Songs like Vanessa, Op. 32: Act I: Scene 2: Erika, I am so happy by Samuel Barber
Based on a tempo of (+/- 10%) and a similar genre
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Erik Satie
3 Gymnopédies: No. 1, Lent et douloureu...
82 bpm • G Maj • 03:10 • -38db
52% Popularity • 42% Danceability • 0% Energy • 10% Liveness
95% Instrumentalness • 48% Positiveness
52% Popularity • 42% Danceability • 0% Energy • 10% Liveness
95% Instrumentalness • 48% Positiveness
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George Frideric Handel
Largo from Xerxes
82 bpm • G Maj • 05:50 • -19.08db
44% Popularity • 8% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
44% Popularity • 8% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
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Samuel Barber
Violin Concerto, Op. 14: II. Andante
82 bpm • E Maj • 08:42 • -29db
20% Popularity • 10% Danceability • 3% Energy • 10% Liveness
45% Instrumentalness • 3% Positiveness
20% Popularity • 10% Danceability • 3% Energy • 10% Liveness
45% Instrumentalness • 3% Positiveness
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Giacomo Puccini
Gianni Schicchi: "O mio Babbino caro"
82 bpm • G# Maj • 04:03 • -15.4db
39% Popularity • 15% Danceability • 19% Energy • 13% Liveness
81% Instrumentalness • 4% Positiveness
39% Popularity • 15% Danceability • 19% Energy • 13% Liveness
81% Instrumentalness • 4% Positiveness
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![Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] cover art](https://i.scdn.co/image/ab67616d00001e02c21d253eed4ccdd547b4b94d)
Aram Khachaturian
Spartacus, Act III: Adagio of Spartacus ...
82 bpm • F# min • 09:23 • -21.48db
40% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
40% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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William Walton
Henry V: Henry V: Touch her soft lips an...
82 bpm • C Maj • 01:33 • -31.37db
64% Popularity • 15% Danceability • 2% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
64% Popularity • 15% Danceability • 2% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
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Ludwig van Beethoven
Piano Concerto No. 5 in E-Flat Major, Op...
81 bpm • B Maj • 08:23 • -26db
42% Popularity • 21% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
42% Popularity • 21% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Clara Schumann
Three Romances for Violin and Piano, Op....
81 bpm • C# Maj • 02:52 • -15.79db
37% Popularity • 31% Danceability • 20% Energy • 14% Liveness
1% Instrumentalness • 9% Positiveness
37% Popularity • 31% Danceability • 20% Energy • 14% Liveness
1% Instrumentalness • 9% Positiveness
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Samuel Barber
To be sung on the water, Op. 42, No. 2
82 bpm • C min • 03:17 • -34.26db
21% Popularity • 9% Danceability • 1% Energy • 13% Liveness
56% Instrumentalness • 4% Positiveness
21% Popularity • 9% Danceability • 1% Energy • 13% Liveness
56% Instrumentalness • 4% Positiveness
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Max Bruch
Violin Concerto No. 1 in G minor, Op. 26...
81 bpm • D# Maj • 09:23 • -23db
30% Popularity • 11% Danceability • 8% Energy • 12% Liveness
15% Instrumentalness • 4% Positiveness
30% Popularity • 11% Danceability • 8% Energy • 12% Liveness
15% Instrumentalness • 4% Positiveness
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Ottorino Respighi
Respighi: Pini di Roma, P. 141: III. I p...
81 bpm • E Maj • 07:42 • -35.69db
46% Popularity • 8% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 3% Positiveness
46% Popularity • 8% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 3% Positiveness
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Gustav Holst
The Planets, Op. 32: II. Venus, the Brin...
83 bpm • G# Maj • 08:20 • -37db
38% Popularity • 8% Danceability • 0% Energy • 11% Liveness
1% Instrumentalness • 3% Positiveness
38% Popularity • 8% Danceability • 0% Energy • 11% Liveness
1% Instrumentalness • 3% Positiveness
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Ludwig van Beethoven
Speaking Unto Nations (Beethoven Symphon...
83 bpm • E min • 05:02 • -20.74db
44% Popularity • 10% Danceability • 2% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
44% Popularity • 10% Danceability • 2% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Madama Butterfly, SC 74, Act II: Coro a ...
