Songs like Variation 10 - Live by Andrew Lloyd Webber
Based on a tempo of (+/- 10%) and a similar genre
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Jekyll
The Way Back
91 bpm • G min • 02:09 • -8.75db
25% Popularity • 21% Danceability • 53% Energy • 13% Liveness
8% Instrumentalness • 35% Positiveness
25% Popularity • 21% Danceability • 53% Energy • 13% Liveness
8% Instrumentalness • 35% Positiveness
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Charles Strouse
Annie: Maybe
91 bpm • A# Maj • 02:37 • -13.32db
37% Popularity • 32% Danceability • 10% Energy • 33% Liveness
1% Instrumentalness • 19% Positiveness
37% Popularity • 32% Danceability • 10% Energy • 33% Liveness
1% Instrumentalness • 19% Positiveness
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Carolee Carmello
Once Upon a Dream - Lisa
92 bpm • B Maj • 02:50 • -18.08db
25% Popularity • 22% Danceability • 18% Energy • 9% Liveness
2% Instrumentalness • 9% Positiveness
25% Popularity • 22% Danceability • 18% Energy • 9% Liveness
2% Instrumentalness • 9% Positiveness
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John Williams
Chava Ballet Sequence
91 bpm • D# Maj • 02:37 • -17.38db
34% Popularity • 31% Danceability • 12% Energy • 12% Liveness
2% Instrumentalness • 9% Positiveness
34% Popularity • 31% Danceability • 12% Energy • 12% Liveness
2% Instrumentalness • 9% Positiveness
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Andrew Lloyd Webber
Close Every Door To Me
92 bpm • F min • 03:49 • -12.24db
39% Popularity • 18% Danceability • 20% Energy • 15% Liveness
2% Instrumentalness • 16% Positiveness
39% Popularity • 18% Danceability • 20% Energy • 15% Liveness
2% Instrumentalness • 16% Positiveness
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Sherman Edwards
1776: Is Anybody There?
92 bpm • C min • 02:46 • -12.83db
23% Popularity • 42% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 42% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Mindi Dickstein
Astonishing
90 bpm • C# Maj • 04:35 • -7.96db
39% Popularity • 34% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
39% Popularity • 34% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Kelsey Grammer
All Of London Is Here Tonight - Original...
92 bpm • B min • 02:22 • -4.59db
28% Popularity • 39% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
28% Popularity • 39% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Charles Strouse
Annie: Tomorrow
92 bpm • F# Maj • 02:07 • -13db
44% Popularity • 51% Danceability • 24% Energy • 9% Liveness
4% Instrumentalness • 25% Positiveness
44% Popularity • 51% Danceability • 24% Energy • 9% Liveness
4% Instrumentalness • 25% Positiveness
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James Monroe Iglehart
Friend Like Me
92 bpm • F Maj • 07:32 • -4.95db
44% Popularity • 66% Danceability • 56% Energy • 3% Liveness
0% Instrumentalness • 63% Positiveness
44% Popularity • 66% Danceability • 56% Energy • 3% Liveness
0% Instrumentalness • 63% Positiveness
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Andrew Lloyd Webber
Love Never Dies
92 bpm • A# Maj • 05:39 • -10.93db
24% Popularity • 18% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 18% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Joel Grey
Mister Cellophane
92 bpm • A Maj • 04:23 • -18db
31% Popularity • 46% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
31% Popularity • 46% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Les Misérables - 10th Anniversary Cast
One Day More! - Live
90 bpm • A Maj • 04:16 • -17.76db
41% Popularity • 22% Danceability • 37% Energy • 75% Liveness
0% Instrumentalness • 24% Positiveness
41% Popularity • 22% Danceability • 37% Energy • 75% Liveness
0% Instrumentalness • 24% Positiveness
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Peggy Wood
Climb Ev'ry Mountain
92 bpm • F Maj • 02:18 • -12db
46% Popularity • 23% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
46% Popularity • 23% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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David Shannon
Till I Hear You Sing
93 bpm • F Maj • 03:07 • -6db
32% Popularity • 27% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
32% Popularity • 27% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Christine Andreas
You Are My Home
89 bpm • B Maj • 03:33 • -11.76db
22% Popularity • 22% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
22% Popularity • 22% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
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Andrew Lloyd Webber
Think Of Me - Live At The Royal Albert H...
