Songs like Valentina Di Sera by Bill Dixon
Based on a tempo of (+/- 10%) and a similar genre
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Bill Dixon
Valentina Di Sera
110 bpm • D Maj • 03:07 • -17.87db
5% Popularity • 40% Danceability • 33% Energy • 9% Liveness
88% Instrumentalness • 34% Positiveness
5% Popularity • 40% Danceability • 33% Energy • 9% Liveness
88% Instrumentalness • 34% Positiveness
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Nat Adderley
You, Baby
110 bpm • D min • 02:49 • -20.47db
12% Popularity • 55% Danceability • 31% Energy • 8% Liveness
89% Instrumentalness • 78% Positiveness
12% Popularity • 55% Danceability • 31% Energy • 8% Liveness
89% Instrumentalness • 78% Positiveness
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Thom Yorke
Bunch Of Flowers
110 bpm • G min • 02:11 • -14.53db
33% Popularity • 24% Danceability • 26% Energy • 16% Liveness
87% Instrumentalness • 4% Positiveness
33% Popularity • 24% Danceability • 26% Energy • 16% Liveness
87% Instrumentalness • 4% Positiveness
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Aki Takase
A Very Long Letter
110 bpm • G# Maj • 05:44 • -8db
11% Popularity • 52% Danceability • 65% Energy • 9% Liveness
91% Instrumentalness • 58% Positiveness
11% Popularity • 52% Danceability • 65% Energy • 9% Liveness
91% Instrumentalness • 58% Positiveness
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Petter Eldh
Koma Rail
110 bpm • C Maj • 02:07 • -13.51db
14% Popularity • 28% Danceability • 29% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness
14% Popularity • 28% Danceability • 29% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness
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Valentina Marán
Depuis Séville sans amour
110 bpm • G min • 03:55 • -9.84db
21% Popularity • 61% Danceability • 29% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 61% Danceability • 29% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
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Bill Dixon
Tableau
110 bpm • D Maj • 10:21 • -18.8db
1% Popularity • 30% Danceability • 30% Energy • 25% Liveness
86% Instrumentalness • 7% Positiveness
1% Popularity • 30% Danceability • 30% Energy • 25% Liveness
86% Instrumentalness • 7% Positiveness
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Nikolaj Hess
Space Minor
111 bpm • D min • 03:30 • -22.4db
14% Popularity • 28% Danceability • 17% Energy • 12% Liveness
76% Instrumentalness • 19% Positiveness
14% Popularity • 28% Danceability • 17% Energy • 12% Liveness
76% Instrumentalness • 19% Positiveness
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Steve Lacy
Evidence
109 bpm • G# Maj • 04:59 • -18.74db
14% Popularity • 57% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
14% Popularity • 57% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Dick Charlesworth & His City Gents
Breeze - Live
109 bpm • D Maj • 03:39 • -13.8db
0% Popularity • 87% Danceability • 15% Energy • 13% Liveness
88% Instrumentalness • 66% Positiveness
0% Popularity • 87% Danceability • 15% Energy • 13% Liveness
88% Instrumentalness • 66% Positiveness
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Will Glaser
Song for the Snake Man
109 bpm • B Maj • 04:57 • -15.06db
1% Popularity • 51% Danceability • 39% Energy • 9% Liveness
94% Instrumentalness • 16% Positiveness
1% Popularity • 51% Danceability • 39% Energy • 9% Liveness
94% Instrumentalness • 16% Positiveness
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Tomasz Dąbrowski
Oddly Abstract Nature
111 bpm • D Maj • 03:06 • -15.04db
9% Popularity • 40% Danceability • 47% Energy • 31% Liveness
43% Instrumentalness • 21% Positiveness
9% Popularity • 40% Danceability • 47% Energy • 31% Liveness
