Songs like Variation 15 by Benjamin Wallfisch
Based on a tempo of (+/- 10%) and a similar genre
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Benjamin Wallfisch
End Titles (Dunkirk)
96 bpm • G# Maj • 07:12 • -17.23db
36% Popularity • 16% Danceability • 37% Energy • 11% Liveness
82% Instrumentalness • 6% Positiveness
36% Popularity • 16% Danceability • 37% Energy • 11% Liveness
82% Instrumentalness • 6% Positiveness
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Abel Korzeniowski
Revenge
96 bpm • C min • 03:15 • -24db
29% Popularity • 43% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
29% Popularity • 43% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
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Harry Gregson-Williams
Emergency Launch
96 bpm • C# Maj • 03:09 • -18db
30% Popularity • 24% Danceability • 30% Energy • 8% Liveness
75% Instrumentalness • 3% Positiveness
30% Popularity • 24% Danceability • 30% Energy • 8% Liveness
75% Instrumentalness • 3% Positiveness
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Mychael Danna
See You Again
96 bpm • E Maj • 05:41 • -18.69db
19% Popularity • 13% Danceability • 12% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
19% Popularity • 13% Danceability • 12% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Edward Elgar
Elgar: Cello Concerto in E Minor, Op. 85...
96 bpm • E min • 08:01 • -22.85db
41% Popularity • 12% Danceability • 10% Energy • 11% Liveness
22% Instrumentalness • 4% Positiveness
41% Popularity • 12% Danceability • 10% Energy • 11% Liveness
22% Instrumentalness • 4% Positiveness
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Jeff Beal
Dave McGillivray
96 bpm • C Maj • 01:58 • -24db
13% Popularity • 12% Danceability • 4% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
13% Popularity • 12% Danceability • 4% Energy • 12% Liveness
93% Instrumentalness • 4% Positiveness
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Benjamin Wallfisch
Variation 15
96 bpm • D# Maj • 05:51 • -17db
46% Popularity • 12% Danceability • 19% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
46% Popularity • 12% Danceability • 19% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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Steven Price
This Is Our Planet
97 bpm • A# Maj • 03:43 • -16db
39% Popularity • 26% Danceability • 33% Energy • 36% Liveness
94% Instrumentalness • 8% Positiveness
39% Popularity • 26% Danceability • 33% Energy • 36% Liveness
94% Instrumentalness • 8% Positiveness
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Harry Gregson-Williams
Messages from Hermes
95 bpm • F Maj • 03:31 • -24.44db
32% Popularity • 29% Danceability • 5% Energy • 17% Liveness
95% Instrumentalness • 4% Positiveness
32% Popularity • 29% Danceability • 5% Energy • 17% Liveness
95% Instrumentalness • 4% Positiveness
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Mychael Danna
One out Away
95 bpm • D min • 01:48 • -13db
31% Popularity • 32% Danceability • 28% Energy • 31% Liveness
78% Instrumentalness • 4% Positiveness
31% Popularity • 32% Danceability • 28% Energy • 31% Liveness
78% Instrumentalness • 4% Positiveness
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Edward Elgar
Salut d'amour, Op. 12
95 bpm • E Maj • 02:54 • -22db
51% Popularity • 17% Danceability • 13% Energy • 13% Liveness
4% Instrumentalness • 5% Positiveness
51% Popularity • 17% Danceability • 13% Energy • 13% Liveness
4% Instrumentalness • 5% Positiveness
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Hildur Guðnadóttir
Defeated Clown
97 bpm • G Maj • 02:39 • -16.53db
