise
138 bpm • F Maj • 04:31 • -9db
39% Popularity • 83% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
39% Popularity • 83% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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Malaysia Vasudevan
Pethu Eduthavathaan
139 bpm • A min • 04:33 • -5.26db
47% Popularity • 75% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
47% Popularity • 75% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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T. M. Soundararajan
Amaithiyaana Nadhiyinilae
138 bpm • A Maj • 04:58 • -8.81db
23% Popularity • 36% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
23% Popularity • 36% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Deva
Vellerikka Pinju Vellerikka
138 bpm • C# Maj • 04:27 • -2.52db
34% Popularity • 75% Danceability • 96% Energy • 40% Liveness
0% Instrumentalness • 83% Positiveness
34% Popularity • 75% Danceability • 96% Energy • 40% Liveness
0% Instrumentalness • 83% Positiveness
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Swarnalatha
Pottu Vaithu Poomudikkum
137 bpm • E min • 04:46 • -8.83db
38% Popularity • 78% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
38% Popularity • 78% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Manjula Gururaj
Bhadrapada Shuklada
137 bpm • F Maj • 07:01 • -3db
26% Popularity • 55% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
26% Popularity • 55% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Yesudas
Vellarappoomala Mele
146 bpm • G# Maj • 04:16 • -6.95db
39% Popularity • 67% Danceability • 61% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
39% Popularity • 67% Danceability • 61% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
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P. B. Sreenivas
Aadhi Manithan
137 bpm • E Maj • 04:25 • -9.99db
7% Popularity • 54% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
7% Popularity • 54% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
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Sabesh Murali
Nila Nee Vaanam
136 bpm • A min • 05:46 • -8db
49% Popularity • 75% Danceability • 57% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
49% Popularity • 75% Danceability • 57% Energy • 21% Liveness
0% Instrumentalness • 70% Positiveness
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Jency Anthony
Adi Pennae
136 bpm • G min • 04:29 • -14db
12% Popularity • 33% Danceability • 44% Energy • 81% Liveness
82% Instrumentalness • 83% Positiveness
12% Popularity • 33% Danceability • 44% Energy • 81% Liveness
82% Instrumentalness • 83% Positiveness
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Lata Mangeshkar
Kadhali Chengathali
136 bpm • E min • 03:24 • -12.95db
14% Popularity • 59% Danceability • 72% Energy • 37% Liveness
0% Instrumentalness • 69% Positiveness
14% Popularity • 59% Danceability • 72% Energy • 37% Liveness
0% Instrumentalness • 69% Positiveness
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S. P. Sailaja
Aasaiye Kaathule
147 bpm • A min • 04:40 • -9.19db
57% Popularity • 70% Danceability • 48% Energy • 8% Liveness
27% Instrumentalness • 52% Positiveness
57% Popularity • 70% Danceability • 48% Energy • 8% Liveness
27% Instrumentalness • 52% Positiveness
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Thiruchi Loganathan
Aasayae Alaipolae
135 bpm • G# Maj • 03:47 • -13db
20% Popularity • 25% Danceability • 56% Energy • 32% Liveness
78% Instrumentalness • 66% Positiveness
20% Popularity • 25% Danceability • 56% Energy • 32% Liveness
78% Instrumentalness • 66% Positiveness
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P. B. Sreenivas
Ivalu Yaaru Balle Yenu
135 bpm • F Maj • 05:00 • -11.75db
1% Popularity • 55% Danceability • 33% Energy • 38% Liveness
0% Instrumentalness • 83% Positiveness
1% Popularity • 55% Danceability • 33% Energy • 38% Liveness
0% Instrumentalness • 83% Positiveness
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T. M. Soundararajan
Adi Ennadi Raakkamma
135 bpm • F Maj • 03:39 • -9.8db
29% Popularity • 48% Danceability • 64% Energy • 36% Liveness
0% Instrumentalness • 88% Positiveness
29% Popularity • 48% Danceability • 64% Energy • 36% Liveness
0% Instrumentalness • 88% Positiveness
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Sangeetha Katti
Ee Hasiru Siriyali
135 bpm • F# Maj • 05:08 • -5db