43% Instrumentalness • 21% Positiveness
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Bill Dixon
Vecctor
110 bpm • A# Maj • 01:58 • -14.22db
5% Popularity • 34% Danceability • 49% Energy • 11% Liveness
3% Instrumentalness • 56% Positiveness
5% Popularity • 34% Danceability • 49% Energy • 11% Liveness
3% Instrumentalness • 56% Positiveness
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Marco Papa Emil Buchholtz
Brainstorming (second session) V
109 bpm • A Maj • 01:16 • -45.18db
30% Popularity • 40% Danceability • 0% Energy • 10% Liveness
95% Instrumentalness • 31% Positiveness
30% Popularity • 40% Danceability • 0% Energy • 10% Liveness
95% Instrumentalness • 31% Positiveness
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Caroline Davis
Ultra Detatched
109 bpm • B min • 03:51 • -10.43db
8% Popularity • 44% Danceability • 40% Energy • 11% Liveness
13% Instrumentalness • 66% Positiveness
8% Popularity • 44% Danceability • 40% Energy • 11% Liveness
13% Instrumentalness • 66% Positiveness
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BGM channel
I Hope He's Good For You
109 bpm • D# min • 03:51 • -17.42db
15% Popularity • 70% Danceability • 30% Energy • 24% Liveness
96% Instrumentalness • 32% Positiveness
15% Popularity • 70% Danceability • 30% Energy • 24% Liveness
96% Instrumentalness • 32% Positiveness
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Paul Bley Trio
Start
109 bpm • F min • 02:23 • -23.63db
21% Popularity • 52% Danceability • 15% Energy • 37% Liveness
8% Instrumentalness • 45% Positiveness
21% Popularity • 52% Danceability • 15% Energy • 37% Liveness
8% Instrumentalness • 45% Positiveness
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Paul Motian Trio
Conception Vessel
109 bpm • F# Maj • 04:33 • -18db
7% Popularity • 31% Danceability • 9% Energy • 22% Liveness
3% Instrumentalness • 6% Positiveness
7% Popularity • 31% Danceability • 9% Energy • 22% Liveness
3% Instrumentalness • 6% Positiveness
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Michelle Moeller
Corridor
109 bpm • D# min • 03:27 • -15.93db
10% Popularity • 51% Danceability • 37% Energy • 11% Liveness
89% Instrumentalness • 76% Positiveness
10% Popularity • 51% Danceability • 37% Energy • 11% Liveness
89% Instrumentalness • 76% Positiveness
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Dick Charlesworth & His City Gents
Working Man Blues - Live
109 bpm • A Maj • 04:27 • -11.46db
0% Popularity • 66% Danceability • 27% Energy • 16% Liveness
5% Instrumentalness • 64% Positiveness
0% Popularity • 66% Danceability • 27% Energy • 16% Liveness
5% Instrumentalness • 64% Positiveness
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Yuhan Su
Hi-Tech Pros and Cons
111 bpm • C# min • 06:27 • -9.67db
15% Popularity • 51% Danceability • 58% Energy • 22% Liveness
59% Instrumentalness • 62% Positiveness
15% Popularity • 51% Danceability • 58% Energy • 22% Liveness
59% Instrumentalness • 62% Positiveness
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Bill Dixon
Moderately Radical Blues
112 bpm • C Maj • 03:05 • -12.66db
0% Popularity • 49% Danceability • 38% Energy • 14% Liveness
13% Instrumentalness • 36% Positiveness
0% Popularity • 49% Danceability • 38% Energy • 14% Liveness
13% Instrumentalness • 36% Positiveness
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Furio Di Castri
Walk and Jump
108 bpm • F# Maj • 03:13 • -22.66db
10% Popularity • 55% Danceability • 3% Energy • 11% Liveness
13% Instrumentalness • 12% Positiveness
10% Popularity • 55% Danceability • 3% Energy • 11% Liveness
13% Instrumentalness • 12% Positiveness
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Eric Vloeimans
Tik Een Eitje
108 bpm • G Maj • 01:08 • -11.3db
16% Popularity • 73% Danceability • 38% Energy • 8% Liveness
