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Variation 8: Funeral March
Songs like
Variation 8: Funeral March
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A Far Cry
Based on a tempo of (+/- 10%) and a similar genre
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A Far Cry
Variation 8: Funeral March
167 bpm • G# Maj • 03:37 • -11.77db
0% Popularity • 12% Danceability • 36% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Partita Suite No. 1 for String Orchestra...
167 bpm • E min • 02:36 • -18db
8% Popularity • 35% Danceability • 26% Energy • 14% Liveness
95% Instrumentalness • 64% Positiveness
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Andrew Norman
The Companion Guide To Rome: IX Sabina
167 bpm • G Maj • 09:59 • -12.42db
4% Popularity • 9% Danceability • 32% Energy • 10% Liveness
80% Instrumentalness • 4% Positiveness
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Laz Ukpo
Stoop to Dunk
168 bpm • F# Maj • 01:51 • -16.54db
15% Popularity • 14% Danceability • 5% Energy • 15% Liveness
68% Instrumentalness • 9% Positiveness
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Mitar Popescu
Mystic Modal Melodies
166 bpm • D min • 02:34 • -28.19db
9% Popularity • 15% Danceability • 2% Energy • 12% Liveness
93% Instrumentalness • 6% Positiveness
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Sarah Kirkland Snider
Sarah Kirkland Snider: The Blue Hour: No...
166 bpm • E Maj • 05:07 • -13.44db
3% Popularity • 19% Danceability • 31% Energy • 6% Liveness
1% Instrumentalness • 4% Positiveness
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A Far Cry
Concerto Grosso in G Minor, Op.6 No.6: V...
168 bpm • G min • 02:09 • -13.91db
0% Popularity • 45% Danceability • 16% Energy • 15% Liveness
50% Instrumentalness • 66% Positiveness
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Erwin Schulhoff
String Quartet No. 1: IV. Andante molto ...
166 bpm • D min • 06:50 • -24.32db
16% Popularity • 13% Danceability • 4% Energy • 8% Liveness
55% Instrumentalness • 4% Positiveness
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Julianus Nunes
Angustioso
166 bpm • D min • 03:21 • -22.14db
18% Popularity • 32% Danceability • 5% Energy • 11% Liveness
88% Instrumentalness • 15% Positiveness
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Sevgi Keskin Manisalı
Peace For World, Children, Palestinians
166 bpm • D# Maj • 02:38 • -17.07db
16% Popularity • 27% Danceability • 10% Energy • 10% Liveness
25% Instrumentalness • 16% Positiveness
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Anton Webern
Two Pieces: II. Langsam
168 bpm • G Maj • 02:27 • -27.04db
7% Popularity • 12% Danceability • 1% Energy • 12% Liveness
88% Instrumentalness • 7% Positiveness
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Alexander Glazunov
Rêverie Orientale
169 bpm • F Maj • 06:44 • -23.66db
13% Popularity • 9% Danceability • 3% Energy • 9% Liveness
67% Instrumentalness • 4% Positiveness
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Kaija Saariaho
Sept papillons: Papillons II
169 bpm • D Maj • 01:27 • -26.58db
12% Popularity • 18% Danceability • 13% Energy • 4% Liveness
71% Instrumentalness • 7% Positiveness
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Angel Lam
Mist of Scented Harbor for solo violin: ...
168 bpm • G Maj • 03:50 • -15.52db
12% Popularity • 33% Danceability • 3% Energy • 12% Liveness
30% Instrumentalness • 11% Positiveness
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Lauri Porra
Engagement
170 bpm • G min • 02:44 • -25.68db
15% Popularity • 10% Danceability • 7% Energy • 13% Liveness
71% Instrumentalness • 4% Positiveness
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A Far Cry
Variation 2: March
163 bpm • A# Maj • 01:09 • -12.67db
0% Popularity • 44% Danceability • 46% Energy • 11% Liveness
90% Instrumentalness • 28% Positiveness
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Aurelio Scotto
Painting VIII: BACH
171 bpm • G Maj • 01:02 • -21.66db
20% Popularity • 32% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Federico Jusid
Recuerdos
171 bpm • A Maj • 01:45 • -30.12db
11% Popularity • 10% Danceability • 3% Energy • 7% Liveness
83% Instrumentalness • 3% Positiveness
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Shota Ikeda
Shadows on the Abandoned Street: First M...
163 bpm • A min • 03:27 • -16.57db
13% Popularity • 23% Danceability • 8% Energy • 13% Liveness
59% Instrumentalness • 18% Positiveness
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Kevin Puts
Contact: II. Codes. Scherzo
163 bpm • D Maj • 04:08 • -11.34db
7% Popularity • 50% Danceability • 47% Energy • 15% Liveness
89% Instrumentalness • 38% Positiveness
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Australian Chamber Orchestra
String Quartet in F Major, M. 35: II. As...