37% Popularity • 71% Danceability • 61% Energy • 35% Liveness
0% Instrumentalness • 55% Positiveness
37% Popularity • 71% Danceability • 61% Energy • 35% Liveness
0% Instrumentalness • 55% Positiveness
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Jikki
Pannodu Piranthathu
147 bpm • A# Maj • 03:51 • -10.81db
1% Popularity • 31% Danceability • 37% Energy • 13% Liveness
4% Instrumentalness • 70% Positiveness
1% Popularity • 31% Danceability • 37% Energy • 13% Liveness
4% Instrumentalness • 70% Positiveness
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Swarnalatha
Kuyil Paattu (Happy)
147 bpm • G min • 04:54 • -13.56db
45% Popularity • 62% Danceability • 31% Energy • 22% Liveness
80% Instrumentalness • 77% Positiveness
45% Popularity • 62% Danceability • 31% Energy • 22% Liveness
80% Instrumentalness • 77% Positiveness
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Manikka Vinayagam
Aruva Meesai
148 bpm • F Maj • 04:44 • -7db
50% Popularity • 76% Danceability • 90% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
50% Popularity • 76% Danceability • 90% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
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P. B. Sreenivas
Aakashave Beelali Mele
135 bpm • F# Maj • 03:55 • -12.74db
10% Popularity • 42% Danceability • 73% Energy • 92% Liveness
20% Instrumentalness • 70% Positiveness
10% Popularity • 42% Danceability • 73% Energy • 92% Liveness
20% Instrumentalness • 70% Positiveness
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Manjula Gururaj
Ninna Chelava Vandana
135 bpm • D Maj • 04:45 • -5.95db
28% Popularity • 52% Danceability • 71% Energy • 25% Liveness
1% Instrumentalness • 71% Positiveness
28% Popularity • 52% Danceability • 71% Energy • 25% Liveness
1% Instrumentalness • 71% Positiveness
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Rajkumar
HOSABELAKU
134 bpm • D Maj • 04:28 • -3.23db
37% Popularity • 47% Danceability • 57% Energy • 3% Liveness
0% Instrumentalness • 54% Positiveness
37% Popularity • 47% Danceability • 57% Energy • 3% Liveness
0% Instrumentalness • 54% Positiveness
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Venugopal
Aakashagopuram
134 bpm • E Maj • 05:07 • -0.41db
44% Popularity • 65% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
44% Popularity • 65% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
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Mahanadhi Shobana
Thiruparankundrathil
148 bpm • G min • 03:39 • -8.54db
42% Popularity • 67% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
42% Popularity • 67% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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A.R. Rahman
Vidai Kodu
134 bpm • C# min • 06:12 • -14.6db
31% Popularity • 62% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
31% Popularity • 62% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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P. B. Sreenivas
Kamalada Hoovinda
134 bpm • G min • 03:42 • -7.37db
1% Popularity • 42% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
1% Popularity • 42% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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C. Ashwath
Soruthihudu
134 bpm • G Maj • 05:02 • -7db
28% Popularity • 70% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
28% Popularity • 70% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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P. Madhuri
Ambadi Thannilorunni
149 bpm • B min • 03:26 • -7.78db
7% Popularity • 49% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
7% Popularity • 49% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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P. Leela
Ujjayiniyile
149 bpm • A Maj • 03:37 • -6.54db
7% Popularity • 61% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
7% Popularity • 61% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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L. R. Eswari
Kannirendum Minna Minna
149 bpm • D# min • 03:36 • -11.54db
17% Popularity • 45% Danceability • 33% Energy • 38% Liveness
4% Instrumentalness • 82% Positiveness
17% Popularity • 45% Danceability • 33% Energy • 38% Liveness
4% Instrumentalness • 82% Positiveness
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Deva
Sirippu Varuthu
133 bpm • B min • 04:57 • -11.11db
50% Popularity • 81% Danceability • 82% Energy • 3% Liveness