10% Instrumentalness • 71% Positiveness
16% Popularity • 73% Danceability • 38% Energy • 8% Liveness
10% Instrumentalness • 71% Positiveness
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Henry Threadgill
In for a penny, in for a pound (opening)
112 bpm • C# Maj • 04:35 • -12.56db
9% Popularity • 47% Danceability • 48% Energy • 19% Liveness
85% Instrumentalness • 62% Positiveness
9% Popularity • 47% Danceability • 48% Energy • 19% Liveness
85% Instrumentalness • 62% Positiveness
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Jazz Drum Wizards
Jazz Drum Solo
112 bpm • G min • 01:42 • -22.23db
12% Popularity • 62% Danceability • 19% Energy • 13% Liveness
90% Instrumentalness • 87% Positiveness
12% Popularity • 62% Danceability • 19% Energy • 13% Liveness
90% Instrumentalness • 87% Positiveness
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Alexandre Saada
Interlude, Pt. 2
108 bpm • G Maj • 00:53 • -24.5db
12% Popularity • 45% Danceability • 16% Energy • 44% Liveness
61% Instrumentalness • 51% Positiveness
12% Popularity • 45% Danceability • 16% Energy • 44% Liveness
61% Instrumentalness • 51% Positiveness
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Bill Dixon
The Sirens
108 bpm • C Maj • 07:09 • -16.11db
0% Popularity • 42% Danceability • 41% Energy • 11% Liveness
8% Instrumentalness • 53% Positiveness
0% Popularity • 42% Danceability • 41% Energy • 11% Liveness
8% Instrumentalness • 53% Positiveness
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Peter Brötzmann
It's Almost Dark
112 bpm • A# Maj • 10:09 • -10.42db
10% Popularity • 29% Danceability • 17% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
10% Popularity • 29% Danceability • 17% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
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Bennie Maupin
Song For Tracie Dixon Summers
112 bpm • D Maj • 05:19 • -14.54db
9% Popularity • 31% Danceability • 10% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
9% Popularity • 31% Danceability • 10% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
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Dick Charlesworth & His City Gents
Shine - Live
112 bpm • D Maj • 02:25 • -11.31db
0% Popularity • 63% Danceability • 57% Energy • 9% Liveness
20% Instrumentalness • 96% Positiveness
0% Popularity • 63% Danceability • 57% Energy • 9% Liveness
20% Instrumentalness • 96% Positiveness
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Muhal Richard Abrams
Afrisong
112 bpm • G# Maj • 05:09 • -26db
17% Popularity • 34% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 34% Positiveness
17% Popularity • 34% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 34% Positiveness
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![The Wizard cover art]()
Albert Ayler
The Wizard
108 bpm • D min • 07:22 • -14.06db
21% Popularity • 33% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
21% Popularity • 33% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Vilhelm Bromander
Over the Top and Beyond
112 bpm • A Maj • 03:17 • -10.05db
11% Popularity • 17% Danceability • 16% Energy • 14% Liveness
72% Instrumentalness • 4% Positiveness
11% Popularity • 17% Danceability • 16% Energy • 14% Liveness
72% Instrumentalness • 4% Positiveness
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Jan Garbarek Quartet
Skarabée
113 bpm • F Maj • 06:16 • -21.17db
16% Popularity • 53% Danceability • 47% Energy • 10% Liveness
6% Instrumentalness • 29% Positiveness
16% Popularity • 53% Danceability • 47% Energy • 10% Liveness
6% Instrumentalness • 29% Positiveness
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Dollar Brand
ドンの歌
107 bpm • E min • 07:36 • -9.65db
9% Popularity • 25% Danceability • 53% Energy • 16% Liveness