46% Popularity • 20% Danceability • 24% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
46% Popularity • 20% Danceability • 24% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
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Benjamin Wallfisch
Not This Time, Kid
95 bpm • D# Maj • 01:11 • -21.94db
22% Popularity • 18% Danceability • 6% Energy • 12% Liveness
78% Instrumentalness • 12% Positiveness
22% Popularity • 18% Danceability • 6% Energy • 12% Liveness
78% Instrumentalness • 12% Positiveness
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Abel Korzeniowski
Wayward Sisters
98 bpm • F# min • 02:55 • -12.56db
47% Popularity • 28% Danceability • 44% Energy • 16% Liveness
92% Instrumentalness • 6% Positiveness
47% Popularity • 28% Danceability • 44% Energy • 16% Liveness
92% Instrumentalness • 6% Positiveness
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Junkie XL
Many Mothers
99 bpm • A min • 05:15 • -15db
27% Popularity • 13% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
27% Popularity • 13% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Ruth Barrett
Locomotives
94 bpm • G# min • 01:52 • -13db
28% Popularity • 22% Danceability • 37% Energy • 9% Liveness
95% Instrumentalness • 23% Positiveness
28% Popularity • 22% Danceability • 37% Energy • 9% Liveness
95% Instrumentalness • 23% Positiveness
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Carlos Rafael Rivera
Main Title
93 bpm • C Maj • 01:49 • -10.98db
52% Popularity • 47% Danceability • 61% Energy • 41% Liveness
82% Instrumentalness • 49% Positiveness
52% Popularity • 47% Danceability • 61% Energy • 41% Liveness
82% Instrumentalness • 49% Positiveness
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Jonny Greenwood
Alma
99 bpm • C Maj • 04:07 • -17db
42% Popularity • 18% Danceability • 14% Energy • 14% Liveness
82% Instrumentalness • 4% Positiveness
42% Popularity • 18% Danceability • 14% Energy • 14% Liveness
82% Instrumentalness • 4% Positiveness
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Benjamin Wallfisch
Denouement
93 bpm • D min • 04:57 • -14.72db
25% Popularity • 11% Danceability • 21% Energy • 14% Liveness
97% Instrumentalness • 3% Positiveness
25% Popularity • 11% Danceability • 21% Energy • 14% Liveness
97% Instrumentalness • 3% Positiveness
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Steven Price
Gravity
93 bpm • G# min • 04:35 • -15.36db
50% Popularity • 12% Danceability • 26% Energy • 20% Liveness
98% Instrumentalness • 6% Positiveness
50% Popularity • 12% Danceability • 26% Energy • 20% Liveness
98% Instrumentalness • 6% Positiveness
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Ryuichi Sakamoto
Arriving at Fort Kiowa
99 bpm • E min • 01:21 • -23.09db
36% Popularity • 27% Danceability • 2% Energy • 15% Liveness
74% Instrumentalness • 3% Positiveness
36% Popularity • 27% Danceability • 2% Energy • 15% Liveness
74% Instrumentalness • 3% Positiveness
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Ludwig Göransson
Quantum Mechanics
99 bpm • E min • 03:00 • -14.72db
62% Popularity • 33% Danceability • 28% Energy • 6% Liveness
34% Instrumentalness • 9% Positiveness
62% Popularity • 33% Danceability • 28% Energy • 6% Liveness
34% Instrumentalness • 9% Positiveness
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West Dylan Thordson
Kevin Wendell Crumb
100 bpm • F min • 02:41 • -28db
41% Popularity • 13% Danceability • 6% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
41% Popularity • 13% Danceability • 6% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
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Michael Kamen
Band Of Brothers Suite One - Instrumenta...