0% Instrumentalness • 86% Positiveness
50% Popularity • 81% Danceability • 82% Energy • 3% Liveness
0% Instrumentalness • 86% Positiveness
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P. B. Sreenivas
Binkada Singaari
134 bpm • G min • 03:28 • -6.93db
5% Popularity • 58% Danceability • 65% Energy • 58% Liveness
3% Instrumentalness • 81% Positiveness
5% Popularity • 58% Danceability • 65% Energy • 58% Liveness
3% Instrumentalness • 81% Positiveness
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T. M. Soundararajan
Paramasivan Kazhutthil
149 bpm • C# Maj • 04:22 • -10.13db
28% Popularity • 28% Danceability • 57% Energy • 18% Liveness
2% Instrumentalness • 77% Positiveness
28% Popularity • 28% Danceability • 57% Energy • 18% Liveness
2% Instrumentalness • 77% Positiveness
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Pushpavanam Kuppusamy
Aalana Naal Muthala
133 bpm • C# min • 05:08 • -5.75db
30% Popularity • 81% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
30% Popularity • 81% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Malaysia Vasudevan
Pattu Vanna Rosavam
133 bpm • D# min • 04:45 • -4.76db
13% Popularity • 31% Danceability • 68% Energy • 49% Liveness
2% Instrumentalness • 59% Positiveness
13% Popularity • 31% Danceability • 68% Energy • 49% Liveness
2% Instrumentalness • 59% Positiveness
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Minmini
Paathiravaayi Neram
133 bpm • G min • 04:28 • -9.27db
39% Popularity • 66% Danceability • 42% Energy • 21% Liveness
0% Instrumentalness • 71% Positiveness
39% Popularity • 66% Danceability • 42% Energy • 21% Liveness
0% Instrumentalness • 71% Positiveness
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Anuradha Sriram
Anbendru Mazhaieley Agilangal
132 bpm • C# Maj • 03:38 • -21.4db
41% Popularity • 44% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 3% Positiveness
41% Popularity • 44% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 3% Positiveness
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L. R. Eswari
Kaaathoduthaan Naan
150 bpm • E min • 03:11 • -5.88db
13% Popularity • 27% Danceability • 50% Energy • 16% Liveness
44% Instrumentalness • 36% Positiveness
13% Popularity • 27% Danceability • 50% Energy • 16% Liveness
44% Instrumentalness • 36% Positiveness
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S. Balakrishanan
Paathiravaayi Neram
132 bpm • G min • 04:26 • -10.27db
47% Popularity • 67% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
47% Popularity • 67% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Jency
Deiveega Raagam
151 bpm • C# min • 04:21 • -12.87db
48% Popularity • 44% Danceability • 52% Energy • 9% Liveness
1% Instrumentalness • 62% Positiveness
48% Popularity • 44% Danceability • 52% Energy • 9% Liveness
1% Instrumentalness • 62% Positiveness
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Yesudas
Vellaram
152 bpm • F Maj • 04:28 • -6.01db
30% Popularity • 50% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
30% Popularity • 50% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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S. Janaki
Bhaagyavantharu
152 bpm • G# Maj • 04:15 • -11.38db
1% Popularity • 49% Danceability • 48% Energy • 33% Liveness
90% Instrumentalness • 81% Positiveness
1% Popularity • 49% Danceability • 48% Energy • 33% Liveness
90% Instrumentalness • 81% Positiveness
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S.A. Rajkumar
June July
131 bpm • A Maj • 04:32 • -8.53db
48% Popularity • 85% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
48% Popularity • 85% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Rajkumar
Baaluvantha Hoove
130 bpm • E Maj • 05:16 • -10.4db
30% Popularity • 66% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
30% Popularity • 66% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Venugopal
Poothalam Valam
152 bpm • E Maj • 04:53 • -9db
27% Popularity • 54% Danceability • 34% Energy • 26% Liveness
0% Instrumentalness • 42% Positiveness
27% Popularity • 54% Danceability • 34% Energy • 26% Liveness
0% Instrumentalness • 42% Positiveness
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P. Susheela
Kaathiruntha Kangale
153 bpm • G Maj • 03:59 • -11.59db
14% Popularity • 37% Danceability • 40% Energy • 51% Liveness
0% Instrumentalness • 93% Positiveness
14% Popularity • 37% Danceability • 40% Energy • 51% Liveness