90 bpm • F Maj • 09:15 • -20.7db
38% Popularity • 40% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
38% Popularity • 40% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Original Cast of Billy Elliot
The Stars Look Down
89 bpm • A# Maj • 07:30 • -13db
30% Popularity • 44% Danceability • 25% Energy • 36% Liveness
0% Instrumentalness • 21% Positiveness
30% Popularity • 44% Danceability • 25% Energy • 36% Liveness
0% Instrumentalness • 21% Positiveness
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Edward Sanders
Not While I'm Around
89 bpm • F Maj • 04:11 • -12db
25% Popularity • 32% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 10% Positiveness
25% Popularity • 32% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 10% Positiveness
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Peggy Wood
Climb Ev'ry Mountain
93 bpm • A# Maj • 02:39 • -11.7db
37% Popularity • 19% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
37% Popularity • 19% Danceability • 35% Energy • 17% Liveness
0% Instrumentalness • 15% Positiveness
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Tim Rice
Waltz For Eva And Che - Original Cast Re...
93 bpm • A# Maj • 03:45 • -14.96db
20% Popularity • 58% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
20% Popularity • 58% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Anne Hathaway
I Dreamed A Dream
93 bpm • A# Maj • 04:37 • -17.23db
51% Popularity • 27% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
51% Popularity • 27% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Andrew Lloyd Webber
Mr. Mistoffelees
92 bpm • F# Maj • 04:25 • -7.98db
35% Popularity • 70% Danceability • 53% Energy • 48% Liveness
0% Instrumentalness • 68% Positiveness
35% Popularity • 70% Danceability • 53% Energy • 48% Liveness
0% Instrumentalness • 68% Positiveness
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Kerry Butler
Fly, Fly Away
94 bpm • F# Maj • 04:48 • -9.41db
37% Popularity • 34% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
37% Popularity • 34% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
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Sara Ramirez
Diva's Lament (What Ever Happened To My ...
94 bpm • B min • 02:32 • -4.52db
38% Popularity • 40% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
38% Popularity • 40% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Patti LuPone
I Dreamed A Dream
94 bpm • D# Maj • 04:28 • -12.63db
47% Popularity • 21% Danceability • 18% Energy • 10% Liveness
15% Instrumentalness • 5% Positiveness
47% Popularity • 21% Danceability • 18% Energy • 10% Liveness
15% Instrumentalness • 5% Positiveness
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Jonathan Pryce
You've Got To Pick A Pocket Or Two
94 bpm • G min • 03:05 • -16db
32% Popularity • 65% Danceability • 23% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
32% Popularity • 65% Danceability • 23% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
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Charmian Carr
The Sound Of Music
88 bpm • F Maj • 02:13 • -22db
52% Popularity • 27% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
52% Popularity • 27% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Andrew Lloyd Webber
"Ah, Christine!..."
89 bpm • F# Maj • 02:29 • -16.88db
19% Popularity • 28% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 5% Positiveness
19% Popularity • 28% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 5% Positiveness
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Helena Bonham Carter
The Worst Pies in London
94 bpm • F Maj • 02:23 • -10.99db
33% Popularity • 61% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
33% Popularity • 61% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Maury Yeston
The Launching: Godspeed Titanic
88 bpm • F Maj • 02:03 • -12.7db
26% Popularity • 22% Danceability • 30% Energy • 25% Liveness
0% Instrumentalness • 15% Positiveness
26% Popularity • 22% Danceability • 30% Energy • 25% Liveness
0% Instrumentalness • 15% Positiveness
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John Williams
Far From The Home I Love
94 bpm • A Maj • 03:01 • -21db
36% Popularity • 33% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
36% Popularity • 33% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Adam Pascal
Written In The Stars
94 bpm • C# Maj • 03:17 • -9.44db
33% Popularity • 41% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
33% Popularity • 41% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Marin Mazzie
Back to Before
88 bpm • B min • 03:49 • -9db
31% Popularity • 30% Danceability • 28% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
31% Popularity • 30% Danceability • 28% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
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Andrew Lloyd Webber
Rainbow High - Original Cast Recording/1...
