Songs like Variations on a Theme by Robert Schumann, Op. 20: Var. 7 by Clara Schumann
Based on a tempo of (+/- 10%) and a similar genre
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Clara Schumann
Piano Sonata in G Minor: II. Adagio
137 bpm • A# Maj • 03:06 • -30.49db
12% Popularity • 47% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 8% Positiveness
12% Popularity • 47% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 8% Positiveness
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Francois Benda
3 Romanzen, Op. 22 (arr. F. Benda for cl...
137 bpm • C# Maj • 02:37 • -22db
6% Popularity • 23% Danceability • 4% Energy • 15% Liveness
24% Instrumentalness • 5% Positiveness
6% Popularity • 23% Danceability • 4% Energy • 15% Liveness
24% Instrumentalness • 5% Positiveness
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Manuel Blancafort
7 Peces de joventut (Youthful Pieces): R...
137 bpm • B Maj • 02:26 • -32.96db
51% Popularity • 46% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 7% Positiveness
51% Popularity • 46% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 7% Positiveness
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Edvard Grieg
Lyric Pieces, Op. 57, Book VI: VI. Hjemv...
137 bpm • E min • 04:33 • -34db
44% Popularity • 37% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 5% Positiveness
44% Popularity • 37% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 5% Positiveness
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Johannes Brahms
3 Intermezzi, Op. 117: No. 1, Andante mo...
138 bpm • D# Maj • 04:50 • -31.45db
40% Popularity • 44% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 7% Positiveness
40% Popularity • 44% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 7% Positiveness
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Franz Liszt
Berceuse, S. 174
136 bpm • C# Maj • 09:36 • -30db
35% Popularity • 30% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
35% Popularity • 30% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Jean-Philippe Rameau
The Arts and the Hours
136 bpm • C# Maj • 04:45 • -36.7db
64% Popularity • 42% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
64% Popularity • 42% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
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John Field
Prelude in C Minor - Upright Piano
138 bpm • C min • 00:40 • -35.65db
45% Popularity • 37% Danceability • 0% Energy • 11% Liveness
90% Instrumentalness • 0% Positiveness
45% Popularity • 37% Danceability • 0% Energy • 11% Liveness
90% Instrumentalness • 0% Positiveness
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Ludwig van Beethoven
Piano Sonata No. 25 in G Major, Op. 79 "...
136 bpm • D# Maj • 02:33 • -37db
38% Popularity • 30% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
38% Popularity • 30% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19, No. 1
138 bpm • E Maj • 03:14 • -34db
46% Popularity • 22% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
46% Popularity • 22% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
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Charles-Valentin Alkan
Premier Nocturne, Op. 22
135 bpm • B Maj • 06:09 • -31.53db
42% Popularity • 34% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
42% Popularity • 34% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
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Johann Christian Bach
Sonata No. 5 in A Major, Op. 17, No. 5: ...
135 bpm • A Maj • 03:38 • -27.59db
41% Popularity • 24% Danceability • 11% Energy • 13% Liveness
90% Instrumentalness • 44% Positiveness
41% Popularity • 24% Danceability • 11% Energy • 13% Liveness
90% Instrumentalness • 44% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
135 bpm • F Maj • 02:30 • -35.8db
52% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
52% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
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Erik Satie
Mercure, Scene 1: La nuit
139 bpm • C Maj • 01:13 • -35.36db
58% Popularity • 14% Danceability • 0% Energy • 7% Liveness
3% Instrumentalness • 5% Positiveness
58% Popularity • 14% Danceability • 0% Energy • 7% Liveness
3% Instrumentalness • 5% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 2, Op. 55: IV. Solve...
139 bpm • E min • 04:37 • -30db
33% Popularity • 40% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
33% Popularity • 40% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
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Clara Schumann
Three Romances, Op. 11: No. 1 in E-Flat ...