0% Instrumentalness • 93% Positiveness
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Malaysia Vasudevan
Maamaavukku Kudumaa Kudumaa
130 bpm • A# Maj • 04:20 • -9.71db
30% Popularity • 84% Danceability • 57% Energy • 15% Liveness
80% Instrumentalness • 91% Positiveness
30% Popularity • 84% Danceability • 57% Energy • 15% Liveness
80% Instrumentalness • 91% Positiveness
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Jamuna Rani
Naan Sirithal Deepavali
154 bpm • G min • 04:46 • -8db
43% Popularity • 52% Danceability • 67% Energy • 10% Liveness
3% Instrumentalness • 96% Positiveness
43% Popularity • 52% Danceability • 67% Energy • 10% Liveness
3% Instrumentalness • 96% Positiveness
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A.R. Rahman
Senthamizh Naatu Thamizhachiye
154 bpm • F# min • 04:14 • -16.41db
48% Popularity • 77% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
48% Popularity • 77% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Asha Bhosle
Konjam Neram
129 bpm • C Maj • 04:31 • -4.8db
52% Popularity • 71% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
52% Popularity • 71% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
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B.S. Sasirekha
Raththiri Neraththu
129 bpm • G Maj • 04:47 • -14.68db
19% Popularity • 41% Danceability • 32% Energy • 9% Liveness
30% Instrumentalness • 39% Positiveness
19% Popularity • 41% Danceability • 32% Energy • 9% Liveness
30% Instrumentalness • 39% Positiveness
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P. Susheela
Naalam Naalam
129 bpm • A# Maj • 03:42 • -4.7db
13% Popularity • 48% Danceability • 53% Energy • 25% Liveness
85% Instrumentalness • 71% Positiveness
13% Popularity • 48% Danceability • 53% Energy • 25% Liveness
85% Instrumentalness • 71% Positiveness
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Yesudas
Dhoore Dhoore - Version 1
155 bpm • E Maj • 04:15 • -2db
30% Popularity • 68% Danceability • 46% Energy • 25% Liveness
0% Instrumentalness • 61% Positiveness
30% Popularity • 68% Danceability • 46% Energy • 25% Liveness
0% Instrumentalness • 61% Positiveness
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L. R. Eswari
Muthumaari Ammanukku
128 bpm • F Maj • 03:17 • -8db
18% Popularity • 41% Danceability • 57% Energy • 37% Liveness
84% Instrumentalness • 87% Positiveness
18% Popularity • 41% Danceability • 57% Energy • 37% Liveness
84% Instrumentalness • 87% Positiveness
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Bharadwaj
Mettuthedi
155 bpm • C Maj • 04:45 • -10.63db
29% Popularity • 71% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
29% Popularity • 71% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Bhanumathi Ramakrishna
Telusukonave Yuvathi
155 bpm • F min • 02:52 • -13.5db
5% Popularity • 39% Danceability • 29% Energy • 13% Liveness
87% Instrumentalness • 69% Positiveness
5% Popularity • 39% Danceability • 29% Energy • 13% Liveness
87% Instrumentalness • 69% Positiveness
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Bangalore Latha
YEKO YENO
155 bpm • F Maj • 04:19 • -5.91db
24% Popularity • 37% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
24% Popularity • 37% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
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Manjula Gururaj
Manavanagi
128 bpm • C# Maj • 04:34 • -5.09db
31% Popularity • 63% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
31% Popularity • 63% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Madhu Balakrishnan
Ponnaavanippadam
156 bpm • G min • 04:56 • -6.75db
23% Popularity • 73% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
23% Popularity • 73% Danceability • 74% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
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Latha Rajinikanth
Netru Indha Neram
127 bpm • C Maj • 04:19 • -9.55db
25% Popularity • 64% Danceability • 50% Energy • 7% Liveness
77% Instrumentalness • 71% Positiveness
25% Popularity • 64% Danceability • 50% Energy • 7% Liveness
77% Instrumentalness • 71% Positiveness
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L. R. Eswari
Mahamayi Samayapura
156 bpm • F min • 03:30 • -11db
18% Popularity • 45% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
18% Popularity • 45% Danceability • 38% Energy • 20% Liveness
0% Instrumentalness • 66% Positiveness