93 bpm • G min • 02:17 • -13db
25% Popularity • 42% Danceability • 36% Energy • 50% Liveness
0% Instrumentalness • 54% Positiveness
25% Popularity • 42% Danceability • 36% Energy • 50% Liveness
0% Instrumentalness • 54% Positiveness
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Sherman Edwards
1776: Yours, Yours, Yours
88 bpm • F# Maj • 02:12 • -16db
22% Popularity • 23% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
22% Popularity • 23% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Maury Yeston
Overture / Prologue: In Every Age
94 bpm • D Maj • 03:25 • -23.49db
24% Popularity • 25% Danceability • 7% Energy • 56% Liveness
1% Instrumentalness • 7% Positiveness
24% Popularity • 25% Danceability • 7% Energy • 56% Liveness
1% Instrumentalness • 7% Positiveness
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Rex Harrison
I'm Just An Ordinary Man - Voice
87 bpm • A# Maj • 04:42 • -15db
23% Popularity • 62% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 67% Positiveness
23% Popularity • 62% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 67% Positiveness
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John Williams
Anatevka
94 bpm • D min • 03:38 • -16.17db
31% Popularity • 38% Danceability • 17% Energy • 31% Liveness
0% Instrumentalness • 21% Positiveness
31% Popularity • 38% Danceability • 17% Energy • 31% Liveness
0% Instrumentalness • 21% Positiveness
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The "Les Misérables" 10th Anniversary Full Cast
Encore 2: One Day More - Live
87 bpm • C Maj • 04:11 • -18.96db
31% Popularity • 36% Danceability • 37% Energy • 98% Liveness
0% Instrumentalness • 51% Positiveness
31% Popularity • 36% Danceability • 37% Energy • 98% Liveness
0% Instrumentalness • 51% Positiveness
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Andrew Lloyd Webber
Too Much In Love To Care
89 bpm • F Maj • 06:12 • -10.5db
20% Popularity • 30% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
20% Popularity • 30% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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The 'Les Misérables 2010' Company
Prologue / Look Down - Live
87 bpm • D min • 09:13 • -9.91db
34% Popularity • 40% Danceability • 45% Energy • 44% Liveness
0% Instrumentalness • 32% Positiveness
34% Popularity • 40% Danceability • 45% Energy • 44% Liveness
0% Instrumentalness • 32% Positiveness
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The Cast of Mary Poppins
Feed The Birds (Tuppence A Bag)
86 bpm • F# Maj • 03:51 • -23.51db
21% Popularity • 30% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
21% Popularity • 30% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Jerry Herman
Song on the Sand
86 bpm • F# Maj • 04:41 • -15db
21% Popularity • 35% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
21% Popularity • 35% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Les Misérables Cast
One Day More
86 bpm • A Maj • 03:41 • -11.95db
52% Popularity • 38% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
52% Popularity • 38% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Jeremy Jordan
Santa Fe
96 bpm • G Maj • 03:12 • -11.7db
54% Popularity • 41% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
54% Popularity • 41% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Andrew Lloyd Webber
Sunset Boulevard
93 bpm • C# Maj • 03:04 • -11.45db
33% Popularity • 43% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
33% Popularity • 43% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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Charles Hart
The Music Of The Night - The Phantom Of ...