134 bpm • D# min • 03:03 • -24db
34% Popularity • 37% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
34% Popularity • 37% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
II. Andante
140 bpm • A# Maj • 06:43 • -27.65db
45% Popularity • 28% Danceability • 1% Energy • 10% Liveness
7% Instrumentalness • 17% Positiveness
45% Popularity • 28% Danceability • 1% Energy • 10% Liveness
7% Instrumentalness • 17% Positiveness
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Benjamin Godard
Jocelyn, Op. 100: Berceuse (Arr. for Pia...
134 bpm • F Maj • 02:32 • -32db
23% Popularity • 40% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 14% Positiveness
23% Popularity • 40% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 14% Positiveness
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Carl Maria von Weber
7 Variations on the Air Vien qua, Dorina...
134 bpm • C Maj • 01:17 • -34db
58% Popularity • 22% Danceability • 1% Energy • 7% Liveness
80% Instrumentalness • 22% Positiveness
58% Popularity • 22% Danceability • 1% Energy • 7% Liveness
80% Instrumentalness • 22% Positiveness
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Fanny Mendelssohn
6 Melodies, Op. 4 - 6 melodies, Op. 5: A...
140 bpm • C# min • 01:33 • -30.89db
41% Popularity • 28% Danceability • 4% Energy • 11% Liveness
79% Instrumentalness • 5% Positiveness
41% Popularity • 28% Danceability • 4% Energy • 11% Liveness
79% Instrumentalness • 5% Positiveness
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Friedrich Burgmüller
25 Ètudes Faciles Et Progressives, Op. ...
134 bpm • D Maj • 01:06 • -26db
55% Popularity • 16% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 41% Positiveness
55% Popularity • 16% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 41% Positiveness
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Clara Schumann
Romance in B Minor
140 bpm • B min • 05:27 • -30.63db
6% Popularity • 38% Danceability • 1% Energy • 8% Liveness
83% Instrumentalness • 6% Positiveness
6% Popularity • 38% Danceability • 1% Energy • 8% Liveness
83% Instrumentalness • 6% Positiveness
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Jean Sibelius
13 Pieces, Op. 76: No. 1 Esquisse
141 bpm • A Maj • 00:55 • -25.06db
53% Popularity • 29% Danceability • 10% Energy • 10% Liveness
93% Instrumentalness • 54% Positiveness
53% Popularity • 29% Danceability • 10% Energy • 10% Liveness
93% Instrumentalness • 54% Positiveness
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Manuel de Falla
Siete Canciones Populares Españolas: VI...
141 bpm • C Maj • 02:13 • -39db
29% Popularity • 14% Danceability • 0% Energy • 6% Liveness
0% Instrumentalness • 6% Positiveness
29% Popularity • 14% Danceability • 0% Energy • 6% Liveness
0% Instrumentalness • 6% Positiveness
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Franz Schubert
Variations on an Original Theme in A-Fla...
133 bpm • D# Maj • 02:03 • -36.8db
45% Popularity • 40% Danceability • 1% Energy • 15% Liveness
96% Instrumentalness • 13% Positiveness
45% Popularity • 40% Danceability • 1% Energy • 15% Liveness
96% Instrumentalness • 13% Positiveness
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Gottfried Heinrich Stölzel
Bist du bei mir (Formerly Attrib. J.S. B...
133 bpm • D# Maj • 03:29 • -30db
30% Popularity • 51% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 20% Positiveness
30% Popularity • 51% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 20% Positiveness
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Edward Elgar
Variations on an Original Theme, Op. 36 ...
142 bpm • D# Maj • 03:45 • -23db
21% Popularity • 14% Danceability • 6% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
21% Popularity • 14% Danceability • 6% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
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Clara Schumann
Piano Sonata in G Minor: I. Allegro
141 bpm • D# Maj • 08:58 • -26.25db
12% Popularity • 36% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
12% Popularity • 36% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
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AntonÃn Dvořák
Slavonic Dances, Op. 72, B. 145: No. 2 i...
132 bpm • C Maj • 02:01 • -25db
56% Popularity • 34% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
56% Popularity • 34% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
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Alexander Scriabin
8 Études, Op. 42: No. 5 in C-Sharp Mino...