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A. M. Rajah
Maasilaa Unmai Kaathalae
126 bpm • A# min • 03:15 • -5.75db
22% Popularity • 60% Danceability • 57% Energy • 40% Liveness
0% Instrumentalness • 86% Positiveness
22% Popularity • 60% Danceability • 57% Energy • 40% Liveness
0% Instrumentalness • 86% Positiveness
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P. Susheela
Paarttha Gnaabagam, Pt. 1
127 bpm • E min • 03:34 • -5db
22% Popularity • 38% Danceability • 69% Energy • 48% Liveness
27% Instrumentalness • 61% Positiveness
22% Popularity • 38% Danceability • 69% Energy • 48% Liveness
27% Instrumentalness • 61% Positiveness
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Hari Haran, sujatha
Premante Yemitante
126 bpm • D min • 05:03 • -6db
49% Popularity • 75% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
49% Popularity • 75% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Unnikrishnan
Vanathu Nilaveduthu
126 bpm • C min • 04:15 • -9db
43% Popularity • 83% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
43% Popularity • 83% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Arunmozhi
Poonguil Pattu Putichirukka - Language: ...
158 bpm • D min • 04:07 • -3.75db
42% Popularity • 68% Danceability • 83% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
42% Popularity • 68% Danceability • 83% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
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L. R. Eswari
Karpoora Nayagiye
158 bpm • G Maj • 03:21 • -12.34db
25% Popularity • 41% Danceability • 42% Energy • 32% Liveness
1% Instrumentalness • 96% Positiveness
25% Popularity • 41% Danceability • 42% Energy • 32% Liveness
1% Instrumentalness • 96% Positiveness
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Sadhana Sargam
Paattu Solli
126 bpm • C min • 05:01 • -9.83db
42% Popularity • 83% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
42% Popularity • 83% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Yesudas
Omane Neeyoromal
159 bpm • G Maj • 05:16 • -8.17db
39% Popularity • 47% Danceability • 60% Energy • 8% Liveness
33% Instrumentalness • 50% Positiveness
39% Popularity • 47% Danceability • 60% Energy • 8% Liveness
33% Instrumentalness • 50% Positiveness
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P. Bhanumathi
Azhagaana Ponnu Naan
125 bpm • G# Maj • 03:14 • -12.87db
6% Popularity • 74% Danceability • 28% Energy • 11% Liveness
6% Instrumentalness • 96% Positiveness
6% Popularity • 74% Danceability • 28% Energy • 11% Liveness
6% Instrumentalness • 96% Positiveness
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Jency Anthony
Iru Paravaigal
159 bpm • F Maj • 04:30 • -5.52db
20% Popularity • 36% Danceability • 63% Energy • 56% Liveness
5% Instrumentalness • 82% Positiveness
20% Popularity • 36% Danceability • 63% Energy • 56% Liveness
5% Instrumentalness • 82% Positiveness
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R.N. Sudarshan
Hoovondu
125 bpm • A# Maj • 03:18 • -14db
3% Popularity • 40% Danceability • 39% Energy • 94% Liveness
86% Instrumentalness • 74% Positiveness
3% Popularity • 40% Danceability • 39% Energy • 94% Liveness
86% Instrumentalness • 74% Positiveness
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G. V. Prakash
Pemmanae
160 bpm • F# min • 05:40 • -11.35db
24% Popularity • 28% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
24% Popularity • 28% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
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Bharani
Pollachi Malay Rotula
160 bpm • A# min • 05:48 • -6.6db
17% Popularity • 75% Danceability • 87% Energy • 20% Liveness
0% Instrumentalness • 95% Positiveness
17% Popularity • 75% Danceability • 87% Energy • 20% Liveness
0% Instrumentalness • 95% Positiveness
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Pushpavanam Kuppusamy
Maruthamalai Satthiyamaa
160 bpm • A min • 12:06 • -5.27db
54% Popularity • 55% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
54% Popularity • 55% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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P. Jayachandran
Enthinennariyilla
160 bpm • G min • 05:02 • -14.91db
28% Popularity • 59% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
28% Popularity • 59% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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A.R. Rahman
Aye Mr. Minor!