86 bpm • C# Maj • 06:57 • -14db
13% Popularity • 24% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
13% Popularity • 24% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
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Sherman Edwards
1776: Cool, Cool, Considerate Men
96 bpm • C min • 04:29 • -11.86db
20% Popularity • 57% Danceability • 40% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
20% Popularity • 57% Danceability • 40% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
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Charles Strouse
Annie: Overture
97 bpm • D# Maj • 03:21 • -14.33db
28% Popularity • 42% Danceability • 26% Energy • 27% Liveness
92% Instrumentalness • 58% Positiveness
28% Popularity • 42% Danceability • 26% Energy • 27% Liveness
92% Instrumentalness • 58% Positiveness
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Linda Ronstadt
Poor Wandering One
86 bpm • G# Maj • 03:58 • -15db
25% Popularity • 30% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
25% Popularity • 30% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Sutton Foster
Show Off
86 bpm • F Maj • 04:41 • -5.97db
35% Popularity • 47% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
35% Popularity • 47% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Andrew Lloyd Webber
Close Every Door
87 bpm • G min • 03:47 • -19.52db
41% Popularity • 15% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
41% Popularity • 15% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Marni Nixon
Just You Wait - Voice
97 bpm • G# Maj • 02:56 • -14db
22% Popularity • 57% Danceability • 20% Energy • 41% Liveness
0% Instrumentalness • 50% Positiveness
22% Popularity • 57% Danceability • 20% Energy • 41% Liveness
0% Instrumentalness • 50% Positiveness
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Lindsay Mendez
Mister Snow
85 bpm • G Maj • 05:02 • -10.69db
28% Popularity • 52% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
28% Popularity • 52% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Chris Pine
Agony
97 bpm • D# Maj • 02:32 • -14db
52% Popularity • 45% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
52% Popularity • 45% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Daniel Huttlestone
Paris / Look Down
85 bpm • F min • 03:13 • -9.39db
41% Popularity • 46% Danceability • 55% Energy • 86% Liveness
0% Instrumentalness • 60% Positiveness
41% Popularity • 46% Danceability • 55% Energy • 86% Liveness
0% Instrumentalness • 60% Positiveness
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The Mystery of Edwin Drood - The 2013 New Broadway Cast
Moonfall
97 bpm • A min • 02:20 • -14.02db
22% Popularity • 38% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
22% Popularity • 38% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
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Andrew Lloyd Webber
Masquerade / Why So Silent? - Live At Th...
96 bpm • A# Maj • 08:08 • -21.1db
35% Popularity • 42% Danceability • 25% Energy • 73% Liveness
0% Instrumentalness • 32% Positiveness
35% Popularity • 42% Danceability • 25% Energy • 73% Liveness
0% Instrumentalness • 32% Positiveness
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Beth Fowler
Beauty and the Beast
85 bpm • A Maj • 03:34 • -22db
34% Popularity • 32% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
34% Popularity • 32% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Maury Yeston
Epilogue: In Every Age (Reprise) / Final...
97 bpm • C Maj • 04:37 • -17.81db
22% Popularity • 24% Danceability • 10% Energy • 6% Liveness
0% Instrumentalness • 7% Positiveness
22% Popularity • 24% Danceability • 10% Energy • 6% Liveness
0% Instrumentalness • 7% Positiveness
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John C. Reilly
Mister Cellophane
85 bpm • E Maj • 03:57 • -13.21db
31% Popularity • 45% Danceability • 16% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
31% Popularity • 45% Danceability • 16% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
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Rosemary Ashe
Dirty Laundry
97 bpm • C# Maj • 04:51 • -13db
16% Popularity • 60% Danceability • 35% Energy • 71% Liveness
0% Instrumentalness • 64% Positiveness
16% Popularity • 60% Danceability • 35% Energy • 71% Liveness
0% Instrumentalness • 64% Positiveness
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Lucy
Sympathy, Tenderness
85 bpm • E min • 01:34 • -19.6db
27% Popularity • 21% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
27% Popularity • 21% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Andrew Lloyd Webber
Growltiger's Last Stand / The Ballad Of ...