75% Instrumentalness • 20% Positiveness
9% Popularity • 25% Danceability • 53% Energy • 16% Liveness
75% Instrumentalness • 20% Positiveness
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Tony Oxley
Section 1
113 bpm • F# Maj • 05:35 • -18.12db
0% Popularity • 44% Danceability • 58% Energy • 39% Liveness
51% Instrumentalness • 22% Positiveness
0% Popularity • 44% Danceability • 58% Energy • 39% Liveness
51% Instrumentalness • 22% Positiveness
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Aldo Romano
Spring Tide
107 bpm • G Maj • 02:53 • -13db
9% Popularity • 42% Danceability • 23% Energy • 69% Liveness
16% Instrumentalness • 4% Positiveness
9% Popularity • 42% Danceability • 23% Energy • 69% Liveness
16% Instrumentalness • 4% Positiveness
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Jason Moran
Onset I
113 bpm • G# min • 04:13 • -18.75db
14% Popularity • 38% Danceability • 27% Energy • 12% Liveness
87% Instrumentalness • 41% Positiveness
14% Popularity • 38% Danceability • 27% Energy • 12% Liveness
87% Instrumentalness • 41% Positiveness
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Bill Dixon
Sumi - E
113 bpm • G Maj • 02:59 • -36.12db
2% Popularity • 39% Danceability • 0% Energy • 10% Liveness
94% Instrumentalness • 8% Positiveness
2% Popularity • 39% Danceability • 0% Energy • 10% Liveness
94% Instrumentalness • 8% Positiveness
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Steve Lehman Trio
Interlude
113 bpm • G# Maj • 01:04 • -17db
22% Popularity • 65% Danceability • 29% Energy • 9% Liveness
91% Instrumentalness • 11% Positiveness
22% Popularity • 65% Danceability • 29% Energy • 9% Liveness
91% Instrumentalness • 11% Positiveness
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John Abercrombie
Reminiscence
113 bpm • A min • 04:34 • -31.41db
9% Popularity • 36% Danceability • 4% Energy • 12% Liveness
82% Instrumentalness • 11% Positiveness
9% Popularity • 36% Danceability • 4% Energy • 12% Liveness
82% Instrumentalness • 11% Positiveness
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Laura Siersema
Stillness Variation 6 (House of Georgie ...
107 bpm • A Maj • 09:41 • -20.27db
24% Popularity • 28% Danceability • 17% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
24% Popularity • 28% Danceability • 17% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
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Tony Oxley
Section 9
107 bpm • G# Maj • 03:57 • -24.33db
0% Popularity • 32% Danceability • 22% Energy • 16% Liveness
2% Instrumentalness • 5% Positiveness
0% Popularity • 32% Danceability • 22% Energy • 16% Liveness
2% Instrumentalness • 5% Positiveness
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Cecilie Strange
Arise
113 bpm • G# Maj • 05:20 • -21.18db
9% Popularity • 47% Danceability • 10% Energy • 10% Liveness
73% Instrumentalness • 7% Positiveness
9% Popularity • 47% Danceability • 10% Energy • 10% Liveness
73% Instrumentalness • 7% Positiveness
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Terje Rypdal
Sunrise
107 bpm • F Maj • 08:26 • -20.34db
14% Popularity • 33% Danceability • 36% Energy • 10% Liveness
92% Instrumentalness • 20% Positiveness
14% Popularity • 33% Danceability • 36% Energy • 10% Liveness
92% Instrumentalness • 20% Positiveness
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Maurício Tagliari
EICNSCS para 6 músicos
107 bpm • B Maj • 08:03 • -12.08db
12% Popularity • 43% Danceability • 51% Energy • 6% Liveness
65% Instrumentalness • 16% Positiveness
12% Popularity • 43% Danceability • 51% Energy • 6% Liveness
65% Instrumentalness • 16% Positiveness
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Kjetil Mulelid Trio
You Stood There in Silence, Having No Wo...