124 bpm • C Maj • 04:45 • -5db
42% Popularity • 53% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
42% Popularity • 53% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Sirpy
Pombalainga Kaadhal
161 bpm • C Maj • 03:18 • -8.89db
40% Popularity • 80% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
40% Popularity • 80% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 84% Positiveness
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G. V. Prakash
Mammalni Paalinchu
160 bpm • F# min • 05:43 • -11.44db
14% Popularity • 33% Danceability • 47% Energy • 12% Liveness
1% Instrumentalness • 5% Positiveness
14% Popularity • 33% Danceability • 47% Energy • 12% Liveness
1% Instrumentalness • 5% Positiveness
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Various Artists
Naane Bhagyavathi - Srinivasa Kalyana / ...
161 bpm • A# min • 03:56 • -1.79db
23% Popularity • 33% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
23% Popularity • 33% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Jency Anthony
Aayiram Malargale
123 bpm • B min • 05:22 • -7db
27% Popularity • 38% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
27% Popularity • 38% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Srinivas
Kidaikaley Kidaikaley
162 bpm • A# min • 05:08 • -6.55db
19% Popularity • 71% Danceability • 83% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
19% Popularity • 71% Danceability • 83% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
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P. Jayachandran
MANDARA PUSHPAVU NEENU
123 bpm • C# Maj • 04:21 • -4.57db
20% Popularity • 34% Danceability • 72% Energy • 19% Liveness
2% Instrumentalness • 70% Positiveness
20% Popularity • 34% Danceability • 72% Energy • 19% Liveness
2% Instrumentalness • 70% Positiveness
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P. B. Sreenivas
Baare Baare
122 bpm • C min • 03:18 • -5.93db
10% Popularity • 36% Danceability • 62% Energy • 53% Liveness
0% Instrumentalness • 76% Positiveness
10% Popularity • 36% Danceability • 62% Energy • 53% Liveness
0% Instrumentalness • 76% Positiveness
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L. R. Eswari
Pallinginal Oru
121 bpm • D# min • 03:45 • -9db
15% Popularity • 44% Danceability • 57% Energy • 30% Liveness
5% Instrumentalness • 72% Positiveness
15% Popularity • 44% Danceability • 57% Energy • 30% Liveness
5% Instrumentalness • 72% Positiveness
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J. P. Chandrababu
Kunguma Poove
121 bpm • D# min • 03:41 • -9.2db
21% Popularity • 47% Danceability • 71% Energy • 61% Liveness
85% Instrumentalness • 94% Positiveness
21% Popularity • 47% Danceability • 71% Energy • 61% Liveness
85% Instrumentalness • 94% Positiveness
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P. Susheela
Chittukkuruvi
121 bpm • C min • 05:10 • -7db
21% Popularity • 48% Danceability • 56% Energy • 10% Liveness
36% Instrumentalness • 73% Positiveness
21% Popularity • 48% Danceability • 56% Energy • 10% Liveness
36% Instrumentalness • 73% Positiveness
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Yesudas
Chandanalepa
165 bpm • G Maj • 04:08 • -8.03db
25% Popularity • 50% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
25% Popularity • 50% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
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Ramesh Chandra
Malagu Malagu
165 bpm • B min • 04:04 • -9.31db
33% Popularity • 67% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
33% Popularity • 67% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Sirkazhi Govindarajan
Kaadhalikka Neramillai
120 bpm • G# Maj • 05:13 • -9.97db
20% Popularity • 44% Danceability • 63% Energy • 9% Liveness
16% Instrumentalness • 86% Positiveness
20% Popularity • 44% Danceability • 63% Energy • 9% Liveness
16% Instrumentalness • 86% Positiveness