81 bpm • A# Maj • 02:47 • -40.23db
27% Popularity • 18% Danceability • 0% Energy • 10% Liveness
76% Instrumentalness • 4% Positiveness
27% Popularity • 18% Danceability • 0% Energy • 10% Liveness
76% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Humoresque, Op. 101, No. 7
83 bpm • F# Maj • 03:50 • -22.48db
44% Popularity • 15% Danceability • 9% Energy • 11% Liveness
7% Instrumentalness • 6% Positiveness
44% Popularity • 15% Danceability • 9% Energy • 11% Liveness
7% Instrumentalness • 6% Positiveness
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Benjamin Britten
The Young Person's Guide to the Orchestr...
83 bpm • A# Maj • 02:07 • -20db
32% Popularity • 30% Danceability • 14% Energy • 9% Liveness
69% Instrumentalness • 37% Positiveness
32% Popularity • 30% Danceability • 14% Energy • 9% Liveness
69% Instrumentalness • 37% Positiveness
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Nikolai Rimsky-Korsakov
Rimsky-Korsakov: Scheherazade, Op. 35: I...
81 bpm • B min • 03:53 • -24.98db
38% Popularity • 19% Danceability • 3% Energy • 35% Liveness
72% Instrumentalness • 4% Positiveness
38% Popularity • 19% Danceability • 3% Energy • 35% Liveness
72% Instrumentalness • 4% Positiveness
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Henry Purcell
Dido and Aeneas / Act 3: "Thy Hand Belin...
83 bpm • F# min • 04:06 • -28.04db
39% Popularity • 14% Danceability • 2% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
39% Popularity • 14% Danceability • 2% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
81 bpm • D min • 01:36 • -28db
53% Popularity • 23% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
53% Popularity • 23% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
81 bpm • A Maj • 01:08 • -19db
62% Popularity • 20% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 19% Positiveness
62% Popularity • 20% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 19% Positiveness
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Alexander Borodin
Polovetsian Dances from Prince Igor: Int...
83 bpm • A Maj • 02:16 • -23db
53% Popularity • 16% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
53% Popularity • 16% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Intermezzo
81 bpm • F Maj • 03:10 • -19.56db
50% Popularity • 10% Danceability • 17% Energy • 47% Liveness
87% Instrumentalness • 4% Positiveness
50% Popularity • 10% Danceability • 17% Energy • 47% Liveness
87% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
The Four Seasons, Violin Concerto No. 4 ...
83 bpm • D# Maj • 01:57 • -25db
59% Popularity • 33% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
59% Popularity • 33% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Swan Lake, Op. 20, Act 1: N...
83 bpm • E Maj • 02:39 • -19.05db
44% Popularity • 19% Danceability • 19% Energy • 8% Liveness
83% Instrumentalness • 17% Positiveness
44% Popularity • 19% Danceability • 19% Energy • 8% Liveness
83% Instrumentalness • 17% Positiveness
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Samuel Barber
Adagio for Strings, Op. 11
83 bpm • A# min • 07:30 • -25db
25% Popularity • 9% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
25% Popularity • 9% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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Camille Saint-Saëns
Carnival of the Animals, R. 125: Aquariu...
81 bpm • A min • 02:01 • -31.36db
51% Popularity • 28% Danceability • 4% Energy • 10% Liveness
98% Instrumentalness • 13% Positiveness
51% Popularity • 28% Danceability • 4% Energy • 10% Liveness
98% Instrumentalness • 13% Positiveness
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Jules Massenet
Thaïs: Méditation
84 bpm • D Maj • 05:28 • -27db
44% Popularity • 17% Danceability • 4% Energy • 21% Liveness
15% Instrumentalness • 4% Positiveness
44% Popularity • 17% Danceability • 4% Energy • 21% Liveness
15% Instrumentalness • 4% Positiveness
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Leonard Bernstein
Divertimento: II. Waltz: Allegretto, con...