114 bpm • F Maj • 07:11 • -15.9db
11% Popularity • 38% Danceability • 31% Energy • 8% Liveness
86% Instrumentalness • 8% Positiveness
11% Popularity • 38% Danceability • 31% Energy • 8% Liveness
86% Instrumentalness • 8% Positiveness
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John Surman
Gathering - Remastered 1985
114 bpm • D Maj • 05:57 • -11.07db
24% Popularity • 24% Danceability • 88% Energy • 14% Liveness
21% Instrumentalness • 7% Positiveness
24% Popularity • 24% Danceability • 88% Energy • 14% Liveness
21% Instrumentalness • 7% Positiveness
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Albert Ayler
Angels
114 bpm • F Maj • 05:32 • -19.51db
11% Popularity • 30% Danceability • 14% Energy • 42% Liveness
12% Instrumentalness • 15% Positiveness
11% Popularity • 30% Danceability • 14% Energy • 42% Liveness
12% Instrumentalness • 15% Positiveness
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Bill Dixon
Sine Qua Non #1
106 bpm • A Maj • 06:54 • -16.83db
0% Popularity • 36% Danceability • 48% Energy • 12% Liveness
87% Instrumentalness • 32% Positiveness
0% Popularity • 36% Danceability • 48% Energy • 12% Liveness
87% Instrumentalness • 32% Positiveness
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E Hyejy
Telephone Call from the Waves
106 bpm • G# Maj • 04:06 • -15.33db
8% Popularity • 22% Danceability • 30% Energy • 15% Liveness
76% Instrumentalness • 12% Positiveness
8% Popularity • 22% Danceability • 30% Energy • 15% Liveness
76% Instrumentalness • 12% Positiveness
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Beagle Deveraux
Je T'aime...Paris
106 bpm • C# Maj • 04:35 • -24.51db
13% Popularity • 41% Danceability • 28% Energy • 90% Liveness
79% Instrumentalness • 13% Positiveness
13% Popularity • 41% Danceability • 28% Energy • 90% Liveness
79% Instrumentalness • 13% Positiveness
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Melissa Aldana
Unconscious Whispers
114 bpm • A Maj • 06:49 • -15.27db
36% Popularity • 48% Danceability • 30% Energy • 11% Liveness
90% Instrumentalness • 26% Positiveness
36% Popularity • 48% Danceability • 30% Energy • 11% Liveness
90% Instrumentalness • 26% Positiveness
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John Surman
Premonition - Remastered 1985
106 bpm • G Maj • 03:45 • -12.65db
29% Popularity • 34% Danceability • 60% Energy • 37% Liveness
0% Instrumentalness • 51% Positiveness
29% Popularity • 34% Danceability • 60% Energy • 37% Liveness
0% Instrumentalness • 51% Positiveness
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Derek Bailey
Laura
106 bpm • G Maj • 02:58 • -16.4db
12% Popularity • 66% Danceability • 13% Energy • 15% Liveness
83% Instrumentalness • 13% Positiveness
12% Popularity • 66% Danceability • 13% Energy • 15% Liveness
83% Instrumentalness • 13% Positiveness
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Steph Richards
Canopy
106 bpm • C# Maj • 03:41 • -15.44db
11% Popularity • 46% Danceability • 43% Energy • 39% Liveness
77% Instrumentalness • 42% Positiveness
11% Popularity • 46% Danceability • 43% Energy • 39% Liveness
77% Instrumentalness • 42% Positiveness
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Bada-Bada
Maria João - Intro
106 bpm • G min • 01:23 • -22.58db
10% Popularity • 41% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
10% Popularity • 41% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Tony Oxley
Section 14
115 bpm • F min • 03:00 • -14.86db
0% Popularity • 46% Danceability • 63% Energy • 28% Liveness
1% Instrumentalness • 72% Positiveness
0% Popularity • 46% Danceability • 63% Energy • 28% Liveness
1% Instrumentalness • 72% Positiveness
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Gianluigi Trovesi
Baghèt
115 bpm • G min • 05:54 • -12.04db
20% Popularity • 44% Danceability • 31% Energy • 11% Liveness
38% Instrumentalness • 15% Positiveness
20% Popularity • 44% Danceability • 31% Energy • 11% Liveness
38% Instrumentalness • 15% Positiveness
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Bill Dixon
Quadro Di N.h. Pritchard
105 bpm • G# Maj • 01:34 • -20.38db
0% Popularity • 65% Danceability • 0% Energy • 9% Liveness
79% Instrumentalness • 0% Positiveness
0% Popularity • 65% Danceability • 0% Energy • 9% Liveness
79% Instrumentalness • 0% Positiveness
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Art Ensemble Of Chicago
Prayer For Jimbo Kwesi
105 bpm • D Maj • 09:47 • -21.07db
9% Popularity • 22% Danceability • 12% Energy • 12% Liveness
72% Instrumentalness • 5% Positiveness
9% Popularity • 22% Danceability • 12% Energy • 12% Liveness
72% Instrumentalness • 5% Positiveness
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Dick Charlesworth & His City Gents
Steamboat Stomp - Live