92 bpm • D Maj • 06:31 • -15.19db
30% Popularity • 15% Danceability • 25% Energy • 10% Liveness
81% Instrumentalness • 7% Positiveness
30% Popularity • 15% Danceability • 25% Energy • 10% Liveness
81% Instrumentalness • 7% Positiveness
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Christopher Willis
David's Writings
92 bpm • C# min • 02:57 • -13.54db
50% Popularity • 30% Danceability • 36% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
50% Popularity • 30% Danceability • 36% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
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Carlos Rafael Rivera
Methuen Home For Children 1957
100 bpm • B min • 01:14 • -29db
55% Popularity • 43% Danceability • 2% Energy • 11% Liveness
80% Instrumentalness • 8% Positiveness
55% Popularity • 43% Danceability • 2% Energy • 11% Liveness
80% Instrumentalness • 8% Positiveness
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Michael Giacchino
Exodus Wounds
100 bpm • G min • 04:22 • -19db
33% Popularity • 21% Danceability • 4% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
33% Popularity • 21% Danceability • 4% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Steve Jablonsky
Taming the Dinosaurs
100 bpm • D Maj • 04:11 • -24.09db
28% Popularity • 49% Danceability • 22% Energy • 18% Liveness
91% Instrumentalness • 6% Positiveness
28% Popularity • 49% Danceability • 22% Energy • 18% Liveness
91% Instrumentalness • 6% Positiveness
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Ludwig Göransson
Los Alamos
100 bpm • D min • 02:38 • -21.55db
56% Popularity • 51% Danceability • 40% Energy • 14% Liveness
86% Instrumentalness • 3% Positiveness
56% Popularity • 51% Danceability • 40% Energy • 14% Liveness
86% Instrumentalness • 3% Positiveness
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Rupert Gregson-Williams
Chasing Margaret
92 bpm • C min • 01:27 • -18.24db
39% Popularity • 39% Danceability • 28% Energy • 15% Liveness
88% Instrumentalness • 3% Positiveness
39% Popularity • 39% Danceability • 28% Energy • 15% Liveness
88% Instrumentalness • 3% Positiveness
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Jan A.P. Kaczmarek
Peter - Finding Neverland/Soundtrack Ver...
100 bpm • C Maj • 02:20 • -21db
48% Popularity • 15% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
48% Popularity • 15% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Hildur Guðnadóttir
Meeting Bruce Wayne
100 bpm • F# min • 04:35 • -14.16db
38% Popularity • 30% Danceability • 40% Energy • 9% Liveness
95% Instrumentalness • 6% Positiveness
38% Popularity • 30% Danceability • 40% Energy • 9% Liveness
95% Instrumentalness • 6% Positiveness
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Nicholas Britell
Song of Hal: Conclusio in C Minor
92 bpm • C min • 04:50 • -16.58db
40% Popularity • 14% Danceability • 9% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
40% Popularity • 14% Danceability • 9% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Jeff Beal
Roll Call
92 bpm • D# Maj • 01:43 • -25.06db
36% Popularity • 40% Danceability • 9% Energy • 12% Liveness
88% Instrumentalness • 35% Positiveness
36% Popularity • 40% Danceability • 9% Energy • 12% Liveness
88% Instrumentalness • 35% Positiveness
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Ludwig Göransson
Manhattan Project
100 bpm • A min • 03:01 • -17.69db
58% Popularity • 57% Danceability • 54% Energy • 11% Liveness
94% Instrumentalness • 6% Positiveness
58% Popularity • 57% Danceability • 54% Energy • 11% Liveness
94% Instrumentalness • 6% Positiveness
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Yuja Wang
Wallfisch: Lamorma
100 bpm • G Maj • 03:05 • -21db
33% Popularity • 18% Danceability • 7% Energy • 22% Liveness
91% Instrumentalness • 7% Positiveness
33% Popularity • 18% Danceability • 7% Energy • 22% Liveness
91% Instrumentalness • 7% Positiveness
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Clint Mansell
The Yellow House
100 bpm • D min • 04:45 • -16db
28% Popularity • 29% Danceability • 25% Energy • 18% Liveness
96% Instrumentalness • 4% Positiveness
28% Popularity • 29% Danceability • 25% Energy • 18% Liveness
96% Instrumentalness • 4% Positiveness
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John Lunn
Duneagle
92 bpm • F# min • 02:06 • -14.23db
47% Popularity • 31% Danceability • 20% Energy • 9% Liveness
91% Instrumentalness • 28% Positiveness