84 bpm • G Maj • 01:58 • -36db
47% Popularity • 17% Danceability • 2% Energy • 17% Liveness
9% Instrumentalness • 17% Positiveness
47% Popularity • 17% Danceability • 2% Energy • 17% Liveness
9% Instrumentalness • 17% Positiveness
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Sergei Rachmaninoff
Vespers, Op. 37: Nunc dimittis
84 bpm • D# min • 03:48 • -27db
34% Popularity • 17% Danceability • 2% Energy • 7% Liveness
51% Instrumentalness • 4% Positiveness
34% Popularity • 17% Danceability • 2% Energy • 7% Liveness
51% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Nisi Dominus, RV 608: IV. Cum dederit
80 bpm • G min • 05:10 • -30.22db
44% Popularity • 13% Danceability • 1% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
44% Popularity • 13% Danceability • 1% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Tomaso Antonio Vitali
Chaconne in G Minor
80 bpm • G min • 09:31 • -9.84db
40% Popularity • 17% Danceability • 44% Energy • 51% Liveness
88% Instrumentalness • 7% Positiveness
40% Popularity • 17% Danceability • 44% Energy • 51% Liveness
88% Instrumentalness • 7% Positiveness
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John Barry
Mozart: Clarinet Concerto In A major, K6...
80 bpm • D Maj • 07:42 • -25.13db
41% Popularity • 12% Danceability • 2% Energy • 8% Liveness
66% Instrumentalness • 4% Positiveness
41% Popularity • 12% Danceability • 2% Energy • 8% Liveness
66% Instrumentalness • 4% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 2, Op. 55: IV. Solve...
80 bpm • A min • 06:02 • -32.46db
31% Popularity • 15% Danceability • 2% Energy • 5% Liveness
68% Instrumentalness • 3% Positiveness
31% Popularity • 15% Danceability • 2% Energy • 5% Liveness
68% Instrumentalness • 3% Positiveness
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Léo Delibes
Lakmé / Act 1: Viens, Mallika, ... Dôm...
84 bpm • B Maj • 06:03 • -22.23db
38% Popularity • 23% Danceability • 6% Energy • 41% Liveness
0% Instrumentalness • 6% Positiveness
38% Popularity • 23% Danceability • 6% Energy • 41% Liveness
0% Instrumentalness • 6% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19: No. 6 Andante...
84 bpm • G min • 01:50 • -22.09db
41% Popularity • 32% Danceability • 3% Energy • 10% Liveness
76% Instrumentalness • 16% Positiveness
41% Popularity • 32% Danceability • 3% Energy • 10% Liveness
76% Instrumentalness • 16% Positiveness
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Charles Gounod
O ma belle rebelle
80 bpm • E min • 02:02 • -26db
30% Popularity • 28% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 7% Positiveness
30% Popularity • 28% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 7% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K. 492 / Act 3: "Sul...
80 bpm • A# Maj • 03:30 • -22.48db
44% Popularity • 22% Danceability • 6% Energy • 43% Liveness
0% Instrumentalness • 8% Positiveness
44% Popularity • 22% Danceability • 6% Energy • 43% Liveness
0% Instrumentalness • 8% Positiveness
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Claude Debussy
Prélude à l'après-midi d'un faune, CD...
84 bpm • G# min • 09:22 • -27db
37% Popularity • 16% Danceability • 4% Energy • 5% Liveness
88% Instrumentalness • 3% Positiveness
37% Popularity • 16% Danceability • 4% Energy • 5% Liveness
88% Instrumentalness • 3% Positiveness
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Georges Bizet
Carmen Suite No. 1: Intermezzo
80 bpm • D# Maj • 02:35 • -31.16db
45% Popularity • 17% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
45% Popularity • 17% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
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Nigel Hess
Ladies in Lavender
84 bpm • D Maj • 04:03 • -17db
35% Popularity • 15% Danceability • 22% Energy • 11% Liveness
41% Instrumentalness • 7% Positiveness
35% Popularity • 15% Danceability • 22% Energy • 11% Liveness
41% Instrumentalness • 7% Positiveness
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Philip Glass
The Poet Acts
84 bpm • G min • 03:43 • -29.62db
47% Popularity • 25% Danceability • 3% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
47% Popularity • 25% Danceability • 3% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Johann Pachelbel
Pachelbel: Canon and Gigue in D Major: C...
84 bpm • D Maj • 05:00 • -16.65db
63% Popularity • 12% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
63% Popularity • 12% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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Wolfgang Amadeus Mozart
Symphony No. 25 in G Minor, K. 183: I. A...