115 bpm • D Maj • 02:46 • -10.7db
0% Popularity • 66% Danceability • 50% Energy • 10% Liveness
53% Instrumentalness • 91% Positiveness
0% Popularity • 66% Danceability • 50% Energy • 10% Liveness
53% Instrumentalness • 91% Positiveness
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Felipe Senna
Turbulenta
115 bpm • C# Maj • 06:42 • -17.01db
18% Popularity • 35% Danceability • 25% Energy • 9% Liveness
87% Instrumentalness • 15% Positiveness
18% Popularity • 35% Danceability • 25% Energy • 9% Liveness
87% Instrumentalness • 15% Positiveness
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Tony Oxley
Section 2
115 bpm • G# Maj • 01:45 • -20.24db
0% Popularity • 55% Danceability • 32% Energy • 56% Liveness
50% Instrumentalness • 70% Positiveness
0% Popularity • 55% Danceability • 32% Energy • 56% Liveness
50% Instrumentalness • 70% Positiveness
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Alexandre Aquino Trio
A Chuva
115 bpm • E min • 06:34 • -19db
17% Popularity • 69% Danceability • 21% Energy • 10% Liveness
69% Instrumentalness • 42% Positiveness
17% Popularity • 69% Danceability • 21% Energy • 10% Liveness
69% Instrumentalness • 42% Positiveness
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Lennart Ginman
See You Again at the Carnegie Hall
105 bpm • D min • 02:25 • -16.84db
15% Popularity • 47% Danceability • 31% Energy • 5% Liveness
48% Instrumentalness • 47% Positiveness
15% Popularity • 47% Danceability • 31% Energy • 5% Liveness
48% Instrumentalness • 47% Positiveness
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Furio Di Castri
Mother
116 bpm • A# min • 04:05 • -25.07db
10% Popularity • 50% Danceability • 11% Energy • 9% Liveness
1% Instrumentalness • 48% Positiveness
10% Popularity • 50% Danceability • 11% Energy • 9% Liveness
1% Instrumentalness • 48% Positiveness
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Lorenzo Cimino
Electric Trumpet 4
116 bpm • F min • 02:36 • -24.47db
9% Popularity • 48% Danceability • 8% Energy • 8% Liveness
9% Instrumentalness • 42% Positiveness
9% Popularity • 48% Danceability • 8% Energy • 8% Liveness
9% Instrumentalness • 42% Positiveness
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Bill Dixon
Cinnamon
104 bpm • E Maj • 08:15 • -17.5db
0% Popularity • 43% Danceability • 35% Energy • 5% Liveness
50% Instrumentalness • 7% Positiveness
0% Popularity • 43% Danceability • 35% Energy • 5% Liveness
50% Instrumentalness • 7% Positiveness
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Last Exit
Backwater
116 bpm • G Maj • 05:27 • -13.55db
8% Popularity • 38% Danceability • 87% Energy • 43% Liveness
77% Instrumentalness • 18% Positiveness
8% Popularity • 38% Danceability • 87% Energy • 43% Liveness
77% Instrumentalness • 18% Positiveness
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Archie Shepp
Malcolm, Malcolm - Semper Malcolm
116 bpm • G# Maj • 04:48 • -21.31db
14% Popularity • 41% Danceability • 6% Energy • 16% Liveness
64% Instrumentalness • 8% Positiveness
14% Popularity • 41% Danceability • 6% Energy • 16% Liveness
64% Instrumentalness • 8% Positiveness
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Quantum Gears
Turbocharged Dreams
117 bpm • F# min • 01:01 • -18.8db
14% Popularity • 45% Danceability • 6% Energy • 14% Liveness
92% Instrumentalness • 26% Positiveness
14% Popularity • 45% Danceability • 6% Energy • 14% Liveness
92% Instrumentalness • 26% Positiveness
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John Zorn
The Big Gundown
116 bpm • D Maj • 07:26 • -11.9db
9% Popularity • 42% Danceability • 61% Energy • 8% Liveness
45% Instrumentalness • 20% Positiveness
9% Popularity • 42% Danceability • 61% Energy • 8% Liveness
45% Instrumentalness • 20% Positiveness
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Shun Ishiwaka
Dejavu #1
117 bpm • F min • 01:22 • -17db
8% Popularity • 48% Danceability • 36% Energy • 14% Liveness
70% Instrumentalness • 66% Positiveness
8% Popularity • 48% Danceability • 36% Energy • 14% Liveness
70% Instrumentalness • 66% Positiveness
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Billy Mohler
Nibowin
104 bpm • G Maj • 02:13 • -25.22db
12% Popularity • 34% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 13% Positiveness
12% Popularity • 34% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 13% Positiveness
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Jaimie Branch
...Meanwhile
104 bpm • D Maj • 02:49 • -14db
13% Popularity • 39% Danceability • 45% Energy • 11% Liveness
71% Instrumentalness • 19% Positiveness
13% Popularity • 39% Danceability • 45% Energy • 11% Liveness
71% Instrumentalness • 19% Positiveness
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Bill Dixon
Molti Molti Anni Fa...