162 bpm • C Maj • 04:00 • -17.93db
8% Popularity • 35% Danceability • 19% Energy • 12% Liveness
78% Instrumentalness • 32% Positiveness
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A Far Cry
Last Round: II. Lentissimo
162 bpm • B min • 05:30 • -16.99db
0% Popularity • 10% Danceability • 19% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Balanescu Quartet
Love In The Afternoon
173 bpm • F Maj • 01:20 • -21.19db
28% Popularity • 12% Danceability • 16% Energy • 70% Liveness
71% Instrumentalness • 5% Positiveness
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Amelia Rooney
nothing more.
173 bpm • D# Maj • 01:06 • -29db
11% Popularity • 21% Danceability • 12% Energy • 34% Liveness
20% Instrumentalness • 32% Positiveness
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Franco Esteve
Death Is Not the End
173 bpm • D# Maj • 02:02 • -13.59db
16% Popularity • 10% Danceability • 23% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Canada's National Arts Centre Orchestra
Concerto for Violin and Orchestra in D M...
173 bpm • D Maj • 08:39 • -24.05db
8% Popularity • 20% Danceability • 11% Energy • 13% Liveness
15% Instrumentalness • 12% Positiveness
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William Brittelle
Psychedelics: I. Deep Blue (You Beat Me)
174 bpm • G Maj • 04:39 • -10.66db
13% Popularity • 20% Danceability • 27% Energy • 49% Liveness
0% Instrumentalness • 11% Positiveness
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Caroline Shaw
Caroline Shaw: The Blue Hour: No. 7, Can...
174 bpm • C min • 01:27 • -18.33db
4% Popularity • 29% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Giovanni Sollima
Sollima: Moghul
175 bpm • G# Maj • 04:35 • -21.92db
19% Popularity • 14% Danceability • 4% Energy • 8% Liveness
84% Instrumentalness • 5% Positiveness
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György Kurtág
Officium breve in memoriam Andreae Szerv...
176 bpm • C Maj • 01:14 • -33.73db
23% Popularity • 8% Danceability • 1% Energy • 10% Liveness
8% Instrumentalness • 3% Positiveness
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Arvo Pärt
Littlemore Tractus
176 bpm • E min • 07:29 • -25.41db
30% Popularity • 8% Danceability • 4% Energy • 24% Liveness
85% Instrumentalness • 3% Positiveness
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Richard Wagner
Tristan und Isolde, WWV 90: IV, Herr Tri...
176 bpm • F Maj • 01:11 • -18.95db
10% Popularity • 11% Danceability • 6% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
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Louis Sclavis
L'Accident Part 1
178 bpm • G# Maj • 03:35 • -14.46db
14% Popularity • 33% Danceability • 1% Energy • 61% Liveness
1% Instrumentalness • 11% Positiveness
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Sarah Kirkland Snider
Sarah Kirkland Snider: The Blue Hour: No...
157 bpm • F# Maj • 01:50 • -17.46db
3% Popularity • 29% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Francisco Coll
Dialog ohne Worte
178 bpm • A min • 02:27 • -15.48db
10% Popularity • 8% Danceability • 18% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
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Doug J. Cuomo
Offering, Pt. I
179 bpm • F Maj • 01:09 • -14.33db
7% Popularity • 38% Danceability • 36% Energy • 10% Liveness
90% Instrumentalness • 96% Positiveness
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Sarah Neutkens
Other Echoes I
156 bpm • A# Maj • 03:36 • -33.48db
9% Popularity • 66% Danceability • 8% Energy • 11% Liveness
96% Instrumentalness • 67% Positiveness
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Easley Blackwood
12 Microtonal Etudes, Op. 28 (Arr. for O...
180 bpm • D min • 02:56 • -12.54db
14% Popularity • 23% Danceability • 20% Energy • 8% Liveness
76% Instrumentalness • 30% Positiveness
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Nico Muhly
Pools
155 bpm • C Maj • 03:17 • -15.96db
10% Popularity • 23% Danceability • 20% Energy • 10% Liveness
31% Instrumentalness • 4% Positiveness
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Popp
Odds in Favor
154 bpm • C min • 04:32 • -21.11db
9% Popularity • 52% Danceability • 18% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
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Kevin Puts
Contact: IV. Convivium
154 bpm • G Maj • 07:35 • -11db
13% Popularity • 39% Danceability • 33% Energy • 8% Liveness
55% Instrumentalness • 21% Positiveness
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Johann Sebastian Bach
Prelude in D minor BWV 851 for String Tr...
153 bpm • D min • 01:26 • -20.99db
12% Popularity • 74% Danceability • 30% Energy • 11% Liveness
86% Instrumentalness • 80% Positiveness
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Michael Harrison
Just Ancient Loops: II. Chorale
181 bpm • D min • 05:37 • -18.87db
12% Popularity • 10% Danceability • 10% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
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Osvaldo Golijov
Golijov: The Dreams & Prayers of Isaac T...