80 bpm • G min • 07:40 • -13.76db
59% Popularity • 43% Danceability • 24% Energy • 8% Liveness
90% Instrumentalness • 36% Positiveness
59% Popularity • 43% Danceability • 24% Energy • 8% Liveness
90% Instrumentalness • 36% Positiveness
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Samuel Barber
Barber: Adagio for Strings, Op. 11
80 bpm • A# min • 06:21 • -21.58db
39% Popularity • 12% Danceability • 9% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
39% Popularity • 12% Danceability • 9% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Le Carnaval des Animaux, R. 125: XIII. L...
84 bpm • G Maj • 02:33 • -35.36db
43% Popularity • 18% Danceability • 1% Energy • 10% Liveness
39% Instrumentalness • 5% Positiveness
43% Popularity • 18% Danceability • 1% Energy • 10% Liveness
39% Instrumentalness • 5% Positiveness
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Alexander Glazunov
Mélodie, Op. 20, No. 1
84 bpm • D Maj • 06:39 • -23db
43% Popularity • 9% Danceability • 10% Energy • 19% Liveness
90% Instrumentalness • 8% Positiveness
43% Popularity • 9% Danceability • 10% Energy • 19% Liveness
90% Instrumentalness • 8% Positiveness
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Jacques Offenbach
Harmonies des bois, Op. 76: II. Les larm...
84 bpm • C Maj • 06:22 • -26.77db
27% Popularity • 10% Danceability • 4% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
27% Popularity • 10% Danceability • 4% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
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Edward Elgar
Elgar: Introduction and Allegro, Op. 47:...
80 bpm • C min • 03:14 • -18db
22% Popularity • 13% Danceability • 9% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
22% Popularity • 13% Danceability • 9% Energy • 9% Liveness
91% Instrumentalness • 9% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 72: No. 2 in E Mi...
80 bpm • E min • 01:18 • -29.24db
48% Popularity • 18% Danceability • 6% Energy • 13% Liveness
88% Instrumentalness • 17% Positiveness
48% Popularity • 18% Danceability • 6% Energy • 13% Liveness
88% Instrumentalness • 17% Positiveness
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Samuel Barber
Barber: Agnus Dei
85 bpm • A# min • 08:26 • -17db
11% Popularity • 8% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
11% Popularity • 8% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 3% Positiveness
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Ennio Morricone
Gabriel's Oboe
85 bpm • D Maj • 03:42 • -16.07db
50% Popularity • 9% Danceability • 18% Energy • 9% Liveness
80% Instrumentalness • 6% Positiveness
50% Popularity • 9% Danceability • 18% Energy • 9% Liveness
80% Instrumentalness • 6% Positiveness
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Franz Schubert
Die Nacht (Arr. for Cello and Guitar by ...
85 bpm • G Maj • 02:23 • -27.02db
56% Popularity • 16% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
56% Popularity • 16% Danceability • 4% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
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Ralph Vaughan Williams
Suite for Viola & Small Orchestra: II. C...
85 bpm • C min • 03:01 • -33db
39% Popularity • 17% Danceability • 2% Energy • 14% Liveness
89% Instrumentalness • 7% Positiveness
39% Popularity • 17% Danceability • 2% Energy • 14% Liveness
89% Instrumentalness • 7% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Var. 9. Adagi...
79 bpm • D# Maj • 06:07 • -23.83db
38% Popularity • 7% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
38% Popularity • 7% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
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Johannes Brahms
16 Waltzes, Op. 39 (1867 version): No. 1...
79 bpm • A Maj • 01:25 • -39.13db
63% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 22% Positiveness
63% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 22% Positiveness
► Preview
Samuel Barber
Violin Concerto, Op. 14: II. Andante
85 bpm • E Maj • 08:49 • -18db
16% Popularity • 14% Danceability • 13% Energy • 10% Liveness
72% Instrumentalness • 3% Positiveness
16% Popularity • 14% Danceability • 13% Energy • 10% Liveness
72% Instrumentalness • 3% Positiveness
► Preview
Camille Saint-Saëns
Saint-Saëns / Transcr. Vidal: Le carnav...
85 bpm • G Maj • 03:28 • -28.23db
56% Popularity • 21% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
56% Popularity • 21% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Peter Samuels
Adagio For Strings
85 bpm • A# min • 10:00 • -17db
44% Popularity • 16% Danceability • 13% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
44% Popularity • 16% Danceability • 13% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
► Preview
JoaquÃn Rodrigo
Rodrigo: Concierto de Aranjuez: II. Adag...