47% Popularity • 31% Danceability • 20% Energy • 9% Liveness
91% Instrumentalness • 28% Positiveness
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Marc Streitenfeld
Sherwood Forest
91 bpm • A min • 02:19 • -21db
58% Popularity • 27% Danceability • 13% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
58% Popularity • 27% Danceability • 13% Energy • 12% Liveness
95% Instrumentalness • 7% Positiveness
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Alan Silvestri
"Best Day Ever"
91 bpm • G Maj • 01:51 • -22db
31% Popularity • 21% Danceability • 4% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
31% Popularity • 21% Danceability • 4% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Mark Isham
Tribune Tower
91 bpm • A Maj • 03:44 • -24.49db
27% Popularity • 10% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
27% Popularity • 10% Danceability • 5% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Mychael Danna
Pi and Richard Parker
101 bpm • A min • 02:14 • -27.87db
30% Popularity • 16% Danceability • 3% Energy • 34% Liveness
98% Instrumentalness • 6% Positiveness
30% Popularity • 16% Danceability • 3% Energy • 34% Liveness
98% Instrumentalness • 6% Positiveness
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Michael Price
SHERlocked
101 bpm • A min • 03:44 • -21.5db
41% Popularity • 14% Danceability • 13% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
41% Popularity • 14% Danceability • 13% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Jeff Beal
One Bite At A Time
91 bpm • F Maj • 02:30 • -17db
36% Popularity • 40% Danceability • 23% Energy • 11% Liveness
91% Instrumentalness • 17% Positiveness
36% Popularity • 40% Danceability • 23% Energy • 11% Liveness
91% Instrumentalness • 17% Positiveness
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Marc Streitenfeld
Fate Has Smiled Upon Us
91 bpm • E min • 02:02 • -13.98db
60% Popularity • 28% Danceability • 39% Energy • 22% Liveness
89% Instrumentalness • 4% Positiveness
60% Popularity • 28% Danceability • 39% Energy • 22% Liveness
89% Instrumentalness • 4% Positiveness
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Christopher Willis
A Life Well Written
91 bpm • C Maj • 03:17 • -14db
25% Popularity • 30% Danceability • 31% Energy • 5% Liveness
72% Instrumentalness • 16% Positiveness
25% Popularity • 30% Danceability • 31% Energy • 5% Liveness
72% Instrumentalness • 16% Positiveness
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Edward Elgar
Variations on an Original Theme, Op. 36,...
91 bpm • G min • 01:25 • -35db
41% Popularity • 14% Danceability • 1% Energy • 11% Liveness
62% Instrumentalness • 4% Positiveness
41% Popularity • 14% Danceability • 1% Energy • 11% Liveness
62% Instrumentalness • 4% Positiveness
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Peter Gregson
Sabine
90 bpm • C min • 02:41 • -31.17db
29% Popularity • 33% Danceability • 2% Energy • 9% Liveness
83% Instrumentalness • 7% Positiveness
29% Popularity • 33% Danceability • 2% Energy • 9% Liveness
83% Instrumentalness • 7% Positiveness
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Benjamin Wallfisch
I Am Batman
102 bpm • C min • 02:06 • -9.23db
29% Popularity • 15% Danceability • 55% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
29% Popularity • 15% Danceability • 55% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
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Harry Gregson-Williams
Coronation
90 bpm • B Maj • 03:02 • -19.95db
34% Popularity • 11% Danceability • 11% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
34% Popularity • 11% Danceability • 11% Energy • 7% Liveness
96% Instrumentalness • 3% Positiveness
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Stephen Warbeck
Eden Lost
102 bpm • D# Maj • 01:46 • -24.49db
46% Popularity • 17% Danceability • 3% Energy • 13% Liveness
83% Instrumentalness • 4% Positiveness
46% Popularity • 17% Danceability • 3% Energy • 13% Liveness
83% Instrumentalness • 4% Positiveness
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Ludwig Göransson
Gravity Swallows Light
90 bpm • D min • 03:30 • -18.24db
57% Popularity • 28% Danceability • 16% Energy • 7% Liveness
66% Instrumentalness • 4% Positiveness
57% Popularity • 28% Danceability • 16% Energy • 7% Liveness
66% Instrumentalness • 4% Positiveness
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Edward Elgar
Variations on an Original Theme, Op. 36 ...