104 bpm • F Maj • 07:41 • -21.35db
2% Popularity • 38% Danceability • 10% Energy • 11% Liveness
96% Instrumentalness • 12% Positiveness
2% Popularity • 38% Danceability • 10% Energy • 11% Liveness
96% Instrumentalness • 12% Positiveness
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Dick Charlesworth & His City Gents
Diga Diga Doo - Live
117 bpm • D# Maj • 02:33 • -12.81db
0% Popularity • 73% Danceability • 48% Energy • 13% Liveness
75% Instrumentalness • 87% Positiveness
0% Popularity • 73% Danceability • 48% Energy • 13% Liveness
75% Instrumentalness • 87% Positiveness
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Paul Motian Trio
It Should've Happened A Long Time Ago
117 bpm • F# min • 06:06 • -16db
14% Popularity • 34% Danceability • 15% Energy • 38% Liveness
3% Instrumentalness • 28% Positiveness
14% Popularity • 34% Danceability • 15% Energy • 38% Liveness
3% Instrumentalness • 28% Positiveness
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Shovin' Sunshine
More Than a Day
103 bpm • D Maj • 02:06 • -8.64db
18% Popularity • 48% Danceability • 50% Energy • 17% Liveness
5% Instrumentalness • 43% Positiveness
18% Popularity • 48% Danceability • 50% Energy • 17% Liveness
5% Instrumentalness • 43% Positiveness
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Chad Taylor
Box Step
103 bpm • A min • 05:59 • -17db
9% Popularity • 42% Danceability • 32% Energy • 9% Liveness
53% Instrumentalness • 36% Positiveness
9% Popularity • 42% Danceability • 32% Energy • 9% Liveness
53% Instrumentalness • 36% Positiveness
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Jaimie Branch
reflections on a broken sea
103 bpm • B min • 02:14 • -15.28db
11% Popularity • 66% Danceability • 46% Energy • 20% Liveness
93% Instrumentalness • 54% Positiveness
11% Popularity • 66% Danceability • 46% Energy • 20% Liveness
93% Instrumentalness • 54% Positiveness
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Mary Halvorson
Armory Beams
103 bpm • B Maj • 01:08 • -12.44db
20% Popularity • 42% Danceability • 21% Energy • 18% Liveness
94% Instrumentalness • 4% Positiveness
20% Popularity • 42% Danceability • 21% Energy • 18% Liveness
94% Instrumentalness • 4% Positiveness
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Piero Umiliani
Free In Minore
103 bpm • G min • 02:08 • -14.69db
22% Popularity • 40% Danceability • 5% Energy • 11% Liveness
5% Instrumentalness • 15% Positiveness
22% Popularity • 40% Danceability • 5% Energy • 11% Liveness
5% Instrumentalness • 15% Positiveness
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Kenny Wheeler
Part 4 - For P.A.