85 bpm • B min • 10:40 • -19.88db
56% Popularity • 25% Danceability • 10% Energy • 12% Liveness
86% Instrumentalness • 6% Positiveness
56% Popularity • 25% Danceability • 10% Energy • 12% Liveness
86% Instrumentalness • 6% Positiveness
► Preview
Alexander Borodin
Nocturne
79 bpm • A Maj • 07:08 • -10.83db
36% Popularity • 17% Danceability • 27% Energy • 6% Liveness
84% Instrumentalness • 12% Positiveness
36% Popularity • 17% Danceability • 27% Energy • 6% Liveness
84% Instrumentalness • 12% Positiveness
► Preview
Antonio Vivaldi
The Four Seasons, Violin Concerto No. 2 ...
85 bpm • F# Maj • 02:30 • -15.6db
54% Popularity • 36% Danceability • 57% Energy • 12% Liveness
87% Instrumentalness • 38% Positiveness
54% Popularity • 36% Danceability • 57% Energy • 12% Liveness
87% Instrumentalness • 38% Positiveness
► Preview
Samuel Barber
Adagio for Strings (Platoon)
85 bpm • A# min • 07:01 • -24db
20% Popularity • 17% Danceability • 8% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
20% Popularity • 17% Danceability • 8% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
► Preview
Pietro Mascagni
Mascagni: Cavalleria rusticana: Intermez...
85 bpm • F Maj • 03:43 • -17.55db
42% Popularity • 10% Danceability • 12% Energy • 41% Liveness
89% Instrumentalness • 4% Positiveness
42% Popularity • 10% Danceability • 12% Energy • 41% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Jean-Philippe Rameau
Suite in G Major, RCT 6: No. 14, Les sau...
85 bpm • F# min • 02:26 • -16.93db
51% Popularity • 41% Danceability • 27% Energy • 8% Liveness
89% Instrumentalness • 42% Positiveness
51% Popularity • 41% Danceability • 27% Energy • 8% Liveness
89% Instrumentalness • 42% Positiveness
► Preview
Ludwig van Beethoven
Piano Concerto No. 5 in E-Flat Major, Op...
85 bpm • B Maj • 08:18 • -29.76db
51% Popularity • 23% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
51% Popularity • 23% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Wolfgang Amadeus Mozart
Concerto for Piano and Orchestra No. 23 ...
85 bpm • F# min • 06:57 • -28.63db
42% Popularity • 21% Danceability • 1% Energy • 23% Liveness
92% Instrumentalness • 4% Positiveness
42% Popularity • 21% Danceability • 1% Energy • 23% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Edward Elgar
Salut d'amour, Op. 12 (version for orche...
85 bpm • E Maj • 03:35 • -31.88db
48% Popularity • 11% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
48% Popularity • 11% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
► Preview
Luigi Boccherini
Boccherini: String Quintet in E Major, O...
85 bpm • A Maj • 03:57 • -26db
52% Popularity • 50% Danceability • 4% Energy • 14% Liveness
58% Instrumentalness • 43% Positiveness
52% Popularity • 50% Danceability • 4% Energy • 14% Liveness
58% Instrumentalness • 43% Positiveness
► Preview
Samuel Barber
String Quartet, Op. 11: II. Adagio
85 bpm • A# min • 08:49 • -24db
23% Popularity • 17% Danceability • 7% Energy • 23% Liveness
71% Instrumentalness • 3% Positiveness
23% Popularity • 17% Danceability • 7% Energy • 23% Liveness
71% Instrumentalness • 3% Positiveness
► Preview
Sergei Prokofiev
Romeo and Juliet, Op. 64 / Act 1: Dance ...
79 bpm • C Maj • 05:07 • -20.88db
55% Popularity • 20% Danceability • 7% Energy • 22% Liveness
74% Instrumentalness • 14% Positiveness
55% Popularity • 20% Danceability • 7% Energy • 22% Liveness
74% Instrumentalness • 14% Positiveness
► Preview
Krzysztof Penderecki
3 Pieces in Old Style: No. 1. Aria
85 bpm • G min • 02:13 • -31.17db
56% Popularity • 15% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
56% Popularity • 15% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Benjamin Britten
Simple Symphony, Op. 4: III. Sentimental...