90 bpm • A# Maj • 04:00 • -19.85db
33% Popularity • 16% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
33% Popularity • 16% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Abel Korzeniowski
Mothers
90 bpm • A min • 02:30 • -19.12db
31% Popularity • 48% Danceability • 24% Energy • 10% Liveness
98% Instrumentalness • 8% Positiveness
31% Popularity • 48% Danceability • 24% Energy • 10% Liveness
98% Instrumentalness • 8% Positiveness
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Benjamin Wallfisch
Derry
90 bpm • E min • 02:24 • -24.14db
24% Popularity • 10% Danceability • 8% Energy • 12% Liveness
97% Instrumentalness • 3% Positiveness
24% Popularity • 10% Danceability • 8% Energy • 12% Liveness
97% Instrumentalness • 3% Positiveness
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Anne Dudley
The Longest Walk
90 bpm • G min • 02:42 • -14.91db
22% Popularity • 10% Danceability • 18% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
22% Popularity • 10% Danceability • 18% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
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Nicholas Hooper
Loved Ones and Leaving
90 bpm • D Maj • 03:15 • -22.28db
46% Popularity • 22% Danceability • 7% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
46% Popularity • 22% Danceability • 7% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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Peter Gregson
What Happened
89 bpm • C min • 02:06 • -22.41db
28% Popularity • 36% Danceability • 30% Energy • 9% Liveness
79% Instrumentalness • 19% Positiveness
28% Popularity • 36% Danceability • 30% Energy • 9% Liveness
79% Instrumentalness • 19% Positiveness
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Edward Elgar
Nimrod
103 bpm • D# Maj • 03:27 • -9.99db
26% Popularity • 18% Danceability • 35% Energy • 12% Liveness
77% Instrumentalness • 4% Positiveness
26% Popularity • 18% Danceability • 35% Energy • 12% Liveness
77% Instrumentalness • 4% Positiveness
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Dan Jones
Solemn Love
89 bpm • B min • 01:36 • -24.5db
29% Popularity • 16% Danceability • 7% Energy • 26% Liveness
64% Instrumentalness • 5% Positiveness
29% Popularity • 16% Danceability • 7% Energy • 26% Liveness
64% Instrumentalness • 5% Positiveness
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Benjamin Wallfisch
Every 27 Years - Reprise
89 bpm • A min • 02:07 • -28.71db
31% Popularity • 45% Danceability • 2% Energy • 16% Liveness
94% Instrumentalness • 4% Positiveness
31% Popularity • 45% Danceability • 2% Energy • 16% Liveness
94% Instrumentalness • 4% Positiveness
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Michael Giacchino
Labor Of Love
89 bpm • D Maj • 02:51 • -18.46db
33% Popularity • 18% Danceability • 6% Energy • 21% Liveness
90% Instrumentalness • 4% Positiveness
33% Popularity • 18% Danceability • 6% Energy • 21% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Nicholas Hooper
Harry & Hermione
90 bpm • C Maj • 02:52 • -29.09db
55% Popularity • 32% Danceability • 4% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
55% Popularity • 32% Danceability • 4% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
West Dylan Thordson
Ordinary Man
89 bpm • G min • 02:07 • -19.23db
45% Popularity • 10% Danceability • 16% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
45% Popularity • 10% Danceability • 16% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Nicholas Britell
A Rose in Spanish Harlem (Bonus Track)
89 bpm • G Maj • 02:56 • -19db
43% Popularity • 10% Danceability • 27% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
43% Popularity • 10% Danceability • 27% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
John Barry
The John Dunbar Theme (film version)
89 bpm • D# Maj • 02:21 • -28db
51% Popularity • 10% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
51% Popularity • 10% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Clint Mansell
"We're Not Programs, GERTY, We're People...