132 bpm • C# min • 03:33 • -23db
32% Popularity • 26% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 10% Positiveness
32% Popularity • 26% Danceability • 15% Energy • 10% Liveness
86% Instrumentalness • 10% Positiveness
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Maurice Ravel
Ravel: Miroirs, M. 43: V. La Vallée des...
132 bpm • C# Maj • 06:06 • -33db
38% Popularity • 44% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
38% Popularity • 44% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Frédéric Chopin
Nocturne No. 6 in G Minor, Op. 15 No. 3
132 bpm • D min • 03:56 • -25.61db
50% Popularity • 45% Danceability • 2% Energy • 20% Liveness
93% Instrumentalness • 11% Positiveness
50% Popularity • 45% Danceability • 2% Energy • 20% Liveness
93% Instrumentalness • 11% Positiveness
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Ludwig van Beethoven
Eroica Dance (Arr. for Piano from Sympho...
143 bpm • D# Maj • 01:25 • -21.95db
40% Popularity • 35% Danceability • 18% Energy • 17% Liveness
90% Instrumentalness • 42% Positiveness
40% Popularity • 35% Danceability • 18% Energy • 17% Liveness
90% Instrumentalness • 42% Positiveness
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Clara Schumann
Der Wanderer in der Sägemühle
131 bpm • C Maj • 02:13 • -23.78db
0% Popularity • 46% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
0% Popularity • 46% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Tekla BÄ…darzewska-Baranowska
Douce rêverie in G Minor
131 bpm • G min • 01:57 • -22.15db
36% Popularity • 44% Danceability • 9% Energy • 9% Liveness
87% Instrumentalness • 21% Positiveness
36% Popularity • 44% Danceability • 9% Energy • 9% Liveness
87% Instrumentalness • 21% Positiveness
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Fanny Mendelssohn
Schwanenlied
143 bpm • G min • 02:30 • -21.42db
48% Popularity • 24% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
48% Popularity • 24% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
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Maurice Ravel
Ravel: Sonatine, M. 40: II. Mouvement de...
131 bpm • C# Maj • 02:56 • -27.01db
33% Popularity • 39% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
33% Popularity • 39% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
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Alexander Scriabin
3 Pieces, Op. 2: Prelude in B Major, Op....
131 bpm • B Maj • 00:59 • -41db
55% Popularity • 31% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 18% Positiveness
55% Popularity • 31% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 18% Positiveness
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Domenico Scarlatti
Sonata in D Minor, K. 32
130 bpm • D min • 02:43 • -30db
39% Popularity • 56% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 30% Positiveness
39% Popularity • 56% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 30% Positiveness
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Clara Schumann
3 Romances for Violin and Piano, Op. 22:...
131 bpm • C# Maj • 02:58 • -23.41db
9% Popularity • 22% Danceability • 8% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
9% Popularity • 22% Danceability • 8% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
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Felix Mendelssohn
Piano Concerto No. 2 in D Minor, Op. 40,...
131 bpm • A# Maj • 07:44 • -30.09db
36% Popularity • 26% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
36% Popularity • 26% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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Bedřich Smetana
6 Album Leaves, Op. 2, JB 1:51: No. 3 in...
144 bpm • G Maj • 01:14 • -25db
52% Popularity • 24% Danceability • 15% Energy • 13% Liveness
86% Instrumentalness • 36% Positiveness
52% Popularity • 24% Danceability • 15% Energy • 13% Liveness
86% Instrumentalness • 36% Positiveness
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Edvard Grieg
Lyric Pieces Book I, Op. 12: No. 1 Ariet...