153 bpm • G Maj • 09:20 • -10.97db
1% Popularity • 26% Danceability • 44% Energy • 12% Liveness
92% Instrumentalness • 6% Positiveness
► Preview
Rihards Dubra
Lux Aeterna: II. Allegretto
151 bpm • G Maj • 03:09 • -17db
9% Popularity • 34% Danceability • 15% Energy • 19% Liveness
89% Instrumentalness • 22% Positiveness
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Allexandre Goz
In the Dead of Night
150 bpm • F# min • 01:33 • -23db
13% Popularity • 14% Danceability • 4% Energy • 28% Liveness
97% Instrumentalness • 4% Positiveness
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Jennifer Higdon
Concerto 4-3: I. The Shallows
154 bpm • A min • 09:06 • -15.39db
10% Popularity • 42% Danceability • 40% Energy • 8% Liveness
26% Instrumentalness • 64% Positiveness
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Kaija Saariaho
7 Papillons: No. 7. —
185 bpm • G Maj • 01:10 • -22.83db
24% Popularity • 23% Danceability • 23% Energy • 8% Liveness
7% Instrumentalness • 15% Positiveness
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Marc Ezenge
Faith over Fear
149 bpm • F min • 02:57 • -19.77db
15% Popularity • 26% Danceability • 14% Energy • 9% Liveness
88% Instrumentalness • 19% Positiveness
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Meredith Monk
Railroad (Travel Song)
190 bpm • E min • 02:15 • -21.43db
21% Popularity • 19% Danceability • 11% Energy • 7% Liveness
94% Instrumentalness • 8% Positiveness
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A Far Cry
Serenade in C Major, Op.48: IV. Finale (...
147 bpm • C Maj • 07:25 • -15.37db
0% Popularity • 32% Danceability • 27% Energy • 18% Liveness
82% Instrumentalness • 14% Positiveness
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Steve Reich
Music for Ensemble and Orchestra: I. Six...
191 bpm • D# min • 04:58 • -15.72db
15% Popularity • 16% Danceability • 35% Energy • 12% Liveness
83% Instrumentalness • 48% Positiveness
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Thomas Adès
Adès: Dante, Pt. I "Inferno": II. The S...
145 bpm • C# Maj • 01:57 • -11.72db
16% Popularity • 31% Danceability • 51% Energy • 51% Liveness
88% Instrumentalness • 43% Positiveness
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Arvo Pärt
Fratres
147 bpm • F Maj • 09:23 • -17.65db
12% Popularity • 16% Danceability • 13% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
► Preview
Ted Hearne
Law of Mosaics: The warp and woof
145 bpm • D# Maj • 05:55 • -11.01db
1% Popularity • 20% Danceability • 3% Energy • 36% Liveness
89% Instrumentalness • 7% Positiveness
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Mitar Popescu
Clarinet Serenade: Gypsy Lament
144 bpm • B min • 01:29 • -23.17db
15% Popularity • 29% Danceability • 6% Energy • 23% Liveness
84% Instrumentalness • 7% Positiveness
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Orchestra of the Swan
Mit Fried und Freud ich fahr dahin, Bux ...
145 bpm • A min • 04:39 • -19.31db
9% Popularity • 28% Danceability • 13% Energy • 10% Liveness
44% Instrumentalness • 18% Positiveness
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DJ Raspberry V
Distance
144 bpm • G# Maj • 02:07 • -14.86db
20% Popularity • 41% Danceability • 39% Energy • 10% Liveness
89% Instrumentalness • 85% Positiveness
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Meredith Monk
The Games: Migration (Version for Narrat...
144 bpm • A min • 07:37 • -14.86db
11% Popularity • 36% Danceability • 27% Energy • 25% Liveness
49% Instrumentalness • 4% Positiveness
► Preview
Steve Reich
Triple Quartet: I. - Pt. 1
144 bpm • E min • 02:40 • -13.88db
8% Popularity • 50% Danceability • 24% Energy • 18% Liveness
54% Instrumentalness • 14% Positiveness
► Preview
DJ Raspberry V
Ride tha Hill
144 bpm • G Maj • 02:03 • -16.17db
20% Popularity • 47% Danceability • 31% Energy • 10% Liveness
95% Instrumentalness • 75% Positiveness
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DJ Raspberry V
Let's Ride
143 bpm • C Maj • 02:01 • -17.07db
20% Popularity • 43% Danceability • 33% Energy • 10% Liveness
87% Instrumentalness • 89% Positiveness
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Meredith Monk
Passage
143 bpm • G Maj • 01:55 • -30.41db
12% Popularity • 14% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 6% Positiveness
► Preview
Steve Reich
Music for 18 Musicians: Section XI
196 bpm • D Maj • 04:24 • -25.37db
14% Popularity • 37% Danceability • 26% Energy • 17% Liveness
97% Instrumentalness • 42% Positiveness
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Variation 8: Funeral March