89 bpm • C Maj • 05:10 • -22.73db
38% Popularity • 17% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
38% Popularity • 17% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
Geoff Zanelli
My Name Is Barbossa
89 bpm • F Maj • 05:33 • -10.54db
49% Popularity • 10% Danceability • 33% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
49% Popularity • 10% Danceability • 33% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Antony Partos
A New Day Beckons
88 bpm • B min • 06:26 • -21.94db
9% Popularity • 23% Danceability • 9% Energy • 9% Liveness
77% Instrumentalness • 9% Positiveness
9% Popularity • 23% Danceability • 9% Energy • 9% Liveness
77% Instrumentalness • 9% Positiveness
► Preview
Theodore Shapiro
Stationary Cycle
88 bpm • B min • 02:43 • -16.17db
41% Popularity • 49% Danceability • 18% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
41% Popularity • 49% Danceability • 18% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Edward Elgar
Cello Concerto in E Minor, Op. 85: I. Ad...
88 bpm • E min • 03:44 • -20db
21% Popularity • 18% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
21% Popularity • 18% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Alan Silvestri
I'm Forrest... Forrest Gump
104 bpm • F Maj • 02:39 • -22.78db
61% Popularity • 40% Danceability • 5% Energy • 8% Liveness
51% Instrumentalness • 10% Positiveness
61% Popularity • 40% Danceability • 5% Energy • 8% Liveness
51% Instrumentalness • 10% Positiveness
► Preview
Dario Marianelli
Briony
105 bpm • G# Maj • 01:44 • -20.15db
36% Popularity • 64% Danceability • 25% Energy • 18% Liveness
79% Instrumentalness • 70% Positiveness
36% Popularity • 64% Danceability • 25% Energy • 18% Liveness
79% Instrumentalness • 70% Positiveness
► Preview
Danny Bensi and Saunder Jurriaans
Make History
88 bpm • C Maj • 01:13 • -33.41db
41% Popularity • 20% Danceability • 1% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
41% Popularity • 20% Danceability • 1% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
John Lunn
You Are The Best Of Me
88 bpm • D# Maj • 02:44 • -16db
28% Popularity • 13% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
28% Popularity • 13% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
► Preview
Abel Korzeniowski
Crossroads
88 bpm • A min • 02:55 • -14.8db
24% Popularity • 13% Danceability • 48% Energy • 16% Liveness
64% Instrumentalness • 12% Positiveness
24% Popularity • 13% Danceability • 48% Energy • 16% Liveness
64% Instrumentalness • 12% Positiveness
► Preview
Carlos Rafael Rivera
Am I Good Enough Now?
88 bpm • D min • 01:18 • -29.4db
50% Popularity • 14% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
50% Popularity • 14% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Debbie Wiseman
Wolf Hall
105 bpm • G Maj • 03:18 • -19.02db
30% Popularity • 81% Danceability • 22% Energy • 12% Liveness
94% Instrumentalness • 61% Positiveness
30% Popularity • 81% Danceability • 22% Energy • 12% Liveness
94% Instrumentalness • 61% Positiveness
► Preview
Edward Elgar
Elgar: The Music Makers, Op. 69: I. Intr...