130 bpm • D# Maj • 01:25 • -41db
51% Popularity • 44% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 37% Positiveness
51% Popularity • 44% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 37% Positiveness
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Wolfgang Amadeus Mozart
Rondo in A Minor, K. 511
130 bpm • D min • 10:02 • -22.47db
33% Popularity • 35% Danceability • 11% Energy • 8% Liveness
92% Instrumentalness • 16% Positiveness
33% Popularity • 35% Danceability • 11% Energy • 8% Liveness
92% Instrumentalness • 16% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
129 bpm • D min • 01:46 • -28.77db
52% Popularity • 25% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 17% Positiveness
52% Popularity • 25% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 17% Positiveness
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Clara Schumann
Nocturne, Op. 6, No. 2
129 bpm • F Maj • 04:54 • -28.26db
4% Popularity • 36% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
4% Popularity • 36% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
A Midsummer Night's Dream, Op. 61: Scher...
129 bpm • C min • 04:40 • -25db
37% Popularity • 41% Danceability • 16% Energy • 14% Liveness
91% Instrumentalness • 76% Positiveness
37% Popularity • 41% Danceability • 16% Energy • 14% Liveness
91% Instrumentalness • 76% Positiveness
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George Frideric Handel
Suite No. 2 in F Major, HWV 427: I. Adag...
129 bpm • F Maj • 02:36 • -36.17db
38% Popularity • 31% Danceability • 1% Energy • 6% Liveness
93% Instrumentalness • 20% Positiveness
38% Popularity • 31% Danceability • 1% Energy • 6% Liveness
93% Instrumentalness • 20% Positiveness
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Ignaz Friedman
Orfeo ed Euridice, Act II: Dance of the ...
128 bpm • D min • 04:11 • -34db
53% Popularity • 38% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
53% Popularity • 38% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
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Ludwig van Beethoven
Violin Sonata No. 5 in F Major, Op. 24 "...
147 bpm • F Maj • 09:40 • -21db
38% Popularity • 36% Danceability • 6% Energy • 6% Liveness
19% Instrumentalness • 20% Positiveness
38% Popularity • 36% Danceability • 6% Energy • 6% Liveness
19% Instrumentalness • 20% Positiveness
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Frédéric Chopin
Waltz No. 19 in A Minor, KK IVb (Version...
127 bpm • G# min • 02:22 • -25.73db
54% Popularity • 39% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
54% Popularity • 39% Danceability • 9% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
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Clara Schumann
3 Romances, Op. 11: No. 1, Andante
127 bpm • D# min • 03:02 • -29db
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Charles-Valentin Alkan
48 Esquisses, Op. 63, Book 1: No. 1, La ...
127 bpm • C Maj • 02:55 • -40.44db
41% Popularity • 41% Danceability • 1% Energy • 6% Liveness
96% Instrumentalness • 4% Positiveness
41% Popularity • 41% Danceability • 1% Energy • 6% Liveness
96% Instrumentalness • 4% Positiveness
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César Franck
Franck: Prélude, fugue et variation, Op...
127 bpm • B min • 04:21 • -34.47db
25% Popularity • 45% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
25% Popularity • 45% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
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Alexander Scriabin
2 Pieces for the Left Hand, Op. 9: No. 1...
127 bpm • F# min • 02:11 • -29db
45% Popularity • 36% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 5% Positiveness
45% Popularity • 36% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 5% Positiveness
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Franz Liszt
Mendelssohns Lieder, S. 547: Auf Flugeln...
149 bpm • G# Maj • 03:19 • -30.75db
52% Popularity • 30% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
52% Popularity • 30% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
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Wolfgang Amadeus Mozart
Fantasia in D Minor, K. 397
126 bpm • D Maj • 05:16 • -25.26db
57% Popularity • 38% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 8% Positiveness
57% Popularity • 38% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 8% Positiveness
► Preview
Maurice Ravel
Ravel: Pavane pour une infante défunte,...
126 bpm • E min • 05:46 • -27db
59% Popularity • 49% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
59% Popularity • 49% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
► Preview
Sergei Rachmaninoff
6 Moments musicaux, Op. 16: No. 4, Prest...
126 bpm • E min • 03:09 • -21db
34% Popularity • 26% Danceability • 19% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
34% Popularity • 26% Danceability • 19% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
► Preview
Fanny Mendelssohn
Notturno in G Minor
125 bpm • G min • 04:40 • -27db
35% Popularity • 40% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
35% Popularity • 40% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
► Preview
Ottorino Respighi
Antiche Danze Ed Arie Per Liuto (Ancient...
125 bpm • D Maj • 02:47 • -23db
43% Popularity • 51% Danceability • 12% Energy • 12% Liveness
84% Instrumentalness • 35% Positiveness
43% Popularity • 51% Danceability • 12% Energy • 12% Liveness
84% Instrumentalness • 35% Positiveness
► Preview
Benjamin Frith
Nocturne No. 12 In G Major, H. 58d: Noct...
125 bpm • G Maj • 02:27 • -32db
52% Popularity • 34% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 13% Positiveness
52% Popularity • 34% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 13% Positiveness
► Preview
AntonÃn Dvořák
Gypsy Melodies, Op. 55, B. 104: IV. Song...
125 bpm • D Maj • 02:31 • -25.5db
44% Popularity • 24% Danceability • 5% Energy • 13% Liveness
82% Instrumentalness • 6% Positiveness
44% Popularity • 24% Danceability • 5% Energy • 13% Liveness
82% Instrumentalness • 6% Positiveness
► Preview
Clara Schumann
Beim Abschied, KochS WoO 22, (F. Serre) ...
124 bpm • F Maj • 04:35 • -25.86db
2% Popularity • 34% Danceability • 2% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
2% Popularity • 34% Danceability • 2% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Carl Maria von Weber
Variations on a Theme from the Opera Sil...
123 bpm • A# Maj • 01:10 • -17.02db
44% Popularity • 41% Danceability • 31% Energy • 10% Liveness
96% Instrumentalness • 72% Positiveness
44% Popularity • 41% Danceability • 31% Energy • 10% Liveness
96% Instrumentalness • 72% Positiveness
► Preview
Francis Poulenc
Cello Sonata, FP 143: Cavatine: Tres cal...
122 bpm • A# min • 06:22 • -25db
37% Popularity • 22% Danceability • 2% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
37% Popularity • 22% Danceability • 2% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Domenico Scarlatti
Keyboard Sonata in C Major, Kk. 159
120 bpm • C Maj • 02:23 • -27db
51% Popularity • 57% Danceability • 20% Energy • 10% Liveness
82% Instrumentalness • 71% Positiveness
51% Popularity • 57% Danceability • 20% Energy • 10% Liveness
82% Instrumentalness • 71% Positiveness
► Preview
Jean Rondeau
Rondeau: Paula
120 bpm • F# Maj • 02:41 • -23.01db
42% Popularity • 29% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
42% Popularity • 29% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Gabriel Fauré
Cello Sonata No. 1 in D Minor, Op. 109: ...
120 bpm • D# Maj • 06:59 • -18.9db
43% Popularity • 23% Danceability • 11% Energy • 9% Liveness
86% Instrumentalness • 8% Positiveness
43% Popularity • 23% Danceability • 11% Energy • 9% Liveness
86% Instrumentalness • 8% Positiveness
► Preview
Franz Schubert
Winterreise, Op. 89, D. 911: No. 21, Tau...
119 bpm • A Maj • 01:24 • -35.9db
56% Popularity • 31% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 12% Positiveness
56% Popularity • 31% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 12% Positiveness
► Preview
Carl Maria von Weber
7 Variations on an original theme, Op. 9...
121 bpm • F Maj • 00:57 • -35db
59% Popularity • 36% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 38% Positiveness
59% Popularity • 36% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 38% Positiveness
► Preview
Lazar Berman
Chaconne in sol maggiore : Variazione 10
120 bpm • G min • 01:01 • -37.28db
52% Popularity • 53% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 36% Positiveness
52% Popularity • 53% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 36% Positiveness
► Preview
Fanny Mendelssohn
Schluss
118 bpm • C Maj • 02:15 • -34db
49% Popularity • 27% Danceability • 3% Energy • 6% Liveness
86% Instrumentalness • 28% Positiveness
49% Popularity • 27% Danceability • 3% Energy • 6% Liveness
86% Instrumentalness • 28% Positiveness
► Preview
Ottorino Respighi
Gli uccelli (The Birds), P. 154: V. Il c...
117 bpm • A Maj • 04:22 • -20.39db
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
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Antonio Vivaldi
Four Seasons Winter Variation (After Vio...
117 bpm • F min • 01:43 • -27.84db
45% Popularity • 41% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 15% Positiveness
45% Popularity • 41% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 15% Positiveness
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Clara Schumann
3 Romances, Op. 22: No. 2, Allegretto
116 bpm • G Maj • 02:45 • -26.5db
12% Popularity • 31% Danceability • 3% Energy • 13% Liveness
42% Instrumentalness • 23% Positiveness
12% Popularity • 31% Danceability • 3% Energy • 13% Liveness
42% Instrumentalness • 23% Positiveness
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Carl Maria von Weber
Divertimento No. 6 in G Major, Op. 38: D...
119 bpm • G Maj • 01:12 • -27db
47% Popularity • 46% Danceability • 2% Energy • 13% Liveness
86% Instrumentalness • 26% Positiveness
47% Popularity • 46% Danceability • 2% Energy • 13% Liveness
86% Instrumentalness • 26% Positiveness
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Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
166 bpm • F# min • 02:17 • -29db
50% Popularity • 29% Danceability • 8% Energy • 9% Liveness
88% Instrumentalness • 50% Positiveness
50% Popularity • 29% Danceability • 8% Energy • 9% Liveness
88% Instrumentalness • 50% Positiveness
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Ludwig van Beethoven
Piano Sonata No. 28 in A Major, Op. 101:...
167 bpm • A Maj • 02:20 • -31db
38% Popularity • 33% Danceability • 1% Energy • 13% Liveness
83% Instrumentalness • 5% Positiveness
38% Popularity • 33% Danceability • 1% Energy • 13% Liveness
83% Instrumentalness • 5% Positiveness
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Emmanuel Pahud
Molino: Duo No. 3, Op. 16: I. Andantino
167 bpm • G Maj • 01:38 • -25.18db
44% Popularity • 24% Danceability • 4% Energy • 10% Liveness
74% Instrumentalness • 32% Positiveness
44% Popularity • 24% Danceability • 4% Energy • 10% Liveness
74% Instrumentalness • 32% Positiveness
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Frédéric Chopin
Andante spianato
168 bpm • G Maj • 04:46 • -33db
48% Popularity • 23% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 7% Positiveness
48% Popularity • 23% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 7% Positiveness
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Clara Schumann
Variations on a Theme by Robert Schumann...
167 bpm • A Maj • 01:10 • -33db
31% Popularity • 43% Danceability • 0% Energy • 7% Liveness
86% Instrumentalness • 18% Positiveness
31% Popularity • 43% Danceability • 0% Energy • 7% Liveness
86% Instrumentalness • 18% Positiveness
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Sergei Rachmaninoff
Sonata In G Minor For Cello & Piano, Op....
168 bpm • D# Maj • 05:43 • -25.03db
31% Popularity • 19% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
31% Popularity • 19% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19: No. 6 in G Mi...
168 bpm • G min • 01:58 • -37db
55% Popularity • 30% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness
55% Popularity • 30% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness
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Jean Sibelius
13 Pieces for Piano, Op. 76: Elegiaco, N...
169 bpm • E Maj • 01:32 • -33.11db
47% Popularity • 24% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 14% Positiveness
47% Popularity • 24% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 14% Positiveness
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Ludwig van Beethoven
Piano Sonata No. 14 in C-Sharp Minor, Op...
168 bpm • C# min • 05:23 • -44.07db
40% Popularity • 14% Danceability • 0% Energy • 13% Liveness
86% Instrumentalness • 12% Positiveness
40% Popularity • 14% Danceability • 0% Energy • 13% Liveness
86% Instrumentalness • 12% Positiveness
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Amy Beach
Young Birches, Op. 128, No. 2
170 bpm • F# min • 02:39 • -29.55db
51% Popularity • 24% Danceability • 8% Energy • 8% Liveness
94% Instrumentalness • 19% Positiveness
51% Popularity • 24% Danceability • 8% Energy • 8% Liveness
94% Instrumentalness • 19% Positiveness
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Clara Schumann
3 Romances For Violin And Piano, Op. 22:...
164 bpm • C# Maj • 02:57 • -25.2db
11% Popularity • 16% Danceability • 4% Energy • 18% Liveness
1% Instrumentalness • 6% Positiveness
11% Popularity • 16% Danceability • 4% Energy • 18% Liveness
1% Instrumentalness • 6% Positiveness
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Richard Strauss
Cello Sonata in F Major, Op.6: II. Andan...
171 bpm • A# Maj • 09:18 • -26db
24% Popularity • 11% Danceability • 3% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
24% Popularity • 11% Danceability • 3% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
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Franz Schubert
Du bist die Ruh', D. 776 (Transc. for Ce...
171 bpm • A# Maj • 04:21 • -24.9db
37% Popularity • 10% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
37% Popularity • 10% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
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Frédéric Chopin
Sonata In G Minor For Cello & Piano, Op....
171 bpm • A# Maj • 03:37 • -30.67db
26% Popularity • 8% Danceability • 1% Energy • 10% Liveness
79% Instrumentalness • 5% Positiveness
26% Popularity • 8% Danceability • 1% Energy • 10% Liveness
79% Instrumentalness • 5% Positiveness
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Ottorino Respighi
Antiche danze ed arie per liuto, Suite N...
172 bpm • A# Maj • 03:14 • -26db
39% Popularity • 10% Danceability • 8% Energy • 35% Liveness
80% Instrumentalness • 14% Positiveness
39% Popularity • 10% Danceability • 8% Energy • 35% Liveness
80% Instrumentalness • 14% Positiveness
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Ignaz Friedman
Suite in E Minor, RCT 2: Pièces de clav...
172 bpm • E min • 03:04 • -28db
33% Popularity • 34% Danceability • 17% Energy • 7% Liveness
80% Instrumentalness • 36% Positiveness
33% Popularity • 34% Danceability • 17% Energy • 7% Liveness
80% Instrumentalness • 36% Positiveness
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Clara Schumann
3 Romances, Op. 22: No. 1, Andante molto
168 bpm • C# Maj • 03:07 • -26.52db
15% Popularity • 14% Danceability • 5% Energy • 12% Liveness
78% Instrumentalness • 6% Positiveness
15% Popularity • 14% Danceability • 5% Energy • 12% Liveness
78% Instrumentalness • 6% Positiveness
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Lang Lang
Lieder ohne Worte, Op. 67: No. 4 in C Ma...
173 bpm • C Maj • 01:49 • -20db
50% Popularity • 26% Danceability • 37% Energy • 11% Liveness
92% Instrumentalness • 48% Positiveness
50% Popularity • 26% Danceability • 37% Energy • 11% Liveness
92% Instrumentalness • 48% Positiveness
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Carl Maria von Weber
7 Variations on the Air Vien qua, Dorina...
173 bpm • C Maj • 01:34 • -35db
61% Popularity • 23% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
61% Popularity • 23% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
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Frédéric Chopin
Mazurka in A Minor, Op. 17 No. 4
173 bpm • A min • 04:54 • -42.12db
39% Popularity • 16% Danceability • 0% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
39% Popularity • 16% Danceability • 0% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Piano Sonata No. 18 in D Major, K. 576 "...
174 bpm • A Maj • 05:01 • -26db
51% Popularity • 32% Danceability • 7% Energy • 8% Liveness
93% Instrumentalness • 21% Positiveness
51% Popularity • 32% Danceability • 7% Energy • 8% Liveness
93% Instrumentalness • 21% Positiveness