85 bpm • G min • 08:00 • -23.69db
19% Popularity • 9% Danceability • 2% Energy • 29% Liveness
81% Instrumentalness • 5% Positiveness
19% Popularity • 9% Danceability • 2% Energy • 29% Liveness
81% Instrumentalness • 5% Positiveness
► Preview
Sergei Rachmaninoff
Piano Concerto No. 2 in C Minor, Op. 18:...
79 bpm • C min • 09:59 • -22.25db
51% Popularity • 12% Danceability • 11% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
51% Popularity • 12% Danceability • 11% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
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AntonÃn Dvořák
Serenade for Strings in E Major, Op. 22,...
79 bpm • A Maj • 04:55 • -23.99db
50% Popularity • 9% Danceability • 8% Energy • 35% Liveness
90% Instrumentalness • 5% Positiveness
50% Popularity • 9% Danceability • 8% Energy • 35% Liveness
90% Instrumentalness • 5% Positiveness
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Samuel Barber
Agnus Dei
79 bpm • A# min • 07:21 • -24db
17% Popularity • 8% Danceability • 8% Energy • 7% Liveness
95% Instrumentalness • 3% Positiveness
17% Popularity • 8% Danceability • 8% Energy • 7% Liveness
95% Instrumentalness • 3% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 2 Op. 102 in F Major:...
78 bpm • C min • 07:42 • -38.86db
49% Popularity • 19% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
49% Popularity • 19% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Luigi Boccherini
Bocherini / Arr. Grützmacher: Cello Con...
86 bpm • G min • 06:54 • -23.72db
44% Popularity • 13% Danceability • 12% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
44% Popularity • 13% Danceability • 12% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Fantasia on Greensleeves
78 bpm • C min • 04:35 • -30.86db
35% Popularity • 17% Danceability • 3% Energy • 12% Liveness
63% Instrumentalness • 15% Positiveness
35% Popularity • 17% Danceability • 3% Energy • 12% Liveness
63% Instrumentalness • 15% Positiveness
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Gerald Finzi
Love's Labour's Lost, Op. 28a: I. The Ki...
86 bpm • C min • 01:58 • -30.18db
40% Popularity • 16% Danceability • 3% Energy • 5% Liveness
80% Instrumentalness • 4% Positiveness
40% Popularity • 16% Danceability • 3% Energy • 5% Liveness
80% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Intermezzo From Cavalleria Rusticana
86 bpm • F Maj • 03:19 • -21.17db
39% Popularity • 9% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
39% Popularity • 9% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Samuel Barber
Adagio for Strings, Op. 11 - Live
86 bpm • A# min • 08:37 • -25.53db
24% Popularity • 9% Danceability • 2% Energy • 6% Liveness
84% Instrumentalness • 3% Positiveness
24% Popularity • 9% Danceability • 2% Energy • 6% Liveness
84% Instrumentalness • 3% Positiveness
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Georges Bizet
L'Arlésienne Suite No. 1, WD 40: 3. Ada...
86 bpm • F Maj • 03:11 • -36.92db
34% Popularity • 15% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 3% Positiveness
34% Popularity • 15% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 3% Positiveness
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Igor Stravinsky
The Firebird (L'oiseau De Feu) - Suite (...
78 bpm • E Maj • 03:12 • -16.8db
45% Popularity • 12% Danceability • 22% Energy • 7% Liveness
51% Instrumentalness • 6% Positiveness
45% Popularity • 12% Danceability • 22% Energy • 7% Liveness
51% Instrumentalness • 6% Positiveness
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Sergei Rachmaninoff
12 Songs, Op. 21: V. Lilacs (Transcr. Ra...
78 bpm • G# Maj • 03:01 • -36.25db
57% Popularity • 17% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 7% Positiveness
57% Popularity • 17% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 7% Positiveness
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Philip Glass
Concerto for Violin and Orchestra: II. =...
86 bpm • C min • 08:46 • -32.66db
16% Popularity • 9% Danceability • 3% Energy • 11% Liveness
22% Instrumentalness • 4% Positiveness
16% Popularity • 9% Danceability • 3% Energy • 11% Liveness
22% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Madama Butterfly / Act 2: Coro a bocca c...