88 bpm • C min • 03:28 • -20.52db
10% Popularity • 9% Danceability • 9% Energy • 6% Liveness
84% Instrumentalness • 4% Positiveness
10% Popularity • 9% Danceability • 9% Energy • 6% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Nicholas Hooper
Journey To The Cave
88 bpm • D Maj • 03:08 • -22.55db
49% Popularity • 28% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
49% Popularity • 28% Danceability • 14% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Rob Lane
First Meeting
88 bpm • A min • 01:53 • -23.52db
32% Popularity • 14% Danceability • 9% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
32% Popularity • 14% Danceability • 9% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Clint Mansell
Marguerite Gachet At The Piano
106 bpm • D min • 02:30 • -19.66db
31% Popularity • 18% Danceability • 15% Energy • 30% Liveness
53% Instrumentalness • 4% Positiveness
31% Popularity • 18% Danceability • 15% Energy • 30% Liveness
53% Instrumentalness • 4% Positiveness
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Mychael Danna
Back to the World
88 bpm • C min • 08:20 • -27db
26% Popularity • 9% Danceability • 5% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
26% Popularity • 9% Danceability • 5% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Rob Simonsen
The Road Ahead
106 bpm • F min • 02:31 • -23.26db
15% Popularity • 60% Danceability • 20% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
15% Popularity • 60% Danceability • 20% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
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Jonny Greenwood
Open Spaces
87 bpm • A Maj • 03:55 • -18.54db
36% Popularity • 9% Danceability • 16% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
36% Popularity • 9% Danceability • 16% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Harry Gregson-Williams
Mars
106 bpm • A# Maj • 02:25 • -28.93db
39% Popularity • 20% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
39% Popularity • 20% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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Trevor Rabin
Declaration of Independence
87 bpm • F Maj • 01:43 • -24db
47% Popularity • 14% Danceability • 9% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
47% Popularity • 14% Danceability • 9% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Ryuichi Sakamoto
Church Dream
87 bpm • E min • 02:38 • -20.11db
33% Popularity • 20% Danceability • 26% Energy • 6% Liveness
88% Instrumentalness • 3% Positiveness
33% Popularity • 20% Danceability • 26% Energy • 6% Liveness
88% Instrumentalness • 3% Positiveness
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Clint Mansell
Starry Night Over The Rhone
106 bpm • D Maj • 01:17 • -17.55db
41% Popularity • 24% Danceability • 18% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
41% Popularity • 24% Danceability • 18% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Steven Price
Above Earth
87 bpm • G min • 01:50 • -30db
26% Popularity • 9% Danceability • 5% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
26% Popularity • 9% Danceability • 5% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
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Ludwig Göransson
A Lowly Shoe Salesman
87 bpm • C# min • 03:34 • -27.63db
60% Popularity • 20% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
60% Popularity • 20% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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The Chamber Orchestra Of London
An Ideal Marriage
107 bpm • G min • 02:43 • -15db
36% Popularity • 21% Danceability • 18% Energy • 18% Liveness
92% Instrumentalness • 5% Positiveness
36% Popularity • 21% Danceability • 18% Energy • 18% Liveness
92% Instrumentalness • 5% Positiveness
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Benjamin Wallfisch
Serenity
86 bpm • E min • 04:45 • -23.98db
11% Popularity • 9% Danceability • 9% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
11% Popularity • 9% Danceability • 9% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Abel Korzeniowski
City Lights
107 bpm • G min • 01:14 • -21.16db
45% Popularity • 16% Danceability • 24% Energy • 33% Liveness
91% Instrumentalness • 4% Positiveness
45% Popularity • 16% Danceability • 24% Energy • 33% Liveness
91% Instrumentalness • 4% Positiveness
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Hildur Guðnadóttir
Bathroom Dance
86 bpm • G# min • 02:08 • -19.22db
56% Popularity • 17% Danceability • 7% Energy • 8% Liveness
26% Instrumentalness • 4% Positiveness
56% Popularity • 17% Danceability • 7% Energy • 8% Liveness
26% Instrumentalness • 4% Positiveness
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Ryuichi Sakamoto
The Revenant Theme (Alva Noto Remodel)
86 bpm • D Maj • 04:00 • -28.74db
32% Popularity • 19% Danceability • 5% Energy • 11% Liveness
73% Instrumentalness • 3% Positiveness
32% Popularity • 19% Danceability • 5% Energy • 11% Liveness
73% Instrumentalness • 3% Positiveness
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David Julyan
"Let Me Sleep"
86 bpm • B min • 02:43 • -17db
27% Popularity • 9% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
27% Popularity • 9% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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The Chamber Orchestra Of London
Story Of My Life
86 bpm • F min • 01:57 • -18.17db
44% Popularity • 10% Danceability • 14% Energy • 12% Liveness
2% Instrumentalness • 3% Positiveness
44% Popularity • 10% Danceability • 14% Energy • 12% Liveness
2% Instrumentalness • 3% Positiveness