96 bpm • F min • 11:41 • -9.3db
23% Popularity • 39% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
23% Popularity • 39% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Carrie Hope Fletcher
I Dreamed a Dream - Live
85 bpm • D# Maj • 04:09 • -15.86db
37% Popularity • 22% Danceability • 13% Energy • 70% Liveness
0% Instrumentalness • 7% Positiveness
37% Popularity • 22% Danceability • 13% Energy • 70% Liveness
0% Instrumentalness • 7% Positiveness
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Maury Yeston
Lady's Maid
85 bpm • G Maj • 04:31 • -16.99db
25% Popularity • 40% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
25% Popularity • 40% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Henry Krieger
Side Show: I Will Never Leave You - Voic...
85 bpm • F Maj • 03:02 • -13db
21% Popularity • 41% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
21% Popularity • 41% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
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Miss Saigon Original Cast
The Movie In My Mind - Live
85 bpm • A min • 05:06 • -14.68db
38% Popularity • 24% Danceability • 13% Energy • 71% Liveness
0% Instrumentalness • 6% Positiveness
38% Popularity • 24% Danceability • 13% Energy • 71% Liveness
0% Instrumentalness • 6% Positiveness
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Sherie Rene Scott
Every Story Is A Love Story
84 bpm • G# Maj • 03:19 • -11.17db
33% Popularity • 43% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 7% Positiveness
33% Popularity • 43% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 7% Positiveness
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Andrew Lloyd Webber
Once Upon Another Time
97 bpm • A Maj • 02:50 • -15.48db
28% Popularity • 27% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
28% Popularity • 27% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Renée Zellweger
Funny Honey
84 bpm • G# Maj • 03:39 • -12.38db
29% Popularity • 35% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
29% Popularity • 35% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Jonathan Pryce
Reviewing The Situation
84 bpm • F Maj • 04:53 • -15.27db
26% Popularity • 50% Danceability • 26% Energy • 44% Liveness
0% Instrumentalness • 32% Positiveness
26% Popularity • 50% Danceability • 26% Energy • 44% Liveness
0% Instrumentalness • 32% Positiveness
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Sherman Edwards
1776: Sit Down, John
98 bpm • G# Maj • 01:57 • -11db
26% Popularity • 60% Danceability • 40% Energy • 63% Liveness
0% Instrumentalness • 66% Positiveness
26% Popularity • 60% Danceability • 40% Energy • 63% Liveness
0% Instrumentalness • 66% Positiveness
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Hunter Foster
Suddenly Seymour
99 bpm • A Maj • 03:37 • -7.95db
50% Popularity • 37% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
50% Popularity • 37% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Carolee Carmello
In His Eyes
84 bpm • A# Maj • 04:13 • -11.52db
28% Popularity • 25% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
28% Popularity • 25% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Andrew Lloyd Webber
Over The Rainbow
85 bpm • B Maj • 03:04 • -14.51db
32% Popularity • 29% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
32% Popularity • 29% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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James Corden
Finale/Children Will Listen (Pt. 1)
99 bpm • D# min • 03:30 • -19.79db
36% Popularity • 29% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
36% Popularity • 29% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
► Preview
Terrence Mann
If I Can't Love Her
84 bpm • C Maj • 04:06 • -21db
43% Popularity • 30% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 14% Positiveness
43% Popularity • 30% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Mindi Dickstein
Some Things Are Meant to Be
84 bpm • G Maj • 04:25 • -10.6db
35% Popularity • 31% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
35% Popularity • 31% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Sutton Foster
Anything Goes
99 bpm • G Maj • 05:48 • -8.71db
45% Popularity • 62% Danceability • 44% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
45% Popularity • 62% Danceability • 44% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
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Tammy Blanchard
Suddenly Seymour
99 bpm • G Maj • 03:45 • -9.78db
43% Popularity • 37% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 31% Positiveness
43% Popularity • 37% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 31% Positiveness
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Andrew Lloyd Webber