103 bpm • D Maj • 09:26 • -18.04db
15% Popularity • 36% Danceability • 22% Energy • 11% Liveness
9% Instrumentalness • 7% Positiveness
15% Popularity • 36% Danceability • 22% Energy • 11% Liveness
9% Instrumentalness • 7% Positiveness
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Henry Franklin
Outbreak
118 bpm • C min • 10:03 • -15.97db
7% Popularity • 33% Danceability • 41% Energy • 16% Liveness
20% Instrumentalness • 60% Positiveness
7% Popularity • 33% Danceability • 41% Energy • 16% Liveness
20% Instrumentalness • 60% Positiveness
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John Zorn
Rigal
103 bpm • G min • 06:09 • -11.44db
15% Popularity • 43% Danceability • 43% Energy • 10% Liveness
32% Instrumentalness • 24% Positiveness
15% Popularity • 43% Danceability • 43% Energy • 10% Liveness
32% Instrumentalness • 24% Positiveness
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Joe Harriott
Spring Low, Sweet Harriott
118 bpm • G min • 01:57 • -16.69db
22% Popularity • 48% Danceability • 26% Energy • 11% Liveness
7% Instrumentalness • 23% Positiveness
22% Popularity • 48% Danceability • 26% Energy • 11% Liveness
7% Instrumentalness • 23% Positiveness
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Mats Gustafsson
THERE ARE SOME WORLDS WHERE ALL DREAMS D...
118 bpm • C# Maj • 07:12 • -20.23db
8% Popularity • 27% Danceability • 8% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
8% Popularity • 27% Danceability • 8% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
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Steve Lehman
39
102 bpm • A min • 08:02 • -14.27db
12% Popularity • 41% Danceability • 45% Energy • 14% Liveness
70% Instrumentalness • 30% Positiveness
12% Popularity • 41% Danceability • 45% Energy • 14% Liveness
70% Instrumentalness • 30% Positiveness
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Tomasz Stańko
No Bass Trio
102 bpm • B min • 05:58 • -25.28db
9% Popularity • 25% Danceability • 1% Energy • 9% Liveness
74% Instrumentalness • 5% Positiveness
9% Popularity • 25% Danceability • 1% Energy • 9% Liveness
74% Instrumentalness • 5% Positiveness
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John Surman
Event - Remastered 1985
102 bpm • A min • 03:19 • -18.41db
29% Popularity • 30% Danceability • 6% Energy • 11% Liveness
31% Instrumentalness • 9% Positiveness
29% Popularity • 30% Danceability • 6% Energy • 11% Liveness
31% Instrumentalness • 9% Positiveness
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Matthew Shipp
The Function
119 bpm • A min • 07:05 • -15.73db
11% Popularity • 56% Danceability • 24% Energy • 11% Liveness
93% Instrumentalness • 19% Positiveness
11% Popularity • 56% Danceability • 24% Energy • 11% Liveness
93% Instrumentalness • 19% Positiveness
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Brahja
Sorcery of Terminology
102 bpm • G# min • 05:25 • -22db
8% Popularity • 24% Danceability • 7% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
8% Popularity • 24% Danceability • 7% Energy • 11% Liveness
88% Instrumentalness • 7% Positiveness
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Dick Charlesworth & His City Gents
Winin' Boy Blues - Live
101 bpm • D Maj • 03:04 • -11.28db
0% Popularity • 70% Danceability • 25% Energy • 37% Liveness
0% Instrumentalness • 64% Positiveness
0% Popularity • 70% Danceability • 25% Energy • 37% Liveness
0% Instrumentalness • 64% Positiveness
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Art Ensemble Of Chicago
Nice Guys
120 bpm • D Maj • 01:41 • -13db
30% Popularity • 57% Danceability • 23% Energy • 14% Liveness
70% Instrumentalness • 50% Positiveness
30% Popularity • 57% Danceability • 23% Energy • 14% Liveness
70% Instrumentalness • 50% Positiveness
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Bill Dixon
In Search of a Sound
101 bpm • F Maj • 04:14 • -22.03db
0% Popularity • 26% Danceability • 4% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
0% Popularity • 26% Danceability • 4% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