78 bpm • A# Maj • 03:03 • -44.15db
41% Popularity • 16% Danceability • 0% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
41% Popularity • 16% Danceability • 0% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Jean Sibelius
Andante Festivo
86 bpm • G Maj • 05:10 • -22db
24% Popularity • 9% Danceability • 14% Energy • 41% Liveness
93% Instrumentalness • 4% Positiveness
24% Popularity • 9% Danceability • 14% Energy • 41% Liveness
93% Instrumentalness • 4% Positiveness
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Aaron Copland
Appalachian Spring: VII. Doppio moviment...
78 bpm • C# Maj • 03:03 • -15.27db
45% Popularity • 19% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 25% Positiveness
45% Popularity • 19% Danceability • 12% Energy • 11% Liveness
86% Instrumentalness • 25% Positiveness
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Sergei Prokofiev
Prokofiev: Romeo and Juliet, Op. 64, Act...
86 bpm • C Maj • 05:41 • -19.38db
58% Popularity • 21% Danceability • 10% Energy • 8% Liveness
90% Instrumentalness • 15% Positiveness
58% Popularity • 21% Danceability • 10% Energy • 8% Liveness
90% Instrumentalness • 15% Positiveness
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Samuel Barber
Prayers of Kierkegaard, Op. 30: O Thou W...
86 bpm • C Maj • 04:38 • -23.83db
6% Popularity • 9% Danceability • 2% Energy • 23% Liveness
56% Instrumentalness • 4% Positiveness
6% Popularity • 9% Danceability • 2% Energy • 23% Liveness
56% Instrumentalness • 4% Positiveness
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Remo Giazotto
Adagio for Strings and Organ in G Minor
86 bpm • C min • 11:46 • -23db
48% Popularity • 9% Danceability • 5% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
48% Popularity • 9% Danceability • 5% Energy • 15% Liveness
88% Instrumentalness • 4% Positiveness
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![Orchestral Suite No. 3 in D Major, BWV 1068: Air cover art]()
Frank Shipway
Orchestral Suite No. 3 in D Major, BWV 1...
78 bpm • D Maj • 03:25 • -23.87db
36% Popularity • 10% Danceability • 10% Energy • 12% Liveness
76% Instrumentalness • 7% Positiveness
36% Popularity • 10% Danceability • 10% Energy • 12% Liveness
76% Instrumentalness • 7% Positiveness
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Alexander Glazunov
The Seasons, Op. 67: XIV. Petit Adagio
87 bpm • A Maj • 03:29 • -21.96db
34% Popularity • 18% Danceability • 10% Energy • 15% Liveness
81% Instrumentalness • 6% Positiveness
34% Popularity • 18% Danceability • 10% Energy • 15% Liveness
81% Instrumentalness • 6% Positiveness
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Gabriel Fauré
Fauré: Pavane, Op. 50 (Version with Cho...
78 bpm • F# min • 05:39 • -27.47db
29% Popularity • 9% Danceability • 3% Energy • 14% Liveness
92% Instrumentalness • 6% Positiveness
29% Popularity • 9% Danceability • 3% Energy • 14% Liveness
92% Instrumentalness • 6% Positiveness
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Jean Sibelius
Valse triste, Op. 44
78 bpm • G Maj • 06:08 • -25.09db
42% Popularity • 7% Danceability • 2% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
42% Popularity • 7% Danceability • 2% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
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Samuel Barber
Piano Concerto, Op. 38: 3. Allegro molto
86 bpm • A# min • 06:39 • -19.36db
4% Popularity • 33% Danceability • 24% Energy • 12% Liveness
89% Instrumentalness • 20% Positiveness
4% Popularity • 33% Danceability • 24% Energy • 12% Liveness
89% Instrumentalness • 20% Positiveness
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Wolfgang Amadeus Mozart
Klarinettenkonzert A-Dur, K. 622: 2. Ada...
78 bpm • D Maj • 07:57 • -27.89db
45% Popularity • 12% Danceability • 2% Energy • 7% Liveness
83% Instrumentalness • 5% Positiveness
45% Popularity • 12% Danceability • 2% Energy • 7% Liveness
83% Instrumentalness • 5% Positiveness
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Robert Schumann
Carnaval, Op. 9: No. 12. Chopin
78 bpm • A# min • 01:21 • -35db
63% Popularity • 24% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
63% Popularity • 24% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