The Journey To The Heaviside Layer
97 bpm • D# Maj • 02:43 • -9.79db
25% Popularity • 35% Danceability • 35% Energy • 61% Liveness
5% Instrumentalness • 12% Positiveness
25% Popularity • 35% Danceability • 35% Energy • 61% Liveness
5% Instrumentalness • 12% Positiveness
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Dr. Henry Jekyll
Lost in the Darkness
83 bpm • C# min • 01:56 • -18db
29% Popularity • 35% Danceability • 11% Energy • 23% Liveness
0% Instrumentalness • 10% Positiveness
29% Popularity • 35% Danceability • 11% Energy • 23% Liveness
0% Instrumentalness • 10% Positiveness
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Original Cast of Billy Elliot
Once We Were Kings
99 bpm • F Maj • 04:14 • -9.75db
31% Popularity • 58% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
31% Popularity • 58% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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London Symphony Orchestra
Intro Mountain Duet (Der Kleine Franz)
100 bpm • C Maj • 01:54 • -23.61db
24% Popularity • 48% Danceability • 18% Energy • 41% Liveness
7% Instrumentalness • 67% Positiveness
24% Popularity • 48% Danceability • 18% Energy • 41% Liveness
7% Instrumentalness • 67% Positiveness
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Sutton Foster
Thoroughly Modern Millie
99 bpm • C Maj • 02:57 • -8.42db
31% Popularity • 68% Danceability • 54% Energy • 33% Liveness
0% Instrumentalness • 77% Positiveness
31% Popularity • 68% Danceability • 54% Energy • 33% Liveness
0% Instrumentalness • 77% Positiveness
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Natalie Cortez
What I Did for Love
83 bpm • G# Maj • 03:36 • -10.81db
41% Popularity • 25% Danceability • 15% Energy • 32% Liveness
0% Instrumentalness • 16% Positiveness
41% Popularity • 25% Danceability • 15% Energy • 32% Liveness
0% Instrumentalness • 16% Positiveness
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Andrew Lloyd Webber
The Ad-Dressing Of Cats
97 bpm • B Maj • 04:22 • -12.4db
24% Popularity • 34% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
24% Popularity • 34% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Utterson, Jekyll, Emma, Sir Danvers
Your Work--And Nothing More
83 bpm • G min • 02:47 • -9.98db
25% Popularity • 26% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
25% Popularity • 26% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Jerry Herman
I Am What I Am
83 bpm • F# Maj • 03:24 • -11.36db
32% Popularity • 36% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
32% Popularity • 36% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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"Les Misérables Original London Cast" Ensemble
Finale
83 bpm • G# Maj • 04:45 • -14db
34% Popularity • 24% Danceability • 12% Energy • 5% Liveness
0% Instrumentalness • 16% Positiveness
34% Popularity • 24% Danceability • 12% Energy • 5% Liveness
0% Instrumentalness • 16% Positiveness
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The Scarlet Pimpernel
Storybook
100 bpm • G# Maj • 03:08 • -10.25db
21% Popularity • 41% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
21% Popularity • 41% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Sacha Baron Cohen
Master Of The House
83 bpm • D Maj • 04:48 • -13db
44% Popularity • 47% Danceability • 24% Energy • 72% Liveness
0% Instrumentalness • 55% Positiveness
44% Popularity • 47% Danceability • 24% Energy • 72% Liveness
0% Instrumentalness • 55% Positiveness
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Andrew Lloyd Webber
Devil Take The Hindmost
98 bpm • F min • 03:51 • -13.8db
31% Popularity • 57% Danceability • 30% Energy • 62% Liveness
0% Instrumentalness • 56% Positiveness
31% Popularity • 57% Danceability • 30% Energy • 62% Liveness
0% Instrumentalness • 56% Positiveness
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Tsidii Le Loka
Circle of Life with Nants' Ingonyama
82 bpm • D Maj • 04:29 • -11db
49% Popularity • 30% Danceability • 39% Energy • 50% Liveness
0% Instrumentalness • 30% Positiveness
49% Popularity • 30% Danceability • 39% Energy • 50% Liveness
0% Instrumentalness • 30% Positiveness
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Burke Moses
Me
82 bpm • F# min • 02:48 • -17.3db
37% Popularity • 66% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
37% Popularity • 66% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
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David Burt
Do You Hear The People Sing?
83 bpm • C Maj • 02:16 • -7.93db
45% Popularity • 53% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
45% Popularity • 53% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness